Le Réveil de Flore
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''Le Réveil de Flore'' ( en. ''The Awakening of Flora''), ( ru. «Пробуждение Флоры», ''Probuzhdenie Flory'') is a ''
ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form ...
anacréontique'' in one act, with choreography by
Marius Petipa Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters an ...
and music by
Riccardo Drigo Riccardo Eugenio Drigo ( ru. Риккардо Эудженьо Дриго) (30 June 18461 October 1930) was an Italian composer of ballet music and Italian opera, a theatrical conductor, and a pianist. Drigo is most noted for his long career a ...
, to a libretto written by Petipa and
Lev Ivanov Lev Ivanovich Ivanov (russian: link=no, Лев Ива́нович Ива́нов; 2 March 1834, Moscow – 24 December 1901, Saint Petersburg) was a Russian ballet dancer and choreographer and later, Second Balletmaster of the Imperial Ballet. ...
. First presented by the Imperial Ballet at
Peterhof Palace The Peterhof Palace ( rus, Петерго́ф, Petergóf, p=pʲɪtʲɪrˈɡof,) (an emulation of early modern Dutch "Pieterhof", meaning "Pieter's Court"), is a series of palaces and gardens located in Petergof, Saint Petersburg, Russia, commi ...
on .


History

Marius Petipa and Riccardo Drigo's one-act ballet ''Le Réveil de Flore'' was originally created as a ''piece d'occasion'' in honor of the wedding of Emperor Alexander III's daughter, the Grand Duchess Xenia, to the Grand Duke Alexander Mikhailovich. Their wedding took place at the Cathedral of Peter and Paul at Peterhof on before the whole of the Imperial Russian aristocracy, the Imperial court, foreign royalty, and other prominent members of society. Three days later on the wedding party and guests attended a lavish performance at the newly renovated imperial theatre of Peterhof where ''Le Réveil de Flore'' was presented for the first time after the second act of
Charles Gounod Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (18 ...
's '' Roméo et Juliette''. ''Le Réveil de Flore'' was soon transferred to the stage of the Imperial Mariinsky Theatre where it was first performed on with the same cast. This performance took place during a farewell benefit for the ballerina Maria Anderson, who had been forced into early retirement after sustaining burn injuries in a theatre fire. ''Le Réveil de Flore'' was praised by contemporary critics, with the critic of the St. Petersburg Gazette stating that the ballet ''"...was one of those masterpieces with which Marius Petipa has made a gift to the ballet stage."'' Riccardo Drigo's music was also acclaimed and was issued in orchestral partition and
piano reduction In music, a reduction is an arrangement or transcription of an existing score or composition in which complexity is lessened to make analysis, performance, or practice easier or clearer; the number of parts may be reduced or rhythm may be si ...
by the music publisher Zimmerman in 1914. The choreography for ''Le Réveil de Flore'' was erroneously credited as a joint effort between Marius Petipa and the Imperial Ballet's second ''Maître de ballet'' Lev Ivanov in the original printed theatre programme. A review in the St. Petersburg Gazette of the first répétition générale of the ballet also credited the choreography to both Petipa and Ivanov. This caused Marius Petipa to write a letter of correction to the newspaper: The ballerina
Anna Pavlova Anna Pavlovna Pavlova ( , rus, Анна Павловна Павлова ), born Anna Matveyevna Pavlova ( rus, Анна Матвеевна Павлова; – 23 January 1931), was a Russian prima ballerina of the late 19th and the early 20t ...
included an abridged version of ''Le Réveil de Flore'' in the repertory of her touring company. Conductor
Richard Bonynge Richard Alan Bonynge ( ) (born 29 September 1930) is an Australian conductor and pianist. He is the widower of Australian dramatic coloratura soprano Dame Joan Sutherland. Bonynge conducted virtually all of Sutherland's operatic performance ...
recorded Pavlova's abridged edition of Drigo's score for his 1974 LP ''"Homage to Pavlova"'' with the
London Symphony Orchestra The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's ...
.


