Royal Palace of Évora
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The Royal Palace of Évora (
Portuguese Portuguese may refer to: * anything of, from, or related to the country and nation of Portugal ** Portuguese cuisine, traditional foods ** Portuguese language, a Romance language *** Portuguese dialects, variants of the Portuguese language ** Portu ...
: ''Paço Real de Évora''), also known as the Royal Palace of São Francisco (''Paço Real de São Francisco'') and the Palace of King Manuel I (''Palácio de D. Manuel''), is a former royal residence of the
Kings of Portugal This is a list of Portuguese monarchs who ruled from the establishment of the Kingdom of Portugal, in 1139, to the deposition of the Portuguese monarchy and creation of the Portuguese Republic with the 5 October 1910 revolution. Through the nea ...
, in
Évora Évora ( , ) is a city and a municipality in Portugal. It has 53,591 inhabitants (2021), in an area of 1307.08 km2. It is the historic capital of the Alentejo and serves as the seat of the Évora District. Due to its well-preserved old ...
, the capital of Alentejo. The palace has its origins in a convent built in the 13th century. During the 14th century, the convent came under royal use when the royal family was in the Alentejo, but only became a proper palace under the reign of King John I, who used it as a personal retreat from the court. It became a royal palace during King
Afonso V Afonso V () (15 January 1432 – 28 August 1481), known by the sobriquet the African (), was King of Portugal from 1438 until his death in 1481, with a brief interruption in 1477. His sobriquet refers to his military conquests in Northern Africa ...
's reign, though it was the successive reigns of King
John II John II may refer to: People * John Cicero, Elector of Brandenburg (1455–1499) * John II Casimir Vasa of Poland (1609–1672) * John II Comyn, Lord of Badenoch (died 1302) * John II Doukas of Thessaly (1303–1318) * John II Komnenos (1087–1 ...
and
Manuel I Manuel I may refer to: * Manuel I Komnenos, Byzantine emperor (1143–1180) *Manuel I of Trebizond, Emperor of Trebizond (1228–1263) *Manuel I of Portugal Manuel I (; 31 May 146913 December 1521), known as the Fortunate ( pt, O Venturoso), wa ...
that turned the originally ordinary palace into a grandiose renaissance palace, truly fit for a king. Over the centuries, the palace fell prey to war, decay, and urban redevelopment, which destroyed nearly all of the palace, with only a few segments of the palace still existing. The Royal Palace of Évora was one of the centers of the
Portuguese Renaissance The Portuguese Renaissance refers to the cultural and artistic movement in Portugal during the 15th and 16th centuries. Though the movement coincided with the Spanish and Italian Renaissances, the Portuguese Renaissance was largely separate from o ...
, under King Manuel I, where playwrights, like
Gil Vicente Gil Vicente (; c. 1465c. 1536), called the Trobadour, was a Portuguese playwright and poet who acted in and directed his own plays. Considered the chief dramatist of Portugal he is sometimes called the "Portuguese Plautus," often ref ...
, and explorers, like Vasco da Gama, sought audiences with the king. During this time, the palace was constantly being added to and worked on, a never ending piece of art during the time of Évora's cultural and political golden age.


