Phonevision
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Phonevision was a project by Zenith Radio Company to create the world's first
pay television Pay television, also known as subscription television, premium television or, when referring to an individual service, a premium channel, refers to subscription-based television services, usually provided by multichannel television providers, b ...
system."Phonevision" ''Time'' January 8, 1951
/ref> It was developed and first launched in
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, followed by further trials in
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and
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.


History

Zenith had experimented with pay television as early as 1931, believing that advertising alone could not support television broadcasting as a viable enterprise in the long term. Zenith had originally occupied television channel 1 in Chicago starting on February 2, 1939, when W9XZV went on the air. W9XZV was one of America's first non-
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television stations and, until October 1940, the only television station in Chicago. Zenith's allocation was later moved to channel 2. In 1947, Zenith announced a perfected pay television system and selected the name "Phonevision" as the trademark for the concept. In 1950, in preparation for the public pay television test, the experimental station moved from the Zenith factory to the Field Building and became KS2XBS. In July 1953, Zenith was forced to shut down KS2XBS when
WBBM-TV WBBM-TV (channel 2) is a television station in Chicago, Illinois, United States, airing programming from the CBS network. Owned and operated by the network's CBS News and Stations division, the station maintains studios on West Washington ...
was moved from channel 4 to channel 2 by the
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as a side effect of channel shuffling in Wisconsin. The KS2XBS station's transmitter was later donated to Chicago's first educational station, PBS member station
WTTW WTTW (channel 11) is a PBS member television station in Chicago, Illinois, United States. Owned by not-for-profit broadcaster Window to the World Communications, Inc., it is sister to commercial classical music radio station WFMT (98.7 FM). T ...
(channel 11). In 1954, Zenith resumed testing in the eastern United States (on WOR-TV in New York City, now
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and licensed to nearby
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and
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. It also broadcast for a short time in
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. In spite of its failure to gain national success, a significant amount of publicity and advertising for Phonevision was created for a short time. The Phonevision system was operational on station WHCT in
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, for at least five years, ending early in 1968. The station would run conventional (non-subscription) entertainment programming during the day as an "
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" and then switch to Phonevision-encoded programming in the evening.


Phonevision concept

The concept behind Phonevision involved making feature films available to home viewers at $1 per movie ( adjusted for inflation). Viewers were required to purchase a descrambler unit that sat on top of the television, plugged into the TV's antenna leads and also into the telephone line. Someone wishing to view a movie would call the Phonevision operator, who would add them to the viewer queue. A signal sent via phone lines would allow the box to descramble the signal and at the end of the month, viewers would be billed for the movie on their regular telephone bill. Some of Zenith's 1951 model TV sets were equipped with a special connector for Phonevision and included a section in the owner's manual explaining the Phonevision concept, providing instructions on how to order, and a schedule for film broadcasts.Zenith Owner's Manual, 1951
/ref> The Theatre Owners of America called the service a monumental flop. However, according to then Zenith president Eugene F. McDonald, the service was a roaring success."Report on Phonevision" ''Time'' June 4, 1951
/ref> Even though the three films initially available to the first 300 test households were more than two years old, only about 18 percent of Phonevision viewers had seen them at the movies, and 92 percent of Phonevision households reported that they would prefer to see films at home.


Technical information

The system operated by switching a delay line in and out of the video, which chopped the picture into slats (like looking through an open
venetian blind A window blind is a type of window covering. There are many different kinds of window blinds which use a variety of control systems. A typical window blind is made up of several long horizontal or vertical slats of various types of hard mate ...
). Half of the slats would be shifted to the right by a significant amount. Decoding reversed the process and slid the other slats over the same amount, realigning the picture. The video information was also reversed in phase, exchanging black and white. The audio was processed by "frequency inversion scrambling", shifting the audio spectrum up 2.625 kHz in
frequency Frequency is the number of occurrences of a repeating event per unit of time. It is also occasionally referred to as ''temporal frequency'' for clarity, and is distinct from ''angular frequency''. Frequency is measured in hertz (Hz) which is eq ...
. This produced audio that sounded much like single sideband radio except that only high frequencies were present. Decoding of the audio was done by a dual-conversion processor. The audio was first shifted up 31.5 kHz, and then shifted down 34.125 kHz, producing a net "downshift" of 2.625 kHz. 31.5 was double the horizontal sweep frequency of 15.750 kHz, and 34.125 kHz was × 15.750, giving a convenient frequency reference. The frequency tolerance was so tight that if encoded audio were recorded during a Phonevision broadcast, and then played back later into a homemade processor running on normal network programming, a slight frequency error could be detected in the restored audio. Also, when the station switched to local sync to run a local
commercial Commercial may refer to: * a dose of advertising conveyed through media (such as - for example - radio or television) ** Radio advertisement ** Television advertisement * (adjective for:) commerce, a system of voluntary exchange of products and s ...
, the frequency change could be heard. One of the major limitations of the Phonevision system was that due to the delay line being switched in and out, color could not be broadcast, as the 3.58 MHz phase lock necessary for NTSC color broadcasting could not be held. This limitation contributed to the demise of the system, along with the FCC authorization of subscription programming in 1969.


References

{{U.S. television movie channels Experimental television stations History of television Television pioneers Television channels and stations established in 1951 Television channels and stations disestablished in 1969 American subscription television services Defunct television networks in the United States Television stations in Chicago 1951 establishments in Illinois 1969 disestablishments in Illinois