Nâzım Hikmet

Mehmed Nâzım Ran (15 January 1902 – 3 June 1963), Note: 403 Forbidden error received 10 October 2022. commonly known as Nâzım Hikmet (), was a Turkish-Polish poet, playwright, novelist, screenwriter, director, and memoirist. He was acclaimed for the "lyrical flow of his statements".Selected poems, Nazim Hikmet translated by Ruth Christie, Richard McKane, Talat Sait Halman, Anvil press Poetry, 2002, p.9 Described as a "romantic communist"Saime Goksu, Edward Timms, ''Romantic Communist: The Life and Work of Nazim Hikmet'', St. Martin's Press, New York and "romantic revolutionary", he was repeatedly arrested for his political beliefs and spent much of his adult life in prison or in exile. His poetry has been translated into more than fifty languages.

Family

According to Nâzım Hikmet, he was of paternal Turkish and maternal German, Polish, Georgian descent. Nâzım Hikmet's mother came from a distinguished, cosmopolitan family with predominantly Circassian ( Adyghe) roots, along with high social position and relations to Polish nobility. From his father's side he had Turkish heritage. His father, Hikmet Bey, was the son of Çerkes Nâzım Pasha (another Circassian), after whom Nâzım Hikmet was named.

Nazım’s maternal grandfather, Hasan Enver Pasha, was the son of Polish-born Mustafa Celalettin Pasha and Saffet Hanım, daughter of Serbian Omar Pasha and Circassian Adviye Hanım the daughter of Çerkes Hafız Pasha.
Mustafa Celalettin Pasha (born Konstanty Borzęcki herbu Półkozic) authored (''The Ancient and Modern Turks'') in Istanbul, in 1869.
This is considered one of the first works of national Turkist political thought.
Nâzım Hikmet's maternal grandmother, Leyla Hanım, was the daughter of Mehmet Ali Pasha, of French (Huguenot) and German origin, and Ayşe Sıdıka Hanım who was a daughter of Çerkes Hafız Paşa. Nâzım Hikmet and Celile Hanım's cousins included Oktay Rifat Horozcu, a leading Turkish poet, and the statesman Ali Fuat Cebesoy, among others.

Early life

Ran was born on 15 January 1902, in Selânik (Salonica), where his father was serving as an Ottoman government official. He attended the Taşmektep Primary School in the Göztepe district of Istanbul and later enrolled in the junior high school section of the prestigious Galatasaray High School in the Beyoğlu district, where he began to learn French; however, in 1913, he was transferred to the Numune Mektebi in the Nişantaşı district. In 1918, he graduated from the Ottoman Naval School on Heybeliada, one of the Princes' Islands located in the Sea of Marmara. His school days coincided with a period of political upheaval, during which the Ottoman government entered the First World War, allying itself with Germany. For a brief period he was assigned as a naval officer to the Ottoman cruiser '' Hamidiye''; however in 1919 he became seriously ill and, not being able to fully recover, was exempted from naval service in 1920.

In 1921, together with his friends Vâlâ Nureddin (Vâ-Nû), Yusuf Ziya Ortaç and Faruk Nafiz Çamlıbel, he went to İnebolu in Anatolia in order to join the Turkish War of Independence; from there he (together with Vâlâ Nûreddin) walked to Ankara, where the Turkish liberation movement was headquartered. In Ankara they were introduced to Mustafa Kemal Pasha ( Atatürk) who wanted the two friends to write a poem that would invite and inspire Turkish volunteers in Istanbul and elsewhere to join their struggle. This poem was much appreciated, and Muhittin Bey (Birgen) decided to appoint them as teachers to the Sultani (high-college) in Bolu, rather than sending them to the front as soldiers. However, their communist views were not appreciated by the conservative officials in Bolu, and so the two decided to go to Batumi in the Georgian Soviet Socialist Republic to witness the results of the Russian Revolution of 1917, arriving there on 30 September 1921. In July 1922, the two friends went to Moscow, where Ran studied Economics and Sociology at the Communist University of the Toilers of the East in the early 1920s. There, he was influenced by the artistic experiments of Vladimir Mayakovsky and Vsevolod Meyerhold, as well as the ideological vision of Lenin.

