Le chant du rossignol

''Le chant du rossignol'' (English: ''The Song of the Nightingale'') is a symphonic poem written by Igor Stravinsky in 1917. The score is adapted from his earlier work, '' Le rossignol'' (''The Nightingale''), an opera from 1914. The opera, based on Hans Christian Andersen's 1843 tale " The Nightingale", is set in three acts, told from the point of view of a Chinese fisherman. In the orchestral version, Stravinsky mostly uses music from acts two and three.

Opera

The opera ''Le rossignol'', the first act written in 1908 and the later two in 1913–14, was Stravinsky's first opera. The delay between writing the first and the latter acts was caused by his commissions to write ''The Firebird'', ''Petrushka'', and ''The Rite of Spring'' for impresario Sergei Diaghilev's Ballets Russes. After this lapse of time, during which Stravinsky established himself as a ballet composer, he was unsure of returning to ''Le rossignol'', and although he did finish it, he chose to also create a purely symphonic version, ''Le chant du rossignol''.

In his autobiography, Stravinsky writes:

Symphonic debut

''Le chant du rossignols symphonic debut was on December 6, 1919, in Geneva, conducted by Ernest Ansermet at the Orchestre de la Suisse Romande. It was met with criticism, much like that of ''The Rite of Spring''. Stravinsky's nontraditional use of dissonance and instruments was unwelcome in later performances of the piece as well. It is possibly due to this public reaction that he then let Diaghilev turn it into a ballet.

Ballet

Productions

The piece's ballet debut occurred on February 2, 1920, at the Théâtre National de l'Opéra in Paris. The choreography was by Leonid Massine and designs by Henri Matisse. This also was met with some skepticism; Stravinsky himself was not entirely pleased. "I had destined ''Le Chant du Rossignol'' for the concert platform, and a choreographic rendering seemed to me to be quite unnecessary," he says later in his autobiography.

Stravinsky agreed to do a revival of the ballet in 1925. Originally, the choreography was to be Massine's, but when that fell through, Diaghilev chose one of his newest students, George Balanchine, to choreograph the ballet. This is when Stravinsky first met Balanchine, who later became his most important creative partner.

The Diaghilev and Stravinsky relationship weakened during ''Le chant du rossignol'', as each liked to be the director in charge. As Balanchine was allowed more of a role, however, it was clear that the Balanchine-Stravinsky relationship was a lasting one. They had similar taste in art, music, and movement and lived to create. Stravinsky and Balanchine continued as a team for several years, creating a number of famous ballets.

Plot

The ballet follows the main plot line of Stravinsky's ''Le rossignol'', based on Andersen's ''The Nightingale''. The first scene shows the Nightingale singing (or in this case, dancing) for the Emperor of China, who is pleased. In the music, the song of the nightingale is chromatic and swooping, it sounds free and natural, like the song of a bird. The second scene introduces the gift of the mechanical nightingale from the Emperor of Japan. All are mesmerized by its song and ignore the real Nightingale, who flies away. The music here is short and clear, without the smooth runs of the "real" Nightingale and more sounds of a mechanical automaton.

In the third scene, the Emperor meets Death, due to illness and suffering from having lost the nightingale. Then the Nightingale appears outside the Emperor's window and convinces Death to let the Emperor go. The final scene shows the courtiers discovering that the Emperor is now well, although his Nightingale leaves once again, returning to nature.

Themes

The story's themes include the natural versus the artificial, with the real Nightingale juxtaposed with its mechanical replacement. This was not the first (or last) piece by Stravinsky centered on the character of a bird, nor was it his first fascination with a seemingly perfect machine, as records tell us Stravinsky often preferred the sound of a mechanical pianola, to the human (and inevitably imperfect) performance on a real piano.

Movement with music

Stravinsky was always specific about the use of movement with music. He once said, "I do not see how one can be a choreographer unless, like Balanchine, one is a musician first", in praise of the famous choreographer who began working with Stravinsky for the revival of ''Le chant du rossignol''. Balanchine was in fact a musician himself, and already a fan of Stravinsky's work. He was immediately willing to take the challenge, saying, "I learned the music well, and so ... when Diaghilev asked me to stage Stravinsky's ballet ''Le chant du rossignol'', I was able to do it quickly".

Arrangements

Solo piano

Stravinsky also wrote a reduction of the whole symphonic poem for solo piano. As opposed to the original four-movement version for orchestra finished in 1917, the version for solo piano consists of three movements, with the full original material intact but rearranged into different movement division. The movement list is as follows:

The piece was published by Hawkes & Son in 1927.

Recording

Stravinsky did not record the music during his extensive recording sessions for Columbia Records, other than a 1932 reduction for violin and piano of ''Airs du rossignol'' and ''Marche chinoise'' only, recorded in 1933 with Samuel Dushkin on violin.EMI "Composers in Person" 2-CD set ''Igor Stravinsky plays and conducts'', 1993. However, Fritz Reiner and the Chicago Symphony Orchestra recorded the ballet for RCA Victor in " Living Stereo," a pioneering process using triple track tape recorders and three microphones, in Chicago's Orchestra Hall. It was among RCA's first recordings to be released in stereo, in 1958.

Notes

References

* Albright, Daniel (1989). ''Stravinsky, The Music Box and the Nightingale''. New York: Gordon and Breach. ISBN ML 410 S932 A6 1989
* Joseph, Charles M. (2002). ''Stravinsky and Balanchine, A Journey of Invention''. New Haven: Yale University Press. ISBN ML 410 S932 J6 652002
* Vlad, Roman (1978). ''Stravinsky''. London: Oxford University Press. ISBN ML 410 S932 V52 1978

External links

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{{DEFAULTSORT:Chant Du Rossignol, Le
Compositions by Igor Stravinsky
1917 compositions
Ballets to the music of Igor Stravinsky
Ballets by Léonide Massine
Ballets by George Balanchine
1920 ballet premieres
Music about nightingales
Music based on works by Hans Christian Andersen
Henri Matisse
Works based on The Nightingale (fairy tale)