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A lingam ( sa, लिङ्ग , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or
aniconic Aniconism is the absence of artistic representations (''icons'') of the natural and supernatural worlds, or it is the absence of representations of certain figures in religions. It is a feature of various cultures, particularly of cultures which a ...
representation of the
Hindu Hindus (; ) are people who religiously adhere to Hinduism. Jeffery D. Long (2007), A Vision for Hinduism, IB Tauris, , pages 35–37 Historically, the term has also been used as a geographical, cultural, and later religious identifier for ...
god In monotheistic thought, God is usually viewed as the supreme being, creator, and principal object of faith. Swinburne, R.G. "God" in Honderich, Ted. (ed)''The Oxford Companion to Philosophy'', Oxford University Press, 1995. God is typically ...
Shiva Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hindu ...
in
Shaivism Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions rangi ...
. It is typically the primary '' murti'' or devotional image in
Hindu temple A Hindu temple, or ''mandir'' or ''koil'' in Indian languages, is a house, seat and body of divinity for Hindus. It is a structure designed to bring human beings and gods together through worship, sacrifice, and devotion.; Quote: "The Hin ...
s dedicated to Shiva, also found in smaller shrines, or as self-manifested natural objects. It is often represented within a disc-shaped platform, the '' yoni'' – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. Together, they symbolize the merging of microcosmos and macrocosmos, the divine eternal process of creation and regeneration, and the union of the feminine and the masculine that recreates all of existence. The original meaning of ''lingam'' as "sign" is used in Shvetashvatara Upanishad, which says "Shiva, the Supreme Lord, has no liūga", liuga ( sa, लि‌ऊग ) meaning he is transcendental, beyond any characteristic and, specifically, the sign of gender. Lingam is regarded as the "outward symbol" of the "formless Reality", the symbolization of merging of the 'primordial matter' ('' Prakṛti'') with the 'pure consciousness' (''
Purusha ''Purusha'' (' or ) is a complex concept whose meaning evolved in Vedic and Upanishadic times. Depending on source and historical timeline, it means the cosmic being or self, awareness, and universal principle.Karl Potter, Presuppositions of Ind ...
'') in transcendental context. The metaphorical creative principle of lingam-yoni, the union of the feminine and the masculine, the eternal
cosmological Cosmology () is a branch of physics and metaphysics dealing with the nature of the universe. The term ''cosmology'' was first used in English in 1656 in Thomas Blount's ''Glossographia'', and in 1731 taken up in Latin by German philosopher ...
process of creation is also depicted in
Chinese philosophy Chinese philosophy originates in the Spring and Autumn period () and Warring States period (), during a period known as the " Hundred Schools of Thought", which was characterized by significant intellectual and cultural develop ...
of
Yin and Yang Yin and yang ( and ) is a Chinese philosophical concept that describes opposite but interconnected forces. In Chinese cosmology, the universe creates itself out of a primary chaos of material energy, organized into the cycles of yin and ya ...
, where etymologically and semantically ''Yin'' represents the feminine, half-unity of consciousness and ''Yang'' denotes the masculine, the other half, together symbolizing the entirety or unity-consciousness in the creation. The ''lingam'' is conceptualized both as an emblem of generative and destructive power, particularly in the esoteric Kaula and Tantra practices, as well as the
Shaivism Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions rangi ...
and Shaktism traditions of Hinduism. "Lingam" is found in Sanskrit texts, such as Shvetashvatara Upanishad, Samkhya,
Vaisheshika Vaisheshika or Vaiśeṣika ( sa, वैशेषिक) is one of the six schools of Indian philosophy (Vedic systems) from ancient India. In its early stages, the Vaiśeṣika was an independent philosophy with its own metaphysics, epistemolog ...
and others texts with the meaning of "evidence, proof" of
God In monotheistic thought, God is usually viewed as the supreme being, creator, and principal object of faith. Swinburne, R.G. "God" in Honderich, Ted. (ed)''The Oxford Companion to Philosophy'', Oxford University Press, 1995. God is typically ...
and God's existence, or existence of formless Brahman. Lingam iconography found at archaeological sites of the Indian subcontinent and southeast Asia includes simple cylinders set inside a '' yoni'';
mukhalinga In Hindu iconography, Mukhalinga or Mukhalingam (literally "''linga with a face''", ) is a linga with one or more human faces. The linga is an aniconic representation of the Hindu god Shiva. Mukhalingas may be of stone or can be made of a meta ...
rounded pillars with carvings such as of one or more ''mukha'' (faces); and anatomically realistic representations of a phallus such as on the Gudimallam Lingam. In the Shaiva traditions, the lingam is regarded as a form of spiritual iconography.