2007 Reconstruction

''Le Réveil de Flore'' was given its final performance in 1919. Marius Petipa's choreography for the ballet was documented in the Stepanov method of choreographic notation very soon after its premiere in 1894, being among the first ballets to be recorded in this method. Today this notation is part of the
Sergeyev Collection The Sergeyev Collection is a collection of choreographic notation, musical materials, designs for décor and costumes, theatre programs, photos and other items that document the repertory of the Imperial Ballet (precursor of the Kirov/Mariinsky B ...
, held in
Harvard University Library Harvard Library is the umbrella organization for Harvard University's libraries and services. It is the oldest library system in the United States and both the largest academic library and largest private library in the world. Its collection ...
's theatre collection. In 2005, the choreographer and historian
Sergei Vikharev Sergei Vikharev (Russian: Сергей Геннадьевич Вихарев) (15 February 1962 – 2 June 2017) was a Russian ballet dancer, choreographer and historian. Biography Sergei Vikharev was born in Saint Petersburg and trained at the ...
utilized this choreographic notation to stage a reconstruction of Petipa's original 1894 choreography for ''Le Réveil de Flore'' for the
Mariinsky Ballet The Mariinsky Ballet (russian: Балет Мариинского театра) is the resident classical ballet company of the Mariinsky Theatre in Saint Petersburg, Russia. Founded in the 18th century and originally known as the Imperial Rus ...
. The production also included a complete restoration of the original décor and costumes. Riccardo Drigo's score was restored from the original hand-written manuscript held in the archives of the Mariinsky Theatre's music library by conductor Pavel Bubelnikov with the assistance of the musicologists Lyudmila Sveshnikova and Elena Belyaeva. The production was first presented at the Mariinsky Theatre during the VIIth International Ballet Festival on 12 April 2007 at the Mariinsky Theatre, St. Petersburg. The principal dancers were Evgenia Obraztsova as the Goddess Flora, Xenia Ostreikovskaya as the Goddess Aurora, Svetland Ivanova as the Goddess Diana, Vladimir Shklyarov as the God Zephyr, Maxim Chaschegorov as the God Apollo, Valeria Martynyuk as the God Cupid, Alexei Timofeyev as the God Mercury and Daria Sukhorukova as the Goddess Hebe. Sergei Vikharev commented to the '' St. Petersburg Times'' that the ballet was "... like an ornate Fabergé egg." "''The Awakening of Flora'': The Mariinsky Ballet"
Retrieved September 11, 2013
The production of ''Le Réveil de Flore'' was awarded the 2007 Golden Mask award.


Pas de quatre ''La Roseraie''

Included among the Stepanov choreographic notation of ''Le Réveil de Flore'' is a ''pas de quatre'' called ''La Roseraie''. It was created by the dancer and teacher
Nikolai Legat Nikolai Gustavovich Legat (russian: Никола́й Густа́вович Лега́т) (30 December 1869, Moscow – 24 January 1937, London) was a Premier danseur, premier dancer with the Russian Imperial Ballet from 1888 to 1914, and also ...
at some point in the late 1900's as a concert piece featuring characters from the full-length ''Le Réveil de Flore'': the goddesses Diana, Aurora, Hebe and Flora. The ''pas de quatre'' was set by Legat to pieces from Riccardo Drigo's score for ''Le Réveil de Flore'' as well as pieces he composed for other works. In 2004, the teacher and choreographer Yuri Burlaka revived the ''pas de quatre'' for a student workshop of choreography at the
Bolshoi Theatre The Bolshoi Theatre ( rus, Большо́й теа́тр, r=Bol'shoy teatr, literally "Big Theater", p=bɐlʲˈʂoj tʲɪˈatər) is a historic theatre in Moscow, Russia, originally designed by architect Joseph Bové, which holds ballet and ope ...
. The ''pas de quatre'' was soon being danced by students and professionals alike throughout Russia, with its variations going on to become quite popular on the international ballet competition circuit.


