''The History of the True Cross'' or ''The Legend of the True Cross'' is a sequence of

fresco Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plast ...

es painted by Piero della Francesca in the Basilica of San Francesco in

Arezzo Arezzo ( , , ) , also ; ett, 𐌀𐌓𐌉𐌕𐌉𐌌, Aritim. is a city and '' comune'' in Italy and the capital of the province of the same name located in Tuscany. Arezzo is about southeast of Florence at an elevation of above sea lev ...

. It is his largest work, and generally considered one of his finest, and an

early Renaissance Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occ ...

masterpiece. Its theme, derived from the popular 13th century book on the lives of

saint In religious belief, a saint is a person who is recognized as having an exceptional degree of holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and denomination. In Catholic, Eastern Or ...

s by

Jacobus de Voragine Jacobus de Voragine (c. 123013/16 July 1298) was an Italian chronicler and archbishop of Genoa. He was the author, or more accurately the compiler, of the '' Golden Legend'', a collection of the legendary lives of the greater saints of the medi ...

, the ''

Golden Legend The ''Golden Legend'' (Latin: ''Legenda aurea'' or ''Legenda sanctorum'') is a collection of hagiographies by Jacobus de Voragine that was widely read in late medieval Europe. More than a thousand manuscripts of the text have survived.Hilary ...

'', is the triumph of the

True Cross The True Cross is the cross upon which Jesus was said to have been crucified, particularly as an object of religious veneration. There are no early accounts that the apostles or early Christians preserved the physical cross themselves, althoug ...

– the legend of the wood from the

Garden of Eden In Abrahamic religions, the Garden of Eden ( he, גַּן־עֵדֶן, ) or Garden of God (, and גַן־אֱלֹהִים ''gan- Elohim''), also called the Terrestrial Paradise, is the biblical paradise described in Genesis 2-3 and Ezekiel 28 ...

becoming the Cross on which

Jesus Christ Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label= Hebrew/ Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and relig ...

was crucified. This work demonstrates Piero's advanced knowledge of perspective and colour, his geometric orderliness and skill in pictorial construction.

History

Piero della Francesca - A detail after and before restoration - WGA17591

Dating of the frescoes is uncertain, but they are believed to date from after 1447, when the Bacci family, commissioners of the frescoes, are recorded as having paid an unknown painter. It would have been finished around 1466. Most of the

choir A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which sp ...

was painted in the early- to mid-1450s. Although the design of the frescoes is evidently Piero's, he seems to have delegated small parts of the painting to assistants, as was usual. The hand of Giovanni di Piamonte, in particular, can be recognised in some of the frescoes. An exhaustive restoration began in 1991 and was completed in 2000.

Episodes

The main episodes depicted are: *'' Death of Adam'' (390 x 747 cm). According to the legend, the tree from which the cross was made was planted, at the urging of angels, at the burial of Adam by his son, using a branch or a seed from the apple tree of the garden of Eden. *''The

Queen of Sheba The Queen of Sheba ( he, מַלְכַּת שְׁבָא‎, Malkaṯ Šəḇāʾ; ar, ملكة سبأ, Malikat Sabaʾ; gez, ንግሥተ ሳባ, Nəgśətä Saba) is a figure first mentioned in the Hebrew Bible. In the original story, she bring ...

in Adoration of the Wood'' and ''The Meeting of Solomon and the Queen of Sheba ''(336 x 747 cm). According to the legend, the Queen of Sheba worshiped the beams made from the tree, and informed Solomon that the Saviour would hang from that tree, and thus dismember the realm of the Jews. This caused Solomon to hew it down and bury it, until it was found by the Romans. *''Exaltation of the Cross '' (390 x 747 cm). *''Constantine's Dream '' (329 x 190 cm) Emperor

Constantine the Great Constantine I ( , ; la, Flavius Valerius Constantinus, ; ; 27 February 22 May 337), also known as Constantine the Great, was Roman emperor from AD 306 to 337, the first one to convert to Christianity. Born in Naissus, Dacia Mediterran ...

, before the battle of Milvian Bridge, is awakened by an angel who shows him the cross in heaven. With the cross on his shield, he slew the enemy, and later converted to Christianity. *''Discovery and Proof of the True Cross ''(356 x 747 cm). Helena, Constantine's mother, finds the cross in Jerusalem. It was not easy to get information and "when the queen had called them and demanded them the place where our Lord Jesus Christ had been crucified, they would never tell... her. Then commanded she to burn them all" or cast them into a dry pit for seven days and there torment them with hunger. The Jew is shown in one fresco being pulled from the pit by a rope, whereupon he confessed that Jesus was his lord and where the cross was located. The proof of the cross was that it was used to resurrect a dead man. *''Battle between

Heraclius Heraclius ( grc-gre, Ἡράκλειος, Hērákleios; c. 575 – 11 February 641), was Eastern Roman emperor from 610 to 641. His rise to power began in 608, when he and his father, Heraclius the Elder, the exarch of Africa, led a revol ...

and Khosrau ''(329 x 747 cm). The cross played a role in battles during the war between the

Eastern Roman Empire The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantino ...

and the

Sassanid Empire The Sasanian () or Sassanid Empire, officially known as the Empire of Iranians (, ) and also referred to by historians as the Neo-Persian Empire, was the History of Iran, last Iranian empire before the early Muslim conquests of the 7th-8th cen ...

(early 7th century). Piero diverged from his source material in a few important respects, including the story of

King Solomon King is the title given to a male monarch in a variety of contexts. The female equivalent is queen, which title is also given to the consort of a king. *In the context of prehistory, antiquity and contemporary indigenous peoples, the ti ...

's meeting with the

in a chronologically inaccurate place and giving greater emphasis to the two battles in which

Christianity Christianity is an Abrahamic monotheistic religion based on the life and teachings of Jesus of Nazareth. It is the world's largest and most widespread religion with roughly 2.38 billion followers representing one-third of the global popula ...

triumphs over

paganism Paganism (from classical Latin ''pāgānus'' "rural", "rustic", later "civilian") is a term first used in the fourth century by early Christians for people in the Roman Empire who practiced polytheism, or ethnic religions other than Judaism. I ...

. The cycle ends with a depiction of the

Annunciation The Annunciation (from Latin '), also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord, is the Christian celebration of the biblical tale of the announcement by the ang ...

, not strictly part of the Legend of the True Cross but probably included by Piero for its universal meaning.

References

* Turner, Jane (ed.) (1996). ''The Dictionary of Art'', Grove * Belton, R. & Kersten, B. (2010). ''Vision and Visions in Piero della Francesca’s Legend of the True Cross'', Glimpse. *
In Project Gutenberg.
* Bertelli, C., Maetzke, A. M., & Lavin, M. A. (2001)
''Piero della Francesca: The legend of the true cross in the Church of San Francesco, Arezzo''
Skira.

External links

All images in series and interactive model
Institute for Advanced Studies web site. * The ''Legend of the True Cross'' fresco cycle on YouTube (in Italian)
here
an
here

fresco cycle at art-threads. {{DEFAULTSORT:History of the True Cross, The 1460s paintings Paintings by Piero della Francesca Fresco paintings in Arezzo Cultural depictions of Adam and Eve Paintings depicting the Annunciation