Nomenclature and significance

Lingam, states Monier Monier-Williams, appears in the Upanishads and epic literature, where it means a "mark, sign, emblem, characteristic".Linga
Monier Monier-Williams, Harvard University Archives, pp. 90
902
/ref> Other contextual meanings of the term include "evidence, proof, symptom" of God and God's power. The term also appears in early Indian texts on logic, where an inference is based on a sign (linga), such as "if there is smoke, there is fire" where the linga is the smoke. It is a religious symbol in Hinduism representing Shiva as the generative power, all of existence, all creativity and fertility at every cosmic level. The lingam of the
Shaivism Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions rangi ...
tradition is a short cylindrical pillar-like symbol of Shiva, made of stone, metal, gem, wood, clay or precious stones. According to ''Encyclopædia Britannica'', the lingam is a votary aniconic object found in the sanctum of Shiva temples and private shrines that symbolizes
Shiva Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hindu ...
and is "revered as an emblem of generative power". It often is found within a lipped, disked structure that is an emblem of goddess Shakti and this is called the ''yoni''. Together they symbolize the union of the feminine and the masculine principles, and "the totality of all existence", states ''Encyclopædia Britannica''. According to Alex Wayman, given the Shaiva philosophical texts and spiritual interpretations, various works on Shaivism by some Indian authors "deny that the linga is a phallus"., Quote: "That is why today one will read in various works by Indians on Saivism a denial that the linga is a phallus; and the late Dr. Basham once told the present writer that in all the years of his India contacts he never found any Saivite admitting that the linga is a phallus." To the Shaivites, a linga is neither a phallus nor do they practice the worship of erotic penis-vulva, rather the linga-yoni is a symbol of cosmic mysteries, the creative powers and the metaphor for the spiritual truths of their faith. For example, according to Swami Sivananda, the corelation of the linga and phallus is wrong; the Lingam is only the external symbol of Lord Shiva's formless being. He further states that it is the light or power of consciousness, manifesting from Sadashiva. According to Sivaya Subramuniyaswami, the lingam signifies three perfections of
Shiva Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hindu ...
. The upper oval part of the Shivalingam represents Parashiva and lower part of the Shivalingam, called the pitha, represents
Parashakti Parashakti (IAST: Paraśakti, Sanskrit: पराशक्ति) or Parā is one of the three chief goddesses in Trika system of Kashmir Shaivism along with Aparā and Parparā. In Siddhantic perspective, Parashakti is the counterpart of Pa ...
. In Parashiva perfection, Shiva is the absolute reality, the timeless, formless and spaceless. In Parashakti perfection, Shiva is all-pervasive, pure consciousness, power and primal substance of all that exists and it has form unlike Parashiva which is formless. According to Rohit Dasgupta, the lingam symbolizes Shiva in Hinduism, and it is also a phallic symbol. Since the 19th century, states Dasgupta, the popular literature has represented the lingam as the male sex organ. This view contrasts with the traditional abstract values they represent in Shaivism wherein the lingam-yoni connote the masculine and feminine principles in the entirety of creation and all existence. According to
Sivananda Saraswati Sivananda Saraswati (or Swami Sivananda; 8 September 1887 – 14 July 1963) was a yoga guru, a Hindu spiritual teacher, and a proponent of Vedanta. Sivananda was born Kuppuswami in Pattamadai, in the Tirunelveli district of Tamil Nadu. He stu ...
, Siva Lingam speaks unmistakable language of silence: "I am one without a second, I am formless". Siva Lingam is only the outward symbol of formless being, Lord Siva, who is eternal, ever-pure, immortal essence of this vast universe, who is your innermost Self or Atman, and who is identical with the Supreme Brahman, states
Sivananda Saraswati Sivananda Saraswati (or Swami Sivananda; 8 September 1887 – 14 July 1963) was a yoga guru, a Hindu spiritual teacher, and a proponent of Vedanta. Sivananda was born Kuppuswami in Pattamadai, in the Tirunelveli district of Tamil Nadu. He stu ...
. Scholars, such as
Wendy Doniger Wendy Doniger O'Flaherty (born November 20, 1940) is an American Indologist whose professional career has spanned five decades. A scholar of Sanskrit and Indian textual traditions, her major works include, 'The Hindus: an alternative history'; ' ...
and Rohit Dasgupta, view ''linga'' as extrapolations of what was originally a phallic symbol. This interpretation is criticized by Stella Kramrisch and Moriz Winternitz who opines that the ''linga'' in the Shiva tradition is "only a symbol of the productive and creative principle of nature as embodied in Shiva", and it has no historical trace in any obscene phallic cult.


History


Archeological finds from Indus Valley civilisation

According to Chakrabarti, "some of the stones found in Mohenjodaro are unmistakably phallic stones". These are dated to some time before 2300 BCE. Similarly, states Chakrabarti, the Kalibangan site of Harappa has a small terracotta representation that "would undoubtedly be considered the replica of a modern Shivlinga tubular stone" According to Encyclopædia Britannica, while Harappan discoveries include "short cylindrical pillars with rounded tops", there is no evidence that the people of Indus Valley Civilization worshipped these artifacts as lingams. According to Srinivasan, in the Harappan sites, objects that resemble "lingam" have been found. That includes "a seated trident-headed ithyphallic figure", which was found on Indus seals, "has been compared to Shiva as meditating ascetic", states Srinivasan. The colonial-era archaeologists John Marshall and Ernest Mackay proposed that certain artifacts found at Harappan sites may be evidence of yoni-linga worship in Indus Valley Civilization. Scholars such as
Arthur Llewellyn Basham Arthur Llewellyn Basham (24 May 1914 – 27 January 1986) was a noted historian, Indologist and author of a number of books. As a Professor at the School of Oriental and African Studies, London in the 1950s and the 1960s, he taught a number of fa ...
dispute whether such artifacts discovered at the archaeological sites of Indus Valley sites are yoni. For example, Jones and Ryan state that lingam/yoni shapes have been recovered from the archaeological sites at Harappa and
Mohenjo-daro Mohenjo-daro (; sd, موئن جو دڙو'', ''meaning 'Mound of the Dead Men';Indus Valley civilisation. In contrast, Indologist Wendy Doniger states that this relatively rare artifact can be interpreted in many ways and has unduly been used for wild speculations such as being a linga. Another Indus stamp seal often called the Pashupati seal, states Doniger, has an image with a general resemblance with Shiva and "the Indus people may well have created the symbolism of the divine phallus", but given the available evidence we cannot be certain, nor do we know that it had the same meaning as some currently project them to might have meant. According to the Indologist Asko Parpola, "it is true that Marshall's and Mackay's hypotheses of linga and yoni worship by the Harappans has rested on rather slender grounds, and that for instance, the interpretation of the so-called ring-stones as yonis seems untenable". He quotes Dales 1984 paper, which states "with the single exception of the unidentified photography of a realistic phallic object in Marshall's report, there is no archaeological evidence to support claims of special sexually-oriented aspects of Harappan religion". However, adds Parpola, a re-examination at Indus Valley sites suggest that the Mackay's hypothesis cannot be ruled out because erotic and sexual scenes such as ithyphallic males, naked females, a human couple having intercourse and trefoil imprints have now been identified at the Harappan sites. The "finely polished circular stand" found by Mackay may be yoni although it was found without the linga. The absence of linga, states Parpola, maybe because it was made from wood which did not survive.