Roles and original cast


Résumé of dances and scenes

List of scenes and dances of ''Le Réveil de Flore'' taken from the piano score that was published in 1914. *№01 ''Prélude'' *№02 ''L’apparition et danse de Diane– nocturne'' *№03 ''L’apparition d’Aquilon'' *№04 ''Scène et danse de la rosée–
scherzo A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often re ...
'' *№05 ''L’apparition et scène d’Aurore'' *№06 ''Valse de Flore, d’Aurore et des nymphes'' *№07–a ''L’apparition d’Apollon'' *№07–b ''Entrée et danse de Zéphyr'' *№07–c ''Entrée et danse de Cupidon suivi des amours–
pizzicato Pizzicato (, ; translated as "pinched", and sometimes roughly as "plucked") is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument : * On bowe ...
'' *№08 ''Pas d’action—'' ::—a. ''Scène et Pas d'ensemble'' (cadenza for violin for
Leopold Auer Leopold von Auer ( hu, Auer Lipót; June 7, 1845July 15, 1930) was a Hungarian violinist, academic, conductor, composer, and instructor. Many of his students went on to become prominent concert performers and teachers. Early life and career Au ...
) ::—b. ''Variation de Zéphyr'' ::—c. ''Variation de Flore'' (cadenza for harp for
Albert Zabel Albert may refer to: Companies * Albert (supermarket), a supermarket chain in the Czech Republic * Albert Heijn, a supermarket chain in the Netherlands * Albert Market, a street market in The Gambia * Albert Productions, a record label * Albert C ...
) ::—d. ''Grande valse-coda'' *№09 ''L’arrivée et scène de Mercure, de Ganymède et d’Hébé'' *№10 ''Grande marche– bacchanale'' *№11 ''Grand pas'' *№12 ''Galop générale'' *№13 ''Apothéose: Gloire d’Olympe''


Libretto

Taken from the original published piano score of 1894. ''Tableau 1 —'' It is night. Flora, the goddess of Spring, is deep asleep with her nymphs; Diana, the goddess of Moon, guards their peace. With the approach of dawn, a freshness is felt in the air. Diana hides in the clouds. ''Tableau 2 —'' Aquilon, the northern wind, rushes stormily over the locale; his cold breath of wind awakens Flora and forces her to seek refuge in the foliage. The appearance of chilling dew brings Flora to despair, and she implores Aurora, the goddess of the dawn, to help them. ''Tableau 3 —'' Aurora consoles Flora with tender caresses and announces that Apollo, the god of day, who will end their sufferings, is following behind her. Aurora, Flora, and her nymphs perform a waltz. ''Tableau 4 —'' With the appearance of resplendent Apollo, everything becomes animated. Smitten with the beauty of Flora, Apollo kisses her. At his call, Zephyr, the god of the gentle west wind, flies to his beloved Flora's embrace. He is followed by Cupid and her little amours. ''"You must be his helpmate,"'' Apollo tells her, ''"It is the will of the gods."'' Everyone is delighted; Cupid, amours, and nymphs rejoice over the lover's happiness. A classical ''Pas d’action'' is performed. ''Tableau 5 —'' Mercury, messenger of the gods, announces Hebé, the goddess of youth, and Ganymede, cupbearer to the gods. They present Flora and Zephyr a cup of nectar and proclaim that Jupiter has given them eternal youth. ''Tableau 6 —'' A procession. The chariot of Bacchus and Ariadne is accompanied by bacchantes, satyrs, fauns, sylvans, and others. A ''Grand pas'' is performed by all assembled, followed by a rousing finale. ''Apotheosis —'' Olympus is revealed; Jupiter appears, Juno, Neptune, Vulcan, Minerva, Ceres, Mars, Pluto, Proserpina, Venus, and others.


Gallery

Image:Reveil de Flore piano score -frontispiece.JPG, File:CaricatureFokineAsMercuryInFlora.jpg, File:RevailMK&VT.jpg, File:FokineAsMercuryInFlora.png, File:AnnaJohanssonAsAuroraInFlora.jpg, Image:Awakening of Flore - Eugeniia Obratzova -2007.jpg, Image:Awakening of Flore - apotheose -2007 -1.jpg,


Footnotes


External links


Vaganova School: Awakening of Flora/Пробуждение Флоры Pas de quatre
{{DEFAULTSORT:Reveil de Flore, Le Ballets by Marius Petipa Ballets by Lev Ivanov Ballets by Riccardo Drigo 1894 ballet premieres Ballets premiered at the Peterhof Theatre Aurora (mythology) Diana (mythology) Apollo Cupid Mercury (mythology) Works based on classical mythology