Panathenaic amphorae were the amphorae, large ceramic vessels, that contained the olive oil given as prizes in the

Panathenaic Games The Panathenaic Games ( grc, Παναθήναια) were held every four years in Athens in Ancient Greece from 566 BC to the 3rd century AD. These Games incorporated religious festival, ceremony (including prize-giving), athletic competitions, a ...

. Some were and high. This oil came from the

sacred grove Sacred groves or sacred woods are groves of trees and have special religious importance within a particular culture. Sacred groves feature in various cultures throughout the world. They were important features of the mythological landscape and ...

of Athena at Akademia. The amphorae which held it had the distinctive form of tight handles, narrow neck and feet, and they were decorated with consistent symbols, in a standard form using the black figure technique, and continued to be so, long after the black figure style had fallen out of fashion. Some Panathenaic amphorae depicted

Athena Promachos The ''Athena Promachos'' (, "Athena who fights in the front line") was a colossal bronze statue of Athena sculpted by Pheidias, which stood between the Propylaea and the Parthenon on the Acropolis of Athens. Athena was the tutelary deity of Athen ...

, goddess of war, advancing between columns brandishing a spear and wearing the ''

aegis The aegis ( ; grc, αἰγίς ''aigís''), as stated in the ''Iliad'', is a device carried by Athena and Zeus, variously interpreted as an animal skin or a shield and sometimes featuring the head of a Gorgon. There may be a connection with a d ...

'', and next to her the inscription ''"(one) of the prizes from Athens"''. On the back of the vase was a representation of the event for which it was an award. Sometimes roosters are depicted perched on top of the columns. The significance of the roosters remains a mystery. Later amphorae also had that year's

archon ''Archon'' ( gr, ἄρχων, árchōn, plural: ἄρχοντες, ''árchontes'') is a Greek word that means "ruler", frequently used as the title of a specific public office. It is the masculine present participle of the verb stem αρχ-, mean ...

's name written on it making finds of those vases archaeologically important. The vases were commissioned by the state from the leading pottery workshops of the day in large numbers. Their canonical shape was set by 530 BC, but the earliest known example is the Burgon vase (British Museum, B130), which depicts Athena's owl nestling on the neck of the vase and on the reverse is a synoris team. This may mean that the vase predates the festival's reorganization in 566 since it is not an athletic event. The cock column is first seen on a panathenaic by

Exekias Exekias ( grc, Ἐξηκίας, ''Exēkías'') was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. Exekias worked mainly in the black-figure technique, which involved the painting of sce ...

(Karlsruhe 65.45). By the early fourth century the inclusion of the archon's name appears on these vases, the earliest almost intact one being Asteios 373/2 BC. (Oxford, 1911.257). There is a fragment that bears the name Hippodamas of 375/4 BC, however, which may also be a panathenaic, and Beazley suggests there may be a preceding one, Pythokles of 392/1. As the century progressed, the profile of the vases became elongated and the decoration more mannered. The last known dated vase is from 312/11, although production continues into the third and second centuries, the archons are no longer named, instead, the treasurers and stewards of the games are recorded in their place. Some vases were used as grave goods by the families of the victors, some were dedicated to sanctuaries, and still others sold, hence their wide distribution in the Greek world. The survival rate of Greek pottery as a whole may be calculated from the remnant of panathenaic amphorae that exist. After approximately 350 BC at least 1450 vases were awarded every four years in the greater Panathenaia. Assuming the number of events was consistent throughout the history of the games and that all prizes were in the form of decorated amphora, dividing the number of unique vases known by the total production run, gives the figure of between 0.5% and 1% of all Greek vases awarded are still extant.R. M. Cook's Die Bedeutung der bemalten Keramik fur den griechischen Handel, JdI lxxiv 959II4-23. See also Philip Sapirstein Painters, Potters, and the Scale of the Attic Vase-Painting Industry, AJA 117 No4 pp.493-510. File:Panathenaic amphora Kleophrades Louvre F277.jpg, Runners (ca. 500 BC) File:Greek - Black-figure Pseudo-Panathenaic Amphora - Walters 482107 - Side B.jpg, Musical competition, pseudo-Panathenaic amphora (500–485 BC) File:Bulas Group - Miniature Panathenaic Amphora - Walters 4859.jpg,

Poseidon Poseidon (; grc-gre, Ποσειδῶν) was one of the Twelve Olympians in ancient Greek religion and myth, god of the sea, storms, earthquakes and horses.Burkert 1985pp. 136–139 In pre-Olympian Bronze Age Greece, he was venerated as ...

and Athena, miniature example (early fourth century BC) File:Apobates race - Getty Villa Collection.jpg, Detail of an apobates race (340–339 BC)

References

Sources

*John Boardman: ''Athenian Black Figure Vases'', London 1974 *Jenifer Neils:''Goddess and Polis: The Panathenaic Festival in Ancient Athens'', Hood Museum of Art, 1992 * Martin Bentz: ''Panathenäische Preisamphoren: eine athenische Vasengattung und ihre Funktion vom 6. - 4. Jahrhundert v. Chr.'' Basel, Vereinigung der Freunde Antiker Kunst 1998 (Antike Kunst: Beihefte; 18) * Martin Bentz; Norbert Eschbach (Hrsg.): ''Panathenaïka : Symposion zu den Panathenäischen Preisamphoren, Rauischholzhausen 25.11. - 29.11.1998''. Mainz, Zabern 2001. *S. A. Callisen: ''The Iconography of the Cock on the Column'', The Art Bulletin, Vol. 21, No. 2 (Jun., 1939), pp. 160-178 {{commonscat, Panathenaic amphoras Sports trophies and awards Panathenaic Games