Madhva Acharya (ಮಧ್ವಾಚಾರ್ಯರು)(Sanskrit pronunciation: [məd̪ʱʋɑːˈtʃɑːrjə]; CE 1238–1317 ), also known as Purna Prajña and Ananda Teertha, was a Hindu philosopher and the chief proponent of the Dvaita (dualism) school of Vedanta. Madhva called his philosophy "Tattvavada" meaning "the realist viewpoint".
Madhvācārya was born on the west coast of Karnataka state in 13th-century India. As a teenager, he became a Sanyasi (monk) joining Brahma-sampradaya guru Achyutapreksha, of the Ekadandi order. Madhva studied the classics of Hindu philosophy, particularly the Principal Upanishads, the Bhagavad Gita and the Brahma Sutras (Prasthanatrayi). He commented on these, and is credited with thirty seven works in Sanskrit. His writing style was of extreme brevity and condensed expression. His greatest work is considered to be the Anuvyakhyana, a philosophical supplement to his bhasya on the Brahma Sutras composed with a poetic structure. In some of his works, he proclaimed himself to be an avatar of Vayu, the son of god Vishnu.
He was a critic of Adi Shankara's Advaita Vedanta and Ramanuja's Vishishtadvaita Vedanta teachings. He toured India several times, visiting places such as Bengal, Varanasi, Dwarka, Goa and Kanyakumari, engaging in philosophical debates and visiting Hindu centres of learning. Madhva established the Krishna Mutt at Udupi with a murti secured from Dwarka Gujarat in CE 1285.
Madhvācārya's teachings are built on the premise that there is a fundamental difference between Atman (individual soul, self) and the Brahman (ultimate reality, God Vishnu), these are two different unchanging realities, with individual soul dependent on Brahman, never identical. His school's theistic dualism teachings disagreed with the monist teachings of the other two most influential schools of Vedanta based on Advaita's nondualism and Vishishtadvaita's qualified nondualism. Liberation, asserted Madhva, is achievable only through the grace of God. The Dvaita school founded by Madhva influenced Vaishnavism, the Bhakti movement in medieval India, and has been one of the three influential Vedānta philosophies, along with Advaita Vedanta and Vishishtadvaita Vedanta. Madhva's historical influence in Hinduism, state Kulandran and Kraemer, has been salutary, but not extensive.
Madhvācārya was born in Pajaka near Udupi, a coastal Malabar region of south-west India in the state of Karnataka. Traditionally it is believed that Naddantillaya (Sanskrit: Madhyageha, Madhyamandira) was the name of his father and Vedavati was Madhvācārya's mother. Born in a Vaishnavite Brahmin household, he was named Vāsudeva. Later he became famous by the names Purnaprajna, Anandatirtha and Madhvacarya (or just Madhva). Pūrnaprajña was the name given to him at the time of his initiation into sannyasa (renunciation), as a teenager. The name conferred on him when he became the head of his monastery was "Ānanda Tīrtha". All three of his later names are found in his works. Madhvācārya or Madhva are names most commonly found in modern literature on him, or Dvaita Vedanta related literature.
Madhva began his school after his Upanayana at age seven, became a monk or Sannyasi in his teenage. He joined an Advaita Vedanta monastery in Dwarka (Gujarat), accepted his guru to be Achyutrapreksha, who is also referred to as Achyutraprajna in some sources. Madhva studied the Upanishads and the Advaita literature, but was unconvinced by its nondualism philosophy of oneness of human soul and god, had frequent disagreements with his guru, left the monastery, and began his own Dvaita movement based on dualism premises of Dvi – asserting that human soul and god (as Vishnu) are two different things. Madhva never acknowledged Achyutrapreksha as his guru or his monastic lineage in his writings.
According to Dehsen, perhaps there were two individuals named Madhvacharya in 13th century India, with Anandatirtha – the younger Madhva being the most important early disciple of the elder Madhvacharya, and their works and life overlapped in Udupi, Tattvavada being the name adopted for Dvaita Vedanta by Anandatirtha. Madhvacharya established a matha (monastery) dedicated to Dvaita philosophy, and this became the sanctuary for a series of Dvaita scholars such as Jayatirtha, Vyasatirtha, Vadiraja Tirtha and Raghavendra Tirtha who followed in footsteps of Madhva.
A number of hagiographies have been written by Madhva's disciples and followers. Of these, the most referred to is the sixteen cantos Sanskrit biography Madhvavijaya by Nārāyana Panditācārya – son of Trivikrama Pandita, who himself was a disciple of Madhva.
