Mainstream jazz is a term coined in the 1950s by music journalist Stanley Dance, who considered anything within the popular jazz of the Swing Era "mainstream",McRae, Barry. 2005. "Sound Investment: Mainstream." ''Jazz Journal International'', Aug 1, 10. and did not include the

bebop Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumen ...

style.

Jazz in the mainstream

After Dance defined mainstream jazz in the 1950s, the definition changed with the evolution and progression of

jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a m ...

music. What was mainstream then would not be considered mainstream now. In a general sense, mainstream jazz can be considered what was most popular at the time: For example, during the Swing era, swing and

big band A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s ...

music were in their prime and what target audiences were looking for. Although bebop was introduced into jazz during that time, audiences had not developed an ear for it.

Mainstream jazz musicians

The jazz musicians listed below were either considered "mainstream" musicians, or were influenced by mainstream musicians.

Swing era

* Duke Ellington was an important influence on mainstream jazz; his music during the swing era was not known for breaking rules. *

Coleman Hawkins Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first p ...

made significant contributions to big band music prior to introducing bebop to his style. *

Johnny Hodges Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano ...

was a member of Duke Ellington's Orchestra and became a familiar voice within the orchestra itself. *

Benny Carter Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career ...

was a major influence on the big band style. *

Roy Eldridge David Roy Eldridge (January 30, 1911 – February 26, 1989), nicknamed "Little Jazz", was an American jazz trumpeter. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from ...

has been named one of the most influential jazz musicians both within the swing era and to the development of bebop. His trumpet playing was influenced by Louis Armstrong.

Mainstream jazz in popular culture

In the 1950s and 1960s, jazz was a mainstream part of pop culture. Jazz music was on the radio and Hollywood frequently incorporated jazz in television and films.

References

{{Jazz Jazz genres