Punk jazz
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Punk jazz is a genre of music that combines elements of
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a m ...
, especially improvisation, with the instrumentation and performance style of punk rock. The term was first used to describe
James Chance and the Contortions James Chance and the Contortions (initially known simply as Contortions, a spin-off group is called James White and the Blacks) was a musical group led by saxophonist and vocalist James Chance, formed in 1977. They were a central act of New York ...
' 1979 album ''
Buy Buy may refer to a trade, i.e., an exchange of goods and services via bartering or a monetary purchase. The term may also refer to: Places *Buy (inhabited locality), any of several inhabited localities in Russia * Burlington-Alamance Regional Ai ...
''. Punk jazz is closely related to
free jazz Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians duri ...
, no wave, and
loft jazz Loft jazz (or the loft scene or loft era) was a cultural phenomenon that occurred in New York City during the mid-1970s. Gary Giddins described it as follows: " new coterie of avant-garde musicians took much of the jazz world by surprise... ey inte ...
, and has since significantly inspired
post-hardcore Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. It was initially inspired by post-punk and noise rock. Like post-punk, the term has be ...
and
alternative hip hop Alternative hip hop (also known as alternative rap) is a subgenre of hip hop music that encompasses a wide range of styles that are not typically identified as mainstream. AllMusic defines it as comprising " hip hop groups that refuse to confo ...
. Notable proponents of the genre include
John Zorn John Zorn (born September 2, 1953) is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". Zorn's avant-garde and experimental approaches to composition and improvisation are inclusive of j ...
,
Arto Lindsay Arthur Morgan "Arto" Lindsay (born May 28, 1953) is an American guitarist, singer, record producer and experimental composer. He was a member of the pioneering 1970s no wave group DNA, which featured on the 1978 compilation '' No New York''. I ...
,
Elliott Sharp Elliott Sharp (born March 1, 1951) is an American contemporary classical composer, multi-instrumentalist, and performer. A central figure in the avant-garde and experimental music scene in New York City since the late 1970s, Sharp has released ...
, and
James Chance James Chance, also known as James White (born James Siegfried, April 20, 1953), is an American saxophonist, keyboard player, and singer. A key figure in no wave, Chance has been playing a combination of improvisational jazz-like music and pu ...
, among others.


History


1980s

The first to use this fusion of genres were
The Stooges The Stooges, originally billed as the Psychedelic Stooges, also known as Iggy and the Stooges, was an American rock band formed in Ann Arbor, Michigan, in 1967 by singer Iggy Pop, guitarist Ron Asheton, drummer Scott Asheton, and bassist Da ...
, on the Fun House album, more specifically in 2 songs, the title "Fun House" and "1970" as always, they were people ahead of their time since they did this in the year 1970, several years before the genre expanded. Late 1970s New York no wave bands broke with
blues rock Blues rock is a fusion music genre that combines elements of blues and rock music. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, and drums, sometimes w ...
-influenced punk in a style that instead combined elements such as
free jazz Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians duri ...
noise, experimental drone rock, and other
avant-garde The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretica ...
influences. Examples of this style include
Lydia Lunch Lydia Lunch (born Lydia Anne Koch; June 2, 1959)Martin Charles Strong. ''The Great Indie Discography''. 2003, page 85 is an American singer, poet, writer, actress and self-empowerment speaker. Her career began during the 1970s New York City no ...
's album '' Queen of Siam'', the work of
James Chance and the Contortions James Chance and the Contortions (initially known simply as Contortions, a spin-off group is called James White and the Blacks) was a musical group led by saxophonist and vocalist James Chance, formed in 1977. They were a central act of New York ...
, who mixed funk with free jazz and punk rock. These bands, in turn, influenced the styles of the Pop Group and the Birthday Party. In London, the Pop Group began to mix free jazz, along with dub reggae, into their brand of punk rock. The Birthday Party's sound on '' Junkyard'' (1982) was described by one journalist as a mix of "no-wave guitar, free-jazz craziness, and punk-processed
Captain Beefheart Don Van Vliet (; born Don Glen Vliet; January 15, 1941 – December 17, 2010) was an American singer, songwriter, multi-instrumentalist, and visual artist best known by the stage name Captain Beefheart. Conducting a rotating ensemble known as Th ...
angularity". The
Lounge Lizards The Lounge Lizards were an eclectic musical group founded by saxophonist John Lurie and his brother, pianist Evan Lurie, in 1978. Initially known for their ironic, tongue-in-cheek take on jazz, The Lounge Lizards eventually became a showcase fo ...
Bangs, Lester. "Free Jazz / Punk Rock". ''Musician Magazine'', 1979