Shvetashvatara Upanishad

Shvetashvatara Upanishad states one of the three significations, the primary one, of ''Lingam'' as " the imperishable Purusha", the absolute reality, where says the ''linga'' as "sign", a mark that provides the existence of Brahman, or symbol of formless Brahman. Furthermore, it mentioned that Shiva is transcendent, beyond any characteristic or ''liūga'', specifically, the sign of gender. Linga, "sign", not only signifies the existence of perceptible "things" but also denotes the imperceptible essence of "a thing" or pieces of Brahman called Atma even before the thing in its concrete shape has come to exist. The imperceptible essence of "a thing", in its potentiality, is the ''liūga'' of the thing. The insight of the Shvetashvatara Upanishad conveyed through the word ''liūga'' is formulated explicitly in Samkhya and schools of Yoga or ways of looking at things, that is, looking at their appearance and at Ultimate Reality. ''Liriga'' here denotes the Subtle body (liṇga śarīra) underlying and ontological preceding anything perceptible. The perceptible state, in this context, is the gross body (sthūla śarīra), or concrete reality as it appears to the sense organs. In between the Ultimate and concrete reality is Prakṛti, also called Pradhana which is the imperceptible substratum of the manifest world or prematter. Out of this imperceptible cosmic substance, all things have come out, and to which they will return ultimately. The three Gunas are
Sattva Sattva ( Sanskrit: सत्त्व, meaning ''honesty'') is one of the three guṇas or "modes of existence" (tendencies, qualities, attributes), a philosophical and psychological concept understood by the Samkhya school of Hindu philosophy.Jame ...
,
Rajas Rajas (Sanskrit: रजस्) is one of the three Guṇas (tendencies, qualities, attributes), a philosophical and psychological concept developed by the Samkhya school of Hindu philosophy.James G. Lochtefeld, Rajas, in The Illustrated Encycloped ...
, and Tamas. The function as tendencies through the principles and powers of cosmic substance cohere are
Buddhi :''In Hindu mythology, Buddhi is one of the wives of Ganesha.'' Buddhi (Sanskrit: बुद्धि) refers to the intellectual faculty and the power to "form and retain concepts, reason, discern, judge, comprehend, understand". Etymology ''Bud ...
, "cosmic intelligence or revelation"; Ahamkara, "individuation"; and Manas, "Mind". From these evolve the power (
Indriya ''Indriya'' (literally "belonging to or agreeable to Indra") is the Sanskrit and Pali term for physical strength or ability in general, and for the senses more specifically. The term literally means "belonging to Indra," chief deity in the Rig Veda ...
) of cognition that enables hearing, feeling, seeing, tasting, and smelling and their corresponding subtle elements to exist. From these supersensible ( Tanmatras), the sense particulars (
Mahābhūta ''Mahābhūta'' is Sanskrit and Pāli for "great element". However, very few scholars define the four mahābhūtas in a broader sense as the four fundamental aspects of physical reality. Hinduism In Hinduism's sacred literature, the "great" ...
) come into being. They are Ether or space ( Akasha), air ( Vayu), fire ( Agni), water ( Ap), and earth ( Bhumi), the
Pancha Bhoota Pancha Bhuta or Pancha Maha-Bhuta ( sa, पञ्चभूत, ; ), five great elements, also five physical elements, is a group of five basic elements, which, according to Hinduism, is the basis of all cosmic creation. These elements are: ''Pr ...
s. They are the vehicles of the Tanmatras, and constitute the gross body of concrete, perceptible, and particularized reality. The Subtle body (liṇga śarīra) is the subtle prototype of the gross body, the imperceptible stuff of energy by which all phenomena are projected into concrete reality, like fire from its latency. The subtle body, itself changeless, accompanies the life-of-the-individual (Jiva) through the cycles of birth and deaths and is finally reabsorbed into the principles and powers of which it was composed of.


Linga Purana

The Linga Purana states, "Shiva is signless, without color, taste, smell, that is beyond word or touch, without quality, motionless and changeless". The source of the universe is the signless, and all of the universe is the manifested Linga, a union of ''unchanging principle'' and the ''ever changing'' nature. The ''Linga Purana'' and Siva Gita texts builds on this foundation. Linga, states
Alain Daniélou Alain Daniélou (4 October 1907 – 27 January 1994) was a French historian, Indologist, intellectual, musicologist, translator, writer, and notable Western convert to and expert on the Shaivite sect of Hinduism. In 1991 he was awarded the ...
, means sign. It is an important concept in Hindu texts, wherein Linga is a manifested sign and nature of someone or something. It accompanies the concept of Brahman, which as invisible signless and existent Principle, is formless or linga-less.


Vedic literature

The word ''lingam'' is not found in the ''
Rigveda The ''Rigveda'' or ''Rig Veda'' ( ', from ' "praise" and ' "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts ('' śruti'') known as the Vedas. Only one ...
'', or the other Vedas. However, Rudra (proto-Shiva) is found in the Vedic literature. Worship of the lingam was not a part of the Vedic religion. The worship of the lingam originated from the famous hymn in the
Atharva Veda The Atharva Veda (, ' from ' and ''veda'', meaning "knowledge") is the "knowledge storehouse of ''atharvāṇas'', the procedures for everyday life".Laurie Patton (2004), Veda and Upanishad, in ''The Hindu World'' (Editors: Sushil Mittal and G ...
Samhita sung in praise of the ''Yupa-Stambha'', the sacrificial post. In that hymn, a description is found of the beginningless and endless ''
Stambha A stambha (''tower'' in English) is a pillar or column found in India. In the context of Hindu mythology, it is believed to be a cosmic column that functions as a bond, joining heaven (Svarga) and earth (Prithvi). A number of Hindu scriptures, ...
'' or ''Skambha'', and it is shown that the said ''Skambha'' is put in place of the eternal Brahman. Just as the Yajna (sacrificial) fire, its smoke, ashes, and flames, the ''Soma'' plant, and the ox that used to carry on its back the wood for the Vedic sacrifice gave place to the conceptions of the brightness of Shiva's body, his tawny matted hair, his blue throat, and the riding on the bull of the Shiva, the ''Yupa-Skambha'' gave place in time to the ''Shiva-Linga''. In the text ''Linga Purana'', the same hymn is expanded in the shape of stories, meant to establish the glory of the great Stambha and the superiority of Shiva as Mahadeva. There is a hymn in the Atharvaveda that praises a pillar (''
stambha A stambha (''tower'' in English) is a pillar or column found in India. In the context of Hindu mythology, it is believed to be a cosmic column that functions as a bond, joining heaven (Svarga) and earth (Prithvi). A number of Hindu scriptures, ...
''), and this is one possible origin of linga worship. According to Swami Vivekananda, the Shiva-linga had origins in the idea of ''Yupa-Stambha'' or Skambha of the Vedic rituals, where the term meant the sacrificial post which was then idealized as the eternal Brahman. The ''Yupa-Skambha'' gave place in time to the ''Shiva-Linga'', quite possibly with influence from Buddhism's stupa shaped like the top of a stone linga, according to Vivekananda.