In several of his texts, state Sarma and other scholars, "Madhvacharya proclaims himself to be the third avatar or incarnation of Vayu, wind god, the son of Vishnu". He, thus, asserted himself to be like Hanuman – the first avatar of Vayu, and Bhima – a Pandava in the Mahabharata and the second avatar of Vayu. In one of his bhasya on the Brahma Sutras, he asserts that the authority of the text is from his personal encounter with Vishnu. Madhva, states Sarma, believed himself to be an intermediary between Vishnu and Dvaita devotees, guiding the latter in their journey towards Vishnu.
Thirty seven Dvaita texts are attributed to Madhvacharya. Of these, thirteen are bhasya (review and commentary) on earliest Principal Upanishads, a Madhva-bhasya on the foundational text of Vedanta school of Hinduism – Brahma Sutras, another Gita-bhasya on Bhagavad Gita, a commentary on forty hymns of the Rigveda, a review of the Mahabharata in poetic style, a commentary called Bhagavata-tatparya-nirnaya on Bhagavata Purana, plus stotras, poems and texts on bhakti of Vishnu and his avatars. The Anu-Vyakhyana, a supplement to Madhvacharya's commentary on Brahma Sutras, is his masterpiece, states Sharma.
While being a profusely productive writer, Madhvacharya restricted the access to and distribution of his works to outsiders who were not part of Dvaita school, according to Sarma.[note 1] However, Bartley disagrees and states that this is inconsistent with the known history of extensive medieval Vedantic debates on religious ideas in India which included Dvaita school's ideas.
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The premises and foundations of Dvaita Vedanta, also known as Dvaitavada and Tattvavada, are credited to Madhvacharya. His philosophy championed unqualified dualism. Madhva's work is classically placed in contrast with monist ideas of Shankara's Advaita Vedanta and Ramanuja's Vishishtadvaita Vedanta.
Madhva calls epistemology as Anu pramana. It accepts three pramāna, that is three correct means of knowledge, in contrast to one of Charvaka and six of Advaita schools of Hindu philosophies:
Madhva and his followers introduced kevala-pramana as the "knowledge of an object as it is", separate from anu-pramana described above.
Madhva's Dvaita school holds that Vishnu as God, who is also Hari, Krishna, Vasudeva and Narayana, can only be known through the proper samanvaya (connection) and pramana of the Vedic scriptural teachings. Vishnu, according to Madhvacharya, is not the creator of the Vedas, but the teacher of the Vedas. Knowledge is intrinsically valid, states Madhva's school, and the knower and the known are independently real. Both the ritual part (karma-kanda, Mimamsa) and the knowledge part (jnana-kanda, Upanishadic Vedanta) in the Vedas, asserted Madhvacharya, are equally valid and interconnected whole. As asserted by the Mimamsa school of Hindu philosophy, Madhvacharya held that the Vedas are author-less, and that their truth is in all of its parts (i.e. the saṃhitas, brāhmaņas, āraņyakās and upanișads).
The metaphysical reality is plural, stated Madhvacharya. There are primarily two tattvas or categories of reality — svatantra tattva (independent reality) and asvatantra tattva (dependent reality). Ishvara (as God Vishnu or Krishna) is the cause of the universe and the only independent reality, in Madhvacharya's view. The created universe is the dependent reality, consisting of Jīva (individual souls) and Jada (matter, material things). Individual souls are plural, different and distinct realities. Jīvas are sentient and matter is non-sentient, according to Madhvacharya.
Madhva further enumerates the difference between dependent and independent reality as a fivefold division between God, souls and material things. These differences are: (1) Between material things; (2) Between material thing and soul; (3) Between material thing and God; (4) Between souls; and (5) Between soul and God.
This difference is neither temporary nor merely practical; it is an invariable and natural property of everything. Madhva calls it Taratamya (gradation in pluralism). There is no object like another, according to Madhvacharya. There is no soul like another. All souls are unique, reflected in individual personalities. The sea is full; the tank is full; a pot is full; everything is full, yet each fullness is different, asserted Madhvacharya.
Even in liberation (moksha), states Madhvacharya, the bliss is different for each person, based on each's degree of knowledge and spiritual perfection. This liberation, according to him, is only achievable with grace of God Krishna.
Madhva conceptualised Brahman as a being who enjoys His own bliss, while the entire universe evolves through a nebulous chaos. He manifests, every now and then, to help the evolution process. The four primary manifestation of Him as the Brahman are, according to Madhva, Vasudeva, Pradyumna, Aniruddha and Sankarasana, which are respectively responsible for the redemptive, creative, sustaining and destructive aspects in the universe. His secondary manifestations are many, and all manifestations are at par with each other, it is the same infinite no matter how He manifests. Brahman is the creator of the universe, perfect in knowledge, perfect in knowing, perfect in its power, and distinct from souls, distinct from matter. For liberation, mere intellectual conceptualization of Brahman as creator is not enough, the individual soul must feel attraction, love, attachment and devotional surrender to Him, and only His grace leads to redemption and liberation, according to Madhva.
