On the Beach (2000 film)

''On the Beach'' is a 2000 apocalyptic made-for-television film directed by Russell Mulcahy and starring Armand Assante, Bryan Brown, and Rachel Ward.King, Susan
"Together Again for Apocalypse 'On the Beach'; Rachel Ward and Bryan Brown team on screen for just the second time since marrying 17 years ago."
'Los Angeles Times'', 26 May 2000, p. ESPN F1. Retrieved 11 January 2015. It was originally aired on Showtime.Moliltorisz, Sacha
"TV & Radio: On the Beach."
''The Sydney Morning Herald '', 19 April 2007. Retrieved 11 January 2015.

The film is a remake of a 1959 film, which was also based on the 1957 novel by Nevil Shute, but updates the setting of the story to the film's then-future of 2006, starting with placing the crew on a fictional , USS ''Charleston'' (SSN-704).

Plot

USS ''Charleston'' (SSN-704) is equipped with a caterpillar drive and is on station following a nuclear exchange, under the command of Dwight Towers.

A devastating nuclear war that contaminated the northern hemisphere was preceded by a standoff between the United States and China after the latter blockaded and later invaded Taiwan. Both countries are destroyed, as is most of the world. The submarine crew finds refuge in Melbourne, Australia which the radioactive fallout has not yet reached (though radio communications with several radio operators farther north than Australia indicate that radiation has reached their countries and will be in Australia in a few months). Towers places his vessel under the command of the Royal Australian Navy and is summoned to attend a briefing, partly regarding an automated digital broadcast coming from Alaska in the Northern Hemisphere. The submarine is sent to investigate, with Towers (Armand Assante), Australian scientist Julian Osborne (Bryan Brown), and Australian liaison officer Peter Holmes (Grant Bowler) on board.

Upon reaching Alaska, Towers and his executive officer go ashore to find no survivors. Entering a house and seeing a dead family huddled on a bed, Towers thinks of his own family and what they must have endured. The source of the automated digital broadcast is traced to a television station whose broadcast, Towers and his executive officer discover, comes from a solar-powered laptop trying to broadcast a documentary via satellite. While in Alaska, Towers' executive officer accidentally rips his suit.

Instead of returning directly to Melbourne, Towers orders the submarine to San Francisco where the crew originated. The Golden Gate Bridge has collapsed and the city shoreline is in ruins. A crew member who is from San Francisco abandons ship, planning on dying in his home city, and is left by his shipmates after it is argued that the length of time he has spent outside has already made him irreversibly sick with radiation poisoning.

Upon the ''Charleston's'' return to Melbourne, the executive officer collapses and is diagnosed with terminal radiation sickness. Towers attends his old friend in his dying days and ultimately, at his request, euthanizes the man as his deteriorating condition causes him to experience extreme suffering. Towers returns to Moira Davidson (Rachel Ward), Holmes's sister-in-law and Osborne's ex-fiancé. As the people of Melbourne realize that the inevitable nuclear cloud will soon reach their location, their impending doom begins to unravel the social fabric; anarchy and chaos erupt. Some choose to live their final weeks recklessly in a deadly car race while others seek a more peaceful means to face the end of their lives. Holmes and his wife Mary (Jacqueline McKenzie) find solace in their love for each other as Towers and Moira become closer.

When radiation sickness appears in Melbourne, people begin lining up for government-issued suicide pills. After Mary and their small daughter Jenny fall ill, Peter and his family share a final moment before taking their doses together, Peter sorrowfully injecting his child. Osborne races around the Phillip Island Grand Prix Circuit and finally crashes his car at Turn 10, resulting in a fiery death. With most of the ''Charleston's'' crew members developing advanced radiation sickness, they ask to take the submarine on one final voyage to San Francisco. Though they know they are unlikely to survive the trip, they wish to die together on the ''Charleston'', the only real home they have left. Towers agrees, apparently abandoning Moira to be with his men. As Moira, about to take her own suicide pill, watches the ''Charleston'' sail away, she is joined by Towers after all.

Cast

* Armand Assante as Captain Lionel Dwight Towers
* Rachel Ward as Moira Davidson
* Bryan Brown as Dr. Julian Osborne
* Jacqueline McKenzie as Mary Holmes
* Grant Bowler as Lt. Peter Holmes
* Allison Webber as Jenny Holmes
* Tieghan Webber as Jenny Holmes
* Steve Bastoni as First Officer Neil Hirsch
* David Ross Paterson as Chief Wawrzeniak (credited as David Paterson)
* Kevin Copeland as Sonarman Bobby Swain
* Todd MacDonald as Radioman Giles
* Joe Petruzzi as Lt. Tony Garcia
* Craig Beamer as Crewman Reid
* Jonathan Oldham as Crewman Parsons
* Trent Huen as Crewman Samuel Huynh
* Donni Frizzell as Crewman Rossi
* Jonathan Stuart as Crewman Burns
* Sam Loy as Seaman Sulman
* Charlie Clausen as Seaman Byers
* Robert Rabiah as Cook Gratino
* Marc Carra as Cook Walmsey
* Rod Mullinar as Admiral Jack Cunningham
* Felicity Boyd as Lt. Ashton
* Bill Hunter as Prime Minister Seaton
* Charles "Bud" Tingwell as Professor Alan Nordstrum (credited as Charles Tingwell)

