Loudspeaker acoustics
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Loudspeaker acoustics is a subfield of acoustical engineering concerned with the reproduction of sound and the parameters involved in doing so in actual equipment. Engineers measure the performance of drivers and complete speaker systems to characterize their behavior, often in an
anechoic chamber An anechoic chamber (''an-echoic'' meaning "non-reflective") is a room designed to stop reflections of either sound or electromagnetic waves. They are also often isolated from energy entering from their surroundings. This combination means t ...
, outdoors, or using time windowed measurement systems -- all to avoid including room effects (e.g.,
reverberation Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is abso ...
) in the measurements. Designers use models (from electrical filter theory) to predict the performance of drive units in different enclosures, now almost always based on the work of A N Thiele and Richard Small. Important driver characteristics are: *
Frequency response In signal processing and electronics, the frequency response of a system is the quantitative measure of the magnitude and phase of the output as a function of input frequency. The frequency response is widely used in the design and analysis of s ...
*Off-axis response ( dispersion pattern, lobing) *Sensitivity (dB SPL for 1 watt input) * Maximum power handling * Non-linear distortion * Colouration (i.e., more or less, delayed
resonance Resonance describes the phenomenon of increased amplitude that occurs when the frequency of an applied periodic force (or a Fourier component of it) is equal or close to a natural frequency of the system on which it acts. When an oscil ...
). It is the performance of a loudspeaker/listening room combination that really matters, as the two interact in multiple ways. There are two approaches to high-quality reproduction. One ensures the listening room be reasonably 'alive' with reverberant sound at all frequencies, in which case the speakers should ideally have equal dispersion at all frequencies in order to equally excite the reverberant fields created by reflections off room surfaces. The other attempts to arrange the listening room to be 'dead' acoustically, leaving indirect sound to the dispersion of the speakers need only be sufficient to cover the listening positions. A dead or inert acoustic may be best, especially if properly filled with 'surround' reproduction, so that the reverberant field of the original space is reproduced realistically. This is currently quite hard to achieve, and so ideal loudspeaker systems for stereo reproduction would have a uniform dispersion at all frequencies. Listening to sound in an anechoic "dead" room is quite different from listening in a conventional room, and, while revealing about loudspeaker behaviour it has an unnatural sonic character that some listeners find uncomfortable. Conventional stereo reproduction is more natural if the listening environment has some acoustically reflective surfaces.{{citation needed, date=August 2018 It is in large part the directional properties of speaker systems, which vary with frequency that make them sound different, even when they measure similarly well on-axis. Acoustical engineering in this instance is concerned with adapting these variations to each other.


See also

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Audio quality measurement Audio system measurements are a means of quantifying system performance. These measurements are made for several purposes. Designers take measurements so that they can specify the performance of a piece of equipment. Maintenance engineers make ...
* Acoustic lobing *
Loudspeaker time alignment Loudspeaker time-alignment usually simply referred to as "time-alignment" or "Time-Align" is a term applied in loudspeaker systems which use multiple drivers (like woofer, mid-range and tweeter) to cover a wide audio range. It involves delaying ...
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Digital room correction Digital room correction (or DRC) is a process in the field of acoustics where digital filters designed to ameliorate unfavorable effects of a room's acoustics are applied to the input of a sound reproduction system. Modern room correction syst ...
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Directional Sound Directional Sound refers to the notion of using various devices to create fields of sound which spread less than most (small) traditional loudspeakers. Several techniques are available to accomplish this, and each has its benefits and drawbacks ...
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Impulse response In signal processing and control theory, the impulse response, or impulse response function (IRF), of a dynamic system is its output when presented with a brief input signal, called an impulse (). More generally, an impulse response is the reac ...
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Loudspeaker A loudspeaker (commonly referred to as a speaker or speaker driver) is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound. A ''speaker system'', also often simply referred to as a "speaker" or ...
* Loudspeaker measurement * MLSSA * Sound quality *
Spectrogram A spectrogram is a visual representation of the spectrum of frequencies of a signal as it varies with time. When applied to an audio signal, spectrograms are sometimes called sonographs, voiceprints, or voicegrams. When the data are represen ...


External links


Conversion of sensitivity in dB per watt and meter to energy efficiency in percent of passive loudspeakers
Acoustics Loudspeaker technology Loudspeakers Sound