The Vishnu as Brahman concept of Madhvacharya is a concept similar to God in major world religions. His writings led some early colonial-era Indologists such as George Abraham Grierson to suggest the 13th-century Madhva was influenced by Christianity, but later scholarship has rejected this theory.
One of the Mahavakyas (great sayings) in Hinduism is Tat tvam asi, or "Thou art That", found in verse 6.8.7 of the ~700 BCE text Chandogya Upanishad. This section of Chandogya Upanishad is credited to sage Uddalaka and the text considered central in Vedanta and the Brahma Sutras, interpreted to mean that there is no difference between the soul within (Thou) and the Brahman (That). The Dvaita school led by Madhva reinterpreted this section, by parsing the Sanskrit text as Atat tvam asi or "Thou are not That", asserting that there is no Sanskrit rule which does not allow such parsing. He accepted that the tradition and prior scholars had all interpreted the text to be "Tat tvam asi", but then asserted that there is no metaphysical or logical requirement that he should too.
Madhvacharya considered Jnana Yoga and Karma Yoga to be insufficient to the path of liberation without Bhakti. Narayana or Vishnu was the supreme God to Madhva, who can only be reached through Vayu – the son of God; further, states Madhva, faith leads to the grace of God, and grace leads to the liberation of soul.
The knowledge of God, for Madhvacharya, is not a matter of intellectual acceptance of the concept, but an attraction, affection, constant attachment, loving devotion and complete surrender to the grace of God. He rejects monist theories that knowledge liberates, asserting instead that it is Divine grace through Bhakti that liberates. To Madhva, God obscures reality by creating Maya and Prakriti, which causes bondage and suffering; and only God can be the source of soul's release. Liberation occurs when, with the grace of God, one knows the true nature of self and the true nature of God.
Evil and suffering in the world, according to Madhvacharya, originates in man, and not God. Every Jiva (individual soul) is the agent of actions, not Jada (matter), and not Ishvara (God). While Madhva asserts each individual self is the Kartritva (real agency), the self is not an absolutely independent agent to him. This is because, states Madhva, the soul is influenced by sensory organs, one's physical body and such material things which he calls as gifts of God. Man has free will, but is influenced by his innate nature, inclinations and past karma.
Madhvacharya asserts, Yathecchasi tatha kuru, which Sharma translates and explains as "one has the right to choose between right and wrong, a choice each individual makes out of his own responsibility and his own risk". Madhva does not address the problem of evil, that is how can evil exist with that of a God who is omnipotent, omniscient, and omnibenevolent. According to Sharma, "Madhva's tripartite classification of souls makes it unnecessary to answer the problem of evil". According to David Buchta, this does not address the problem of evil, because the omnipotent God "could change the system, but chooses not to" and thus sustains the evil in the world. This view of self's agency of Madhvacharya was, states Buchta, an outlier in Vedanta school and Indian philosophies in general.
Moral laws and ethics exist, according to Madhva, and are necessary for the grace of God and for liberation.
Madhvacharya was a fierce critic of competing Vedanta schools, and other schools of Indian philosophies such as Buddhism and Jainism. He wrote up arguments against twenty one ancient and medieval era Indian scholars to help establish the foundations of his own school of thought.
Madhvacharya was fiercest critic of Advaita Vedanta, accusing Shankara and Advaitins for example, as "deceitful demons" teaching Buddhism under the cover of Vedanta. Advaita's nondualism asserts that Atman (soul) and Brahman are blissful and identical, unchanging transcendent Reality, there is interconnected oneness of all souls and Brahman, and there are no pluralities. Madhva in contrast asserts that Atman (soul) and Brahman are different, only Vishnu is the Lord (Brahman), individual souls are also different and depend on Vishnu, and there are pluralities. Madhva criticized Advaita as being a version of Mahayana Buddhism, which he regarded as nihilistic. Of all schools, Madhva focussed his criticism on Advaita most, and he wrote four major texts, including Upadhikhandana and Tattvadyota, primarily dedicated to criticizing Advaita.
Madhvacharya disagreed with aspects of Ramanuja's Vishishtadvaita. Vishishtadvaita school, a realist system of thought like Madhvacharya's Dvaita school, also asserts that Jiva (human souls) and Brahman (as Vishnu) are different, a difference that is never transcended. God Vishnu alone is independent, all other gods and beings are dependent on Him, according to both Madhvacharya and Ramanuja. However, in contrast to Madhvacharya's views, Vishishtadvaita school asserts "qualified non-dualism", that souls share the same essential nature of Brahman, and that there is a universal sameness in the quality and degree of bliss possible for human souls, and every soul can reach the bliss state of God Himself. While the older school of Vishishtadvaita asserted "qualitative monism and quantitative pluralism of souls", states Sharma, Madhvacharya asserted both "qualitative and quantitative pluralism of souls".
