Red Lanterns (Boxer Uprising)
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The Red Lanterns () were the women's fighting groups organized by village women who were not allowed to join the men's groups during the
Boxer Uprising The Boxer Rebellion, also known as the Boxer Uprising, the Boxer Insurrection, or the Yihetuan Movement, was an anti-foreign, anti-colonial, and anti-Christian uprising in China between 1899 and 1901, towards the end of the Qing dynasty, by ...
of 1900. Villagers said these women had supernatural powers and were called upon to perform tasks which the male Boxers could not.


Background

Unlike the Taiping rebels but like many Chinese folk sects such as the
White Lotus Sect The White Lotus () is a syncretic religious and political movement which forecasts the imminent advent of the "King of Light" (), i.e., the future Buddha Maitreya. As White Lotus sects developed, they appealed to many Han Chinese who found sola ...
, Boxer ideology forbade contact with women. Boxer discipline in its strictest form did not allow sexual contact with or even looking at a woman for fear that the female's polluting ''yin'' would destroy the invulnerability ritual. Nevertheless, women organized parallel units: The Red Lanterns (''Hongdeng zhao'', i.e. "Red Lanterns Shining"), for younger women, "Blue Lanterns" (''Landeng zhao'') for middle-aged women, and Black Lanterns (''Heideng zhao'') for elderly women. The Red Lanterns ranged in age from twelve to eighteen, did not set their hair in the traditional way and did not bind their feet. They wore red coats and trousers, red hats, and red shoes, and each carried a red lantern. They were convinced that they could leap up to heaven when they waved their red fans.Kazuko Ono, Ch Three "The Red Lanterns and the Boxer Rebellion", in ''Chinese Women in a Century of Revolution, 1850–1950.'' (''Chūgoku Jōsei-shi'') Translated and edited by Joshua A. Fogel (Tokyo, 1978; Stanford, Calif.: Stanford University Press, 1989).
p. 49
A folk song had it: :: Wearing all red, :: Carrying a small red lantern, :: Woosh, with a wave of the fan :: Up they fly to heaven.


Activities in 1900

Reliable accounts of Red Lantern activities are hard to find. They are mentioned in second or third hand accounts as being able to walk on water, fly, set fire to Christians' homes, and stop their guns, powers which the male Boxers themselves did not claim. But the only good accounts of their actual activities come from the
Battle of Tientsin The Battle of Tientsin, or the Relief of Tientsin, occurred on 13–14 July 1900, during the Boxer Rebellion in Northern China. A multinational military force, representing the Eight-Nation Alliance, rescued a besieged population of foreign nat ...
, when they nursed wounded Boxers and did work such as sewing and cleaning. These young women also had the power to protect the Boxers who were fighting the invaders. One former Boxer recalled in an oral history in the 1950s that “a brother-disciple,” that is, a fellow Boxer, “would hold a piece of rope in his hand.... and direct the fighting. The Boxers would fight down below, while the Red Lanterns would watch from above, appearing suspended in the sky, no larger than a chicken’s egg.” These Red Lanterns could throw swords through the air and lop off the heads of the invaders, as well as removing the screws from their cannons. When the Red Lanterns stood still, they could send their souls into battle. The Red Lanterns were also famous for their healing powers. In the 1950s, a former Red Lantern told another oral history project of the senior “sister disciple” who could go into a trance, clap her hands in the direction of a sick person, and cure the illness. Another Red Lantern, the Holy Mother of the Yellow Lotus, had the reputation of being able to heal wounds by sprinkling clear water on them and even bringing the dead back to life by rubbing their bodies. When Boxer magic failed, women frequently took the blame. For instance, when Beijing's Church of the Saviour withstood weeks of attack by explosives and fire, the Boxers blamed this failure on the Catholic women inside, who were said to expose themselves and wave "dirty things," causing the spirits of the Boxers to leave their bodies. The answer was to await the arrival of the Red Lanterns: "The Red Lanterns are all girls and young women, so they do not fear dirty things." In the years following the defeat of the Boxers, villagers traded stories concerning their exploits. One told of Red Lantern women appearing at buildings in Tianjin which the Qing armies could not capture from the foreigners. They caught the bullets from the foreign guns in their flower baskets and scattered them to set the buildings afire, forcing the French and Japanese soldiers to flee. Other village stories spread an egalitarian message of sharing wealth equally and opposing the monarchy. One was that after they attacked the Foreign Legations, the Red Lanterns spread the slogan of killing "a dragon, a tiger, and three hundred rams." The dragon was the emperor, the tiger was Prince Qing, and the three hundred rams were the officials of the central government.Ono,
pp. 52–53
Another such legend concerned Azure Cloud, a young village woman who was said to be able to jump ten feet in the air as an expert in martial arts. She developed a deep hatred of foreigners. The legend had it that when the International Expedition entered Beijing, she killed many of the invaders. When Boxer leaders turned into collaborators and committed unspeakable crimes, Azure Cloud invited these traitors for a banquet. She denounced them: "I would never have believed you could be such beasts. It is your fault that the country is on the verge of collapse." She then executed them and disappeared without a trace. A village song bragged: :: The red lantern shines, :: Lighting the path for the people.


