Maria Helena Vieira da Silva
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Maria Helena Vieira da Silva (13 June 1908 – 6 March 1992) was a Portuguese abstract painter. She was considered a leading member of the European abstract expressionism movement known as Art Informel. Her works feature complex interiors and city views using lines that explore space and perspective. She also worked in tapestry and stained glass.


Life

Vieira da Silva was born in Lisbon, Portugal. At an early age, she traveled around the world because her affluent father was a diplomat. During this time, she came in contact with various avant-garde groups, such as the Italian Futurists and the
Ballets Russes The Ballets Russes () was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. ...
. At the age of eleven she had begun seriously studying drawing and painting at the ''Academia de Belas-Artes'' in Lisbon. In her teen years she studied painting with Emília dos Santos Braga in Lisbon and
Fernand Léger Joseph Fernand Henri Léger (; February 4, 1881 – August 17, 1955) was a French painter, sculptor, and filmmaker. In his early works he created a personal form of cubism (known as " tubism") which he gradually modified into a more figurative, p ...
, sculpture with
Antoine Bourdelle Antoine Bourdelle (30 October 1861 – 1 October 1929), born Émile Antoine Bordelles, was an influential and prolific French sculptor and teacher. He was a student of Auguste Rodin, a teacher of Giacometti and Henri Matisse, and an importan ...
, and
engraving Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an in ...
with Stanley William Hayter. Vieira da Silva also worked with Fauve artist Othon Friesz. In 1928 Vieira da Silva left Lisbon to study sculpture in Paris, but decided in 1929 to focus on painting. By 1930 she was exhibiting paintings in Paris; that same year she married the Hungarian painter
Árpád Szenes Árpád Szenes (also french: Árpád Szenès; 6 May 1897, Budapest – 16 January 1985, Paris) was a Hungarian-Jewish abstract painter who worked in France. After the War, Vieira da Silva lived and worked in Paris the rest of her life. She adopted French citizenship in 1956. Vieira da Silva received the French government's Grand Prix National des Arts in 1966, the first woman so honored. She was named a Chevalier of the
Legion of Honor The National Order of the Legion of Honour (french: Ordre national de la Légion d'honneur), formerly the Royal Order of the Legion of Honour ('), is the highest French order of merit, both military and civil. Established in 1802 by Napoleon ...
in 1979. She died in Paris on 6 March 1992. Her name sometimes appears written as "Elena", but the correct version, in Portuguese, is "Helena". A
crater Crater may refer to: Landforms * Impact crater, a depression caused by two celestial bodies impacting each other, such as a meteorite hitting a planet * Explosion crater, a hole formed in the ground produced by an explosion near or below the surf ...
on Mercury has been named in her honor.


Work

Vieira da Silva is considered to be Portugal's greatest contemporary artist by many. In 1988 in honor of her 80th birthday, the Gulbenkian Museum in Lisbon and the Grand Palais in Paris had major retrospectives of her work. Vieira da Silva’s initial work featured a decorative style of abstract patterning. She enjoyed toying with the idea of space and creating a false perception of space by having her painting set on a neutral background with flecks color giving a sense of depth. In the 1930s Vieira da Silva began producing her characteristic works which were heavily impastoed, and overlaid with a complex arrangement of small rectangles. In 1943, Vieira da Silva exhibited in
Peggy Guggenheim Marguerite "Peggy" Guggenheim ( ; August 26, 1898 – December 23, 1979) was an American art collector, bohemian and socialite. Born to the wealthy New York City Guggenheim family, she was the daughter of Benjamin Guggenheim, who went down with ...
's show '' Exhibition by 31 Women'' at the Art of This Century gallery in New York. As she evolved as an artist, she focused more on spatial manipulations using a wide range of techniques. She employed detailed patterns to create fabricated architectural forms and worked with complex lines, luminous spots and patterned surfaces. By the late 1950s she was internationally known for her dense and complex compositions, influenced by the art of
Paul Cézanne Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically d ...
and the fragmented forms, spatial ambiguities, and restricted palette of
cubism Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassemble ...
and
abstract art Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 1 ...
. She is considered to be one of the most important Post-War abstract artists although she is not a “pure” abstract painter. Her work is related to French Tachisme, American
Abstract expressionism Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the ...
, and
Surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to ...
, as were many of her contemporaries who were painting in Post-War Paris during the mid to late 1940s and early 1950s. Her paintings often resemble
maze A maze is a path or collection of paths, typically from an entrance to a goal. The word is used to refer both to branching tour puzzles through which the solver must find a route, and to simpler non-branching ("unicursal") patterns that le ...
s, cities seen in profile or from high above or even library shelves in what seems to be an
allegory As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory t ...
to a never-ending search for
Knowledge Knowledge can be defined as awareness of facts or as practical skills, and may also refer to familiarity with objects or situations. Knowledge of facts, also called propositional knowledge, is often defined as true belief that is distin ...
or the
Absolute Absolute may refer to: Companies * Absolute Entertainment, a video game publisher * Absolute Radio, (formerly Virgin Radio), independent national radio station in the UK * Absolute Software Corporation, specializes in security and data risk manag ...
. Vieira da Silva has also created many prints, designs, for tapestries, ceramic decorations, and stained glass windows. She exhibited her work widely, winning a prize for painting at the
São Paulo Art Biennial The São Paulo Art Biennial ( Portuguese: ''Bienal de São Paulo'') was founded in 1951 and has been held every two years since. It is the second oldest art biennial in the world after the Venice Biennale (in existence since 1895), which serves as ...
in
São Paulo São Paulo (, ; Portuguese for ' Saint Paul') is the most populous city in Brazil, and is the capital of the state of São Paulo, the most populous and wealthiest Brazilian state, located in the country's Southeast Region. Listed by the GaW ...
in 1961. In 1966-76 she made a stained-glass window for the Saint Jacques church in
Reims Reims ( , , ; also spelled Rheims in English) is the most populous city in the French department of Marne, and the 12th most populous city in France. The city lies northeast of Paris on the Vesle river, a tributary of the Aisne. Founded b ...
together with
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. In 1974 she made the painting '' A Library Burning'' which uses many of the elements from that window. She decorated in 1988 the new ''Cidade Universitária'' subway station of Lisbon with ''
azulejo ''Azulejo'' (, ; from the Arabic ''al- zillīj'', ) is a form of Spanish and Portuguese painted tin-glazed ceramic tilework. ''Azulejos'' are found on the interior and exterior of churches, palaces, ordinary houses, schools, and nowadays, res ...
'' panels. In November 1994, the Árpád Szenes-Vieira da Silva Foundation was inaugurated in Lisbon, a museum that displays a large collection of paintings by both artists.