Early iconography and temples

The Gudimallam Lingam, one of the oldest examples of a lingam, is still in worship in the Parashurameshwara temple, Gudimallam, in a hilly forest about east of Tirupati in
Andhra Pradesh Andhra Pradesh (, abbr. AP) is a state in the south-eastern coastal region of India. It is the seventh-largest state by area covering an area of and tenth-most populous state with 49,386,799 inhabitants. It is bordered by Telangana to the ...
. It has been dated to the 3rd-century BCE, or to the 2ndcentury BCE, and is mostly accepted to be from the 3rd- to 1st-century BCE, though some later dates have been proposed. The stone lingam is clearly a representation of an anatomically accurate phallus, with a figure of
Lakulisha Lakulisha ( sa, लकुलीश ) (Etymology: लगुड (staff) or लकुट (mace) + ईश (lord) = meaning, the lord with a staff or mace or club or stick) was a prominent Shaivite revivalist, reformist and preceptor of the doctrine ...
, the ascetic manifestation of
Shiva Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hindu ...
, carved on the front, holding an antelope and axe in his hands. He stands on top of a Apasmara ''(demon) dwarf'', who symbolizes spiritual ignorance, greed, sensual desires or '' Kama'' and nonsensical speech on the spiritual path, hence must be subdued in spiritual pursuits. In this earliest representation, the phallic representation illustrates of the centrality of the energetic principle of ''Urdhva Retas'' ( sa, ऊर्ध्वरेतस् , lit. "ascent of vital energies or fluid") the upward flow of energy in spiritual pursuits and practice of celibacy ( Brahmacarya), contrary to fertility or release of vital energies. Lakulisa as an ascetic manifestation of Shiva is seen in later peninsular Indian scriptures whose ithyphallic aspects connotes asceticism and conserved procreative potentialities ( Brahmacarya or celibacy), rather than mere eroticism. According to Stella Kramrisch, the pictorial symbol of the Gudimallam lingam should not be mistaken for fertility or sexuality due to incomplete or impure understanding of the underlying refined principles. The Bhita linga – now at the Lucknow museum – is also dated to about the 2nd century BCE, and has four directional faces on the pillar and a Brahmi script inscription at the bottom. Above the four faces, the Bhita linga has the bust of a male with his left hand holding a vase and the right hand in the ''abhaya'' (no-fear) mudra. The pillar itself is, once again, a realistic depiction of phallus but neither symbolizes fertility nor sexuality, but the refined energetic principles of ''Urdhva Retas'' during Sannyasa or Asceticism. The Mathura archaeological site has revealed similar lingams, with a standing Shiva in front (2nd century CE) and with one or four faces around the pillar (1st to 3rd century CE). Numerous stone and cave temples from the mid to late 1st millennium feature lingams. The Bhumara Temple near Satna
Madhya Pradesh Madhya Pradesh (, ; meaning 'central province') is a state in central India. Its capital is Bhopal, and the largest city is Indore, with Jabalpur, Ujjain, Gwalior, Sagar, and Rewa being the other major cities. Madhya Pradesh is the seco ...
, for example, is generally dated to late 5th-century Gupta Empire era, and it features an Ekamukha Lingam.


Mahabharata

According to Wendy Doniger, ''lingam'' in the ''Mahabharata'' is represented as the phallic form which suggests Sthula sarira of Shiva, although not the primary significance, however it connotes much more than that. The anthropomorphic shape, in this specific context, functions as the "subtle body" (''Lińga Śarīra'') of Shiva in the ''Mahabharata''. It is a superabundant evocation of fierce potency on a cosmic scale, although it states crassly phallic. Doniger further finds that Shiva was called by many names, including Rudra or the Lord of the Mountain. Chapter 10.17 of the ''Mahabharata'' also refers to the word ''sthanu'' in the sense of an "inanimate pillar" as well as a "name of Shiva, signifying the immobile, ascetic, desexualized form of the ''lingam''", as it recites the legend involving
Shiva Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hindu ...
, Brahma and Prajapati. This mythology weaves two polarities, one where the lingam represents the potentially procreative phallus (fertile lingam) and its opposite "a pillar-like renouncer of sexuality" (ascetic lingam), states Doniger.


Puranas

According to Shiva Purana, the legend about the origin of the phallic form of Shiva is that some brahmin devotees of Shiva were highly engrossed in the meditation of Shiva. In the meantime, Shiva came in a hideous naked ascetic form with ashes smeared all over his body holding his phallus, to test the devotion of his devotees. The wives of the sages were scared at this sight but some embraced the holy ascetic. Although Shiva put them to test, the sages and wives did not recognize him. The sages were stupefied and deluded by Śiva's power of illusion, māyā, became infuriated at this sight and cursed ascetic form of Shiva “You are acting pervertedly. This violates the Vedic path. Hence let your penis fall on the ground.” Although the sages were also ascetics, only because they observed established conventions, they failed when Shiva tested them with his outrageous ways. The purpose of Shiva's visit to the hermitage, the place where the sages were living with their wives, was to enlighten the false sages by allowing them to humiliate him. But the sages were lost in anger, but Shiva allowed himself to be humiliated in the image that met the eye of the sages. Even though Shiva excited some of them as the source of their desire, they were unable to see him as the killer of desires. Although Shiva revealed his true nature by his dance ( Tandava), yet so great was his power of illusion ( māyā), the deluded sages did not recognize him. That falling phallus burnt everything in front; wherever it went it began to burn everything there. It went to all three Hindu worlds ( hell, heaven,
earth Earth is the third planet from the Sun and the only astronomical object known to harbor life. While large volumes of water can be found throughout the Solar System, only Earth sustains liquid surface water. About 71% of Earth's surfa ...
). All the worlds and the people were distressed. The sages couldn't recognise it as Shiva and sought refuge from Brahma. Brahma answered that they should pray to
Parvati Parvati ( sa, पार्वती, ), Uma ( sa, उमा, ) or Gauri ( sa, गौरी, ) is the Hindu goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. She is a physical representation of Mahadevi i ...
to assume a form of vaginal passage, and perform a procedure reciting vedic mantras and decorating the penis with flowers etc., so that the penis would become steady. As the phallus was held by Parvati in that form, an auspicion arrow formed. The pedestal shaped as the vagina and the phallus fixed therein are symbolic of the eternal creative forces personified as Śivā and Śiva. After the procedure was completed, the penis became static. This phallus was known as ''"hatesa"'' and "Siva Siva". In one version of the story found in ''
Vamana Purana The ''Vamana Purana'' ( sa, वामन पुराण, IAST: ), is a medieval era Sanskrit text and one of the eighteen major Puranas of Hinduism. The text is named after one of the incarnations of Vishnu and probably was a Vaishnava text in ...
'', Shiva's visit to the hermitage in
Deodar forests Deodar Forests are forests dominated by ''Cedru''s ''deodara'', also known as Deodar Cedars. These types of trees are found naturally in Western Himalayas from Gandaki river in central Nepal to Hindukush Mountain range in Afghanistan. Deodar C ...
was an act of grace at
Parvati Parvati ( sa, पार्वती, ), Uma ( sa, उमा, ) or Gauri ( sa, गौरी, ) is the Hindu goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. She is a physical representation of Mahadevi i ...
's request. The '' Shiva Purana'' also describes the origin of the lingam, known as Shiva-linga, as the beginning-less and endless cosmic pillar (''
Stambha A stambha (''tower'' in English) is a pillar or column found in India. In the context of Hindu mythology, it is believed to be a cosmic column that functions as a bond, joining heaven (Svarga) and earth (Prithvi). A number of Hindu scriptures, ...
'') of fire, the cause of all causes. Shiva is pictured as emerging from the lingamthe cosmic pillar of fireproving his superiority over the gods Brahma and
Vishnu Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" withi ...
. It also describes right way to worship Shiva linga in its 11th chapter in detail This is known as
Lingodbhava Lingōdbhava ''(also called Lingobhava, the "emergence of the Linga")'' is an iconic representation of Hindu god Shiva, commonly seen in the South Indian Hindu temples. The icon depicts the legend of the origin of the linga, Shiva's iconic represe ...
. The '' Linga Purana'' also supports this interpretation of lingam as a cosmic pillar, symbolizing the infinite nature of Shiva. According to the ''Linga Purana'', the lingam is a complete symbolic representation of the formless Universe Bearerthe oval-shaped stone is the symbol of the Universe, and the bottom base represents the Supreme Power that holds the entire Universe in it. A similar interpretation is also found in the
Skanda Purana The ''Skanda Purana'' (IAST: Skanda Purāṇa) is the largest '' Mukyapurana'', a genre of eighteen Hindu religious texts. The text contains over 81,000 verses, and is of Kaumara literature, titled after Skanda, a son of Shiva and Parvati, w ...
: "The endless sky (that great void which contains the entire universe) is the Linga, the Earth is its base. At the end of time the entire universe and all the Gods finally merge in the Linga itself." In the ''Linga Purana'', an Atharvaveda hymn is expanded with stories about the great Stambha and the supreme nature of Mahâdeva (the Great God, Shiva).


