Realism in the

theatre Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The perfor ...

was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the

20th century The 20th (twentieth) century began on January 1, 1901 ( MCMI), and ended on December 31, 2000 ( MM). The 20th century was dominated by significant events that defined the modern era: Spanish flu pandemic, World War I and World War II, nucle ...

. It developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances. These conventions occur in the text, (set, costume, sound, and lighting) design, performance style, and narrative structure. They include recreating on stage a facsimile of real life except missing a fourth wall (on proscenium arch stages). Characters speak in naturalistic, authentic dialogue without verse or poetic stylings, and acting is meant to emulate human behaviour in real life. Narratives typically are psychologically driven, and include day-to-day, ordinary scenarios. Narrative action moves forward in time, and supernatural presences (gods, ghosts, fantastic phenomena) do not occur. Sound and music are diegetic only. Part of a broader artistic movement, it includes Naturalism and

Socialist realism Socialist realism is a style of idealized realistic art that was developed in the Soviet Union and was the official style in that country between 1932 and 1988, as well as in other socialist countries after World War II. Socialist realism is ch ...

. Russia's first professional playwright,

Aleksey Pisemsky Aleksey Feofilaktovich Pisemsky (russian: Алексе́й Феофила́ктович Пи́семский) () was a Russian novelist and dramatist who was regarded as an equal of Ivan Turgenev and Fyodor Dostoyevsky in the late 1850s, but wh ...

, along with

Leo Tolstoy Count Lev Nikolayevich TolstoyTolstoy pronounced his first name as , which corresponds to the romanization ''Lyov''. () (; russian: link=no, Лев Николаевич Толстой,In Tolstoy's day, his name was written as in pre-refor ...

(in his ''

The Power of Darkness ''The Power of Darkness'' (russian: Власть тьмы, Vlast′ t′my) is a five- act drama by Leo Tolstoy. Written in 1886, the play's production was forbidden in Russia until 1902, mainly through the influence of Konstantin Pobedonostsev. ...

'' of 1886), began a tradition of psychological realism in Russia. A new type of acting was required to replace the declamatory conventions of the

well-made play The well-made play (french: la pièce bien faite, pronounced ) is a dramatic genre from nineteenth-century theatre, developed by the French dramatist Eugène Scribe. It is characterised by concise plotting, compelling narrative and a largely stan ...

with a technique capable of conveying the speech and movements found in the domestic situations of

everyday life Everyday life, daily life or routine life comprises the ways in which people typically act, think, and feel on a daily basis. Everyday life may be described as mundane, routine, natural, habitual, or normal. Human diurnality means most peo ...

. This need was supplied by the innovations of the

Moscow Art Theatre The Moscow Art Theatre (or MAT; russian: Московский Художественный академический театр (МХАТ), ''Moskovskiy Hudojestvenny Akademicheskiy Teatr'' (МHАТ)) was a theatre company in Moscow. It was f ...

, founded by

Konstantin Stanislavski Konstantin Sergeyevich Stanislavski ( Alekseyev; russian: Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈgʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj; 7 August 1938) was a seminal Soviet Russian ...

and

Vladimir Nemirovich-Danchenko Vladimir Ivanovich Nemirovich-Danchenko (russian: Владимир Иванович Немирович-Данченко; , Ozurgeti – 25 April 1943, Moscow), was a Soviet and Russian theatre director, writer, pedagogue, playwright, producer an ...

. Whereas the subtle expression of emotion in

Anton Chekhov Anton Pavlovich Chekhov (; 29 January 1860 Old Style date 17 January. – 15 July 1904 Old Style date 2 July.) was a Russian playwright and short-story writer who is considered to be one of the greatest writers of all time. His career ...

's ''

The Seagull ''The Seagull'' ( rus, Ча́йка, r=Cháyka, links=no) is a play by Russian dramatist Anton Chekhov, written in 1895 and first produced in 1896. ''The Seagull'' is generally considered to be the first of his four major plays. It dramatises ...

