Ornament and Crime
   HOME

TheInfoList



OR:

"Ornament and Crime" is an essay and lecture by modernist architect
Adolf Loos Adolf Franz Karl Viktor Maria Loos (; 10 December 1870 – 23 August 1933) was an Austrian and Czechoslovak architect, influential European theorist, and a polemicist of modern architecture. He was an inspiration to modernism and a widely- ...
that criticizes ornament in useful objects.


History

Contrary to popular belief that it was composed in 1908, Adolf Loos first gave the lecture in 1910 at the Akademischer Verband für Literatur und Musik in Vienna. The essay was then published in 1913 in ''Les Cahiers d’aujourd’hui'' in French as . Only in 1929 was the essay published in German in the ''
Frankfurter Zeitung The ''Frankfurter Zeitung'' () was a German-language newspaper that appeared from 1856 to 1943. It emerged from a market letter that was published in Frankfurt. In Nazi Germany, it was considered the only mass publication not completely controll ...
'', as . It was the architect Henry Kulka, who assisted Loos during a reprint of the essay in 1931 in ''Trotzdem'', that altered the original year to 1908 after he consulted Loos, who either didn't remember well or wanted to assume primacy in the confrontation against the Secessionists.


Content

The essay was written when
Art Nouveau Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern ...
—known as
Secession Secession is the withdrawal of a group from a larger entity, especially a political entity, but also from any organization, union or military alliance. Some of the most famous and significant secessions have been: the former Soviet republics l ...
in Austria and which Loos had excoriated even at its height in 1900—was showing a new way forward for modern art. The essay was important in articulating some moralizing views, inherited from the Arts and Crafts movement, which would be fundamental to the
Bauhaus The Staatliches Bauhaus (), commonly known as the Bauhaus (), was a German art school operational from 1919 to 1933 that combined crafts and the fine arts.Oxford Dictionary of Art and Artists (Oxford: Oxford University Press, 4th edn., 20 ...
design studio, and would help define the ideology of modernism in architecture. "The evolution of culture marches with the elimination of ornament from useful objects," Loos proclaimed, thus linking the optimistic sense of the linear and upward progress of cultures with the contemporary vogue for applying
evolution Evolution is change in the heritable characteristics of biological populations over successive generations. These characteristics are the expressions of genes, which are passed on from parent to offspring during reproduction. Variation ...
to cultural contexts. Loos's work was prompted by regulations he encountered when he designed a tailorshop without ornamentation next to a palace. He eventually conceded to requirements by adding a flowerpot.


See also

*
Form follows function Form follows function is a principle of design associated with late 19th and early 20th century architecture and industrial design in general, which states that the shape of a building or object should primarily relate to its intended function ...
*
Modern architecture Modern architecture, or modernist architecture, was an architectural movement or architectural style based upon new and innovative technologies of construction, particularly the use of glass, steel, and reinforced concrete; the idea that for ...


References


Further reading

*Reyner Banham, 1960. ''Theory and Design in the First Machine Age'', Characteristic attitudes and themes of European artists and architects, 1900–1930. *Siegfried Giedion. ''Space, Time and Architecture: The Growth of a New Tradition''. *Adolf Loos
"Ornament und Verbrechen"
''Adolf Loos: Sämtliche Schriften in zwei Bänden – Erster Band'', Vienna, 1962. *Joseph Rykwert. "Adolf Loos: the new vision in ''Studio International'', 1973. *Janet Stewart, ''Fashioning Vienna: Adolf Loos's Cultural Criticism'', London: Routledge, 2000 {{Authority control Modernism 1910 essays 1910 in art Art criticism Ornaments Decorative arts