1 Biography 2 Ferenczi’s main ideas
2.1 Activity in psychoanalytic therapy 2.2 Clinical empathy in psychoanalysis 2.3 The "confusion of tongues" theory of trauma 2.4 Regressus ad uterum
3 See also 4 Notes 5 Further reading 6 External links
Born Sándor Fränkel to Baruch Fränkel and Rosa Eibenschütz, both
Polish Jews, he later magyarized his surname to Ferenczi.
As a result of his psychiatric work, he came to believe that his
patients' accounts of sexual abuse as children were truthful, having
verified those accounts through other patients in the same family.
This was a major reason for his eventual disputes with Sigmund Freud.
Prior to this conclusion he was notable as a psychoanalyst for working
with the most difficult of patients and for developing a theory of
more active intervention than is usual for psychoanalytic practice.
During the early 1920s, criticizing Freud's "classical" method of
neutral interpretation, Ferenczi collaborated with
Group photo 1909 in front of Clark University. Front row: Sigmund Freud, G. Stanley Hall, Carl Jung; back row: Abraham A. Brill, Ernest Jones, Sandor Ferenczi.
Ernest Jones, a biographer of Freud, termed Ferenczi as "mentally ill" at the end of his life, famously ignoring Ferenczi's struggle with pernicious anemia, which killed him in 1933. Though desperately ill with the then-untreatable disease, Ferenczi managed to deliver his most famous paper, "Confusion of Tongues" to the 12th International Psycho-Analytic Congress in Wiesbaden, Germany, on 4 September 1932. Ferenczi's reputation was revived in 2002 by publication of Disappearing and Reviving: Sandor Ferenczi in the History of Psychoanalysis One of the book's chapters dealt with the nature of the relationship between Freud and Ferenczi. Ferenczi’s main ideas Activity in psychoanalytic therapy Contrary to Freud’s opinion of therapeutic abstinence, Ferenczi advocated a more active role for the analyst. For example, instead of the relative “passivity” of a listening analyst encouraging the patient to free associate, Ferenczi used to curtail certain responses, verbal and non-verbal alike, on the part of the analysand so as to allow suppressed thoughts and feelings to emerge. Ferenczi (1980) described in a case study how he used a kind of behavioral activation (uncommon in the psychoanalytic therapy at that time) when he asked an opera singer with performance anxiety to “perform” during a therapy session and in this way to struggle with her fears (Rachman, 2007). Clinical empathy in psychoanalysis Ferenczi believed the empathic response during therapy was the basis of clinical interaction. He based his intervention on responding to the subjective experience of the analysand. If the more traditional opinion was that the analyst had the role of a physician, administering a treatment to the patient based upon diagnostic judgment of psychopathology, Ferenczi wanted the analysand to become a co-participant in an encounter created by the therapeutic dyad. This emphasis on empathic reciprocity during the therapeutic encounter was an important contribution to the evolution of psychoanalysis. Ferenczi also believed that self-disclosure of the analyst is an important therapeutic reparative force. The practice of including the therapist’s personality in therapy resulted in the development of the idea of mutual encounter: the therapist is allowed to discuss some content from his/her own life and thoughts, as long as it is relevant to the therapy. This is in contrast to the Freudian therapeutic abstinence according to which the therapist should not involve his/her personal life with the therapy, and should remain neutral (ibid.). The mutual encounter is a precedent for the psychoanalytic theory of two-person psychology. The "confusion of tongues" theory of trauma Ferenczi believed that the persistent traumatic effect of chronic overstimulation, deprivation, or empathic failure (a term further elaborated by Heinz Kohut) during childhood is what causes neurotic, character, borderline and psychotic disorders (ibid.). According to this concept, trauma develops as a result of the sexual seduction of a child by a parent or authority figure. The confusion of tongues occurs when the child pretends to be the spouse of the parent. The pathological adult interprets this infantile and innocent game according to his adult "passion tongue" and then forces the child to conform to his passion tongue. The adult uses a tongue the child does not know, and interprets the child’s innocent game (his infantile tongue) according to his disturbed perspective. For example, a father is playing with his little girl. During their common game, she offers him the role of her husband and wants him to sleep with her just as he sleeps with her mother. The pathological father misinterprets this childish offer, and touches his daughter in an inappropriate manner while they are in bed together. Here, the child spoke her innocent childish tongue, and the father interpreted her offer with his passionate adult sexual tongue. The adult also attempts to convince the child that the lust on his part is really the love for which the child yearns. Ferenczi generalized the idea of trauma to emotional neglect, physical maltreatment, and empathic failure. The prominent manifestation of these disturbances would be the sexual abuse.
