Peter Kivy
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Peter Kivy (October 22, 1934 – May 6, 2017James O. Young: In Memoriam Peter Kivy
bilingüal edition (English/Spanish, translation by Daniel Martín Sáez) at ''Sinfonía Virtual. Revista de Música Clásica'', nº 32 (2017), pp. 1-3.) was professor emeritus of musicology and philosophy at
Rutgers University Rutgers University (; RU), officially Rutgers, The State University of New Jersey, is a public land-grant research university consisting of four campuses in New Jersey. Chartered in 1766, Rutgers was originally called Queen's College, and was ...
. He studied particularly the
philosophy of music Philosophy of music is the study of "fundamental questions about the nature of music and our experience of it".Andrew Kania,The Philosophy of Music, ''The Stanford Encyclopedia of Philosophy'', Spring 2014 edition, edited by Edward N. Zalta. The p ...
.


Biography

Kivy received a B.A. ''
summa cum laude Latin honors are a system of Latin phrases used in some colleges and universities to indicate the level of distinction with which an academic degree has been earned. The system is primarily used in the United States. It is also used in some Sou ...
'' at the
University of Michigan , mottoeng = "Arts, Knowledge, Truth" , former_names = Catholepistemiad, or University of Michigania (1817–1821) , budget = $10.3 billion (2021) , endowment = $17 billion (2021)As o ...
in 1956, where he was elected to
Phi Beta Kappa The Phi Beta Kappa Society () is the oldest academic honor society in the United States, and the most prestigious, due in part to its long history and academic selectivity. Phi Beta Kappa aims to promote and advocate excellence in the liberal ...
. He earned a
M.A. A Master of Arts ( la, Magister Artium or ''Artium Magister''; abbreviated MA, M.A., AM, or A.M.) is the holder of a master's degree awarded by universities in many countries. The degree is usually contrasted with that of Master of Science. Tho ...
in philosophy in 1958 also from the
University of Michigan , mottoeng = "Arts, Knowledge, Truth" , former_names = Catholepistemiad, or University of Michigania (1817–1821) , budget = $10.3 billion (2021) , endowment = $17 billion (2021)As o ...
, an A.M. in musicology at
Yale University Yale University is a private research university in New Haven, Connecticut. Established in 1701 as the Collegiate School, it is the third-oldest institution of higher education in the United States and among the most prestigious in the w ...
in 1960, and a PhD in philosophy from
Columbia University Columbia University (also known as Columbia, and officially as Columbia University in the City of New York) is a private research university in New York City. Established in 1754 as King's College on the grounds of Trinity Church in Manhatt ...
in 1966. He first taught at
Brooklyn College , mottoeng = Nothing without great effort , established = , parent = CUNY , type = Public university , endowment = $98.0 million (2019) , budget = $123.96 m ...
from 1966-67, He then joined the faculty at Rutgers, first at the Newark campus, where he became full professor in 1976, and then in 1978 moved to the university's main campus, in
New Brunswick New Brunswick (french: Nouveau-Brunswick, , locally ) is one of the thirteen provinces and territories of Canada. It is one of the three Maritime provinces and one of the four Atlantic provinces. It is the only province with both English and ...
. He taught there for the remainder of his career, except for one year as a visiting professor at
University of California, Santa Barbara The University of California, Santa Barbara (UC Santa Barbara or UCSB) is a public land-grant research university in Santa Barbara, California with 23,196 undergraduates and 2,983 graduate students enrolled in 2021–2022. It is part of the U ...
. His early work was on the 18th-century British aesthetics, primarily Francis Hutcheson. From the late 1970s on, he had been interested mainly in philosophy of music. His book ''The Corded Shell'' made him a central figure in musical aesthetics.Cumming. One preoccupation of his had been the problem of what it means for instrumental music to "express" an emotion. His answer is that common emotions have physical behavioral expression in people that can be understood by appearance and imitated in music; thus, music cannot express more complex emotions that do not have an obvious behavioral expression. A similar position is developed independently by Stephen Davies. Some criticism of Kivy's ideas is available in ''Music, Philosophy, and Modernity'' (2007) by Andrew Bowie and ''Filosofía de la Música. Respuestas a Peter Kivy'' (2017, published in Spanish by Daniel Martín Sáez) by James O. Young.


Books

* ''Speaking of Art'' (1973). * ''Francis Hutcheson's Inquiry Concerning Beauty, Order, Harmony, Design'' (ed., 1973). * ''Thomas Reid's Lectures on the Fine Arts'' (ed., 1973). * ''The Seventh Sense: A Study of Francis Hutcheson's Aesthetics, and its Influence in Eighteenth-Century Britain'' (1976, 2nd ed. 2003). * ''The Corded Shell: Reflections on Musical Expression'' (1980). * ''Sound and Semblance: Reflections on Musical Representation'' (1984, 2nd ed. 1991). * ''Osmin's Rage: Philosophical Reflections on Opera, Drama and Text'' (1988, 2nd ed.). * ''Sound Sentiment: An Essay on Musical Emotions'' (1989). * ''Music Alone: Philosophical Reflections on the Purely Musical Experience'' (1990). * ''Essays on the History of Aesthetics'' (ed., 1992) * ''The Fine Art of Repetition: And Other Essays in the Philosophy of Music'' (collection, 1993) * ''Authenticities: Philosophical Reflections on Musical Performance'' (1995). * ''Philosophies of Arts: An Essay in Differences'' (1997). * ''New Essays on Musical Understanding'' (collection, 2001) * ''The Possessor and the Possessed: Handel, Mozart, Beethoven and Idea of Musical Genius'' (2001). * ''Introduction to a Philosophy of Music'' (2002). * ''The Blackwell Guide to Aesthetics'' (ed., 2004) * ''The Performance of Reading: an Essay in the Philosophy of Literature'' (2006). * ''Music, Language, and Cognition: And Other Essays in the Philosophy of Music, further collected essays of Peter Kivy'' (collection, 2007). * ''Antithetical Arts: On the Ancient Quarrel Between Literature and Music'' (2009). * ''Once-Told Tales: An Essay in Literary Aesthetics'' (2011). * ''Sounding Off: Eleven Essays in the Philosophy of Music ''(2012).


Notes


References

* Naomi Cumming. "Peter Kivy."
Grove Music Online ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and th ...
, ed. L. Macy (accessed August 3, 2010)
subscription access
.


Further reading

* Douglas Dempster. "How Does Debussy's Sea Crash? How Can Jimi's Rocket Red Glare?: Kivy's Account of Representation in Music." ''Journal of Aesthetics and Art Criticism 52/4 (Autumn 1994): 415-428. * Kelly Dean Jolly. "(Kivy on) The Form-Content Identity Thesis." ''British Journal of Aesthetics'' 48/2 (April 2008): 193-204.


External links


Faculty bio
{{DEFAULTSORT:Kivy, Peter 1934 births 2017 deaths Philosophers of music Philosophers of art American musicologists Rutgers University faculty Columbia University alumni University of Michigan alumni 20th-century American male writers 20th-century American non-fiction writers 20th-century American philosophers 21st-century American non-fiction writers 21st-century American philosophers Yale University alumni American male non-fiction writers 21st-century American male writers