Psalm 146 (Bruckner)

Psalm 146 in A major (WAB 37) by Anton Bruckner is a psalm setting for double mixed choir, soloists and orchestra.Anton Bruckner Critical Complete Edition – Psalms and Magnificat
/ref> It is a setting of verses 1 to 11 of a German version of Psalm 147, which is Psalm 146 in the Vulgata.

History

It is not known what occasion prompted Bruckner to compose this large-scale work or whether there was any performance in Bruckner's lifetime. The composition was presumably initiated during the St. Florian period () and completed in (at the latest 1858) in Linz, when Bruckner was studying with Simon Sechter.C. van Zwol, p. 697U. Harten, pp. 344-345

When it was written, for whom, and why it was allowed to languish unperformed are all unanswered questions. Its cantata-like structure ... and stylistic affinity with the ''Missa solemnis'' place it in the late St. Florian years, though its enormous dimensions ... are difficult to reconcile with the resources of the monastery.J. Williamson, pp. 46–48

A sketch of the work is stored in the archive of Wels. An incomplete manuscript and a completed copy with annotations are stored in the archive of the ''Österreichische Nationalbibliothek''. A critical edition was published by Paul Hawkshaw in 1996 in Band XX/4 of the '.

The first performance of Bruckner's Psalm 146 by Wolfgang Riedelbauch with the Hans-Sachs-Chor, the Lehrergesangverein Nürnberg and the Nürnberger Symphoniker occurred in the Meistersingerhalle of Nürnberg on 28 November 1971. Six months later another performance by the same ensembles was recorded in the Colosseum-Studio and put on LP. Other performances occurred in May 1975.
A second wave of performances occurred about twenty years later by Heinz Wallberg with the Niederösterreichiches Tonkünstler Orchester and the choir of the Wirtschaftsuniversität, first in Vienna on 10 November 1991 and three days later in Baden bei Biel, Switzerland.
The American premiere by Leon Botstein with the American Symphony Orchestra and the Canticum Novum Singers occurred about three years later, in the Alice Tully Hall on 13 January 1995. The American premiere used the score prepared by Hawkshaw for the Bruckner's '.
Twenty years later, during the 25th Ebrach Summer Music Festival, a next performance by Gerd Schaller with the Philharmonie Festiva orchestra and the Philharmonic Choir of Munich occurred on 6 September 2015. Schaller's live performance is put on CD by Profil Hänssler.

Recordings of Wallberg's and Botstein's live performances are put in the Bruckner archive.

Text

(Praise God for his well-doings)

Setting

Psalm 146 is the largest of Bruckner's psalm settings. The 652- bar long work in A major is scored for choir and soloists and orchestra (1 flute, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 4 trombones, timpani and strings). The work (total duration about 30 minutes) is divided into six parts:
# Introduction: "''Alleluja! Lobet den Herrn''". Langsam, A major – Choir with soprano soloist and solo horn
#Recitative: F sharp minor veering to D major
##"''Der Herr bauet Jerusalem''". Kräftig – Bass soloist and trombones
##"''Er heilet die geschlagenen Herzens sind''". Weich – Soprano soloist and horns
##"''Er zählet die Menge der Sterne''". Frisch – Tenor soloist and woodwinds (oboes & bassoons)
#Choir: "''Groß ist unser Herr''". Schnell, D minor veering to D major – Double choir in antiphony
#Arioso with Choir:
##Arioso: "''Der Herr nimmt auf die Sanften''". Nicht zu langsam, B flat major – Soprano, tenor and alto soloists, with solo oboe and violin
##Choir: "''Singet dem Herrn mit Danksagung''". Etwas bewegter, E flat major
## Bridging arioso:
###"''Er läßt Gras wachsen auf den Bergen''" – Soprano soloist
###"''Er gibt dem Vieh seine Speise''" – Tenor soloist with solo clarinet
###"''Er hat nicht Lust an der Stärke des Rosses''" – Bass soloist with solo bassoon, veering to E minor
#Arioso: "''Der Herr hat Wohlgefallen an denen, die ihn fürchten''". Nicht schnell, E major – Soprano soloist
# Finale with Fugue: "''Alleluja! Lobet den Herrn''", A major
##Final choir: Etwas schnell
##Fugue: Nicht schnell – Choir with soloists at the end

As in the Missa solemnis there are clear influences of Haydn and Schubert, particularly in the ariosos. There are in the Finale two passages with brass instrument chords followed by an '' Alleluja'', for which Bruckner drew his inspiration from the ''Hallelujah'' of Händel's ''Messiah'', on which he often improvised on organ.

For the first time Bruckner is using a full orchestra, with yet some archaism such as the use of horns (part 4) and trombones (part 6) in homophony with the choir. " heclosing Alleluja ... is Bruckner's most extended fugue prior to the Fifth Symphony." The five-minute long fugue is more mature than the quite formal fugues of Bruckner's previous works – a consequence of Sechter's tuition. Bruckner uses, ''e.g.'', an inversion of the theme in its development.

Psalm 146 is also remarkable as the first piece in which Bruckner experimented with organic thematic integration on a large scale ... talso deserves to be heard more often for the lovely string ''pianissimo'' in its opening bars that foreshadows the beginning of both the D minor and F minor Masses.

Discography

There are two publicly available recordings:
* Wolfgang Riedelbauch, ''Anton Bruckner – Psalm 146 and Windhaager Messe'', Hans Sachs-Chor, Lehrergesangverein Nürnberg (in double choir) and Nürnberger Symphoniker, LP-Colosseum SM 548, 1972. The recording used a score made by Riedelbauch-self, based on a copyist's manuscript. This recording of Psalm 146 has been transferred to CD, together with the historical recording of the Requiem by Hans Michael Beuerle: Klassic Haus KHCD-2011-092, 2011.
* Gerd Schaller, ''Bruckner – Mass 3, Psalm 146, Organ works'', Philharmonischer Chor München and Philharmonie Festiva, CD: Profil Hänssler PH16034, 2015.
The sound by Schaller is wider and also more detailed ... There is only one downer: The double choir of the third movement is only clearly audible and unfolds its effect by Riedelbauch. By Schaller it can at best be guessed.Discography of Bruckner's Psalm 146 by Hans Roelofs
/ref>

References

Sources

* Cornelis van Zwol, ''Anton Bruckner – Leven en Werken'', Thot, Bussum (Netherlands), 2012.
* John Williamson, '' The Cambridge Companion to Bruckner'', Cambridge University Press, 2004.
* Uwe Harten, ''Anton Bruckner. Ein Handbuch''. , Salzburg, 1996. .
* ''Anton Bruckner – Sämtliche Werke, Band XX/4: Psalm 146 (1856–1858)'', Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Paul Hawkshaw (Editor), Vienna, 1996

External links

*

''Psalm 146'' A-Dur, WAB 37 (1845-1858?)
Critical discography by Hans Roelofs

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Psalms by Anton Bruckner
Choral compositions
Compositions in A major