In legend and history

Academic histories in China mentioned the Red Lanterns only in passing, even after 1949, when the Boxer movement was considered a patriotic uprising of the masses. But suddenly in 1967, the Red Lanterns became hot topics in the Chinese national media. The
Cultural Revolution The Cultural Revolution, formally known as the Great Proletarian Cultural Revolution, was a sociopolitical movement in the People's Republic of China (PRC) launched by Mao Zedong in 1966, and lasting until his death in 1976. Its stated goa ...
was at its most radical phase, and the radical student youth groups, the
Red Guards Red Guards () were a mass student-led paramilitary social movement mobilized and guided by Chairman Mao Zedong in 1966 through 1967, during the first phase of the Cultural Revolution, which he had instituted.Teiwes According to a Red Guard lead ...
, reached the heights of their fervor. Like them, the Red Lanterns were red, young and rebellious, and one Red Guard group chose the name “Red Lantern Fighting Force.” The Model Revolutionary Opera, '' The Legend of the Red Lantern'', produced by Mao Zedong’s wife,
Jiang Qing Jiang Qing (19 March 191414 May 1991), also known as Madame Mao, was a Chinese communist revolutionary, actress, and major political figure during the Cultural Revolution (1966–1976). She was the fourth wife of Mao Zedong, the Chairman of ...
, had no connection to the Boxer movement, but popularized the Red Lantern into a revolutionary symbol. A campaign in official Party newspapers saw a direct connection with the Red Lanterns of 1900. Official editorials attacked
Liu Shaoqi Liu Shaoqi ( ; 24 November 189812 November 1969) was a Chinese revolutionary, politician, and theorist. He was Chairman of the NPC Standing Committee from 1954 to 1959, First Vice Chairman of the Chinese Communist Party from 1956 to 1966 and ...
, Mao’s former second in command, for detesting the Boxers, and called upon the Red Guards to carry on the spirit of the Red Lanterns.Cohen, pp. 263–270. The Red Lanterns appear as antagonists in the Hong Kong
martial arts film Martial arts films are a subgenre of action films that feature numerous martial arts combat between characters. These combats are usually the films' primary appeal and entertainment value, and often are a method of storytelling and character expres ...
''
Once Upon a Time in China IV ''Once Upon a Time in China IV'' is a 1993 Hong Kong–Chinese martial arts film and the fourth installment in the ''Once Upon a Time in China'' film series. It was directed by Yuen Bun in his directorial debut and produced by Tsui Hark, who dir ...
'' (1993).


Notes

{{Qing dynasty topics Chinese people of the Boxer Rebellion Chinese secret societies Women in 19th-century warfare Women in 20th-century warfare Women in China Chinese folklore Women in war in China 1890s establishments in China