Richard Dorson
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Richard Mercer Dorson (March 12, 1916 – September 11, 1981) was an American
folklorist Folklore studies, less often known as folkloristics, and occasionally tradition studies or folk life studies in the United Kingdom, is the branch of anthropology devoted to the study of folklore. This term, along with its synonyms, gained currenc ...
, professor, and director of the Folklore Institute at
Indiana University Indiana University (IU) is a system of public universities in the U.S. state of Indiana. Campuses Indiana University has two core campuses, five regional campuses, and two regional centers under the administration of IUPUI. *Indiana Universi ...
. Dorson has been called the "father of
American folklore American folklore encompasses the folklores that have evolved in the present-day United States since Europeans arrived in the 16th century. While it contains much in the way of Native American tradition, it is not wholly identical to the tribal ...
"Nichols, Amber M.
Richard M. Dorson
. ''Minnesota State University, Mankato eMuseum''. URL accessed April 21, 2006
and "the dominant force in the study of folklore".Michigan State University
Michigan Heritage Awards 2003
''Michigan Traditional Arts Program''. URL accessed January 19, 2019.


Career

Dorson was born in New York City into a wealthy
Jewish Jews ( he, יְהוּדִים, , ) or Jewish people are an ethnoreligious group and nation originating from the Israelites Israelite origins and kingdom: "The first act in the long drama of Jewish history is the age of the Israelites""The ...
family. He studied at the
Phillips Exeter Academy (not for oneself) la, Finis Origine Pendet (The End Depends Upon the Beginning) gr, Χάριτι Θεοῦ (By the Grace of God) , location = 20 Main Street , city = Exeter, New Hampshire , zipcode ...
from 1929 to 1933.Guide to the Richard Dorson papers in the Lilly Library
''Indiana University''. URL accessed April 22, 2006.
He then went on to
Harvard University Harvard University is a private Ivy League research university in Cambridge, Massachusetts. Founded in 1636 as Harvard College and named for its first benefactor, the Puritan clergyman John Harvard, it is the oldest institution of highe ...
where he earned his A.B., M.A., in history, and his Ph.D. degree in the History of American Civilization in 1942. He began teaching as an instructor of history at Harvard in 1943. He moved to
Michigan State University Michigan State University (Michigan State, MSU) is a public land-grant research university in East Lansing, Michigan. It was founded in 1855 as the Agricultural College of the State of Michigan, the first of its kind in the United States. It ...
in 1944 staying there until 1957 when he took a position at
Indiana University Indiana University (IU) is a system of public universities in the U.S. state of Indiana. Campuses Indiana University has two core campuses, five regional campuses, and two regional centers under the administration of IUPUI. *Indiana Universi ...
as professor of history and folklore as well as that of chairman of the Committee on Folklore. He taught at Indiana until his death. He was the general editor of the "Folktales of the World" (1963–1973), a multivolume series published by the University of Chicago Press. He served an advisory editor of the series "International Folklore" (48 vols., 1977), as well as the series editor of "Folklore of the World" (38 vols., 1980). In addition, he contributed articles to numerous scholarly and popular periodicals. From 1957 to 1962 he edited the
Journal of Folklore Research The ''Journal of Folklore Research: An International Journal of Folklore and Ethnomusicology'' is a triannual peer-reviewed academic journal covering research on folklore, folklife, and ethnomusicology. It was established in 1942 and is published ...
. He was elected president of the
American Folklore Society The American Folklore Society (AFS) is the US-based professional association for folklorists, with members from the US, Canada, and around the world, which aims to encourage research, aid in disseminating that research, promote the responsible ...
, 1966 to 1968. In addition, he was the founder and editor of the journal of the Folklore Institute (1963–1981) at Indiana. Dorson's study of American folklore involved several roles; "
polemicist Polemic () is contentious rhetoric intended to support a specific position by forthright claims and to undermine the opposing position. The practice of such argumentation is called ''polemics'', which are seen in arguments on controversial topic ...
,
critic A critic is a person who communicates an assessment and an opinion of various forms of creative works such as art, literature, music, cinema, theater, fashion, architecture, and food. Critics may also take as their subject social or gover ...
, field collector, library scholar".Dorson, p. vii Dorson also wrote that "no subject of study in the
United States The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country Continental United States, primarily located in North America. It consists of 50 U.S. state, states, a Washington, D.C., ...
today 976is more misunderstood than folklore".Dorson, p. 1