Public collections

Vieira da Silva’s work is included in the permanent collections of the
Musée d'Art Moderne de Paris Musée d'Art Moderne de Paris (, Paris' Museum of Modern Art) or MAM Paris, is a major municipal museum dedicated to modern and contemporary art of the 20th and 21st centuries, including monumental murals by Raoul Dufy, Gaston Suisse, and Henri ...
, the
Stedelijk Museum The Stedelijk Museum Amsterdam (; Municipal Museum Amsterdam), colloquially known as the Stedelijk, is a museum for modern art, contemporary art, and design located in Amsterdam, Netherlands.
, in
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, the
National Museum of Women in the Arts The National Museum of Women in the Arts (NMWA), located in Washington, D.C., is "the first museum in the world solely dedicated" to championing women through the arts. NMWA was incorporated in 1981 by Wallace and Wilhelmina Holladay. Since openi ...
, the
Museum of Modern Art, New York The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. It plays a major role in developing and collecting modern art, and is often identified as one o ...
, the
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, in
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, the
National Gallery of Canada The National Gallery of Canada (french: Musée des beaux-arts du Canada), located in the capital city of Ottawa, Ontario, is Canada's national art museum. The museum's building takes up , with of space used for exhibiting art. It is one of the ...
, in
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, the
Solomon R. Guggenheim Museum The Solomon R. Guggenheim Museum, often referred to as The Guggenheim, is an art museum at 1071 Fifth Avenue on the corner of East 89th Street on the Upper East Side of Manhattan in New York City. It is the permanent home of a continuously exp ...
, in
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, and the
San Francisco Museum of Modern Art The San Francisco Museum of Modern Art (SFMOMA) is a modern and contemporary art museum located in San Francisco, California. A nonprofit organization, SFMOMA holds an internationally recognized collection of modern and contemporary art, and was ...
.


Selected works

* ''As Bandeiras Vermelhas'' (1939, 80 × 140 cm) * ''A Partida de Xadrez'' (1943, 81x100 cm) * ''História Trágico-Marítima'' (1944, 81,5 × 100 cm) * ''O Passeante Invisível'' (1949-1951, 132 × 168 cm) * ''O Quarto Cinzento'' (1950, Tate Gallery, London, 65 × 92 cm) * ''L'Allée Urichante'' (1955, 81 × 100 cm) * ''Les Grandes Constructions'' (1956, 136 × 156,5 cm) * '' Londres'' (1959, 162 × 146 cm) * ''Landgrave'' (1966, 113,6 × 161 cm) * ''Passage des miroirs (1971),''
Museo de Bellas Artes de Bilbao The Bilbao Fine Arts Museum (Spanish: ''Museo de Bellas Artes de Bilbao'', Basque: ''Bilboko Arte Ederren Museoa'') is an art museum located in the city of Bilbao, Spain. The building of the museum is located entirely inside the city's Doña Casil ...
* ''Terre de Sienne (1972),''
Museo Nacional Centro de Arte Reina Sofía The ''Museo Nacional Centro de Arte Reina Sofía'' ("Queen Sofía National Museum Art Centre"; MNCARS) is Spain's national museum of 20th-century art. The museum was officially inaugurated on September 10, 1992, and is named for Queen Sofía. It ...
, Madrid * '' Bibliothéque en Feu'' (1974, 158 × 178 cm) * ''Disaster (War)'' (1942), Musee National d'Art Moderne, Centre Georges Pompidou, Paris


See also

* '' La gare inondée (The Flooded Station)''


Bibliography

* * *


References

{{DEFAULTSORT:Vieira Da Silva, Maria Helena 1908 births 1992 deaths 20th-century French women artists 20th-century Portuguese women artists Art Informel and Tachisme painters French women painters Honorary Members of the Royal Academy Modern painters People from Lisbon Portuguese emigrants to France Portuguese women painters School of Paris French people of Portuguese descent