Other literature

In early Sanskrit medical texts, ''linga'' means "symptom, signs" and plays a key role in the diagnosis of a sickness, the disease. The author of classical Sanskrit grammar treatise, Panini, states that the verbal root ''ling'' which means "paint, variegate", has the sense "that which paints, variegates, characterizes". Panini as well as Patanjali additionally mention lingam with the contextual meaning of the "gender". In the ''
Vaisheshika Vaisheshika or Vaiśeṣika ( sa, वैशेषिक) is one of the six schools of Indian philosophy (Vedic systems) from ancient India. In its early stages, the Vaiśeṣika was an independent philosophy with its own metaphysics, epistemolog ...
Sutras'', it means "proof or evidence", as a conditionally sufficient mark or sign. This Vaisheshika theory is adopted in the early Sanskrit medical literature. Like the Upanishads, where linga means "mark, sign, characteristic", the texts of the '' Nyaya'' school of Hindu philosophy use ''linga'' in the same sense. In the '' Samkhya sutras'', and in
Gaudapada Gauḍapāda (Sanskrit: गौडपाद; ), also referred as Gauḍapādācārya ("Gauḍapāda the Teacher"), was an early medieval era Hindu philosopher and scholar of the ''Advaita'' Vedanta school of Hindu philosophy. While details o ...
's commentary on '' Samkhyakarika'', the term ''linga'' has many contextual meanings such as in verses 1.124.136, 3.9.16 and 5.21.61, as it develops its theory of the nature of '' Atman'' (Self) and '' Sarira'' (body, prakriti) and its proposed mechanism of rebirth. In the ''Purva Mimamsa Sutra'' and the ''Vedanta sutra'', as well as the commentaries on them, the term linga appears quite often, particularly in the form of ''"lingadarsanacca"'' as a form of citing or referencing prior Hindu literature. This phrase connotes " e have found anindicative sign", such as the "indicative sign is in a Vedic passage". According to Doniger, there is persuasive evidence in later Sanskrit literature that the early Indians associated the lingam icon with the male sexual organ; the 11th-century Kashmir text ''Narmamala'' by Kshemendra on satire and fiction writing explains his ideas on parallelism with divine lingam and human lingam in a sexual context. Various Shaiva texts, such as the ''Skanda Purana'' in section 1.8 states that all creatures have the signs of Shiva or Shakti through their ''lingam'' (male sexual organ) or ''pindi'' (female sexual organ). According to Doniger, a part of the literature corpus regards ''lingam'' to be the phallus of Shiva, while another group of texts does not. Sexuality in the former is inherently sacred and spiritual, while the latter emphasizes the ascetic nature of Shiva and renunciation to be spiritual symbolism of ''lingam''. This tension between the pursuit of spirituality through householder lifestyle and the pursuit of renunciate sannyasi lifestyle is historic, reflects the different interpretations of the lingam and what lingam worship means to its devotees. It remains a continuing debate within Hinduism to this day, states Doniger. To one group, it is a part of Shiva's body and symbolically ''saguna'' Shiva (he in a physical form with attributes). To the other group, it is an abstract symbol of ''nirguna'' Shiva (he in the universal Absolute Reality, formless, without attributes). In Tamil Shaiva tradition, for example, the common term for lingam is ''kuRi'' or "sign, mark" which is asexual. Similarly, in
Lingayatism Lingayatism or Veera Saivism is a Hindu denomination based on Shaivism. Initially known as '' Veerashaivas'', since the 12th-century adherents of this faith are known as ''Lingayats''. The terms ''Lingayatism'' and ''Veerashaivism'' have been ...
tradition, the lingam is a spiritual symbol and "was never said to have any sexual connotations", according to Doniger. To some Shaivites, it symbolizes the axis of the universe. The term ''linga'' also appears in Buddhist and Jaina literature, where it means "sign, evidence" in one context, or "subtle body" with sexual connotations in another.


Muslim rule

In the 11th-century, after conquests of the subcontinent by Muslim rulers, several sultans of Delhi, often
iconoclastic Iconoclasm (from Ancient Greek, Greek: grc, wikt:εἰκών, εἰκών, lit=figure, icon, translit=eikṓn, label=none + grc, wikt:κλάω, κλάω, lit=to break, translit=kláō, label=none)From grc, wikt:εἰκών, εἰκών + wi ...
, regarded the lingam as sexual and anthropomorphic, and ordered as many be destroyed as possible.: "But several of the Delhi sultans, those who were particularly devout and iconoclast Muslims, regarded the lingam as sexual and anthropomorphic, and took pride in destroying as many lingams as they could. In 1026, Mahmud of Ghazni attacked the temple of Somnath, which held a famous Shiva lingam; this much, at least, seems to be historical fact. But then comes the mythologizing. According to some versions of the story, including early Turko-Persian triumphalist sources, Mahmud stripped the great gilded lingam of its gold and hacked it to bits with his sword, sending the bits back to Ghazni, where they were incorporated into the steps of the new mosque (Keay 2000: 207–209). Medieval Hindu epics of resistance created a countermythology in which the stolen image came to life (another bit of evidence that it was regarded as a living thing, a body in itself) and eventually, like a horse trotting back to the stable, returned to the temple to be reconsecrated (Davis 1997: 90–112)" In some situations, linga were deliberately laid at the thresholds of mosques for public usage and incorporated into Islamic architecture, notably at a mosque in Banbhore.


