''The Prince of the Pagodas'' is a ballet created for

The Royal Ballet The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in ...

by choreographer

John Cranko John Cyril Cranko (15 August 1927 – 26 June 1973) was a South African ballet dancer and choreographer with the Royal Ballet and the Stuttgart Ballet. Life and career Early life Cranko was born in Rustenburg in the former province of Transv ...

with music commissioned from

Benjamin Britten Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other ...

. Its premiere took place on 1 January 1957 at the

Royal Opera House The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Ope ...

, Covent Garden, London, conducted by Britten. In February 1957 a recording of a slightly cut version of the score was made by

Decca Decca may refer to: Music * Decca Records or Decca Music Group, a record label * Decca Gold, a classical music record label owned by Universal Music Group * Decca Broadway, a musical theater record label * Decca Studios, a recording facility in W ...

with Britten conducting th
Orchestra of the Royal Opera House
The ballet was revived at the same venue on 7 December 1989 in a

new production In biological oceanography, new production is supported by nutrient inputs from outside the euphotic zone, especially upwelling of nutrients from deep water, but also from terrestrial and atmosphere sources (as opposite to regenerated production, ...

Kenneth MacMillan Sir Kenneth MacMillan (11 December 192929 October 1992) was a British ballet dancer and choreographer who was artistic director of the Royal Ballet in London between 1970 and 1977, and its principal choreographer from 1977 until his death. E ...

, achieving acclaim for

Darcey Bussell Dame Darcey Andrea Bussell, (born Marnie Mercedes Darcey Pemberton Crittle; 27 April 1969) is an English retired ballerina and a former judge on the BBC television dance contest ''Strictly Come Dancing''. Trained at the Arts Educational Sc ...

's work in a principal role. Another production, set in Japan, was created by

David Bintley Sir David Julian Bintley (born 17 September 1957) is an English former ballet dancer, the artistic director of the Birmingham Royal Ballet, and co-artistic director of the New National Theatre Tokyo ballet company. Early life Bintley was born ...

for the National Ballet of Japan and premiered by that company on 30 October 2011; this was adopted by Birmingham Royal Ballet and danced in 2014 at

The Lowry The Lowry is a theatre and gallery complex at Salford Quays, Salford, Greater Manchester, England. It is named after the early 20th-century painter L. S. Lowry, known for his paintings of industrial scenes in North West England. The complex ope ...

Salford Salford () is a city and the largest settlement in the City of Salford metropolitan borough in Greater Manchester, England. In 2011, Salford had a population of 103,886. It is also the second and only other city in the metropolitan county afte ...

Background

In January 1954, Sadler's Wells Ballet announced that Cranko was collaborating with

to create a ballet. Cranko devised a draft scenario for a work he originally called ''The Green Serpent'', fusing elements drawn from ''

King Lear ''King Lear'' is a tragedy written by William Shakespeare. It is based on the mythological Leir of Britain. King Lear, in preparation for his old age, divides his power and land between two of his daughters. He becomes destitute and insane ...

'', ''

Beauty and the Beast ''Beauty and the Beast'' (french: La Belle et la Bête) is a fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in ''La Jeune Américaine et les contes marins'' (''The Young American and Marine ...

'' (a story he had choreographed for Sadler's Wells in 1948) and the oriental tale published by

Madame d'Aulnoy Marie-Catherine Le Jumel de Barneville, Baroness d'Aulnoy (1650/1651 – 14 January 1705), also known as Countess d'Aulnoy, was a French author known for her literary fairy tales. When she termed her works ''contes de fées'' (fairy tales), sh ...

as '' Serpentin Vert''. Creating a list of dances, simply describing the action and giving a total timing for each, he passed this to Britten and left him to compose what eventually became ''The Prince of the Pagodas''. Britten dedicated the score to

Imogen Holst Imogen Clare Holst (; 12 April 1907 – 9 March 1984) was a British composer, arranger, conductor, teacher, musicologist, and festival administrator. The only child of the composer Gustav Holst, she is particularly known for her education ...

and

Ninette de Valois Dame Ninette de Valois (born Edris Stannus; 6 June 1898 – 8 March 2001) was an Irish-born British dancer, teacher, choreographer, and director of classical ballet. Most notably, she danced professionally with Serge Diaghilev's Ballets Russ ...

Plot synopsis

An Emperor must decide which of his two daughters should inherit the throne, and he chooses the evil older sister Belle Epine over the young and beautiful Belle Rose. Belle Rose is taken by magical flying frogs to Pagoda Land, and meets the Prince of Pagoda Land who is in the guise of a Salamander. Belle Rose and the Prince return to the land of her father and confront her evil sister, in the end driving her away.