Left to right, seated: Sigmund Freud, Sándor Ferenczi, and Hanns Sachs. Standing; Otto Rank, Karl Abraham, Max Eitingon, and Ernest Jones. Photo 1922
Regressus ad uterum
In Thalassa: A Theory of Genitality (1924), Ferenczi suggested that
the wish to return to the womb (Latin: regressus ad uterum) and the
comfort of its amniotic fluids symbolizes a wish to return to the
origin of life, the sea. This idea of an "uterine and thalassal
regression" became a feature of the so-called
Amphimixis Little Arpad Narcissistic abuse Otto Rank
^ Ferenczi, S. (1933). The Confusion of Tongues Between Adults and Children: The Language of Tenderness and of Passion. Sándor Ferenczi Number. M. Balint (Ed.) International Journal of Psycho-Analysis 30: Whole No. 4, 1949 (the first English translation of the paper Archived 2014-03-28 at the Wayback Machine.). ^ Section V - Continuing Education - Ferenczi Archived 2008-11-20 at the Wayback Machine. ^ Andre E. Haynal (ed.),Disappearing and Reviving: Sandor Ferenczi in the History of Psychoanalysis. London: Karnac Books ^ Trauma-related lectures and notes (in German): Sándor Ferenczi: Infantil-Angriffe! - Über sexuelle Gewalt, Trauma und Dissoziation. Berlin 2014 pdf ISBN 978-3-923211-36-4 ^ Hoeller, K., ed. (1973). Review of Existential Psychology & Psychiatry, Volumes 12-14. p. 86. A psychoanalytical classic that focuses on the return to the womb is Sandor Ferenczi, Thalassa: A Theory of Genitality. ^ Sandor Ferenczi on Encyclopædia Britannica. ^ Ferenczi, Sándor (2011). Thalassa: A Theory of Genitality. London: Karnac Books. ISBN 978-17-8049-880-5. Quote. ^ Akhtar, Salman; O'Neil, Mary Kay, eds. (2011). On Freud's "Beyond the Pleasure Principle". London: Karnac Books. p. 261. ISBN 1-855-75785-0; ISBN 978-18-5575-785-1. ^ Cronan, Todd (2011). ""Danger in the Smallest Dose": Richard Neutra's Design Theory". Design and Culture. 3 (2).
Ferenczi's Turn in Psychoanalysis, Peter L. Rudnytsky, New York
University Press, 2000, Paperback, 450 pages, ISBN 0-8147-7545-4
Final Contributions to the Problems & Methods of Psycho-Analysis,
Sandor Ferenczi, H. Karnac Books, Limited, Hardback, 1994,
Biography at the
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Philippe Pinel (1745–1826) Josef Breuer (1842–1925) Sigmund Freud (1856–1939) Pierre Janet (1859–1947) Alfred Adler (1870–1937) Sándor Ferenczi (1873–1933) Carl Jung (1875–1961) Ludwig Binswanger (1881–1966) Melanie Klein (1882–1960) Otto Rank (1884–1939) Karen Horney (1885–1952) Harry Stack Sullivan (1892–1949) Fritz Perls (1893–1970) Anna Freud (1895–1982) Donald Winnicott (1896–1971) Wilhelm Reich (1897–1957) Milton H. Erickson (1901–1980) Jacques Lacan (1901–1981) Erik Erikson (1902–1994) Carl Rogers (1902–1987) Viktor Frankl (1905–1997) George Kelly (1905–1967) Rollo May (1909–1994) Virginia Axline (1911–1988) Carl Whitaker (1912–1995) Albert Ellis (1913–2007) James Bugental (1915–2008) Joseph Wolpe (1915–1997) Virginia Satir (1916–1988) Aaron T. Beck (b. 1921) Salvador Minuchin (1921–2017) Hans Herrman Strupp (1921–2006) Paul Watzlawick (1921–2007) Haim Ginott (1922–1973) Arthur Janov (1924–2017) Eugene Gendlin (1926–2017) R. D. Laing (1927–1989) Jean Baker Miller (1927–2006) Otto F. Kernberg (b. 1928) Irvin D. Yalom (b. 1931) Arnold Lazarus (1932–2013) Lorna Smith Benjamin (b. 1934) Marsha M. Linehan (b. 1943) Vittorio Guidano (1944–1999) Les Greenberg (b. 1945) William R. Miller (b. 1947) Michael White (1948–2008) Jeffrey Young (b. 1950) Peter Fonagy (b. 1952)
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