Contributions to folklore

Dorson contributed two terms to the study of folklore that have gained common currency. The first is "
urban legend An urban legend (sometimes contemporary legend, modern legend, urban myth, or urban tale) is a genre of folklore comprising stories or fallacious claims circulated as true, especially as having happened to a "friend of a friend" or a family m ...
"; meaning a modern "story which never happened told for true".Straight Dope Science Advisory Board
What's so urban about urban legends?
''Straight Dope''. URL accessed April 21, 2006.
Dorson also coined the word " fakelore" in a debate with author James Stevens.Dorson, p. 5 Dorson dismissed Stevens' book on
Paul Bunyan Paul Bunyan is a giant lumberjack and folk hero in American and Canadian folklore. His exploits revolve around the tall tales of his superhuman labors, and he is customarily accompanied by Babe the Blue Ox. The character originated in the o ...
, and the later work of
Ben Botkin Benjamin Albert Botkin (February 7, 1901 – July 30, 1975) was an American folklorist and scholar. Early life Botkin was born on February 7, 1901, in East Boston, Massachusetts, to Lithuanian Jewish immigrants. He attended the English High Scho ...
as fakelore, or "a synthetic product claiming to be authentic oral tradition but actually tailored for mass edification", which "misled and gulled the public". Dorson's fieldwork touched upon
African-American folklore African-American folktales are the storytelling and oral history of enslaved African Americans during the 1700-1900s. These stories reveal life lessons, spiritual teachings, and cultural knowledge and wisdom for the African-American community ...
in
Michigan Michigan () is a state in the Great Lakes region of the upper Midwestern United States. With a population of nearly 10.12 million and an area of nearly , Michigan is the 10th-largest state by population, the 11th-largest by area, and t ...
, folklore of the
Upper Peninsula The Upper Peninsula of Michigan – also known as Upper Michigan or colloquially the U.P. – is the northern and more elevated of the two major landmasses that make up the U.S. state of Michigan; it is separated from the Lower Peninsula by ...
, other regional folklore in the United States, the
folklore of Japan Japanese folklore encompasses the informally learned folk traditions of Japan and the Japanese people as expressed in its oral traditions, customs, and material culture. In Japanese, the term is used to describe folklore. The academic study of ...
, and other topics. Among other academic recognitions, Dorson was awarded the
Library of Congress The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The libra ...
award in History of American Civilization in 1946, and three
Guggenheim Fellowship Guggenheim Fellowships are grants that have been awarded annually since by the John Simon Guggenheim Memorial Foundation to those "who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the art ...
s (1949, 1964, and 1971). In 2003, the Michigan Traditional Arts Program of the Michigan State University Museum awarded him the Michigan Heritage Award posthumously for his Michigan-based fieldwork contributions. According to Anne Keene, at Indiana: :Dorson gained international recognition as the dean of American folklife studies and was credited with transforming folklore from a field of tangential interest to a scholarly discipline in its own right. He was an intense and prodigious researcher and writer with seemingly boundless energy, devoted to the study of what he termed “the underculture, in contrast with the elite, the uppercrust, the official, the formal culture.” Dorson viewed himself, first and foremost, as a historian, and he was suspicious of attempts by other disciplines—anthropology, sociology, and psychology, among others—to co-opt folk culture for their own theoretical purposes. Folklore, he argued, was firmly rooted in human history and should be studied empirically as a means of expanding knowledge of that history; to that end, he repeatedly emphasized the necessity for the accurate collection and documentation of folk materials. At a time when quasi-legendary American folk heroes like Davy Crockett and Paul Bunyan were increasingly being popularized and commercialized by the mass media, Dorson placed himself squarely in opposition to what he termed “fakelore,” what might be called the Disneyfication of folk traditions; he dismissed anything he suspected of being less than genuine. That attitude extended to the so-called folk-music revival of the mid-twentieth century—to the mock dismay of many of his guitar-picking students. According to William Wilson: :Dorson, in much the same manner as European romantic-nationalistic folklorists, set himself the patriotic task of discovering and making known the genius of his country's national spirit. Throughout his research career, Dorson moved freely across space and time--from the United States and England to Africa and Japan, from the religious narratives of the Puritans to the urban legends of college students, from international folktales of the world to the personal experience narratives of Indiana steelworkers. But from his early writings on Davy Crockett and Brother Jonathan to his final book on fabulous men and beasts in American comic legends, the work which clearly seemed closest to his heart was the romantic-nationalistic attempt to discover in American folklore those traits and sentiments that are peculiarly and uniquely American.William A. Wilson, "Richard M. Dorson as Romantic-Nationalist." ''Journal of Folklore Research'' (1989) p. 35.