Style and achievements

Despite writing his first poems in syllabic meter, Nazım Hikmet distinguished himself from the "syllabic poets" in concept. With the development of his poetic conception, the narrow forms of syllabic verse became too limiting for his style and he set out to seek new forms for his poems.

He was influenced by the young Soviet poets who advocated Futurism. On his return to Turkey, he became the charismatic leader of the Turkish avant-garde, producing streams of innovative poems, plays and film scripts. In Moscow in 1922, breaking the boundaries of syllabic meter, he changed his form and began writing in free verse.

He has been compared by Turkish and non-Turkish men of letters to such figures as Federico García Lorca, Louis Aragon, Vladimir Mayakovsky, Faiz Ahmed Faiz and Pablo Neruda. Although Ran's work bears a resemblance to these poets and owes them occasional debts of form and stylistic device, his literary personality is unique in terms of the synthesis he made of iconoclasm and lyricism, of ideology and poetic diction.

Many of his poems have been set to music by the Turkish composer Zülfü Livaneli and Cem Karaca. A part of his work has been translated into Greek by Yiannis Ritsos, and some of these translations have been arranged by the Greek composers Manos Loizos and Thanos Mikroutsikos.

Because of his political views his works were banned in Turkey from 1938 to 1965.

Later life and legacy

Ran's imprisonment in the 1940s became a ''cause célèbre'' among intellectuals worldwide; a 1949 committee that included Pablo Picasso, Paul Robeson, and Jean-Paul Sartre campaigned for his release.

On 8 April 1950, Ran began a hunger strike in protest against the Turkish parliament's failure to include an amnesty law in its agenda before it closed for the upcoming general election. He was then transferred from the prison in Bursa, first to the infirmary of Sultanahmet Jail in Istanbul, and later to Paşakapısı Prison. Seriously ill, Ran suspended his strike on 23 April, the National Sovereignty and Children's Day. His doctor's request to treat him in hospital for three months was refused by officials. So, as his imprisonment status had not changed, he resumed his hunger strike on the morning of 2 May.

Ran's hunger strike caused a stir throughout the country. Petitions were signed and a magazine named after him was published. His mother, Celile, began a hunger strike on 9 May, followed by renowned Turkish poets Orhan Veli, Melih Cevdet and Oktay Rıfat the next day. In light of the new political situation after the 1950 Turkish general election, held on 14 May, the strike was ended five days later, on 19 May, Turkey's Commemoration of Atatürk, Youth and Sports Day, he was finally released through a general amnesty law enacted by the new government.

On 22 November 1950, the World Council of Peace announced that Nazım Hikmet Ran was among the recipients of the International Peace Prize, along with Pablo Picasso, Paul Robeson, Wanda Jakubowska and Pablo Neruda.

Later on, Ran escaped from Turkey to Romania on a ship via the Black Sea, and from there moved to the USSR. Because in the Soviet bloc the only recognized Turkish minority existed in communist Bulgaria, the poet's books were immediately brought out in this country, both in Turkish originals and Bulgarian translations. The communist authorities in Bulgaria celebrated him in Turkish and Bulgarian publications as 'a poet of liberty and peace.' The goal was to discredit Turkey presented as a 'lackey of the imperialist' United States in the eyes of Bulgaria's Turkish minority, many of whom desired to leave for or were expelled to Turkey in 1950–1953.

When the EOKA struggle broke out in Cyprus, Ran believed that the population of Cyprus would be able to live together peacefully, and called on the Cypriot Turks to support the Greek Cypriots' demand for an end to British rule and Union with Greece (Enosis). Hikmet drew negative reaction from Cyprus Turkish community due to his opinions.

Persecuted for decades by the Republic of Turkey during the Cold War for his communist views, Ran died of a heart attack in Moscow on 3 June 1963 at 6.30 am while picking up a morning newspaper at the door of his summer house in Peredelkino, far away from his beloved homeland. He is buried in Moscow's Novodevichy Cemetery, where his tomb is still a place of pilgrimage for Turks and others from around the world. His final wish, never carried out, was to be buried under a plane-tree (platanus) in any village cemetery in Anatolia.