History

The Royal Palace of Évora has its origins in the Convent and College of São Francisco, built before the reign of King
Afonso IV Afonso IVEnglish: ''Alphonzo'' or ''Alphonse'', or ''Affonso'' (Archaic Portuguese), ''Alfonso'' or ''Alphonso'' (Portuguese-Galician) or ''Alphonsus'' (Latin). (; 8 February 129128 May 1357), called the Brave ( pt, o Bravo, links=no), was King ...
. The convent's first royal function was in 1336, when Prince Pedro of Portugal celebrated his marriage to Constanza Manuel, which put the convent on royal notice. In 1387, King John I took the first step in transforming the convent to a palace, when he ordered that two chambers, and antechamber, an inn, servants houses, a well, and an orange grove all be built at the convent, and evicted resident
Franciscans , image = FrancescoCoA PioM.svg , image_size = 200px , caption = A cross, Christ's arm and Saint Francis's arm, a universal symbol of the Franciscans , abbreviation = OFM , predecessor = , ...
from certain wings of the convent turned palace. While he turned the convent into a good sized palace, it was a personal palace, not a royal one, only for the use of the King, his Queen, and their children. In 1470, King
Afonso V Afonso V () (15 January 1432 – 28 August 1481), known by the sobriquet the African (), was King of Portugal from 1438 until his death in 1481, with a brief interruption in 1477. His sobriquet refers to his military conquests in Northern Africa ...
raised the Palace of São Francisco, as it was known at the time, to the level of a royal palace. He expanded the complex and installed his court there, previously located in Estaus Palace. The King spent large sums of time at the palace, but after his defeat in the
War of the Castilian Succession The War of the Castilian Succession was the military conflict contested from 1475 to 1479 for the succession of the Crown of Castile fought between the supporters of Joanna 'la Beltraneja', reputed daughter of the late monarch Henry IV of Castile ...
, he lived the rest of his life in a monastery, near
Sintra Sintra (, ) is a town and municipality in the Greater Lisbon region of Portugal, located on the Portuguese Riviera. The population of the municipality in 2011 was 377,835, in an area of . Sintra is one of the most urbanized and densely populat ...
. King Afonso V's son, King
John II John II may refer to: People * John Cicero, Elector of Brandenburg (1455–1499) * John II Casimir Vasa of Poland (1609–1672) * John II Comyn, Lord of Badenoch (died 1302) * John II Doukas of Thessaly (1303–1318) * John II Komnenos (1087–1 ...
, would be the first king to use the palace as a full-time palace, and not as a retreat or seasonal palace, like his predecessors. From 1481 to 1482, King John II installed the Portuguese Cortes, his parliaments, in the Royal Palace of Évora. In 1482, in order to better accommodate the Cortes, King John II expanded the former rectory of the convent into offices for the High Offices of the Royal Court, which allowed for a more organized and structured Cortes, thus allowing King John II to live at the palace for a long period. In 1490, King John II opened the Portuguese Cortes once again at the palace and on 24 March 1490, the palace became the center of festivities and ceremony for the marriage of
Afonso, Prince of Portugal Afonso, Hereditary Prince of Portugal (; 18 May 147513 July 1491) was the heir apparent to the throne of Portugal. He was born in Lisbon, Portugal, and died in a horse-riding accident on the banks of the river Tagus. Heir apparent Afonso, na ...
to Isabella, Princess of Asturias. To facilitate the marriage celebrations, King John II expanded the palace, through the construction of a new wing and gardens. In 1493, King John II amplified his works on the palace, creating the Hall of Ambassadors, the Queen's Hall, the Royal Armory, and the Tribunal of the Palace of São Francisco, thus pushing the friars of the palace into smaller quarters. In 1495, Pope Alexander VI granted King John II, as per his request, the right to completely evict all clergymen still residing in the convent part of the palace, so long that he build them a church and new convent. With King John II's death, in 1495, his cousin, Manuel I, Duke of Beja and Viseu, succeeded King John II as King Manuel I of Portugal. King Manuel I's personal monopoly on the spice trade allowed the King to be a great patron of the arts, constructing numerous palaces, convents, and churches throughout the country. King Manuel I took a great interest in Évora, establishing his court there on various occasions. From 1502 to 1520, King Manuel I ordered a vast series of renovations, constructions, and enlargements. During the
Manueline The Manueline ( pt, estilo manuelino, ), occasionally known as Portuguese late Gothic, is the sumptuous, composite Portuguese architectural style originating in the 16th century, during the Portuguese Renaissance and Age of Discoveries. Manuel ...
Campaigns, as the works are collectively known as, the palace grew to one of the largest palaces in
Iberia The Iberian Peninsula (), ** * Aragonese and Occitan: ''Peninsula Iberica'' ** ** * french: Péninsule Ibérique * mwl, Península Eibérica * eu, Iberiar penintsula also known as Iberia, is a peninsula in southwestern Europe, defi ...
. The additions were inspired by Alhambra of Granada. Through architects Martim Lourenço, Álvaro Anes, and António de Lagoa the Manuline Campaign saw the construction of Couto Hall, the Wing of the Infantes, an infirmary, the Royal Gardens and Hunting Grounds, the Royal Library, and the Gallery of Dames, which is the only part of the palace to survive to present day. Alongside expansion of the palace, King Manuel I also renovated the existing parts of the palace, remodeling the Queen's Hall, the servants quarters, and the Rossio of the Palace. In 1519, King Manuel I ordered architect André Pires to turn the plain Hall of Ambassadors into a Manueline Throne Room, which would direct itself towards the Palace Rossio. In 1616, during
Iberian Union pt, União Ibérica , conventional_long_name =Iberian Union , common_name = , year_start = 1580 , date_start = 25 August , life_span = 1580–1640 , event_start = War of the Portuguese Succession , event_end = Portuguese Restoration War , ...
, Philip II of Spain visited Évora and at the request of the Franciscans, issued a royal diploma that integrated the building, vegetable garden, orchard and garden at the Convent, beginning the ruin of the Queen's Room with the construction of 2 bedrooms of friars and use of the masonry and other materials of the Palace; Century. Most of the complex was destroyed during the Portuguese Restoration War Since 1865, the Palace of Manuel was used as an Archaeological Museum, theater and exhibition space, until a collapse on February 18, 1881 destroyed its roofs. After the disaster, it was adapted to the public theater house - the Teatro Eborense - after the works; directed by the engineer Adriano de Sousa Monteiro, changed the original design, adding a second floor with metallic frame, according to the taste of the time. In March 1916 it was destroyed by fire, and remained so until 1943, when it was recovered by the National Monuments, which restored the property and saved the essential parts of the old pavilion


References


Sources


S.I.P.A. -Paços de Évora / Paço de D. Manuel / Palácio de D. ManuelC.M. Évora - Palácio de D. Manuel


External links

{{DEFAULTSORT:Evora, Royal Palace of Royal residences in Portugal Former buildings and structures in Portugal Demolished buildings and structures in Portugal National monuments in Évora District