Organology (from

Ancient Greek Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic pe ...

() 'instrument' and (), 'the study of') is the science of

musical instruments A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who pl ...

and their classifications. It embraces study of instruments' history, instruments used in different cultures, technical aspects of how instruments produce sound, and

musical instrument classification In organology, the study of musical instruments, many methods of classifying instruments exist. Most methods are specific to a particular cultural group and were developed to serve that culture's musical needs. Culture-based classification meth ...

. There is a degree of overlap between organology,

ethnomusicology Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dim ...

(being subsets of

musicology Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some m ...

) and the branch of the science of

acoustics Acoustics is a branch of physics that deals with the study of mechanical waves in gases, liquids, and solids including topics such as vibration, sound, ultrasound and infrasound. A scientist who works in the field of acoustics is an acousticia ...

devoted to musical instruments.

History

A number of ancient cultures left documents detailing the musical instruments used and their role in society; these documents sometimes included a classification system. The first major documents on the subjects from the west, however, date from the 16th century, with works such as Sebastian Virdung's ''Musica getuscht und ausgezogen'' (1511), and

Martin Agricola Martin Agricola (6 January 1486 – 10 June 1556) was a German composer of Renaissance music and a music theorist. Biography Agricola was born in Świebodzin, a town in Western Poland, and took the name Agricola later in life, a common prac ...

's ''Musica instrumentalis deudsch'' (1529). One of the most important organologists of the 17th century is

Michael Praetorius Michael Praetorius (probably 28 September 1571 – 15 February 1621) was a German composer, organist, and music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms ba ...

. His ''Syntagma musicum'' (1618) is one of the most quoted works from that time on the subject, and is the source of much of what we know about

renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ide ...

musical instruments. Praetorius's ''Theatrum instrumentorium'' (1620) contains possibly the first pictures of

Africa Africa is the world's second-largest and second-most populous continent, after Asia in both cases. At about 30.3 million km2 (11.7 million square miles) including adjacent islands, it covers 6% of Earth's total surface area ...

n instruments in a European publication. For much of the 18th and 19th centuries, little work was done on organology. Explorers returned to Europe with instruments from different cultures, however, so that by the end of the 19th century, some musical instrument collections were quite large. This led to a renewed interest in the subject. One of the most important organologists of the 20th century was

Curt Sachs Curt Sachs (; 29 June 1881 – 5 February 1959) was a German musicologist. He was one of the founders of modern organology (the study of musical instruments). Among his contributions was the Hornbostel–Sachs system, which he created with Er ...

, who, as well as writing ''Real-Lexicon der Musikinstrumente'' (1913) and ''The History of Musical Instruments'' (1940), devised with Erich von Hornbostel the

Hornbostel–Sachs Hornbostel–Sachs or Sachs–Hornbostel is a system of musical instrument classification devised by Erich Moritz von Hornbostel and Curt Sachs, and first published in the in 1914. An English translation was published in the '' Galpin Society ...

scheme of instrument classification, which was first published in 1914 in the Zeitschrift für Ethnologie(

). This system classified musical instruments into four distinct categories: idiophones, membranophones, chordophones, and aerophones. This system of classification was updated several times by Sachs and Hornbostel and still continues to be updated periodically. One update to the system was made by Sachs in 1940 through the addition of a 5th category-electrophones, a category encompassing instruments which produce music electronically. Sachs' 1940 book, ''The History of Musical Instruments'' was meant to be a comprehensive compilation of descriptions of instruments from many cultures and their functions within their societies. The book is primarily divided into four chronological periods of instruments- early instruments, antiquity, the middle ages, and the modern occident. These periods are further subdivided into regions and then to significant time periods within those regions.