Access date: July 20, 2008.
was the first group to call themselves punk jazz.
Bill Laswell William Otis Laswell (born February 12, 1955) is an American bass guitarist, record producer, and record label owner. He has been involved in thousands of recordings with many collaborators from all over the world. His music draws from funk, ...
and his band
Material Material is a substance or mixture of substances that constitutes an object. Materials can be pure or impure, living or non-living matter. Materials can be classified on the basis of their physical and chemical properties, or on their geolo ...
mixed funk, jazz, and punk while his band
Massacre A massacre is the killing of a large number of people or animals, especially those who are not involved in any fighting or have no way of defending themselves. A massacre is generally considered to be morally unacceptable, especially when per ...
added improvisation to rock.
James Blood Ulmer James "Blood" Ulmer (born February 8, 1940) is an American jazz, free funk and blues guitarist and singer. Ulmer plays a Gibson Byrdland guitar. His guitar sound has been described as "jagged" and "stinging". His singing has been called "ragg ...
applied Coleman's
harmolodic Harmolodics is a musical philosophy and method of musical composition and improvisation developed by American jazz saxophonist-composer Ornette Coleman. His work following this philosophy during the late 1970s and 1980s inspired a style of forward- ...
style to guitar and sought out links to no wave.
Bad Brains Bad Brains are an American rock band formed in Washington, D.C. in 1976. Originally a jazz fusion band under the name Mind Power, they are widely regarded as pioneers of hardcore punk, though the band's members have objected to the use of this t ...
, widely acknowledged to have established the rudiments of the hardcore style, began by attempting
jazz fusion Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and ke ...
. Guitarist
Joe Baiza Joe Baiza (born January 11, 1952) is a punk rock and jazz guitarist whom Eugene Chadbourne cites as one of the most noteworthy guitarists to emerge from the Southern California punk rock milieu. Career Baiza is a founding member of the bands S ...
executed his blend of punk and free jazz with
Saccharine Trust Saccharine Trust is an American punk rock band from Los Angeles, California, formed in 1980 by singer Jack Brewer and guitarist Joe Baiza. The band would frequently perform with SST labelmates Minutemen and Black Flag. However, Baiza descri ...
and in Universal Congress Of, a group influenced by the work of
Albert Ayler Albert Ayler (; July 13, 1936 – November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer. After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. Howev ...
.
Henry Rollins Henry Lawrence Garfield (born February 13, 1961), known professionally as Henry Rollins, is an American singer, writer, spoken word artist, actor, and presenter. After performing in the short-lived hardcore punk band State of Alert in 1980, Rol ...
has praised free jazz, releasing albums by
Matthew Shipp Matthew Shipp (born December 7, 1960) is an American pianist, composer, and bandleader. Early life and education Shipp was raised in Wilmington, Delaware, and began playing piano at six years old. His mother was a friend of trumpeter Clifford B ...
on his record label and collaborating with
Charles Gayle Charles Gayle (born February 28, 1939) is an American free jazz musician. Initially known as a saxophonist who came to prominence in the 1990s after decades of obscurity, Gayle also performs as pianist, bass clarinetist, bassist, and percussioni ...
. The Minutemen were influenced by jazz, folk and funk.
Mike Watt Michael David Watt (born December 20, 1957) is an American bassist, vocalist and songwriter. Watt co-founded and played bass guitar for the rock bands Minutemen (1980–1985), Dos (1985–present), and Firehose (1986–1994). He began a solo ...
of the band has spoken about being inspired by listening to John Coltrane. Dutch
anarcho-punk Anarcho-punk (also known as anarchist punk or peace punk) is ideological subgenre of punk rock that promotes anarchism. Some use the term broadly to refer to any punk music with anarchist lyrical content, which may figure in crust punk, hardcor ...
group the Ex incorporated elements of free jazz and particularly European
free improvisation Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its ...
, collaborating with
Han Bennink Han Bennink (born 17 April 1942) is a Dutch drummer and percussionist. On occasion his recordings have featured him playing soprano saxophone, bass clarinet, trombone, violin, banjo and piano. Though perhaps best known as one of the pivotal fig ...
and other members of the Instant Composers Pool.