Orientalist literature

The colonial era
Orientalists In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist p ...
and Christian missionaries, raised in the Victorian mold where sex and sexual imagery were a taboo subject, were shocked by and were hostile to the ''lingam-yoni'' iconography and reverence they witnessed. The 19th and early 20th-century colonial and missionary literature described ''lingam-yoni'', and related theology as obscene, corrupt, licentious, hyper-sexualized, puerile, impure, demonic and a culture that had become too feminine and dissolute. To the Hindus, particularly the
Shaivites Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions rangin ...
, these icons and ideas were the abstract, a symbol of the entirety of creation and spirituality. The
colonial Colonial or The Colonial may refer to: * Colonial, of, relating to, or characteristic of a colony or colony (biology) Architecture * American colonial architecture * French Colonial * Spanish Colonial architecture Automobiles * Colonial (1920 au ...
disparagement in part triggered the opposite reaction from Bengali nationalists, who more explicitly valorised the feminine. Swami Vivekananda called for the revival of the Mother Goddess as a feminine force, inviting his countrymen to "proclaim her to all the world with the voice of peace and benediction". According to Wendy Doniger, the terms ''lingam'' and ''yoni'' became explicitly associated with human sexual organs in the western imagination after the widely popular first ''
Kamasutra The ''Kama Sutra'' (; sa, कामसूत्र, , ; ) is an ancient Indian Sanskrit text on sexuality, eroticism and emotional fulfillment in life. Attributed to Vātsyāyana, the ''Kama Sutra'' is neither exclusively nor predominantly ...
'' translation by Sir Richard Burton in 1883. In his translation, even though the original Sanskrit text does not use the words ''lingam'' or ''yoni'' for sexual organs, and almost always uses other terms, Burton adroitly avoided being viewed as obscene to the Victorian mindset by avoiding the use of words such as penis, vulva, vagina and other direct or indirect sexual terms in the Sanskrit text to discuss sex, sexual relationships and human sexual positions. Burton used the terms ''lingam'' and ''yoni'' instead throughout the translation. This conscious and incorrect word substitution, states Doniger, thus served as an Orientalist means to "anthropologize sex, distance it, make it safe for English readers by assuring them, or pretending to assure them, that the text was not about real sexual organs, their sexual organs, but merely about the appendages of weird, dark people far away." Similar Orientalist literature of the Christian missionaries and the British era, states Doniger, stripped all spiritual meanings and insisted on the Victorian vulgar interpretation only, which had "a negative effect on the self-perception that
Hindus Hindus (; ) are people who religiously adhere to Hinduism. Jeffery D. Long (2007), A Vision for Hinduism, IB Tauris, , pages 35–37 Historically, the term has also been used as a geographical, cultural, and later religious identifier for ...
had of their own bodies" and they became "ashamed of the more sensual aspects of their own religious literature". Some contemporary Hindus, states Doniger, in their passion to spiritualize
Hinduism Hinduism () is an Indian religion or '' dharma'', a religious and universal order or way of life by which followers abide. As a religion, it is the world's third-largest, with over 1.2–1.35 billion followers, or 15–16% of the global p ...
and for their Hindutva campaign have sought to sanitize the historic earthly sexual meanings, and insist on the abstract spiritual meaning only.


Iconography and worship

The traditional lingam rituals in major Shiva temples includes offerings of flowers, grass, dried rice, fruits, leaves, water and a milk bath. Priests chant hymns, while the devotees go to the sanctum for a '' darshana'' followed by a clockwise circumambulation of the sanctum. On the sanctum walls, typically are reliefs of Dakshinamurti, Brahma and Vishnu. Often, near the sanctum are other shrines, particularly for Shakti (Durga), Ganesha and Murugan (Kartikeya). In the Hindu tradition, special pilgrimage sites include those where natural lingams are found in the form of cylindrical rocks or ice or rocky hill. These are called ''Svayambhuva'' lingam, and about 70 of these are known on the Indian subcontinent, the most significant being one in Kashi (
Varanasi Varanasi (; ; also Banaras or Benares (; ), and Kashi.) is a city on the Ganges river in northern India that has a central place in the traditions of pilgrimage, death, and mourning in the Hindu world. * * * * The city has a syncretic t ...
) followed by Prayaga, Naimisha and Gaya. The historic lingam iconography has included: *
Mukhalinga In Hindu iconography, Mukhalinga or Mukhalingam (literally "''linga with a face''", ) is a linga with one or more human faces. The linga is an aniconic representation of the Hindu god Shiva. Mukhalingas may be of stone or can be made of a meta ...
m, where the lingam has the face of Shiva carved on it. An ''Ekmukha lingam'' has just one face, ''Chaturmukha lingam'' has four faces in the cardinal directions, while a ''Panchamukha lingam'' has a total of five (the fifth is on the top) and represents Sadashiva. Among the mukha-lingam varieties, the four face version are more common. *Ashtottara-sata linga, where 108 miniature lingas are carved on the ''pujabhaga'' (main linga) following certain geometric principles. *Sahasra linga, where 1001 miniature lingas are carved on the ''pujabhaga'' (main linga) following certain geometric principles (set in 99 vertical lines, 11 horizontal). *Dhara linga, where lingas have five to sixty four fluted facets, with prime numbers and multiples of four particularly favored. *
Lingodbhava Lingōdbhava ''(also called Lingobhava, the "emergence of the Linga")'' is an iconic representation of Hindu god Shiva, commonly seen in the South Indian Hindu temples. The icon depicts the legend of the origin of the linga, Shiva's iconic represe ...
murti, where Shiva is seen as emerging from within a fiery lingam. On top of this icon is sometimes a relief of a swan or goose representing Brahma, and a boar at the bottom representing the Varaha avatar of Vishnu. This reflects the Shaiva legend describing a competition between Brahma, Shiva and Vishnu, as to who has priority and superiority. A lingam may be made of clay (), metal (), precious stone (), wood (), stone (, most common), or a disposal material (). The construction method, proportions and design is described in Shaiva Agama texts. The lingam is typically set in the center of a pindika (also called yoni or pithas, symbolizing Shakti). A pindika may be circular, square, octagonal, hexagonal, duodecagonal, sixteen sided, elliptical, triangular or another shape. Some lingams are miniaturized and they are carried on one's person, such as by Lingayats in a necklace. These are called ''chala-lingams''. The Hindu temple design manuals recommend geometric ratios for the linga, the sanctum and the various architectural features of the temple according to certain mathematical rules it considers perfect and sacred. Anthropologist Christopher John Fuller states that although most sculpted images ( murtis) are anthropomorphic or theriomorphic, the
aniconic Aniconism is the absence of artistic representations (''icons'') of the natural and supernatural worlds, or it is the absence of representations of certain figures in religions. It is a feature of various cultures, particularly of cultures which a ...
Shiva Linga is an important exception. According to Shaiva Siddhanta, the linga is the ideal substrate in which the worshipper should install and worship the five-faced and ten-armed Sadāśiva, the form of Shiva who is the focal divinity of that school of Shaivism.Dominic Goodall, Nibedita Rout, R. Sathyanarayanan, S.A.S. Sarma, T. Ganesan and S. Sambandhasivacarya, ''The Pañcāvaraṇastava of Aghoraśivācārya: A twelfth-century South Indian prescription for the visualisation of Sadāśiva and his retinue'', Pondicherry, French Institute of Pondicherry and Ecole française d'Extréme-Orient, 2005, p.12. The various styles of lingam iconography are found on the Indian subcontinent and southeast Asia.