Andre Schaeffner In organology, the study of musical instruments, many methods of classifying instruments exist. Most methods are specific to a particular cultural group and were developed to serve that culture's musical needs. Culture-based classification method ...

introduced a system based on state-of-matter of the sound-producing mechanism, giving rise to two top-level categories: solid (containing strings and percussion), and gas (containing woodwind and brass). With the invention of hydraulophone, the physics-based organology has been expanded to use solid, liquid, and gas, wherein the top-level category is the state-of-matter of the material that makes the sound. A number of societies exist dedicated to the study of musical instruments. Among the more prominent are the Galpin Society, based in the

United Kingdom The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom (UK) or Britain, is a country in Europe, off the north-western coast of the continental mainland. It comprises England, Scotland, Wales and ...

; and the American Musical Instrument Society, based in the

United States The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country Continental United States, primarily located in North America. It consists of 50 U.S. state, states, a Washington, D.C., ...

Outside perspectives on the Hornbostel–Sachs classification system

According to one paper written by Henry M. Johnson published by the University of Oxford, “the universally used classification system established by musical instruments of Hornbostel and Sachs has become the paradigm of organology in many cultures”. Additionally, Eliot Bates states in a paper published in the Journal of the Society of Ethnomusicology that “The Hornbostel–Sachs system was not intended to classify the specificity of unique instruments, but rather to highlight commonalities across the world of instruments.”

Alternative perspectives on the classification of musical instruments

Margaret Kartomi, professor and chairperson in the Department of Music at Monash University in Melbourne, approached the topic of musical instrument classification in 1990 with the intention of understanding how musical instruments are classified across cultures. This approach was justified by her observation that the concepts upon which an outside European researcher might classify musical instruments of a particular culture are likely different from the way that those native to the culture choose to classify their musical instruments. Her book emphasizes the complexity that underlies the process of classifying musical instruments, as the classification system is often shaped by “socially influenced or structured ideas or belief systems”.

Connections to ethnomusicology

The 8th edition of UCLA’s publication on Selected Reports in Ethnomusicology published in 1990 was devoted to Issues in Organology. The first paper in the journal written by Sue Carole DeVale entitled “Organizing Organology” attempted to provide a more comprehensive system for defining the study of organology, particularly within the context of ethnomusicology. DeVale defines organology as “the science of sound instruments”. The word choice in this definition is very intentional- DeVale avoids the use of the term “music” or “musical” but rather "sound" because the function of some instruments, such as the Balinese slit drum, serves to signal an event rather than aid in a musical performance. She also defines three primary branches-classificatory, analytical, and applied- that serve as the basis for the study of organology. The classificatory branch essentially encompasses all of the ways in which musical instruments have been categorized, both cross-culturally and through cultural-specific systems. The analytical branch contains the body of work done on analyzing specific aspects of sound instruments and the cultural context/implications of the instruments. The applied branch is the aspects of organology that exist within the realm of museum work that involves the preservation of musical instruments, as well as instrument making. Devale also emphasizes throughout the paper the importance of the connections which exist between the three branches, as it is often essential to consider aspects of organology within all of three branches when doing work or research of any kind within the field. She states that “these branches are independent in theory, but in practice, research and processes conducted with and on instruments and their sounds continuously flow between them and permeate the whole.” Another notable paper on the topic of the connection between ethnomusicology and organology was written by Henry M. Johnson and published in 1995 in the Journal of the Anthropological Society of Oxford. This paper sought to demonstrate the contribution that the field of ethnomusicology can make to the study of musical instruments. Johnson defines four facets of the connection between ethnomusicology and organology- form, context, performance environment, and the interrelationship between instrument, performer and sound object. These categories were meant to provide a more detailed look at the cultural significance of musical instruments. Johnson states, “Ethnomusicology can… produce a study of the instruments that includes an examination of the interrelationship between the material object, its context and its music, together with an understanding of the meanings connected with each of these areas in specific and general environments (i.e. the contexts in which a sound-producing instrument is played or understood)”. In 2012, Eliot Bates of Cornell University approached the topic of the ethnomusicological study of musical instruments by focusing specifically on what he terms “the social life of musical instruments”. Bates argues that “‘the social’ has not been adequately studied and theorized because of a paucity of attention given to how social relations are mobilized around material objects and the thing-power that they possess.”Bates, Eliot. “The Social Life of Musical Instruments.” Ethnomusicology 56, no. 3 (2012): 363-395. Pp.364 Essentially, Bates states that material objects often hold significant social value. It is important to study the object not necessarily for the sake of categorization or understanding the way that it is played or how it works but the meaning that it holds for the musician and the audience.

