Motion Picture Editors Guild
   HOME

TheInfoList



OR:

The Motion Picture Editors Guild (MPEG; IATSE Local 700) is the
guild A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular area. The earliest types of guild formed as organizations of tradesmen belonging to a professional association. They sometim ...
that represents
freelance ''Freelance'' (sometimes spelled ''free-lance'' or ''free lance''), ''freelancer'', or ''freelance worker'', are terms commonly used for a person who is self-employed and not necessarily committed to a particular employer long-term. Freelance ...
and staff motion picture film and television editors and other
post-production Post-production is part of the process of filmmaking, video production, audio production, and photography. Post-production includes all stages of production occurring after principal photography or recording individual program segments. Th ...
professionals and story analysts throughout the
United States The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country Continental United States, primarily located in North America. It consists of 50 U.S. state, states, a Washington, D.C., ...
. The Motion Picture Editors Guild (Union Local 700) is a part of the 500 affiliated local unions of the International Alliance of Theatrical Stage Employees (IATSE), a national labor organization with 104,000-plus members. There are more than 6,000 members of the Editors Guild.


Function

The MPEG negotiates collective bargaining agreements (union contracts) with producers and major motion picture movie studios and enforces existing agreements with employers involved in
post-production Post-production is part of the process of filmmaking, video production, audio production, and photography. Post-production includes all stages of production occurring after principal photography or recording individual program segments. Th ...
. The MPEG provides assistance for securing better working conditions, including but salary, medical benefits, safety (particularly "turnaround time") and artistic (assignment of credit) concerns.


History

On April 12, 1937, the
US Supreme Court The Supreme Court of the United States (SCOTUS) is the highest court in the federal judiciary of the United States. It has ultimate appellate jurisdiction over all U.S. federal court cases, and over state court cases that involve a point of ...
upheld the constitutionality of the
National Labor Relations Act The National Labor Relations Act of 1935, also known as the Wagner Act, is a foundational statute of United States labor law that guarantees the right of private sector employees to organize into trade unions, engage in collective bargaining, and ...
. On May 20, 1937, the ''Society of Motion Picture Film Editors'' was founded by I. James Wilkinson (sound editor), Ben Lewis (film editor) and Philip Cahn (film editor), when film editors earned a mere $100 per week. On June 7 1937, membership totaled 571, men and women, as picture editors, sound editors, assistants, apprentices and librarians. In 1938, the first contract talks garnered a 10% wage increase. In 1943, film editors and assistant editors are offered their own local by the IATSE. Many Society members sought to align themselves with this larger national organization, hoping for greater negotiating clout. The editors, assistant editors, and sound and music editors voted to join IATSE. In 1944, the Society of Motion Picture Film Editors underwent a name change and became the Motion Picture Editors Guild, Local 776 of the IATSE. In 1998, at the direction of the IATSE, the Sound Technicians Union, Local 695 ceded jurisdiction of post-production sound mixers, recordists and engineers, to the Motion Picture Editors Guild. A year later Local 771 representing editors working in New York merged with, and Locals 780 and 52 ceded their respective jurisdictions of editors and sound technicians to Local 776. The greatly expanded Editors Guild now Local 700, is only the second local granted a national rather than a regional charter. By the year 2000 their ranks had been joined by the Story Analysts local and the Laboratory Film /Video Technicians-Cinetechnicians local in late 2010. Today the Motion Picture Editors Guild, Local 700 has offices in New York and Hollywood and represents more than 7000 post-production media professionals nationwide making it the second largest local in the IATSE.


Publications

''CineMontage'' Magazine is the Journal of the Motion Picture Editors Guild, IATSE Local 700. ''The Leader'', the quarterly bulletin of the ''Society of Motion Picture Film Editors'', was first published January 1, 1943. The ''Editors Guild Newsletter'' was launched in 1979, later changed to a magazine, and in 2000, was retitled ''Editors Guild Magazine''.


Archive

The Academy Film Archive houses the Motion Picture Editors Guild Legacy Archive Collection. The collection includes interviews focusing on the life and career history of Motion Picture Editors Guild members.


References


External links


Motion Picture Editors Guild website

Post, Proud
the website of the Editors Guild's organizing department International Alliance of Theatrical Stage Employees Entertainment industry unions Film editing Trade unions established in 1937 {{film-org-stub