His poems depicting the people of the countryside, villages, towns and cities of his homeland (''Memleketimden İnsan Manzaraları'', i.e. ''Human Landscapes from my Country''), as well as the Turkish War of Independence (''Kurtuluş Savaşı Destanı'', i.e. ''The Epic of the War of Independence''), and the Turkish revolutionaries (''Kuvâyi Milliye'', i.e. ''Force of the Nation'') are considered among the greatest literary works of Turkey.

Following his death, the Kremlin ordered the publication of the poet's first-ever Turkish-language collected works in communist Bulgaria, where at that time a large and still recognized Turkish national minority existed. The eight volumes of these collected works, ''Bütün eserleri'', appeared at Sofia between 1967 and 1972, that is, in the very last years of the existence of the Turkish minority educational and publishing system in Bulgaria.

Ran had Polish and Turkish citizenship. The latter was revoked in 1959, and restored in 2009. His family has been asked if they want his remains repatriated from Russia.

Patronage

During the 1940s, as he was serving his sentence at Bursa Prison, he used to paint. There, he met a young inmate named İbrahim Balaban. Ran discovered Balaban's talent in drawing, gave all his paint and brushes to him, and encouraged him to continue with painting. Ran influenced the peasant, and educated him, who had finished only a three-grade village school, in forming his own ideas in the fields of philosophy, sociology, economics and politics. Ran admired Balaban much, and referred to him in a letter to the novelist Kemal Tahir as "his peasant painter" ( tr, Köylü ressam). Their contact remained also after they were released from the prison.

Selected works

"I Come and Stand at Every Door"

Ran's poem "" ("The Girl Child") conveys a plea for peace from a seven-year-old girl, ten years after she has perished in the atomic bomb attack at Hiroshima. It has achieved popularity as an anti-war message and has been performed as a song by a number of singers and musicians both in Turkey and worldwide; it is also known in English by various other titles, including "I Come and Stand at Every Door", "I Unseen" and "Hiroshima Girl".

Turkish

* Zülfü Livaneli has performed a version of the original Turkish poem on his album ''Nazım Türküsü'', which was later sung in Turkish by Joan Baez.
*Fazıl Say included the poem in his ''Nazım'' oratorio in Turkish.

Bengali

* Subhash Mukhopadhyay (poet) translated Hikmet's poems into Bengali. Those poems are collected in two anthologies, titled ''Nirbachita Nazim Hikmet'' (1952)(Selected Poems of Nazem Hikmet) and ''Nazem Hikmet er Aro Kobita'' (1974) (''More Poems of Nazem Himet''). Some of these translation's are available in open sources.

Greek

*Thanos Mikroutsikos, in the album ''Politika tragoudia'' (''Political Songs'', 1975) composed a series of Hikmet's poems, adapted in Greek by the poet Yiannis Ritsos.
*Manos Loizos composed settings of some of Ran's poems, adapted in Greek by Yiannis Ritsos. They are included in the 1983 disc ''Grammata stin agapimeni'' (''Letters to the Beloved One'').