Shankara's Advaita school and Ramanuja's Vishishtadvaita school are premised on the assumption that all souls can hope for and achieve the state of blissful liberation; in contrast, Madhvacharya believed that some souls are eternally doomed and damned.
Madhvacharya's style of criticism of other schools of Indian philosophy was part of the ancient and medieval Indian tradition. He was part of the Vedanta school, which emerged in post-Vedic period as the most influential of the six schools of Hindu philosophy, and his targeting of Advaita tradition, states Bryant, reflects it being the most influential of Vedanta schools.
Madhvacharya views represent a subschool of Vaishnavism, just like Ramanuja's. Both championed Vishnu, often in the saguna form of Vishnu's avatar Krishna. However, 11th-century Ramanuja's ideas have been most influential in Vaishnavism.
Madhvacharya's ideas led to the founding of Haridasa sect of Vaishnavism in Karnataka, also referred to as Vyasakuta, Dasakuta or Dasa Dasapantha, known for their devotional songs and music during the Bhakti movement.
Other influential subschools of Vaishnavism competed with the ideas of Madhvacharya, such as the Chaitanya subschool, whose Jiva Gosvami asserts only Krishna is "Svayam Bhagavan" (original form of God), in contrast to Madhva who asserts that all Vishnu avatars are equal and identical, with both sharing the belief that emotional devotion to God is the means to spiritual liberation. According to Sharma, the influence of Madhva's Dvaita ideas have been most prominent on the Chaitanya school of Bengal Vaishnavism, and in Assam.
A subsect of Gaudiya Vaishnavas from Orissa and West Bengal claim to be followers of Madhvacharya. Madhva established in Udupi Krishna Matha attached to a god Krishna temple. Gaudiya Vaishnavas also worship Krishna, who is in the mode of Vrindavana.
Madhvacharya was misperceived and misrepresented by both Christian missionaries and Hindu writers during the colonial era scholarship. The similarities in the primacy of one God, dualism and distinction between man and God, devotion to God, the son of God as the intermediary, predestination, the role of grace in salvation, as well as the similarities in the legends of miracles in Christianity and Madhvacharya's Dvaita tradition fed these stories. Among Christian writers, GA Grierson creatively asserted that Madhva's ideas evidently were "borrowed from Christianity, quite possibly promulgated as a rival to the central doctrine of that faith". Among Hindu writers, according to Sarma, SC Vasu creatively translated Madhvacharya's works to identify Madhvacharya with Christ, rather than compare their ideas.
Modern scholarship rules out the influence of Christianity on Madhvacharya, as there is no evidence that there ever was a Christian settlement where Madhvacharya grew up and lived, or that there was a sharing or discussion of ideas between someone with knowledge of the Bible and Christian legends, and him.
Madhvacharya established eight mathas (monasteries) in Udupi. These are referred to as Madhva mathas, or Udupi ashta matha, and include Palimaru matha, Adamaru matha, Krishnapura matha, Puttige matha, Shirur matha, Sodhe matha, Kaniyooru matha and Pejavara matha. These eight surround the Anantheswara Krishna Hindu temple. The matha are laid out in a rectangle, the temples on a square grid pattern. The monks in the matha are sannyasis, and the tradition of their studies and succession (Paryaya system) were established by Madhvacharya.
There are Madhva mathas set up all over India. Including those in Udupi, there are twenty four Madhva mathas in India. The main center of Madhva's tradition is in Karnataka. The monastery has a pontiff system, that rotates after a fixed period of time. The pontiff is called Swamiji, and he leads daily Krishna prayers according to Madhva tradition, as well as annual festivals. The process and Vedic mantra rituals for Krishna worship in Dvaita monasteries follow the procedure written by Madhvacharya in Tantrasara. The Krishna worship neither involves bali (sacrifice) nor any fire rituals.
The succession ceremony in Dvaita school involves the outgoing Swamiji welcoming the incoming one, then walking together to the icon of Madhvacharya at the entrance of Krishna temple in Udupi, offering water to him, expressing reverence then handing over the same vessel with water that Madhvacharya used when he handed over the leadership of the monastery he founded.
The monastery include kitchens, bhojan-shala, run by monks and volunteers. These serve food daily to nearly 3,000 to 4,000 monks, students and visiting pilgrims without social discrimination. During succession ceremonies, over 10,000 people are served a vegetarian meal by Udupi bhojan-shalas.
In 1986 a film directed by G. V. Iyer named Madhvacharya was premiered, it was one of the films made entirely in Sanskrit language in which all of Jagadguru Madhvacharya's works were compiled.
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