Risorgimento! (opera)
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''Risorgimento!'' is an opera in one act by
Lorenzo Ferrero Lorenzo Ferrero (; born 1951) is an Italian composer, librettist, author, and book editor. He started composing at an early age and has written over a hundred compositions thus far, including twelve operas, three ballets, and numerous orchestral ...
set to an Italian-language
libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major li ...
by Dario Oliveri, based on a scenario by the composer. It was completed in 2010 and first performed at the
Teatro Comunale Modena The Teatro Comunale di Modena (Community Theatre of Modena, but renamed in October 2007 as Teatro Comunale Luciano Pavarotti) is an opera house in the town of Modena, (Emilia-Romagna province), Italy. The idea for the creation of the present theat ...
on 26 March 2011.


Overview

The opera was commissioned by the
Teatro Comunale di Bologna The Teatro Comunale di Bologna is an opera house in Bologna, Italy. Typically, it presents eight operas with six performances during its November to April season. While there had been various theatres presenting opera in Bologna since the early ...
for the 150th anniversary of the Italian unification which was commemorated in 2011, and had there an initial run of six performances between April 5 and 16, coupled with Luigi Dallapiccola's '' Il prigioniero''. The work mixes the story of one of the most well-known operas by Giuseppe Verdi, ''
Nabucco ''Nabucco'' (, short for Nabucodonosor ; en, "Nebuchadnezzar") is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of 2 Kings, J ...
'', with social and cultural aspects of the Risorgimento, through a plot in which one is the reflection of the other. The characters of the opera – says the composer – engage in a debate not just about the Risorgimento but also about the opera itself and its chances of success. They are, at least in part, the same as the interpreters of that first ''Nabucco'' (then titled ''Nabucodonosor'') staged at
La Scala La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performan ...
on 9 March 1842.Gavazzeni, Giovanni, ed. (2011). ''Lorenzo Ferrero: Risorgimento! Luigi Dallapiccola: Il prigioniero''. Bologna: Edizioni Pendragon, p. 32.


Roles


Synopsis

:Place: La Scala, Milan. :Time: February 1842. In a room inside the theatre the répétiteur () is rehearsing with Giovannina Bellinzaghi Fenena's prayer from the fourth act of the opera ''Nabucco''. The singer is expressing her doubts about the subject and about the artistic value of the work. During the dialogue enters
impresario An impresario (from the Italian ''impresa'', "an enterprise or undertaking") is a person who organizes and often finances concerts, plays, or operas, performing a role in stage arts that is similar to that of a film or television producer. His ...
Bartolomeo Merelli, who defends the composer and his opera. He evokes the genesis of ''Nabucco'' and reveals his preoccupation with the Austrian censorship. The rehearsal pianist and the singer leave. Alone on the stage, Merelli is reflecting on the young Verdi and on the fact that his companion, Giuseppina Strepponi, seems attracted to him. The pianist returns and waits with Merelli for the arrival of Strepponi. The impresario talks about his intention to stage at La Scala Pacini's opera '' Saffo''. When the singer finally arrives, he asks her to work on Saffo's aria, but she prefers Verdi's music and starts rehearsing Abigaille's trio instead. Her song turns into a dream in which she confesses that she feels a strange attraction for Verdi and his music. Merelli and the pianist return and are joined by Luigi Barbiano, Conte di Belgioioso, who brings the approval of the libretto. An excited political discussion follows between the Maestro sostituto and the count, who ends up by being offended and walks off, slamming the door. Merelli and Strepponi follow him. The pianist regrets letting himself get carried away and restarts rehearsing with Bellinzaghi. Fenena's prayer, too, dissolves itself in a dream, which anticipates the triumphal debut of the opera and re-elaborates various images of the Risorgimento. At the end of the dream,
Giuseppe Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
appears, aged and now Senator of the Kingdom. In his monologue he interweaves the nostalgia for the past with his preoccupation for the uncertain future.


References

Notes Sources * Pugliaro, Giorgio, ed. (2011). ''Opera 2011. Annuario EDT-CIDIM dell'opera lirica in Italia''. Torino: EDT Srl.


External links

* , *
Background
Casa Ricordi Casa Ricordi is a publisher of primarily classical music and opera. Its classical repertoire represents one of the important sources in the world through its publishing of the work of the major 19th-century Italian composers such as Gioachino Ro ...

Casa Ricordi Catalogue
{{Portal bar, Opera Operas Operas by Lorenzo Ferrero 2011 operas Italian-language operas One-act operas Operas set in the 19th century Operas set in Italy Operas based on real people Italian unification Cultural depictions of Giuseppe Verdi