English

*The usual tune is a non-traditional melody composed by Jim Waters in 1954 to fit the lyrics of Child 113 ballad "The Great Silkie of Sule Skerry", which was recorded by American folksinger Joan Baez as "Silkie" on her second album Joan Baez, Vol. 2 in 1961.
*According to American activist folk musician Pete Seeger, Jeanette Turner did a loose English "singable translation" of the poem under a different title, "I Come And Stand At Every Door", and sent a note to Seeger asking "Do you think you could make a tune for it?" in the late 1950s. After a week of trial and failure, this English translation was used by Seeger in 1962 with an adaptation of "an extraordinary melody put together by a Massachusetts Institute of Technology student James Waters, who had put a new tune to a mystical ballad 'The Great Silkie' which he could not get out of his head, without permission." Seeger wrote in ''Where Have All the Flowers Gone'': "It was wrong of me. I should have gotten his permission. But it worked. The Byrds made a good recording of it, electric guitars and all."Seeger describes the story behind his version of the song in hi
''Where Have All the Flowers Gone: A Singer's Stories, Songs, Seeds, Robberies (A Musical Autobiography)''
(1993): "In the late '50s I got a letter: 'Dear Pete Seeger: I've made what I think is a singable translation of a poem by the Turkish poet, Nazim Hikmet. Do you think you could make a tune for it? (Signed), Jeanette Turner.' I tried for a week. Failed. Meanwhile, I couldn't get out of my head an extraordinary melody put together by a Massachusetts Institute of Technology student who had put a new tune to a mystical ballad The Great Silkie from the Shetland Islands north of Scotland. Without his permission I used his melody for Hikmet's words. It was wrong of me. I should have gotten his permission. But it worked. The Byrds made a good recording of it, electric guitars and all." Seeger also used the track in his 1999 compilation album '' Headlines & Footnotes: A Collection Of Topical Songs''. Seeger sang the song on 9 August 2013, the 68th anniversary of the Nagasaki atomic bombing, on a Democracy Now! interview.
*British folk singer Harvey Andrews recorded a version under the title "Child of Hiroshima" (sometimes re-released as "Children of Hiroshima"), released on his eponymous debut EP in 1965.
*The Byrds; the American rock band used the translation on their third album '' Fifth Dimension'' in 1966.
*Roger McGuinn of the Byrds later recorded the song with its original lyrics as part of his Folk Den project.
*The Misunderstood used the translation, changing the title to "I Unseen", on a 1969 UK Fontana single, later included in the 1997 anthology album '' Before The Dream Faded'' with their own tune.
*Paul Robeson recorded the song as "The Little Dead Girl" with another translation.

The song was later covered by
* Ivo Watts-Russell's supergroup, This Mortal Coil on their 1991 album ''Blood'' with vocals of Louise Rutkowski, Deirdre Rutkowski with Tim Freeman and ''1983–1991''.
* The Fall on their 1997 album ''Levitate'', albeit omitting the last verse and wrongly attributing writing credits to anon/J Nagle. "I Come and Stand at Your Door" listed as "Anon/Nagle", which is an interpretation of the song "I Come and Stand at Every Door". "Jap Kid" is an instrumental version of this track.
* Silent Stream Of Godless Elegy, a Moravian folk metal band, on their album '' Behind the Shadows'' in 1998.
* Faith & Disease on their 1998 album ''Insularia''.
*Anne Hills on 1998 album ''Where Have All The Flowers Gone: The Songs of Peter Seeger''.
* Ibon Errazkin has an instrumental song with the same title on .
*Styrofoam aka Arne Van Petegem's EP and first US release, '' RR20'', included an instrumental version of the traditional tune of "Great Silkie" with the same title.

Japanese

In 2005, famous Amami Ōshima singer Chitose Hajime collaborated with Ryuichi Sakamoto by translating "Kız Çocuğu" into Japanese, retitling it [] "A dead girl"). It was performed live at the Hiroshima Peace Memorial, Atomic Bomb Dome in Hiroshima on the eve of the 60th Anniversary (5 August 2005) of Atomic bombings of Hiroshima and Nagasaki. The song later appeared as a bonus track on Chitose's album '' Hanadairo'' in 2006.

Nepali

Some of Ran's poems are translated into Nepali by Suman Pokhrel and are published in print and online literary journals.

On the soldier worth 23 cents

He also opposed the Korean War, in which Turkey participated. After the Senate address of John Foster Dulles, who served as U.S. Secretary of State under President Dwight D. Eisenhower, where he valued Turkish soldiers at 23 cents a month compared with the lowest echelon U.S. soldiers at $70, Nazım Hikmet Ran wrote a protest poem criticising the policies of the United States. This poem is titled (On the soldier worth 23 cents).

