__NOTOC__ ''The Madonna and Child with St John and Angels'' (c. 1497), also known as ''The Manchester Madonna'', is an unfinished painting attributed to Michelangelo in the

National Gallery The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director ...

London London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary dow ...

. It is one of three surviving panel paintings attributed to the artist and is dated to his first period in

Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ...

. Attribution of the painting to Michelangelo was in doubt for much of the nineteenth and twentieth centuries, but now most scholars are in agreement. The work first came to public attention in the Art Treasures Exhibition in

Manchester Manchester () is a city in Greater Manchester, England. It had a population of 552,000 in 2021. It is bordered by the Cheshire Plain to the south, the Pennines to the north and east, and the neighbouring city of Salford to the west. The t ...

in 1857, hence the title the “Manchester Madonna”. Like other Renaissance paintings of the Madonna and Child that include John the Baptist, the subject arises from a non-Biblical tradition that

Virgin Mary Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of ...

and the

Child Jesus The Christ Child, also known as Divine Infant, Baby Jesus, Infant Jesus, the Divine Child, Child Jesus, the Holy Child, Santo Niño, and to some as Señor Noemi refers to Jesus Christ from his nativity to age 12. The four canonical gospels, a ...

met Christ's cousin St

John the Baptist John the Baptist or , , or , ;Wetterau, Bruce. ''World history''. New York: Henry Holt and Company. 1994. syc, ܝܘܿܚܲܢܵܢ ܡܲܥܡܕ݂ܵܢܵܐ, Yoḥanān Maʿmḏānā; he, יוחנן המטביל, Yohanān HaMatbil; la, Ioannes Bapti ...

, on the

Holy Family The Holy Family consists of the Child Jesus, the Virgin Mary and Saint Joseph. The subject became popular in art from the 1490s on, but veneration of the Holy Family was formally begun in the 17th century by Saint François de Laval, the fir ...

's Flight into Egypt. The Virgin is depicted with one breast bared, as if she has recently been suckling her infant son; this recalls the theme of the Virgin breastfeeding common in medieval painting. In her hands is a book (traditionally Isaiah chapt. 53) which she attempts to hold away from her son, the contents of which probably foretell his future sacrifice and his taking over himself the evil of the world. She looks over her left shoulder onto a scroll being read by a pair of angels; this is likely to be the scroll reading ''

Ecce Agnus Dei is the Latin name under which the "Lamb of God" is honoured within the Catholic Mass and other Christian liturgies descending from the Latin liturgical tradition. It is the name given to a specific prayer that occurs in these liturgies, and i ...

'' ('Behold the Lamb of God'), usually an attribute of John the Baptist. The figures are arranged as if in a frieze, revealing Michelangelo's sculptor's mindset. The frieze becomes more convex at its centre with the figures of Virgin and Child, as in the later '' Pitti Tondo''. Another similarity to

relief sculpture Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the ...

is in the plain background: rather than the landscapes more common for exterior settings, Michelangelo has simply painted an expanse of sky. He also eschewed the richly decorated throne typical of ''

sacra conversazione In art, a (; plural: ''sacre conversazioni''), meaning holy (or sacred) conversation, is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and Child (the Virgin Mary with the infant Jesus) amidst a group of sain ...

'' altarpieces, and de-emphasised the angels' wings. Many areas of the painting are in a preliminary state; the black of the Virgin's robe was meant to be overpainted with the rich blue pigment lapis lazuli, and the angels on the left are indicated only by the green underpaint used for flesh tones in a kind of non-finito.

Attribution

The completed angel nearest the Virgin is noted as being similar to a sketch the young Michelangelo made while he was apprenticed to Domenico Ghirlandaio.

References

Sources

External links

* David Ward
"Michelangelo's Madonna returns to Manchester"
''The Guardian'', 05-10-2007 {{Michelangelo, painting Religious paintings by Michelangelo Collections of the National Gallery, London Paintings in the Borghese Collection Unfinished paintings Paintings of the Madonna and Child 1490s paintings Paintings depicting John the Baptist Angels in art Altarpieces Books in art