In film and television, a meet cute is a scene in which the two people who will form a future romantic couple meet for the first time, typically under unusual, humorous, or cute circumstances. This type of scene is a staple of

romantic comedies Romantic comedy (also known as romcom or rom-com) is a subgenre of comedy and slice of life fiction, focusing on lighthearted, humorous plot lines centered on romantic ideas, such as how true love is able to surmount most obstacles. In a typica ...

, though it can also occur in

sitcom A sitcom, a portmanteau of situation comedy, or situational comedy, is a genre of comedy centered on a fixed set of characters who mostly carry over from episode to episode. Sitcoms can be contrasted with sketch comedy, where a troupe may use ...

s and even

soap opera A soap opera, or ''soap'' for short, is a typically long-running radio or television Serial (radio and television), serial, frequently characterized by melodrama, ensemble casts, and sentimentality. The term "soap opera" originated from radio drama ...

s. Frequently, the meet cute leads to a humorous clash of personalities or of beliefs, embarrassing situations, or comical misunderstandings that further drive the plot.

Etymology

The origin of the term is unknown but it appears to have been familiarly associated with Hollywood screenwriting by at least 1941. The earliest example given by the ''

Oxford English Dictionary The ''Oxford English Dictionary'' (''OED'') is the first and foundational historical dictionary of the English language, published by Oxford University Press (OUP). It traces the historical development of the English language, providing a c ...

'' is from

Anthony Boucher William Anthony Parker White (August 21, 1911 – April 29, 1968), better known by his pen name Anthony Boucher (), was an American author, critic, and editor who wrote several classic mystery novels, short stories, science fiction, and radio d ...

's mystery novel ''The Case of the Solid Key'' (1941), in which a character says "We met cute, as they say in story conferences." As this example implies, the term was already well-known, and in a 1996 ''

The Paris Review ''The Paris Review'' is a quarterly English-language literary magazine established in Paris in 1953 by Harold L. Humes, Peter Matthiessen, and George Plimpton. In its first five years, ''The Paris Review'' published works by Jack Kerouac, Phi ...

'' interview, screenwriter

Billy Wilder Billy Wilder (; ; born Samuel Wilder; June 22, 1906 – March 27, 2002) was an Austrian-American filmmaker. His career in Hollywood spanned five decades, and he is regarded as one of the most brilliant and versatile filmmakers of Classic Holly ...

, referring to his 1938

screwball comedy film Screwball comedy is a subgenre of the romantic comedy genre that became popular during the Great Depression, beginning in the early 1930s and thriving until the early 1940s, that satirizes the traditional love story. It has secondary characteristi ...

'' Bluebeard's Eighth Wife'' (in which two characters meet while shopping for pajamas, one seeking a pajama top and the other a pajama bottom) says that the concept was "a staple of romantic comedies back then". In

George Axelrod George Axelrod (June 9, 1922 – June 21, 2003) was an American screenwriter, producer, playwright and film director, best known for his play ''The Seven Year Itch'' (1952), which was adapted into a film of the same name starring Marilyn Mon ...

's play '' Will Success Spoil Rock Hunter?'' (1955), a character explains, Several subsequent examples can be found of reviewers using the term.

Bosley Crowther Francis Bosley Crowther Jr. (July 13, 1905 – March 7, 1981) was an American journalist, writer, and film critic for ''The New York Times'' for 27 years. His work helped shape the careers of many actors, directors and screenwriters, though his ...

, in his February 1964 review of ''

Sunday in New York ''Sunday in New York'' is a 1963 American romantic comedy film directed by Peter Tewksbury and starring Jane Fonda, Rod Taylor and Cliff Robertson. Filmed in Metrocolor, its screenplay was written by Norman Krasna on the basis of his own 1961 ...

'', writes that a character "is conveniently importuned by this attractive young fellow she happens to run into – to 'meet cute,' as they say – on a Fifth Avenue bus". Film critics such as

Roger Ebert Roger Joseph Ebert (; June 18, 1942 – April 4, 2013) was an American film critic, film historian, journalist, screenwriter, and author. He was a film critic for the ''Chicago Sun-Times'' from 1967 until his death in 2013. In 1975, Ebert beca ...

and the Associated Press'

Christy Lemire Christy A. Lemire (née Nemetz; born August 30, 1972) is an American film critic and host of the movie review podcast ''Breakfast All Day''. She previously wrote for the Associated Press from 1999 to 2013, was a co-host of ''Ebert Presents at ...

popularized the term in their reviews. In Ebert's commentary for the DVD of ''

Beyond the Valley of the Dolls ''Beyond the Valley of the Dolls'' is a 1970 American satirical musical melodrama film starring Dolly Read, Cynthia Myers, Marcia McBroom, Phyllis Davis, John LaZar, Michael Blodgett, and David Gurian. The film was directed by Russ Meyer and ...

'', which he co-wrote, he describes the scene where law student Emerson Thorne bumps into the female character Petronella Danforth. Ebert admits that he, as the screenwriter, wrote into the script a "classic Hollywood meet cute". He explains the meet cute as a scene "in which somebody runs into somebody else, and then something falls, and the two people began to talk, and their eyes meet and they realize that they are attracted to one another".

References

External links

Meet Cute
on TV Tropes {{Wiktionary * Film and video terminology