Sand mandala (; ) is a

Tibetan Buddhist Tibetan Buddhism (also referred to as Indo-Tibetan Buddhism, Lamaism, Lamaistic Buddhism, Himalayan Buddhism, and Northern Buddhism) is the form of Buddhism practiced in Tibet and Bhutan, where it is the dominant religion. It is also in majo ...

tradition involving the creation and destruction of

mandala A mandala ( sa, मण्डल, maṇḍala, circle, ) is a geometric configuration of symbols. In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for e ...

s made from colored

sand Sand is a granular material composed of finely divided mineral particles. Sand has various compositions but is defined by its grain size. Sand grains are smaller than gravel and coarser than silt. Sand can also refer to a textural class ...

. Once complete, the sand mandala's ritualistic dismantling is accompanied by ceremonies and viewing to symbolize Buddhist doctrinal belief in the transitory nature of material life.

Materials and construction

Historically, the mandala was not created with naturally dyed sand, but granules of crushed colored stone. In modern times, plain white stones are ground down and dyed with opaque inks to achieve the same effect. The monks use a special, extremely dense sand in order to limit interference by things such as wind or sneezes. Before laying down the sand, the monks assigned to the project will draw the geometric measurements associated with the mandala. The sand granules are then applied using small tubes, funnels, and scrapers, called chak-pur, until the desired pattern is achieved. Sand mandalas traditionally take several weeks to build due to the large amount of work involved in laying down the sand in such intricate detail. It is common that a team of monks will work together on the project, creating one section of the diagram at a time, working from the middle outwards.

Themes

The

Kalachakra ''Kālacakra'' () is a polysemic term in Vajrayana Buddhism that means " wheel of time" or "time cycles". "''Kālacakra''" is also the name of a series of Buddhist texts and a major practice lineage in Indian Buddhism and Tibetan Buddhism. The ...

Mandala for instance, contains 722 deities portrayed within the complex structure and geometry of the mandala itself. Other smaller mandalas, such as the one attributed to

Vajrabhairava Yamāntaka ( sa, यमान्तक Yamāntaka) or Vajrabhairava (; ; ko, 대위덕명왕 ''Daewideok-myeongwang''; ja, 大威徳明王 ''Daiitoku-myōō''; mn, Эрлэгийн Жаргагчи ''Erlig-jin Jarghagchi'') is the "destroyer of ...

, contain significantly fewer deities and require less geometry, but still take several days to complete. Like all mandalas, these are meant as two-dimensional representations of what is supposed to be a three-dimensional environment. Various buildings have been suggested to be three-dimensional mandalas, such as

Borobodur Borobudur, also transcribed Barabudur ( id, Candi Borobudur, jv, ꦕꦤ꧀ꦝꦶꦧꦫꦧꦸꦝꦸꦂ, Candhi Barabudhur) is a 9th-century Mahayana Buddhist temple in Magelang Regency, not far from the town of Muntilan, in Central Java, Indone ...

in Java, Indonesia, and the Bayon in Siem Reap, Cambodia, although no academic consensus on either has yet been reached. Many sand mandala contain a specific outer locality which is clearly identified as a

charnel ground A charnel ground (Sanakrit: श्मशान; IAST: śmaśāna; Tibetan pronunciation: durtrö; )Rigpa Shedra (July 2009). 'Charnel ground'. Source(accessed: Saturday December 19, 2009) is an above-ground site for the putrefaction of bodies, g ...

. The colors for the painting are usually made with naturally colored sand, crushed gypsum (white), yellow ocher, red sandstone, charcoal, and a mixture of charcoal and gypsum (blue). Mixing red and black can make brown, red and white make pink. Other coloring agents include corn meal, flower pollen, or powdered roots and bark.

Ritual destruction

The destruction of a sand mandala is highly ceremonial. Even the deity syllables are removed in a specific order along with the rest of the geometry until at last the mandala has been dismantled to show impermanence. The sand is collected in a jar which is then wrapped in silk and transported to a river (or any place with moving water), where it is released back into nature to disperse the healing energies of the mandala to sentient beings in water and throughout the world.

Notable sand mandala artists

Losang Samten Losang Samten () is a Tibetan-American scholar, sand mandala artist, former Buddhist monk, and Spiritual Director of the Chenrezig Tibetan Buddhist Center of Philadelphia. He is one of only an estimated 30 people worldwide who are qualified to ...

Dalai Lama Dalai Lama (, ; ) is a title given by the Tibetan people to the foremost spiritual leader of the Gelug or "Yellow Hat" school of Tibetan Buddhism, the newest and most dominant of the four major schools of Tibetan Buddhism. The 14th and current D ...

References

External links