Richard Manuel

Richard George Manuel (April 3, 1943 – March 4, 1986) was a Canadian singer, multi-instrumentalist, and songwriter, best known as a pianist and one of three lead singers in The Band, for which he was posthumously inducted into the Rock and Roll Hall of Fame in 1994.

Manuel's singing alternated between a soul-influenced baritone that drew frequent comparisons to Ray Charles and a delicate falsetto. Though The Band had three vocalists sharing lead and harmony parts, Manuel was sometimes seen as the group's primary vocalist.

Biography

Early life and career

Manuel was born in Stratford, Ontario, Canada. His father, Ed, was a mechanic employed at a Chrysler dealership, and his mother was a schoolteacher. He was raised with his three brothers, and the four sang in the church choir. Manuel took piano lessons beginning when he was nine, and enjoyed playing piano and rehearsing with friends at home. Some of his childhood influences were Ray Charles, Bobby Bland, Jimmy Reed and Otis Rush.

In early 1959, when he was fifteen, Manuel joined The Rebels, a local Stratford band featuring guitarist John Till (later of the Full Tilt Boogie Band). With Manuel on piano and vocals and his friend Jimmy Winkler on drums, the band was rounded out by bass player Ken Kalmusky (later a founding member of Great Speckled Bird). In short order, the group changed to its name to the Revols, in deference to Duane Eddy and the Rebels. Although Richard was the primary vocalist, the line up expanded to include original singer Doug 'Bo' Rhodes. Guitarist Till would later be replaced by Garth Pictot.

Manuel first became acquainted with Ronnie Hawkins and the Hawks in the summer of 1960 when the Revols opened for them at Pop Ivy's in Port Dover, Ontario. According to Levon Helm, Hawkins remarked to him about Manuel: "See that kid playing piano? He's got more talent than Van Cliburn." The following spring, Hawkins found himself opening for The Revols at Stratford Coliseum. After the show, he offered to manage the band, and sent them to play at one of his clubs, The Rockwood, in Fayetteville. In mid-September 1961, after the Revols returned from their southern journey, Hawkins recruited Manuel to his backing band The Hawks, replacing piano player Stan Szelest.

The Hawks

Manuel was 18 when he joined Hawkins's backing group, the Hawks. At this time the band already consisted of 21-year-old Levon Helm on drums, 17-year-old Robbie Robertson on guitar and 17-year-old Rick Danko on bass; 24-year-old organist Garth Hudson joined that Christmas, followed by two temporary members (saxophonist Jerry Penfound and singer Bruce Bruno). Increasingly antagonized by Hawkins's disdain for marijuana and contemporary music trends, the group left the singer's employ in 1964. Initially, they were known as the Levon Helm Sextet (as Helm had accumulated the most time with Hawkins) before changing their name to the Canadian Squires and then to Levon and the Hawks. With Helm serving as nominal leader because of his longevity with the Hawkins group, it was Manuel who sang most of the songs in the group's repertoire. It was as Levon and the Hawks, after the departure of Penfound and Bruno, that they introduced themselves to their blues hero, Sonny Boy Williamson. They planned a collaboration with Williamson, but he died before their plans could be realized.

In 1965, Helm, Hudson, and Robertson helped back American bluesman John Hammond on his album ''So Many Roads''. Hammond recommended the Hawks to Bob Dylan, who tapped them to serve as his backing band when he switched to an electric sound; through 1966, they toured Europe and the United States with Dylan, enduring the ire of Dylan's folk fans, who subjected the group to hissing and booing.

The Band

Big Pink

In 1967, while Dylan recovered from a motorcycle accident in Woodstock, New York, the group moved there also, renting a house clad in asbestos siding painted pink, which became known as " Big Pink", located on at 2188 Stoll Road (later 56 Parnassus Lane) in nearby West Saugerties, New York. Supported by a retainer from Dylan, they were able to experiment with a new sound garnered from the country, soul, rhythm and blues, gospel and rockabilly music that they loved. As Helm (who was disheartened by the reaction to Dylan's new sound) had been temporarily absent from the group since late 1965, Manuel taught himself to play drums during the hiatus. In the Band era he would occasionally assume the drummer's stool when Helm played mandolin or guitar. His drum style is notably different from Helm's, as exemplified by his performances on "Rag Mama Rag" and " Evangeline".

