The Trecento Madrigal is an Italian musical form of the 14th century. It is quite distinct from the

madrigal A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number ...

of the

Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ide ...

and early

Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including ...

, with which it shares only the name. The madrigal of the Trecento flourished ca. 1340–1370 with a short revival near 1400. It was a composition for two (or rarely three) voices, sometimes on a pastoral subject. In its earliest development it was simple construction:

Francesco da Barberino Francesco di Neri di Ranuccio, known better as Francesco da Barberino (1264–1348), was a Tuscan notary, doctor of law and author. He first went to Florence to study in 1281. Between 1303 and 1314 and again between 1315 and 1317, he was exiled f ...

in 1300 called it a "raw and chaotic singalong". The text of the madrigal is divided into three sections: two strophes called terzetti set to the same music and a concluding section called the ritornello usually in a different meter, creating an aaB form.

History

The origins of the madrigal are obscure, and debated, with one school of thought seeing it as a secular mutation of the

conductus The ''conductus'' (plural: ''conducti'') was a sacred Latin song in the Middle Ages, one whose poetry and music were newly composed. It is non-liturgical since its Latin lyric borrows little from previous chants. The conductus was northern Frenc ...

of the '' ars antiqua'', and another seeing it as deriving from 13th-century secular monophonic song with an improvised accompaniment. Little Italian music from the 13th century has survived, so links between medieval forms such as the conductus and

troubadour A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a '' trobair ...

song and the music of the trecento are largely inferential. The origin of the name (which appears in early sources as ''madriale'', ''matricale'', ''madregal'', and ''marigalis'') is also unclear; two possibilities are derivation from ''materialis'' (in contrast to ''formalis''), designating a poem without a definite form, or from ''matrix'', meaning mother, either as in a song in the

mother tongue A first language, native tongue, native language, mother tongue or L1 is the first language or dialect that a person has been exposed to from birth or within the critical period. In some countries, the term ''native language'' or ''mother tong ...

or music used for

Mother Church Mother church or matrice is a term depicting the Christian Church as a mother in her functions of nourishing and protecting the believer. It may also refer to the primary church of a Christian denomination or diocese, i.e. a cathedral or a metropo ...

. The earliest stage in the development of the madrigal is seen in the

Rossi Codex The Rossi Codex is a music manuscript collection of the 14th century. The manuscript is presently divided into two sections, one in the Vatican Library and another, smaller section in the Northern Italian town of Ostiglia. The codex contains 37 s ...

, a collection of music from ca. 1350 or earlier, compiled around 1370. It has been suggested that the ornamentation of the upper voices may be improvised above a skeletal structure.Brooks Toliver, “Improvisation in the Madrigals of the Rossi Codex,” ''Acta musicologica'' 64 (1992), pp. 165–76. In the madrigal's later stages of development its uppermost voice was often highly elaborate, with the lower voice, the tenor, much less so. The form at this time was probably a development of connoisseurs, and sung by small groups of cognoscenti; there is no evidence of its widespread popularity, unlike the madrigal of the 16th century. By the end of the 14th century it had fallen out of favor, with other forms (in particular, the

ballata The ''ballata'' (plural: ''ballate'') is an Italian poetic and musical form in use from the late 13th to the 15th century. It has the musicapenim AbbaA, with the first and last stanzas having the same texts. It is thus most similar to the Fre ...

and imported French music) taking precedence, some of which were even more highly refined and ornamented. By the beginning of 15th century the term was no longer used musically. The later, 16th-century

is unrelated, although it often used texts written in the 14th century (for instance by

Petrarch Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited ...

Notable composers

Important composers of the madrigal in the

Trecento The Trecento (, also , ; short for , "1300") refers to the 14th century in Italian cultural history. Period Art Commonly, the Trecento is considered to be the beginning of the Renaissance in art history. Painters of the Trecento included Giot ...

include: *

Jacopo da Bologna Jacopo da Bologna (fl. 1340 – c. 1386) was an Italian composer of the Trecento, the period sometimes known as the '' Italian ars nova''. He was one of the first composers of this group, making him a contemporary of Gherardello da Firenze ...

Giovanni da Cascia Giovanni da Cascia, also Jovannes de Cascia, Johannes de Florentia, Maestro Giovanni da Firenze, was an Italian composer of the medieval era, active in the middle of the fourteenth century. Life and career Virtually nothing is known about Giovann ...

* Vincenzo da Rimini *

Maestro Piero Maestro Piero (Magister Piero or Piero) (born before 1300, died shortly after 1350) was an Italian composer of the late medieval era. He was one of the first composers of the Trecento who is known by name, and probably one of the oldest. He is m ...

* Lorenzo da Firenze * Niccolò da Perugia *

Francesco Landini Francesco Landini ( or 1335 – 2 September 1397; also known by many names) was an Italian composer, poet, organist, singer and instrument maker who was a central figure of the Trecento style in late Medieval music. One of the most revered c ...

Donato da Cascia Donato da Cascia (also da Firenze or da Florentia) (fl. c. 1350 – 1370) was an Italian composer of the Trecento. All of his surviving music is secular, and the largest single source is the Squarcialupi Codex. He was probably also a priest, and ...

* Johannes Ciconia (later revivalist)

History

Notable composers

See also

References

Further reading