Music of Singapore

Singapore has a diverse music culture that ranges from rock and pop to folk and classical. Its various communities have their own distinct musical traditions: the Chinese form the largest ethnic group in Singapore, with Malays, Indians as well as a smaller number of other peoples of different ethnicities including Eurasians. The different people with their traditional forms of music, the various modern musical styles, and the fusion of different forms account for the musical diversity in the country.

It has an urban musical scene, and is a center for pop, rock, punk and other genres in the region. The country has produced in the 1960s bands like The Crescendos and The Quests, right up to the new millennium with pop singers such as Stefanie Sun and JJ Lin. Folk music of Singapore includes the ethnic music traditions of the Chinese, Malay and Tamil communities. Singapore also has a lively Western classical music scene.

Popular music

Singapore has been a regional centre of music industry for a long time. Recordings of Chinese and Malay popular music were done at the EMI studio in Singapore in the colonial period, but until the 1960s, recordings were sent to be pressed in India and the records then sent back for sale. It was a centre of Malay popular culture where Malay stars such as P. Ramlee were based, but after Singapore independence in 1965, the Malay music industry began to shift to Kuala Lumpur.

In the 1960s, local bands in Singapore were inspired by Western groups such as Blue Diamonds, Cliff Richard & the Shadows, and The Beatles. Popular groups of the period included The Crescendos who performed in English with hit songs like "Mr Twister", The Quests who had hits like "Shanty", "Don't Play That Song", " Jesamine" and "Mr Rainbow", as well as other pop-rock bands including The Thunderbirds, The Trailers, The Crescendos, The Western Union Band, October Cherries and The Silver Strings. A Malay genre influenced by British rock and pop called Pop Yeh-Yeh emerged in the 1960s. The bands performed in the Malay language, although some may also performed in English or were instrumental. Malay pop bands of the 1960s included Naomi & the Boys who produced a household hit song "Happy Happy Birthday Baby", D'4 Ever, Antarctics, Mike Ibrahim & the Nite Walkers, Swallows, Ismail Haron & the Guys, and Les Kafila's. In the late 1970s and early 1980s saw the rise of rock bands such as Sweet Charity fronted by the vocalist Ramli Sarip. The band had such an influence in the Singapore and Malaysia music scene that it later led to a rock explosion in the mid 1980s.

Singapore also emerged as a centre of local Chinese recording industry in the 1960s, producing Chinese pop music in Mandarin with local singers. From the 60s to the 80s, local stars such as Chang Siao Ying (張小英), Sakura Teng (樱花), Rita Chao (凌雲), and Lena Lim (林竹君) were popular in Singapore and Malaysia. A few, such as Lena Lim, also had some success outside the region.

The pop music industry thrived by the 1980s, with several recording companies producing Chinese records by local as well as Taiwanese singers. Starting in the mid 1980s, a genre of Mandarin ballads called '' xinyao'' began to emerge with singers and/or songwriters such as Liang Wern Fook, Lee Shih Shiong, and Billy Koh. Local music labels such as Ocean Butterflies International and Hype Records were established. From the 1990s onwards, many Singaporean singers such as Kit Chan, Stefanie Sun, JJ Lin, Tanya Chua, Corrinne May, Fann Wong, and Mavis Hee had achieved wider success outside of Singapore.

There are also a number artists from Singapore who work primarily in the English language, some such as singer-songwriter Sophie Koh are active outside of Singapore. In the 2010s, Singapore has seen a rise in home-grown acts like Charlie Lim, The Sam Willows, Gentle Bones, The Steve McQueens, Pleasantry, MYRNE, HubbaBubbas, Sam Rui, Leon Markcus, Scarlet Avenue and Nathan Hartono.

Ethnic traditions

Chinese

There are speakers of various dialects amongst the Chinese population, such as Hokkien, Hakka, Cantonese, and Teochew, and different dialect speakers may have their own clan associations which support their respective forms of opera. Opera troupes were first formed by amateur music clubs; the earliest amateur music club in Singapore is the Er Woo Amateur Music & Dramatic Association (馀娱儒乐社) set up in 1912 by Teochew businessmen, initially to promote music of the Hakkas ( ''Hanju'' opera and ''Handiao'' music), later also Teochew opera. A number of recordings of ''Hanju'' opera performed by Er Woo were made in the 1920s and 1930s. Many professional and amateur opera troupes that performed in various dialects were later established. These opera troupes typically perform during festivals and national events, and may also hold regular small-scale performances, or large-scale ones annually or biannually. The professional troupes may also perform in opera theatres. During Chinese festivities there was also a minstrel tradition called ''zouchang'' (walk-sing), which involves walking performance by members of the operatic troupes. In the past, makeshift stages often appeared during festivities along the streets where operas may be performed. However, operas have declined as popular entertainment in the latter half of the 20th century; opera theatres closed, and street opera have mostly been replaced by '' getai'' where modern songs and comedy routines are performed, although street opera is still performed by professional and amateur opera troupes.

Many music organisations and ensembles devoted to Chinese music or Huayue were established in the 1950s, and there are now many full-sized Chinese orchestras in Singapore. The first Chinese orchestra was formed in 1959 by the Thau Yong Amateur Musical Association (陶融儒乐社), which was established in 1931 by former members of Er Woo. The Singapore Chinese Orchestra is the only professional Chinese orchestra in Singapore, however amateur Chinese orchestras formed by clan associations, community centres and schools are common, with over amateur 150 Chinese orchestras formed. There are also chamber ensembles such as those of the Nanguan tradition from Siong Leng Musical Association

HOME


Content is Copyleft
Website design, code, and AI is Copyrighted (c) 2014-2017 by Stephen Payne


Consider donating to Wikimedia



As an Amazon Associate I earn from qualifying purchases