The early months in Woodstock also allowed Manuel and Robertson to develop as songwriters. After recording numerous demos and signing with Albert Grossman, they secured a 10-album contract with Capitol Records in early 1968. They originally signed as "The Crackers" (although "The Honkies" had also been considered). Helm rejoined the fold as sessions got under way for the recording of their debut album, '' Music from Big Pink''. The group proceeded to take what they had learned with Dylan and used one of his songs in the process. They combined it with their idea of the perfect album, switching solos, and singing harmonies modeled after the gospel sound of their musical heroes The Staple Singers. Manuel stated,

"During the conception of ''Big Pink'', we discovered a whole vocal thing that we weren't aware that we'd even had before, and I remember listening to playbacks after the sessions of songs and thinking, "I really like this stuff, and I don't have anything to compare it to, but I really like it, and I hope everybody else does, but I really think this is strong."

Manuel and Robertson each contributed four songs; among Manuel's contributions was " Tears of Rage," which he co-wrote with Dylan. Covers of "Long Black Veil" and "I Shall Be Released" and the Danko–Dylan collaboration "This Wheel's on Fire" rounded out the album. ''Music from Big Pink'' was released with the group name given as simply "The Band." This would be their name for the rest of the group's existence. While only reaching No. 30 on the Billboard charts, the album would have a profound influence on the nascent country rock and roots rock movements. Shortly after the release of the album, the newly financially secure Manuel married his girlfriend, Jane Kristiansen, a model from Toronto, whom he had dated intermittently since the Hawks days. They would become the parents of two children.

Movie role, substance abuse, move to Malibu

In 1970, Manuel acted in the Warner Bros. film ''Eliza's Horoscope'', an independently distributed Canadian drama written and directed by Gordon Sheppard. He portrayed "the bearded composer," performing alongside Tommy Lee Jones, former Playboy Bunny Elizabeth Moorman, and Lila Kedrova; Robertson appeared as an extra. Taking four years to complete, it was not released until 1975.

During this period, Manuel's songs were widely covered. "Blues for Breakfast" (an early Woodstock-era composition) was performed by Cass Elliot on ''Dream a Little Dream'' (1968); shortly thereafter, Joan Baez performed an a cappella arrangement of "Tears of Rage" on '' Any Day Now'' (1968), Blood, Sweat & Tears included a big band-inflected arrangement of "Lonesome Suzie" on '' Blood, Sweat & Tears 3'' (1970) and Karen Dalton included her rendition of "In a Station" on '' In My Own Time'' (1971). However, he was credited with writing only three songs ("When You Awake," "Whispering Pines," and "Jawbone") on ''The Band'' (1969) and two ("Sleeping" and "Just Another Whistle Stop") on ''Stage Fright'' (1970); all of these compositions were credited as collaborations with Robertson, who had assumed dominance in the group's affairs with Grossman.

By '' Cahoots'' (1971), producer John Simon observed that "Robbie didn't ... consciously intimidate him ... but when you met Robbie he was so smooth and urbane and witty, whereas Richard was such a gee-golly-gosh kind of guy." The influence of Manuel's increasing use of heroin may have also contributed to the diminution of his songwriting abilities.

Throughout 1972, Manuel's alcoholism was one of a variety of factors (including Robertson's own writer's block) that began to impede The Band's recording and performance schedule. Years later, Robertson opined that Manuel "scared us to death ... we didn't know what the next day might bring, what would come out of this monster that had seeped out of the woodwork." Although Jane Manuel lamented that "people thought it was amusing to watch this guy drowning," the Manuels briefly separated during this period but reconciled before the impending birth of their second child, Josh. According to Mason Hoffenberg (who roomed with the musician in 1972–1973 at the request of Grossman), Manuel had "stopped sing heroinand got into this drinking thing ... I'm supposed to head off all the juvenile dope dealers up here who hang around rock stars. So I answer the phone and say Richard's not here... But if they actually come over to the house, he can't say no. He's brilliant, that guy. An incredible composer... The four other guys in the Band are serious about working and he's really hanging them up. They can't work without him and there's no way to get him off his ass. He feels bad about it, he's just strung out."

