Persian mythology or Iranian mythology ( Persian:اساطیرشناسی ایرانی) is the body of the myths originally told by ancient Persians and other

Iranian peoples The Iranian peoples or Iranic peoples are a diverse grouping of Indo-European peoples who are identified by their usage of the Iranian languages and other cultural similarities. The Proto-Iranians are believed to have emerged as a separate ...

, and a genre of Ancient Persian folklore. These stories concern the origin and nature of the world, the lives and activities of deities, heroes, and mythological creatures, and the origins and significance of the ancient Persians' own cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of not only modern-day Iran but the

Greater Iran Greater Iran ( fa, ایران بزرگ, translit=Irān-e Bozorg) refers to a region covering parts of Western Asia, Central Asia, South Asia, Xinjiang, and the Caucasus, where both Iranian culture and Iranian languages have had a s ...

, which includes

region In geography, regions, otherwise referred to as zones, lands or territories, are areas that are broadly divided by physical characteristics ( physical geography), human impact characteristics ( human geography), and the interaction of humanity an ...

s of

West Asia Western Asia, West Asia, or Southwest Asia, is the westernmost subregion of the larger geographical region of Asia, as defined by some academics, UN bodies and other institutions. It is almost entirely a part of the Middle East, and includes ...

Central Asia Central Asia, also known as Middle Asia, is a region of Asia that stretches from the Caspian Sea in the west to western China and Mongolia in the east, and from Afghanistan and Iran in the south to Russia in the north. It includes the fo ...

South Asia South Asia is the southern subregion of Asia, which is defined in both geographical and ethno-cultural terms. The region consists of the countries of Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka.;;;;; ...

and

Transcaucasia The South Caucasus, also known as Transcaucasia or the Transcaucasus, is a geographical region on the border of Eastern Europe and Western Asia, straddling the southern Caucasus Mountains. The South Caucasus roughly corresponds to modern Arme ...

where

Iran Iran, officially the Islamic Republic of Iran, and also called Persia, is a country located in Western Asia. It is bordered by Iraq and Turkey to the west, by Azerbaijan and Armenia to the northwest, by the Caspian Sea and Turkmeni ...

ian culture has had significant influence. Historically, these were regions long ruled by dynasties of various Iranian empires, that incorporated considerable aspects of Persian culture through extensive contact with them, or where sufficient

settled to still maintain communities who patronize their respective cultures. It roughly corresponds to the Iranian plateau and its bordering

plain In geography, a plain is a flat expanse of land that generally does not change much in elevation, and is primarily treeless. Plains occur as lowlands along valleys or at the base of mountains, as coastal plains, and as plateaus or uplands ...

s. The

Encyclopædia Iranica ''Encyclopædia Iranica'' is a project whose goal is to create a comprehensive and authoritative English language encyclopedia about the history, culture, and civilization of Iranian peoples from prehistory to modern times. Scope The ''Encyc ...

uses the term ''Iranian Cultural Continent'' for this region.Sarkhosh-Curtis, V., ''Persian Myths'' (1993) London, Homa statue in Persepolis

Religious background

Most characters in Persian mythology are either good, or they are evil. The resultant discord mirrors the nationalistic ideals of the early Islamic era as well as the moral and ethical perceptions of the Zoroastrian period, in which the world was perceived to be locked in a battle between the destructive ''Ahriman'' and his hordes of demonic ''Div''s and their Aneran supporters, versus the Creator ''Ormuzd'', who although not participating in the day-to-day affairs of mankind, was represented in the world by the ''izad''s and the righteous ''ahlav'' Iranians.

Good and Evil

On the other side of the fence is

Zahhak Zahhāk or Zahāk () ( fa, ضحّاک), also known as Zahhak the Snake Shoulder ( fa, ضحاک ماردوش, Zahhāk-e Mārdoush), is an evil figure in Persian mythology, evident in ancient Persian folklore as Azhi Dahāka ( fa, اژی دهاک ...

, a symbol of

despotism Despotism ( el, Δεσποτισμός, ''despotismós'') is a form of government in which a single entity rules with absolute power. Normally, that entity is an individual, the despot; but (as in an autocracy) societies which limit respect an ...

who was, finally, defeated by

Kāve Kaveh the Blacksmith ( fa, کاوه آهنگر – Kāve Āhangar ), is a 5000-year-old figure in Iranian mythology who leads a popular uprising against a ruthless foreign ruler, Zahāk. His story is narrated in the ''Shahnameh'', the nationa ...

, who led a popular uprising against him.

( ae, Aži Dahāka) was guarded by two vipers which grew out from both of his shoulders. No matter how many times they were beheaded, new heads grew on them to guard him. The snake, like in many other mythologies, was a symbol of evil, but many other animals and birds appear in Iranian mythology, and, especially, the birds were signs of good omens. Most famous of these is the

Simurgh Simurgh (; fa, سیمرغ, also spelled ''simorgh, simorg'', ''simurg'', ''simoorg, simorq'' or ''simourv'') is a benevolent, mythical bird in Persian mythology and literature. It is sometimes equated with other mythological birds such as the ...

, a large, beautiful, and powerful bird; and the Huma bird, a royal bird of victory whose plume adorned Persian crowns.

Peri In Persian mythology, peris (singular: peri; from fa, پَری, translit=parī, , plural , ; borrowed in European languages through ota, پَری, translit=peri) are exquisite, winged spirits renowned for their beauty. Peris were later ad ...

(Avestan ''Pairika''), a beautiful albeit evil woman in early mythology, gradually became less evil and more beautiful. The conflict between good and evil is prevalent in Persian myths as well as Zoroastrianism.

Notes

References

* Iran almanac and book of facts 1964–1965. Fourth edition, new print. Published by Echo of Iran, Tehran 1965.

External links

Iranian Mythology by Albert J. Carnoy

Iran Almanac 2006
{{Shahnameh Iranian mythology Persian culture

Religious background

Good and Evil

See also

Notes

References

Further reading

External links