Production

In the film, the Morse code signal picked up by the submarine crew in the original novel and film was updated to an automated digital broadcast powered by a solar-powered laptop computer. The film's picture of human behaviour is darker and more pessimistic than in the original 1959 adaptation, in which social order and manners do not collapse.Turegano, Preston
"Beach's passion doesn't run deep, as radioactive love boat founders."
'' U-T San Diego'', 28 May 2000, p. TV3. Retrieved 11 January 2015.

Alterations from the book and original film adaptation are made, including an ending differing from both the novel and film in that the submarine commander chooses to die with his newfound love instead of scuttling the submarine beyond Australian territorial waters (as in the novel) or attempting to return with his crew to the United States (as in the earlier film). In this version, the Golden Gate Bridge has collapsed and the city shoreline is in ruins, indicating an adjacent nuclear detonation, as in the book but not the first film version. The film ends with the reunion of Towers and Moira while their implied suicides occurring offscreen, as did the original version of Moira in the first film. Unlike the first film, there is no final postmortem scene of deserted Melbourne streets, with the absence of human life depicted.Kronke, David
"'Beach': It's the End of the World As We Know It."
'' Los Angeles Daily News'', 28 May 2000. Retrieved 11 January 2015.

The film contains various technical errors, such as in military uniforms and terminology.

The film ends with a quotation from Walt Whitman's poem "On The Beach at Night", describing how frightening an approaching cloud bank seemed at night to the poet's child, blotting the stars out one by one, as the father and child stood on the beach on Massachusetts' North Shore. As much as it resembles the plot of the movie and of Shute's novel, however, the book gives only an incidental reference to the Whitman poem,Shute 1957, p. verso. and the phrase "on the beach" is a Royal Navy term that means "retired from the Service". However, there seems to be little doubt about the provenance of the book's title, since at least some editions of it bear on the flyleaf two stanzas from the T.S. Eliot poem "The Hollow Men":

''In this last of meeting places'' / ''We grope together'' / ''And avoid speech'' / ''Gathered on this beach of the tumid river''.

''This is the way the world ends / This is the way the world ends / This is the way the world ends / Not with a bang but a whimper''.

Reception

The film received mixed reviews because with its three-hour account of impending doom, reviewers considered it "slow going"."'On the Beach' Revival is Slow Going Until the End."
'' Akron Beacon Journal'', 28 May 2000, p. ESPN F1. Retrieved 11 January 2015. Some film reviewers still found aspects to praise, however. Richard Scheib, the ''Science Fiction, Horror and Fantasy Film Review'' critic, saw the film as benefiting from the lengthier timeline: "The mini-series certainly has the luxury to pad the story out and tell it with more length than the film did. As a result there is a greater degree of emotional resonance to the characters than the 1959 film had ... Mostly the mini-series works satisfyingly as a romantic drama, which it does reasonably depending on the extent to which one enjoys these things. Crucially though the mini-series does manage to work as science-fiction and Russell Mulcahy delivers some impressive images of the aftermath of the nuclear holocaust. There are some fine scenes with Armand Assante and the submarine crew walking through the ruins of Anchorage discovering how the people there committed suicide en masse, and some excellent digital effects during the periscope tour of the ruins of San Francisco".Scheib, Richar
"On the Beach."
''moria.co''. Retrieved 11 January 2015.

''On the Beach'' received two Golden Globe award nominations and was nominated as Best Miniseries or Television Film. Rachel Ward was nominated in the Best Performance by an Actress in a Mini-Series or Motion Picture Made for Television category for her role as Moira Davidson."Golden Globes announce TV, film award nominees."
'' Milwaukee Journal Sentinel'' (Associated Press), 22 December 2000, p. 8B. Retrieved 11 January 2015.

References

Citations

Bibliography

* Shute, Nevil. ''On The Beach''. New York: William Morrow and Company, 1989, First edition 1957. .

External links

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{{DEFAULTSORT:On The Beach (2000 Film)
American television films
Apocalyptic films
APRA Award winners
Australian television films
2000s English-language films
Remakes of American films
Films about nuclear war and weapons
Films based on Australian novels
Films directed by Russell Mulcahy
Films set in Alaska
Films set in California
Films set in Melbourne
Films set in 2006
Films set in the future
Science fiction submarine films
2000s survival films
Films about the United States Navy
Films about World War III
2000 television films
2000 films