In 1973, the group once again followed the lead of Dylan by relocating to Malibu, California. Before leaving the Hudson Valley, they convened at Bearsville Studios to record an album of vintage rock and roll cover songs (few of which had been performed by The Hawks) entitled ''Moondog Matinee'', in homage to Alan Freed's radio show. Although Manuel was initially reluctant to perform, the album elicited some of his finest vocal performances, including renditions of the Bobby "Blue" Bland R&B standard "Share Your Love with Me," The Platters's " The Great Pretender," and Jerry Leiber and Mike Stoller's tongue-in-cheek gospel song " Saved". Helm had this to say about Manuel during this period: " was drinking pretty hard, but once he got started, man: drums, piano, play it all, sing, do a lead in one of them high, hard-assed keys to sing in. Richard just knew how a song was supposed to go. Structure, melody; he understood it."

Back with Dylan

The Band gradually resurfaced on the live circuit. Following a warmup show in Osaka, Japan, in July 1973, they played to receptive audiences at the Summer Jam at Watkins Glen and on a double bill with the Grateful Dead at Jersey City two days later. In the autumn, the group backed up Dylan on ''Planet Waves'', his first full album of original songs since 1970, before serving as his backup group on his first tour in nearly eight years.

The forty concerts of the Bob Dylan and the Band 1974 Tour, from January 3 to February 14, 1974, were meandering musical marathons featuring two sets of Dylan backed by The Band, two Band sets, and a Dylan acoustic set. The ensuing live album from the tour, '' Before the Flood'', reveals that Manuel was still capable of reaching the falsetto on "I Shall Be Released".

''The Last Waltz''

The Band continued performing throughout 1974, supporting Crosby, Stills, Nash and Young alongside Joni Mitchell, Jesse Colin Young and The Beach Boys on select dates of a summer stadium tour. But with the long-germinating, Robertson-penned follow-up to ''Cahoots'' ('' Northern Lights – Southern Cross'') still more than a year from release, the group struggled to attract audiences in certain markets, as evinced by a proposed August 1974 headlining performance at Boston Garden that was ultimately cancelled due to poor ticket sales. By 1975, Robertson had expressed his dissatisfaction with touring and was acting in an increasingly parental capacity, since the move to Malibu and his refusal to allow the group to join Bearsville Records had seen him take the managerial reins on a ''de facto'' basis from an increasingly diffident Grossman. According to Helm, Manuel (who lived in a variety of rented houses throughout the period, including properties owned by Goldie Hawn and Keith Moon) was now consuming eight bottles of Grand Marnier every day on top of a prodigious cocaine addiction, factors that ultimately precipitated his divorce from Jane Manuel in 1976. While living in the Hawn house, Manuel attempted suicide (by self-immolation and shooting himself in the head with a BB gun) on at least two occasions.

During this period, he developed a kinship with the similarly despondent Eric Clapton and emerged as a driving force behind the sessions that make up the guitarist's '' No Reason to Cry'' (1976). The album was recorded at The Band's new Shangri-La Studios, where Manuel lived for about a year in a bungalow that had once served as the stable for Bamboo Harvester, the horse that portrayed the titular character on the 1960s sitcom '' Mister Ed''. Manuel gave Clapton the song "Beautiful Thing" (a 1967 Band demo that Danko helped him finish) and provided vocals for "Last Night."

On the group's final full-fledged tour in the summer of 1976, Manuel was still recovering from a car accident earlier in the year; several tour dates were subsequently canceled after a power-boating accident near Austin, Texas that necessitated the hiring of Tibetan healers in a scenario reminiscent of Robertson's pre-show hypnosis before their first concert as The Band at San Francisco's Winterland Ballroom in April 1969. As ''Northern Lights – Southern Cross'' had stalled at No. 26 in the autumn of 1975, many of the performances were confined to theaters and smaller arenas (including the Santa Cruz Civic Auditorium and the Long Island Arena), culminating in an opening slot for the ascendant ZZ Top at the Nashville Fairgrounds in September. The quality of the shows was frequently contingent upon Manuel's relative sobriety. Throughout the tour, he struggled with the high vocal registers of "Tears of Rage," "In a Station" and "I Shall Be Released" but offered impassioned, raging versions of the prophetic "The Shape I'm In" and " King Harvest (Has Surely Come)."