Influence of Balinese gamelan on the music

Britten incorporated many elements of Balinese gamelan music into the score of ''The Prince of the Pagodas'', including simulating the seven-tone

pelog Pelog ( su, ᮕᮦᮜᮧᮌ᮪, translit=Pélog /pelog/, jv, ꦥꦺꦭꦺꦴꦒ꧀, ban, ᬧᬾᬮᭀᬕ᭄, translit=Pélog /pelok/) is one of the essential tuning systems used in gamelan instruments that has heptatonic scale. The other ...

tuning on Western instruments. Britten was first exposed to gamelan music by Canadian composer

Colin McPhee Colin Carhart McPhee (March 15, 1900 – January 7, 1964) was a Canadian-American composer and ethnomusicologist. He is best known for being the first Western composer to make a musicological study of Bali, and developing American gamelan along w ...

, who had lived in Bali from 1931–38. Britten utilized a “pseudo-gamelan” sound in several of his works, including '' Paul Bunyan'' and ''

Peter Grimes ''Peter Grimes'', Op. 33, is an opera in three acts by Benjamin Britten, with a libretto by Montagu Slater based on the section "Peter Grimes", in George Crabbe's long narrative poem '' The Borough''. The "borough" of the opera is a fictional ...

'', after meeting McPhee. Britten also performed works of other composers which included references to gamelan music, such as Francis Poulenc’s Concerto for Two Pianos and Orchestra, which Britten performed with the composer in 1945 and again in 1955, after he had agreed to write a ballet with Cranko. However, perhaps the most influential experience in gamelan music for Britten was a two-week holiday he took in Bali in 1956. He made a thorough study of gamelan music while he was there and immediately began incorporating Balinese musical ideas into ''The Prince of the Pagodas''. For example, in the Prelude of the ballet, the Salamander Prince theme is played by several instruments in a layered texture, where the instruments are playing in different keys and start the theme at slightly different times in a technique called polyphonic stratification, which is typical of Balinese gamelan music. Another way in which Britten achieves a gamelan sound is through his instrumentation. His score calls for a variety of percussion instruments, including

gong A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs ...

cymbals A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs soun ...

, bells,

xylophone The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel (which uses metal bars), the xylophone essentially consists of a set of tuned wooden keys arranged in ...

, and

vibraphone The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist ...

, and uses these Western percussion instruments in different ways to produce a gamelan sound. For instance, Britten combines the sounds of an orchestral gong and a

double bass The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar i ...

to represent the Balinese

colotomic ''Colotomy'' is an Indonesian description of the rhythmic and metric patterns of gamelan music. It refers to the use of specific instruments to mark off nested time intervals, or the process of dividing rhythmic time into such nested cycles. I ...

gong. The

pentatonic scale A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many an ...

, a signature of Oriental music in general, makes frequent appearances in the ballet as well, especially in trumpet fanfares which occur throughout the piece. The interval of the major second appears throughout Britten's gamelan passages, which is normally considered dissonant in Western music but arises from the alternate scales and tunings of gamelan style music. Britten uses the gamelan sound in his music to symbolize the magical pagodas of Pagoda Land, where the main character, the princess Belle Rose, is taken after a confrontation with her father, the emperor, and her evil sister, Belle Epine. When Belle Rose enters Pagoda Land, she is greeted with gamelan music. Similarly, when the Salamander enters the scene, he is portrayed alongside softer gamelan music to produce a mystical air. The Salamander is revealed to be the human Prince of Pagodaland, and when he changes to a human form, the gamelan music is replaced with more traditional Western orchestral music.

Cranko

*Production premiere: 1 January 1957 *Choreographer:

*Composer:

*Set designer: John Piper *Costume designer: Desmond Heeley *Lighting designer: William Bundy

MacMillan

*Production premiere: 7 December 1989 *Choreographer:

*Composer:

*Scenario:

Colin Thubron Colin Gerald Dryden Thubron, FRAS (born 14 June 1939) is a British travel writer and novelist. In 2008, ''The Times'' ranked him among the 50 greatest postwar British writers. He is a contributor to ''The New York Review of Books'',

*Set designer: Nicholas Georgiadis *Costume designer: Nicholas Georgiadis *Lighting designer: John B Read This production was dedicated to

Margot Fonteyn Dame Margaret Evelyn de Arias DBE (''née'' Hookham; 18 May 191921 February 1991), known by the stage name Margot Fonteyn, was an English ballerina. She spent her entire career as a dancer with the Royal Ballet (formerly the Sadler's Wells ...

Bintley

*Production premiere: 30 October 2011 *Company: National Ballet of Japan *Location:

New National Theatre Tokyo The is Japan's first and foremost national centre for the performing arts, including opera, ballet, contemporary dance and drama. It is located in the Shinjuku area of Tokyo. Since 1997 more than 650 productions were staged. There are about 300 pe ...

*Choreographer:

*Composer: Benjamin Britten *Design: Rae Smith *Lighting designer: Peter TeigenBirmingham Royal Ballet, Program January–March 2014

References

Sources

* {{DEFAULTSORT:Prince Of The Pagodas, The Ballets by John Cranko Ballets by Benjamin Britten Ballets designed by John Piper 1957 ballet premieres Ballets by David Bintley 1957 compositions