Bibliography

Dorson's papers are held at the Lilly Library of Indiana University. Audio recordings from his fieldwork can be found at the Archives of Traditional Music at Indiana University. In addition to his several books, Dorson also edited the ''Folktales of the World'' series, published between 1963 and 1979 by the University of Chicago Press. *1939: ''Davy Crocket, American Comic Legend'' *1946: ''Jonathan Draws the Long Bow'' *1950: ''America Begins'' *1952: ''Bloodstoppers and Bearwalkers'' (reprinted by the
University of Wisconsin Press The University of Wisconsin Press (sometimes abbreviated as UW Press) is a non-profit university press publishing peer-reviewed books and journals. It publishes work by scholars from the global academic community; works of fiction, memoir and ...
in 2008) *1953: ''American Rebels: Personal narratives of the American Revolution'' *1956: ''Negro Folktales in Michigan'' *1958: ''Negro Folktales from Pine Bluff, Arkansas, and Calvin, Michigan'' *1959: ''American Folklore'' *1961: ''American Folklore and the Historian'' *1961: ''Folk Legends of Japan'' *1961: ''Folklore Research Around the World: A North American Point of View'' *1964: ''Buying the Wind: Regional Folklore in the United States'' *1967: ''American Negro Folktales'' *1968: ''Peasant Customs and Savage Myths: Selections from the British Folklorists'' *1969: ''British Folklorists: A History'' *1971: ''American Folklore and the Historian'' *1972: ''African Folklore'' *1972: ''Folklore and Folklife: An Introduction'' *1973: ''America in Legend'' *1973: ''Folklore and Traditional History'' *1974: ''Folklore in the Modern World'' *1976: ''Folklore and Fakelore: Essays toward a Discipline of Folk Studies'' *1981: ''Land of the Millrats'' *1983
''Handbook of American Folklore''


Notes


Further reading

* Ben-Amos, Dan. "The Historical Folklore of Richard M. Dorson." ''Journal of Folklore Research'' (1989): 51-6
online
* * Keene, Ann T. "Dorson, Richard Mercer" ''Americab National Biography''
online 2010
* Mechling, Jay. "Richard M. Dorson and the Emergence of the New Class in American Folk Studies." ''Journal of Folklore Research'' (1989): 11-26
online
* Montenyohl, Eric L. “Richard M. Dorson and the Internationalization of American Folkloristics,” ''Western Folklore'' 48#4 (1989): 349–57.
Richard M. Dorson papers, 1939-1982, bulk 1962-1977
at the Indiana University Archives. * Wilson, William A. "Richard M. Dorson as Romantic-Nationalist." ''Journal of Folklore Research'' (1989): 35-42
online
{{DEFAULTSORT:Dorson, Richard 1916 births 1981 deaths American folklorists Harvard College alumni Michigan State University faculty Indiana University Bloomington faculty Collectors of fairy tales 20th-century American historians American male non-fiction writers 20th-century American male writers Presidents of the American Folklore Society Harvard Graduate School of Arts and Sciences alumni