The Band played its final show as its original configuration at Winterland on Thanksgiving Day of 1976. The concert was filmed in 35 mm by Robertson confidant and longtime Band fan Martin Scorsese for the documentary ''The Last Waltz''. Manuel sings " The Shape I'm In" as well as contributing piano and backing vocals. Initially the group intended to end only live performances as The Band, and each member was initially kept on a retainer of $2,500 per week under a new contract with Warner Brothers. However, by 1978, the group had drifted apart.

Session work, attempted comeback and continued struggles with substance abuse

Taking advantage of this new solace, Manuel moved to Garth Hudson's ranch outside Malibu. He entered an alcohol and drug rehabilitation program, becoming clean and sober for the first time in years in August 1978. He also was eventually remarried to his longtime girlfriend, Arlie Litvak. Having initially become enamored of Manuel after hearing "Lonesome Suzie," the Toronto-born, 21-year-old Litvak became acquainted with the singer on the 1974 tour and subsequently moved into the Moon house with Manuel in 1977. In 1980, he contributed electric piano and clavinet to Happy Traum's ''Bright Morning Stars'' and background vocals to Hudson's '' Music for Our Lady Queen of the Angels''.

During this period, Danko and Manuel began to tour clubs as a semi-acoustic duo. These concerts would continue into the Band reunion era and often included fellow Woodstock habitué Paul Butterfield as a special guest. Along with Hudson, Manuel played on several instrumental cues composed by Robertson for the soundtrack of ''Raging Bull'' (1980). Manuel and Hudson also contributed to "Between Trains," a new song by Robertson that appeared on the soundtrack of '' The King of Comedy'' (1983), and the original soundtrack of ''Kent State'', a 1981 television film based on the Kent State shootings. Throughout the early 1980s, he sat in on little-publicized gigs in L.A.-area clubs with The Pencils, an ensemble that included vocalists/ multi-instrumentalists Marty Grebb and Terry Danko, founding Blues Image percussionist Joe Lala and former Beach Boys drummer Ricky Fataar. Along with Stephen Stills and Mike Finnigan, he contributed backing vocals to a 1983 album by the band that was left unreleased after Danko was in a debilitating car accident.

Although he continued to grapple with writer's block, Manuel wrote a new song, "Was That Any Way to Say Goodbye," with the younger Danko and Grebb. A year later, he contributed piano to Willie Nelson and Webb Pierce's 1982 remake of "In the Jailhouse Now's acclaimed '' Green Light''.

The Band reformed in 1983 without Robertson, who permanently stopped touring after ''The Last Waltz''. Instead, guitarist and Helm protege Jim Weider augmented the returning four members along with a variety of irregular additional musicians, including the Cate Brothers. Having reclaimed some of his vocal range lost in the years of drug abuse, Manuel performed old hits such as "The Shape I'm In", " Chest Fever" and "I Shall Be Released" with new conviction alongside personal favorites such as Cindy Walker and Eddy Arnold's " You Don't Know Me" and James Griffin and Robb Royer's "She Knows."

By the time of the reunion, Danko, Helm and their families had moved back to the Woodstock area from Malibu. Manuel returned with his wife in the spring of 1984. In poor health and fearing that he had contracted AIDS from decades of promiscuity and drug abuse, he contemplated making a Robertson-produced solo album and resumed using cocaine, heroin and alcohol. On one occasion, Manuel absconded with journalist and old friend Al Aronowitz's record collection in a midnight burglary to fund his addictions. Following a detox stint at the behest of Albert Grossman, Manuel enjoyed several months of sobriety. He undertook a successful solo residency (centered around "his favorite Ray Charles songs" and "Tin Pan Alley classics") at The Getaway, a club midway between Woodstock and nearby Saugerties, New York. Guests such as Danko and Weider frequently sat in. During this period, Manuel also co-wrote a new song, "Breaking New Ground," with Gerry Goffin and Carole King. However, he ultimately "fell off the wagon with a thud" in the spring of 1985.

In addition to their other activities, Manuel and Danko toured throughout 1985 with "The 20th Anniversary Tribute to The Byrds," a tribute group led by founding Byrds Gene Clark and Michael Clarke that also included former Flying Burrito Brothers and Firefall member Rick Roberts, former Beach Boys guitarist Blondie Chaplin and 1968-1969 Byrds bassist John York

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