1990s

Free jazz was an important influence in the American
post-hardcore Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. It was initially inspired by post-punk and noise rock. Like post-punk, the term has be ...
scene of the early 90s.
Drive Like Jehu Drive Like Jehu was an American post-hardcore band from San Diego active from 1990 to 1995. It was formed by rhythm guitarist and vocalist Rick Froberg and lead guitarist John Reis, ex-members of Pitchfork, along with bassist Mike Kennedy an ...
took Black Flag's atonal solos a step further with their dual guitar attack. The Nation of Ulysses had Ian Svenonious alternating between vocals and trumpet, and their complex song structures, odd time signatures, and frenetic live shows were as much hardcore punk as they were free jazz. They even did a brief cover of
John Coltrane John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Born and raise ...
's ''
A Love Supreme ''A Love Supreme'' is an album by American jazz saxophonist John Coltrane. He recorded it in one session on December 9, 1964, at Van Gelder Studio in Englewood Cliffs, New Jersey, leading a quartet featuring pianist McCoy Tyner, bassist Jimmy ...
'' on their '' Plays Pretty for Baby'' album, though they titled it "The Sound of Jazz to Come" after
Ornette Coleman Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Coll ...
's classic album ''
The Shape of Jazz to Come ''The Shape of Jazz to Come'' is the third album by jazz musician Ornette Coleman. Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring the working quartet including himself, trumpeter Don Cherry, bass ...
''. Chicago's
Cap'n Jazz Cap'n Jazz (sometimes stylised as caP'n Jazz) was an American emo band formed in Chicago in 1989 by brothers Tim and Mike Kinsella, who were joined by Sam Zurick and Victor Villarreal. After a number of name changes and the addition of guitaris ...
also borrowed free jazz's odd time signatures and guitar melodies, marrying them with hardcore screams and amateur tuba playing. The Swedish band
Refused Refused (also known as the Refused) is a Swedish hardcore punk band originating from Umeå and formed in 1991. Refused is composed of vocalist Dennis Lyxzén, guitarist Kristofer Steen, drummer David Sandström, and bassist Magnus Flagge. G ...
was influenced by this scene and recorded an album titled '' The Shape of Punk to Come'', where they alternate between manic hardcore punk numbers and slower, jazzy songs.


2000s–2010s

Yakuza , also known as , are members of transnational organized crime syndicates originating in Japan. The Japanese police and media, by request of the police, call them , while the ''yakuza'' call themselves . The English equivalent for the ter ...
from Chicago is comparable to
Candiria Candiria are an American progressive metal band from Brooklyn, New York. Formed in 1992, the band was part of the second wave of New York hardcore, but subsequently expanded its performance to also play jazz, hip hop and progressive rock. The ...
, combining heavy metal with free jazz and psychedelia. Although Italian band Ephel Duath was credited with the inadvertent recreation of jazzcore on their albums '' The Painter's Palette'' (2003) and '' Pain Necessary to Know'' (2005), the band moved away from it to pursue a more esoteric form of progressive rock similar to the music of
Frank Zappa Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity and satire of ...
. Midori made waves around Japan in the mid-2000s for their unrelenting and chaotic blend of hardcore punk and dissonant jazz before disbanding at the end of 2010. Other punk jazz acts include Gutbucket, and
King Krule Archy Ivan Marshall (born 24 August 1994), also known by his stage name King Krule, among other names, is an English singer, songwriter, musician, rapper and record producer. He began recording music in 2010 under the moniker Zoo Kid. The fol ...
.


Jazzcore

Jazzcore is a subgenre that incorporates elements of
hardcore punk Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier p ...
and heavy metal music alongside typical jazz instrumentation and improvisation.


Further reading

*Berendt, Joachim E. (1992). ''The Jazz Book: From Ragtime to Fusion and Beyond''. Revised by Günther Huesmann, translated by H. and B. Bredigkeit with Dan Morgenstern. Brooklyn: Lawrence Hill Books. "The Styles of Jazz: From the Eighties to the Nineties," pp. 57–59. *Byrne, David, et al. (2008). ''New York Noise: Art and Music from the New York Underground 1978–88''. Soul Jazz Records. . *Hegarty, Paul (2007). ''Noise/Music: A History''. Continuum International. *Heylin, Clinton (1993). ''From the Velvets to the Voidoids: The Birth of American Punk Rock''. *McNeil, Legs and Gillian McCain (1997). ''Please Kill Me: The Uncensored Oral History of Punk''. Grove Press. *Masters, Marc (2008). ''No Wave''. Black Dog Publishing. *Mudrian, Albert (2000). ''Choosing Death: The Improbable History of Death Metal and Grindcore''. Feral House. *Reynolds, Simon (2006). ''Rip It Up and Start Again: Postpunk 1978–1984.'' Penguin. *Sharpe-Young, Garry (2005). ''New Wave of American Heavy Metal''. Zonda Books. *Zorn, John, ed. (2000). ''Arcana: Musicians on Music.'' Granary Books.


References

{{jazzfooter Punk rock genres Jazz genres Fusion music genres