Prominent organologists

Ivor Darreg Ivor Darreg (May 5, 1917 – February 12, 1994) was an American composer and leading proponent of microtonal or "xenharmonic" music. He also created a series of experimental musical instruments. Biography Darreg, a contemporary of Harry Partc ...

, microtonal instrument builder *

Leo Fender Clarence Leonidas Fender (August 10, 1909 – March 21, 1991) was an American inventor known for designing the Fender Stratocaster. He also founded the Fender Musical Instruments Corporation. In January 1965, he sold Fender to CBS, and later foun ...

, innovator of several electric guitar constructions (bridges and electronic configurations) *

Bart Hopkin Bart Hopkin is a builder of experimental musical instruments and a writer and publisher on the subject. Hopkin runs the website windworld.com, which provides resources regarding unusual instruments. Hopkin published the magazine ''Experimental Mus ...

, founder of the magazine '' Experimental Musical Instruments'' * Erich von Hornbostel, co-creator of the Hornbostel–Sachs musical instrument classification system * Victor-Charles Mahillon, organologist and museum curator * Bob Moog, inventor of the first synthesizer *

Harry Partch Harry Partch (June 24, 1901 – September 3, 1974) was an American composer, music theorist, and creator of unique musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century com ...

, microtonal string division musical theorist *

, musicologist and organologist *

Leon Theremin Leon Theremin (born Lev Sergeyevich Termen rus, Лев Сергеевич Термéн, p=ˈlʲef sʲɪrˈɡʲejɪvʲɪtɕ tɨrˈmʲen; – 3 November 1993) was a Russian and Soviet inventor, most famous for his invention of the theremin, one o ...

Anthony Baines Anthony Cuthbert Baines (1912–1997) was an English organologist who produced a wide variety of works on the history of musical instruments, and was a founding member of the Galpin Society. He attended Westminster School and then read for a degr ...

, historical organologist and early authority on bagpipes * William Waterhouse, author of The New Langwill Index, a Dictionary of Musical Wind Instrument Makers and Inventors

Ethno-organologists

* Adolf Chybinski – Polish organologist * Hnat Khotkevych – Ukrainian engineer and musicologist. * Filaret Kolessa – Ukrainian folklorist and ethno-organologist. *

Volodymyr Kushpet Volodymyr Kushpet (born 1948) is an influential Ukrainian baritone singer, and player on torban, kobza, bandura and hurdy-gurdy, lira, he is noted for reconstruction of traditional playing techniques on these instruments. He is the author of a pr ...

– contemporary Ukrainian ethno-organologist *

Klyment Kvitka Klyment Vasilyovich Kvitka ( uk, Климент Васильович Квітка; February 4, 1880 – September 19, 1953) was a Ukrainian and Soviet musicologist and ethnographer, and the husband of poet Lesya Ukrainka. The Kvitka family played ...

– Russian and Ukrainian ethno-organologist *

Mykola Lysenko Mykola Vitaliyovych Lysenko ( uk, Мико́ла Віта́лійович Ли́сенко; 22 March 1842 – 6 November 1912) was a List of Ukrainian composers, Ukrainian composer, pianist, conductor and ethnomusicologist of the late Romantic mus ...

– Ukrainian composer and founder of Ukrainian organology * Igor Matsiyevsky – Russian and Ukrainian ethno-organologist

References

External links

The Galpin Society

The American Musical Instrument Society

Experimental Musical Instruments

Department of Musical Instruments
at

The Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...

home to a large collection of historic musical instruments {{Authority control Musicology