Miss Julie (Rorem opera)
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''Miss Julie'' is an
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...
by
Ned Rorem Ned Rorem (October 23, 1923 – November 18, 2022) was an American composer of contemporary classical music and writer. Best known for his art songs, which number over 500, Rorem was the leading American of his time writing in the genre. Althoug ...
to an English libretto by
Kenward Elmslie Kenward Gray Elmslie (April 27, 1929 – June 29, 2022) was an American author, performer, editor and publisher associated with the New York School of poetry. Life and career Kenward Gray Elmslie was born to William and Constance Pulitzer in M ...
, based on the play, ''
Miss Julie ''Miss Julie'' ( sv, Fröken Julie) is a naturalistic play written in 1888 by August Strindberg. It is set on Midsummer's Eve and the following morning, which is Midsummer and the Feast Day of St. John the Baptist. The setting is an estate of ...
'' (1888), by Swedish playwright
August Strindberg Johan August Strindberg (, ; 22 January 184914 May 1912) was a Swedish playwright, novelist, poet, essayist and painter.Lane (1998), 1040. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty p ...
. It explores the subject of the intersection of social class and illicit sexual relations in late 19th-century Sweden.


Performance history

The opera was commissioned by the
New York City Opera The New York City Opera (NYCO) is an American opera company located in Manhattan in New York City. The company has been active from 1943 through 2013 (when it filed for bankruptcy), and again since 2016 when it was revived. The opera company, du ...
, and had its first performance there on 4 November 1965, in its original two-hour, two-act version.Oestreich, James R. (1994)
"OPERA REVIEW; 'Miss Julie,' to Rorem's Music", ''The New York Times'', 9 December 1994
Accessed 23 February 2010.
The production was conducted by Robert Zeller and directed by Nikos Psacharopoulos, with scenic and lighting design by Will Steven Armstrong, costume design by Patton Campbell, and choreography by Thomas Andrew.Sokol, Martin L. (1981). ''The New York City Opera'', p. 346. New York: Macmillan. . The opera was not a critical success. Rorem revised the score and shortened it to a single act in 1978; this version lasts 90 minutes and was first performed that same year by the New York Lyric Opera."Ned Rorem – Miss Julie – Opera" at Boosey & Hawkes website
Accessed 23 February 2010.
The one-act version underwent further slight revisions and was produced again in 1994 by the Manhattan School of Music Opera Theatre. This version was praised by James Oestreich, music critic of ''
The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid d ...
'', as "taut and persuasive musical drama". It was recorded and released on the Newport Classic label. Another recording, of a production on 7 November 2003 by the
Curtis Curtis or Curtiss is a common English given name and surname of Anglo-Norman origin from the Old French ''curteis'' ( Modern French ''courtois'') which derived from the Spanish Cortés (of which Cortez is a variation) and the Portuguese and Ga ...
Opera Theatre, has been released on Albany Records.''Miss Julie'', Curtis Opera Theatre at Amazon.com
Accessed 23 February 2010.


Roles


Instrumentation

The orchestra consists of: 2 flutes, 2
oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. ...
s, 2 clarinets, 2 bassoons, 3
horn Horn most often refers to: *Horn (acoustic), a conical or bell shaped aperture used to guide sound ** Horn (instrument), collective name for tube-shaped wind musical instruments *Horn (anatomy), a pointed, bony projection on the head of various ...
s, 2
trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...
s, 2
trombone The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate ...
s,
timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally ...
, 2 additional
percussion A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Ex ...
players (
xylophone The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel (which uses metal bars), the xylophone essentially consists of a set of tuned wooden keys arranged in ...
, slapstick,
gong A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs ...
,
triangle A triangle is a polygon with three edges and three vertices. It is one of the basic shapes in geometry. A triangle with vertices ''A'', ''B'', and ''C'' is denoted \triangle ABC. In Euclidean geometry, any three points, when non- colline ...
,
vibraphone The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist ...
,
tambourine The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though ...
, cymbals,
tenor drum A tenor drum is a membranophone without a snare. There are several types of tenor drums. Early music Early music tenor drums, or long drums, are cylindrical membranophone without snare used in Medieval, Renaissance and Baroque music. They consi ...
, glockenspiel,
castanets Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument (idiophone), used in Spanish, Kalo, Moorish, Ottoman, Italian, Sephardic, Swiss, and Portuguese music. In ancient Greece and ancient Rome there was a simil ...
,
chimes Tubular bells (also known as chimes) are musical instruments in the percussion family. Their sound resembles that of church bells, carillon, or a bell tower; the original tubular bells were made to duplicate the sound of church bells within a ...
,
suspended cymbal Classical suspended cymbal A suspended cymbal is any single cymbal played with a stick or beater rather than struck against another cymbal. Common abbreviations used are "sus. cym.," or "sus. cymb." (with or without the period). Most drum kit ...
,
bongos Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The ...
),
guitar The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strin ...
, harp, strings.


Synopsis

:Place: the servants' quarters of a country estate in Sweden. :Time: a Midsummer Eve celebration in the 1880s. Miss Julie, the jaded daughter of the Count, orders her fiancé Niels to kiss her boot. He breaks off their engagement in disgust. Later that evening John, the valet, and his fiancée Christine, the cook, sit with Miss Julie. She flirts with John, who eventually admits he has loved her since boyhood. On the following day John and Miss Julie discuss how they will spend their lives together, and John expresses his desire to go to Lake Como to make his living running a hotel. When Miss Julie admits she has no money of her own to finance such an undertaking, John demands she somehow find some, so Miss Julie steals money from the Count. Meanwhile, Christine discovers John's intentions and threatens to quit her job with the Count. The lovers prepare to escape, but Miss Julie demands to take her canary with her. Angered, John kills the bird. She grabs his razor and threatens to slit her wrists, and he suggests she go ahead and do it. The Count rings for John, and he leaves, as Julie goes slowly into the garden and follows his suggestion.


References


External links

* Scoring, synopsis and audio sample
Boosey & Hawkes
* Review

''New York Times'', 9 Dec 1994 {{August Strindberg 1965 operas Operas based on works by August Strindberg English-language operas Opera world premieres at New York City Opera Operas One-act operas Operas by Ned Rorem Operas based on plays Operas set in Sweden 1978 operas Works based on Miss Julie