In popular culture

*Hikmet's poem "We'll Give the Globe to the Children" was set to music in 1979 by Russian composer David Tukhmanov.
*'' Tale of Tales'' is a Russian animated film (1979) partially inspired by Hikmet's poem of the same name.
* Finnish band Ultra Bra recorded a song ("Send me books")) based on a translated excerpt of Hikmet's poem "Rubai".
*''The Ignorant Fairies'' is a 2001 Italian film, in which a book by Hikmet plays a central plot role.
* (Blue Eyed Giant) is a 2007 Turkish biographical film about Nazım Hikmet. The title is a reference to the poem . The film chronicles Nazim Hikmet's imprisonment at Bursa Prison and his relationships with his wife Piraye and his translator and lover Münevver Andaç. He is played by Yetkin Dikinciler.
*Hikmet's poem was quoted in the 2012 Korean drama ''Cheongdam-dong Alice''.
*The video game ''Suzerain'' opens with a quote from Hikmet, and the character Bernard Circas is based on him. The game is heavily inspired by modern Turkish history.

Bibliography

Plays

* (1932, ''The Skull'')
* (1935, ''The Forgotten Man'')
* 1965 ('' Ferhad and Şirin'')
* (''Luxurious Living'') (as ghostwriter)

Ballet libretto

*'' Legend of Love'' (by Arif Malikov) 1961

Novels

* (1967, ''Life's Good, Brother'')
* (1965, ''Blood Doesn't Tell'')

Poems

* (1935, "Letters to Taranta-Babu")
* (1936, "The Epic of Sheikh Bedreddin")
* (1966–67, "Human Landscapes from My Country")
* (1965, "The Epic of the War of Independence")

Poetry

* / Nâzım Hikmet, İstanbul : Yapı Kredi, 2002.
* / Nâzım Hikmet, İstanbul : YKY, 2002.
* / Nâzım Hikmet, İstanbul : YKY, 2002.
* / Nâzım Hikmet, İstanbul : YKY, 2002.
* / Nâzım Hikmet, İstanbul : YKY, 2002.
* : (insan manzaraları) / Nâzım Hikmet, İstanbul : YKY, 2002.
* : (1951–1959) / Nâzım Hikmet, İstanbul : Yapı Kredi Yayınları, 2002.
* : (1959–1963) / Nâzım Hikmet, İstanbul : Yapı Kredi Yayınları, 2002.

Partial list of translated works in English

*''Selected Poems'' / Nâzim Hikmet; done into English by Taner Baybars. London, Cape Editions, 1967.
*''The Moscow Symphony and Other Poems'' / translated into English by Taner Baybars. Chicago: Swallow Press, 1971.
*''The day before tomorrow : poems'' / translated into English by Taner Baybars. South Hinksey, England : Carcanet Press, 1972.
*''That Wall'' / Nâzım Hikmet; illustrations yMaureen Scott, London: League of Socialist Artists, 1973.
*''Things I didn't know I loved: selected poems'' / Nâzim Hikmet; translated by Randy Blasing & Mutlu Konuk. New York : Persea Books, 1975.
*''Human Landscapes'' / by Nazim Hikmet; translated by Randy Blasing and Mutlu Konuk ; foreword by Denise Levertov, New York : Persea Books, c1982.
*''Selected poetry'' / Nazim Hikmet; translated by Randy Blasing and Mutlu Konuk, New York : Persea Books, c1986.
*''Poems of Nazim Hikmet'', trans. Randy Blasing & Mutlu Konuk. New York: Persea Books, 1994 (revised 2nd ed., 2002).
*''Beyond the walls: selected poems'' / Nâzim Hikmet; translated by Ruth Christie, Richard McKane, Talât Sait Halman; introduction by Talât Sait Halman, London: Anvil Press Poetry, 2002.
*''Life's Good, Brother'' / Nâzım Hikmet; translated by Mutlu Konuk Blasing, New York: W. W. Norton & Company, 2013.