'' through everyday small-talk had initially gone unappreciated in a more traditionally conventional production in St Petersburg, a new staging by the Moscow Art Theatre brought the play and its author, as well as the company, immediate success.Esslin (2003), pp. 353-356 A logical development was to take the revolt against theatrical artifice a step further in the direction of naturalism, and Stanislavski, especially in his production of

Maxim Gorky Alexei Maximovich Peshkov (russian: link=no, Алексе́й Макси́мович Пешко́в; – 18 June 1936), popularly known as Maxim Gorky (russian: Макси́м Го́рький, link=no), was a Russian writer and social ...

's ''

The Lower Depths ''The Lower Depths'' (russian: На дне, translit=Na dne, literally: ''At the bottom'') is a play by Russian dramatist Maxim Gorky written in 1902 and produced by the Moscow Arts Theatre on December 18, 1902 under the direction of Konstantin St ...

'', helped this movement achieve international recognition. The Moscow Art Theatre's ground-breaking productions of plays by Chekhov, such as ''

Uncle Vanya ''Uncle Vanya'' ( rus, Дя́дя Ва́ня, r=Dyádya Ványa, p=ˈdʲædʲə ˈvanʲə) is a play by the Russian playwright Anton Chekhov. It was first published in 1898, and was first produced in 1899 by the Moscow Art Theatre under the di ...

'' and ''

The Cherry Orchard ''The Cherry Orchard'' (russian: Вишнёвый сад, translit=Vishnyovyi sad) is the last play by Russian playwright Anton Chekhov. Written in 1903, it was first published by '' Znaniye'' (Book Two, 1904), and came out as a separate editio ...

'', in turn influenced

and

Mikhail Bulgakov Mikhail Afanasyevich Bulgakov ( rus, links=no, Михаил Афанасьевич Булгаков, p=mʲɪxɐˈil ɐfɐˈnasʲjɪvʲɪtɕ bʊlˈɡakəf; – 10 March 1940) was a Soviet writer, medical doctor, and playwright active in the fir ...

. Stanislavski went on to develop his 'system', a form of

actor training An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), lite ...

that is particularly well-suited to psychological realism. 19th-century realism is closely connected to the development of modern drama, which, as Martin Harrison explains, "is usually said to have begun in the early 1870s" with the "middle-period" work of the Norwegian dramatist

Henrik Ibsen Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential pla ...

. Ibsen's realistic drama in prose has been "enormously influential." In

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...

, '' verismo'' refers to a post-Romantic Italian tradition that sought to incorporate the Naturalism of

Émile Zola Émile Édouard Charles Antoine Zola (, also , ; 2 April 184029 September 1902) was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of ...

and Henrik Ibsen. It included realistic – sometimes sordid or violent – depictions of contemporary everyday life, especially the life of the lower classes.

Stanislavski's distinction

As part of a strategic argument in his day, Stanislavski used the term "psychological realism" to distinguish his 'system' of acting from his own Naturalistic early stagings of the plays of

, and others. Jean Benedetti argues that:

Naturalism, for him, implied the indiscriminate reproduction of the surface of life. Realism, on the other hand, while taking its material from the real world and from direct observation, selected only those elements which revealed the relationships and tendencies under the surface. The rest was discarded.Benedetti (2005), p. 17

As used in critical literature today, however, the term Naturalism has a broader scope than that within which all of Stanislavski's work falls. In this broader sense, Naturalism or "psychological realism" is distinct both from

and the critical realism developed by the

epic theatre Epic theatre (german: episches Theater) is a theatrical movement arising in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creatio ...

Bertolt Brecht Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a p ...

References

Sources

* * Benedetti, Jean (1999). ''Stanislavski: His Life and Art''. Revised edition. Original edition published in 1988. London: Methuen. . * * * Harrison, Martin (1998). ''The Language of Theatre''. New York: Routledge. . {{Modern drama Drama Theatrical genres 19th-century theatre 20th-century theatre Theatre th:สัจนิยม

Stanislavski's distinction

See also

References

Sources