Lingayatism

Lingayats, a sect of the
Shaivite Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions rangin ...
religious tradition in India, wear a miniaturized linga called the . Lingayats wear a lingam inside a necklace, called '' Ishtalinga''. Initially known as ''Veerashaivas'' (heroic worshippers of Shiva), since the 18th century adherents of this faith are known as ''Lingayats''. This tradition originated in Karnataka around the 12th-century. Lingayatism is derived from the term ''linga'' and suffix ''ayta''. The term Lingayat is based on the practice of both genders of Lingayats wearing an (also called ) contained inside a box with a necklace all the time. The is a personalized and miniature oval-shaped linga and an emblem of their faith symbolising Parashiva, the absolute reality and their spirituality. It is viewed as a "living, moving" divinity within the Lingayat devotee. Every day, the devotee removes this personal linga from its box, places it in left palm, offers puja and then meditates about becoming one with the linga, in his or her journey towards the ''atma-linga''.


Pilgrimage sites

An ice lingam at Amarnath in the western
Himalayas The Himalayas, or Himalaya (; ; ), is a mountain range in Asia, separating the plains of the Indian subcontinent from the Tibetan Plateau. The range has some of the planet's highest peaks, including the very highest, Mount Everest. Over 10 ...
forms every winter from ice dripping on the floor of a cave and freezing like a stalagmite. It is very popular with pilgrims. In
Kadavul Temple The Kadavul Hindu Temple is a Jaffna-Style Hindu temple dedicated to the Shiva located on the Kauai island in the state of Hawaii, USA. It is maintained by the Saiva Siddhanta Temple which is also known as Kauai Aadheenam or Kauai's Hindu M ...
, a 700-pound, 3-foot-tall, naturally formed Sphatika (quartz) lingam is installed. In the future, this crystal lingam will be housed in the
Iraivan Temple The San Marga Iraivan Temple is a Chola-style Hindu temple dedicated to the Lord Shiva located on the Kauai island in the state of Hawaii, USA. "Iraivan" means "He who is worshipped," and is one of the oldest words for God in the Tamil language. ...
. It is claimed as among the largest known sphatika self formed ( Swayambhu) lingams. Hindu scripture rates crystal as the highest form of Siva lingam.
Shivling A lingam ( sa, लिङ्ग , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. It is typically the primary ''murti'' or devotional i ...
, , is a mountain in
Uttarakhand Uttarakhand ( , or ; , ), also known as Uttaranchal ( ; the official name until 2007), is a state in the northern part of India. It is often referred to as the "Devbhumi" (literally 'Land of the Gods') due to its religious significance and ...
(the Garhwal region of Himalayas). It arises as a sheer pyramid above the snout of the
Gangotri Glacier Gangotri (Sanskrit and hi, गंगोत्री) is located in Uttarkashi District, Uttarakhand, India in a region bordering Tibet. This glacier, one of the primary sources of the Ganges, has a volume of over 27 cubic kilometers. The glaci ...
. The mountain resembles a Shiva lingam when viewed from certain angles, especially when travelling or trekking from Gangotri to Gomukh as part of a traditional Hindu pilgrimage. A lingam is also the basis for the formation legend (and name) of the Borra Caves in
Andhra Pradesh Andhra Pradesh (, abbr. AP) is a state in the south-eastern coastal region of India. It is the seventh-largest state by area covering an area of and tenth-most populous state with 49,386,799 inhabitants. It is bordered by Telangana to the ...
.
Banalinga Banalinga, a stone found in nature, in the bed of the Narmada river in Madhya Pradesh state, India, is an iconic symbol of worship, based on either the scriptures or cultural traditions among the Hindus, particularly of the Shaivaites and Smartha ...
are the lingam which are found on the bed of the Narmada river. Lesser known
Bhooteshwarnath Bhuteshwarnath (or Bhooteshwarnath) (भूतेश्वरनाथ महादेव) also known as Bhakurra Mahadeva (भाकुर्रा महादेव) is a temple of Lord Shiva, situated near Maroda Village of Gariaband district. ...
Mahadeva in
Gariaband district Gariaband District is one of the 33 districts of Chhattisgarh. It has its headquarters at Gariaband town. The district was carved out of Raipur district in 2012. History The earliest history of the district is associated with Rajim. At the Raj ...
of Chhattisgarh is a rock Shivlinga and said to be the Largest Natural Shivlinga in the world., whose height is increasing with each passing year. The tallest Shiva lingam in the world is located at Chenkal village in Thiruvananthapuram district in the state of Kerala, India.