Partial list of translated works in other languages

* / Nâzım Hikmet, Joyce Lussu (Trans.), Newton Compton, 2010.
* / Nâzım Hikmet, Joyce Lussu (Trans.), Fahrenheit 451, 2005.
* / Nâzım Hikmet, Giampiero Bellingeri (Trans.), F. Negrin (Illustrator), Mondadori, 2003.
* / Nâzım Hikmet, Koen Stassijns & Ivo van Strijtem (ed.), Perihan Eydemir & Joris Iven (Trans.), Lannoo , Atlas, 2003.
* / Nâzım Hikmet, Joyce Lussu (Trans.), Mondadori, 2002.
* / Nâzım Hikmet, Münevver Andaç (Trans.), Güzin Dino (Trans.), Gallimard, 1999.
*, Leonardo da Fonseca (Trans.), In. (n.t.) (set/2010), Fpolis/Brasil,
* / Nâzım Hikmet, Joyce Lussu (Trans.), Cattedrale, 2008.
* / Nâzım Hikmet, Joyce Lussu (Trans.), Fahrenheit 451, 1992.
* / Nâzım Hikmet, F. Beltrami (Trans.), Mondadori, 2010.
* / Nâzım Hikmet, G. Bellingeri (Editor), F. Beltrami (Trans.), F. Boraldo (Trans.), Mondadori, 2013.
* / Nâzım Hikmet, Münevver Andaç (Trans.), Temps Actuels, 1982.
* / Nâzım Hikmet, Abidine Dino (Trans.), Parangon, 2004.
* / Nâzım Hikmet, Münevver Andaç (Trans.), Aden Editions, 2005.
* / Nâzım Hikmet, Münevver Andaç (Trans.), Gallimard Jeunesse Giboulées, 2013.
* / Nâzım Hikmet, Fernando García Burillo (Trans.), Ediciones Del Oriente Y Del Mediterráneo S.L., 2000.
* / Nâzım Hikmet, Fernando García Burillo (Trans.), Ediciones Del Oriente Y Del Mediterráneo S.L., 2005.
* / Nâzım Hikmet, Małgorzata Łabęcka-Koecherowa (Trans.), Ludowa Spółdzielnia Wydawnicza, 1981.
* / Nâzım Hikmet, Aleksander Olecki (Trans.), Książka i Wiedza, 1965.
* / Nâzım Hikmet, Małgorzata Łabęcka-Koecherowa (Trans.), Elżbieta Gaudasińska (Trans.), Nasza Księgarnia, 1985.
* / Nâzım Hikmet, Małgorzata Łabęcka-Koecherowa (Trans.), Krajowa Agencja Wydawnicza, 1987.
*
* / Nâzım Hikmet, Ewa Fiszer (Trans.), Państwowy Instytut Wydawniczy, 1954
*Many of Hikmet's poems are translated into Nepali by Suman Pokhrel, and some are collected in an anthology tilled Manpareka Kehi Kavita.

See also

* Abidin Dino
* Orhan Kemal
* Zülfü Livaneli
* Fazıl Say
* Behçet Necatigil

References

External links

Nâzım Hikmet Ran Russian Archive at nazimhikmet.com

Nazım Hikmet info
(Turkish page with bibliography)
English translation of Nazım Hikmet's poems at Poemist
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{{DEFAULTSORT:Hikmet, Nazim
1902 births
1963 deaths
20th-century Turkish poets
Akbaba (periodical) people
Turkish atheism activists
Burials at Novodevichy Cemetery
Communist poets
Critics of religions
Galatasaray High School alumni
People from the Ottoman Empire of Circassian descent
People from the Ottoman Empire of French descent
People from the Ottoman Empire of Georgian descent
People from the Ottoman Empire of German descent
People from the Ottoman Empire of Polish descent
People from the Ottoman Empire of Serbian descent
Ottoman Thessalonica
People from Salonica vilayet
Writers from Thessaloniki
Prisoners and detainees of Turkey
Turkish former Muslims
Turkish atheists
Turkish communists
Turkish emigrants to the Soviet Union
Turkish exiles
Turkish Marxists
Turkish people of Circassian descent
Turkish people of French descent
Georgians from the Ottoman Empire
Turkish people of German descent
Turkish people of Polish descent
Turkish people of Serbian descent
Turkish prisoners and detainees
Turkish refugees
Turkish revolutionaries
People granted political asylum in the Soviet Union
Communist University of the Toilers of the East alumni