Gallery

File:Worship of Shiva Linga by Gandharvas - Shunga Period - Bhuteshwar - ACCN 3625 - Government Museum - Mathura 2013-02-24 6098.JPG, Linga inside a railing (left), being worshipped by
Gandharva A gandharva () is a member of a class of celestial beings in Dharmic religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are ...
s winged creatures. Art of Mathura, circa 100 BCE. File:Relief Showing Shiva Linga Worshipped by Saka Devotees - Kushan Period - Dampier Nagar - ACCN 36-2661 - Government Museum - Mathura 2013-02-23 5614.JPG,
Shiva Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hindu ...
Linga worshipped by Kushan devotees, circa 2nd century CE File:Shiva dans le linga de feu (musée Guimet) (8205960337).jpg, Lingodbhava (Chola period) File:ShivaManifesting-BMA.jpg,
Lingodbhava Lingōdbhava ''(also called Lingobhava, the "emergence of the Linga")'' is an iconic representation of Hindu god Shiva, commonly seen in the South Indian Hindu temples. The icon depicts the legend of the origin of the linga, Shiva's iconic represe ...
(Chola period) File:Linga Temple 1.jpg, Badavlinga, Hampi (Vijayanagara Empire) File:Statue of Pashupatinath Mandsaur.jpg, Eight-faced Shivlingam in
Pashupatinath Temple Pashupatinath Temple ( ne, श्री पशुपतिनाथ मन्दिर) is a Hindu temple dedicated to Lord Shiva, and is located in Kathmandu, Nepal. This temple was classified as a World Heritage Site in 1979. This "extensi ...
at Mandsaur,
Madhya Pradesh Madhya Pradesh (, ; meaning 'central province') is a state in central India. Its capital is Bhopal, and the largest city is Indore, with Jabalpur, Ujjain, Gwalior, Sagar, and Rewa being the other major cities. Madhya Pradesh is the seco ...
File:Natural Sivalinga near Ziro, Arunachal Pradesh.jpg, Natural rock linga, Arunachal Pradesh File:Nepalese stone linga SF Asian Art Museum.JPG, A 10th-century four-face
Mukhalinga In Hindu iconography, Mukhalinga or Mukhalingam (literally "''linga with a face''", ) is a linga with one or more human faces. The linga is an aniconic representation of the Hindu god Shiva. Mukhalingas may be of stone or can be made of a meta ...
, Nepal File:Siva linga.jpg, 64 lingams (
Nepal Nepal (; ne, :ne:नेपाल, नेपाल ), formerly the Federal Democratic Republic of Nepal ( ne, सङ्घीय लोकतान्त्रिक गणतन्त्र नेपाल ), is a landlocked country in S ...
) File:Plaque with Shivalinga and Worshipper LACMA M.85.125 (1 of 4).jpg, An 11th-century linga-yoni plaque with a worshipper (Nepal) File:Shiva Ling.jpg, Lingam from Angkor period, Battambang Province (Cambodia) File:041 Linga and Yoni, Museum Mojopahit (40386002682).jpg, Linga-yoni, Java (
Indonesia Indonesia, officially the Republic of Indonesia, is a country in Southeast Asia and Oceania between the Indian and Pacific oceans. It consists of over 17,000 islands, including Sumatra, Java, Sulawesi, and parts of Borneo and New Guine ...
) File:Cattien copper linga.png, Copper lingam at the
Cát Tiên sanctuary Ge () is a Chinese surname. One branch of the family became the compound surname Zhuge. In 2013 it was found to be the 110th most common surname, composed of 1.95 million people or 0.150% of the total national population, with the province with th ...
,
Vietnam Vietnam or Viet Nam ( vi, Việt Nam, ), officially the Socialist Republic of Vietnam,., group="n" is a country in Southeast Asia, at the eastern edge of mainland Southeast Asia, with an area of and population of 96 million, making i ...
File:Jatalinga sur cuve à ablution (musée Guimet) (5153565239).jpg, A ''jatalinga'' with ''yoni'' (Champa, Vietnam) File:Katas_Raj_Temple,_Lahore24.JPG, A lingam at the
Katas Raj Temples The Shri Katas Raj Temples (Punjabi, ur, ) (Sanskrit: कटासराज) also known as Qila Katas (), is a complex of several Hindu temples connected to one another by walkways. The temple complex surrounds a pond named ''Katas'' which is r ...
in north
Pakistan Pakistan ( ur, ), officially the Islamic Republic of Pakistan ( ur, , label=none), is a country in South Asia. It is the world's fifth-most populous country, with a population of almost 243 million people, and has the world's second-lar ...
File:Shiva phallus - Wat Hiranyawat - Chiang Rai - 2017-01-02 - 002.jpg, Ganesha and Shiva-linga, Chiang Rai,
Thailand Thailand ( ), historically known as Siam () and officially the Kingdom of Thailand, is a country in Southeast Asia, located at the centre of the Indochinese Peninsula, spanning , with a population of almost 70 million. The country is b ...


See also

*
Banalinga Banalinga, a stone found in nature, in the bed of the Narmada river in Madhya Pradesh state, India, is an iconic symbol of worship, based on either the scriptures or cultural traditions among the Hindus, particularly of the Shaivaites and Smartha ...
*
Hindu iconography Over the millennia of its development, Hinduism has adopted several iconography, iconic symbols, forming part of Hindu iconography, that are imbued with spiritual meaning based on either the Hindu scriptures, scriptures or cultural traditions ...
* Jyotirlinga *
Lingayatism Lingayatism or Veera Saivism is a Hindu denomination based on Shaivism. Initially known as '' Veerashaivas'', since the 12th-century adherents of this faith are known as ''Lingayats''. The terms ''Lingayatism'' and ''Veerashaivism'' have been ...
*
Mukhalinga In Hindu iconography, Mukhalinga or Mukhalingam (literally "''linga with a face''", ) is a linga with one or more human faces. The linga is an aniconic representation of the Hindu god Shiva. Mukhalingas may be of stone or can be made of a meta ...
j * Gudimallam Lingam *
Pancharamas The Pancharama Kshetras (or the Pancharamas) are five ancient Hindu temples of Shiva in Andhra Pradesh. The Sivalingas at these temples are made from a single Sivalinga. Legend As per the legend, a Shiva lingam, Shiva Lingam was owned by the ...
* Shaligram * Spatika Lingam


Notes


References


Bibliography

* Basham, A. L. ''The Wonder That Was India: A survey of the culture of the Indian Sub-Continent before the coming of the Muslims'', Grove Press, Inc., New York (1954; Evergreen Edition 1959). * * Chakravarti, Mahadev. ''The Concept of Rudra-Śiva Through the Ages'', Delhi: Motilal Banarasidass (1986), . * * * * * Drabu, V.N. ''Śaivāgamas: A Study in the Socio-economic Ideas and Institutions of Kashmir (200 B.C. to A.D. 700)'', New Delhi: Indus Publishing (1990), . * * * * Includes ''Śivasahasranāmakoṣa'', a dictionary of names. This work compares eight versions of the ''Śivasahasranāmāstotra''. The preface and introduction (in English) by Ram Karan Sharma provide an analysis of how the eight versions compare with one another. The text of the eight versions is given in Sanskrit. * Schumacher, Stephan and Woerner, Gert. ''The Encyclopedia of Eastern Philosophy and Religion, Buddhism, Taoism, Zen, Hinduism'', Shambhala, Boston, (1994) . * * * * * * * *


External links


Some interesting Linga images from Kalanjara and Ajaigarh
SK Sullerey (1980)
O, that Linga!
Alex Wayman (1987)
Linga and Yoni worship
Urmila Agrawal (1995)
A note on the Linga with Sakti images in Bengal Art
KD Gupta (2011) {{Hindudharma Forms of Shiva Shaivism Objects used in Hindu worship Hindu symbols Hindu iconography Hindu philosophical concepts Shiva in art Gender and Hinduism Phallic symbols