''Le Grand Macabre'' (1974–1977, revised version 1996) is the only

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...

by Hungarian composer

György Ligeti György Sándor Ligeti (; ; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century ...

. The opera has two acts, and its

libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major li ...

—based on the 1934 play ''La balade du grand macabre'' by Michel de Ghelderode—was written by Ligeti in collaboration with , director of the Stockholm puppet theatre. The original libretto was written in German as ''Der grosse Makaber'' but for the first production was translated into Swedish by Meschke under its current title. The opera has also been performed in English, French, Italian, Hungarian and Danish. Only a few notes need be changed to perform the opera in any of these languages. ''Le Grand Macabre'' was premiered in

Stockholm Stockholm () is the capital and largest city of Sweden as well as the largest urban area in Scandinavia. Approximately 980,000 people live in the municipality, with 1.6 million in the urban area, and 2.4 million in the metropo ...

on 12 April 1978 and has received more than 30 productions. In preparation for a 1997 production at the

Salzburg Festival The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Ama ...

, Ligeti made substantial revisions to the opera in 1996, tightening the structure by means of cuts in scenes 2 and 4, setting some of the originally spoken passages to music and removing others altogether. The revised version was premiered in

Salzburg Salzburg (, ; literally "Salt-Castle"; bar, Soizbuag, label=Austro-Bavarian) is the fourth-largest city in Austria. In 2020, it had a population of 156,872. The town is on the site of the Roman settlement of ''Iuvavum''. Salzburg was founded ...

on 28 July 1997, in a production directed by

Peter Sellars Peter Sellars (born September 27, 1957) is an American theatre director, noted for his unique contemporary stagings of classical and contemporary operas and plays. Sellars is professor at the University of California, Los Angeles (UCLA), whe ...

. The composer was annoyed by Sellars's production, which opposed Ligeti's desire for ambiguity by explicitly depicting an apocalypse set in the framework of the

Chernobyl disaster The Chernobyl disaster was a nuclear accident that occurred on 26 April 1986 at the No. 4 reactor in the Chernobyl Nuclear Power Plant, near the city of Pripyat in the north of the Ukrainian SSR in the Soviet Union. It is one of only two n ...

. Three arias from the opera were prepared in 1992 for concert performances under the title ''Mysteries of the Macabre''. Versions exist for soprano or for trumpet, accompanied by orchestra, reduced instrumental ensemble, or piano.

Style

''Le Grand Macabre'' falls at a point when Ligeti's style was undergoing a significant change—apparently effecting a complete break with his approach in the 1960s. From here onward, Ligeti adopts a more

eclectic Eclectic may refer to: Music * ''Eclectic'' (Eric Johnson and Mike Stern album), 2014 * ''Eclectic'' (Big Country album), 1996 * Eclectic Method, name of an audio-visual remix act * Eclecticism in music, the conscious use of styles alien to th ...

manner, re-examining

tonality Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality. In this hierarchy, the single pitch or triadic chord with the greatest stability is ca ...

and

modality Modality may refer to: Humanities * Modality (theology), the organization and structure of the church, as distinct from sodality or parachurch organizations * Modality (music), in music, the subject concerning certain diatonic scales * Modaliti ...

(in his own words, "non-

atonal Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a s ...

" music). In the opera, however, he does not forge a new musical language. The music instead is driven by

quotation A quotation is the repetition of a sentence, phrase, or passage from speech or text that someone has said or written. In oral speech, it is the representation of an utterance (i.e. of something that a speaker actually said) that is introduced by ...

and

pastiche A pastiche is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche pays homage to the work it imitates, rather than mocking i ...

, plundering past styles through allusions to

Claudio Monteverdi Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is consider ...

Gioachino Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards ...

, and

Giuseppe Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...

Roles

Orchestration

Ligeti calls for a very diverse orchestra with a huge assortment of percussion in his opera: ;

Woodwind Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and re ...

s : : : : : ;

Brass Brass is an alloy of copper (Cu) and zinc (Zn), in proportions which can be varied to achieve different mechanical, electrical, and chemical properties. It is a substitutional alloy: atoms of the two constituents may replace each other wi ...

: 4 horns in F : : 1 bass trumpet in C : : 1 contrabass

tuba The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the ne ...

;

Percussion A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Exc ...

timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionall ...

: percussion (three players) ;

Keyboard Keyboard may refer to: Text input * Keyboard, part of a typewriter * Computer keyboard ** Keyboard layout, the software control of computer keyboards and their mapping ** Keyboard technology, computer keyboard hardware and firmware Music * Mu ...

celesta The celesta or celeste , also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five- octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music box ...

(doubling

harpsichord A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism ...

) : grand

piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...

(doubling electronic piano) :

electronic organ An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed ...

(manuals only, doubling regal) ; Strings :

mandolin A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of ...

harp The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orc ...

violin The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regu ...

s :2

viola ; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , background=string , hornbostel_sachs=321.322-71 , hornbostel_sachs_desc=Composite chordophone sounded by a bow , range= , related= *Violin family ...

s :6

cello The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, ...

s :4

double bass The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox addit ...

es The vast percussion section uses a large variety of domestic items, as well as standard orchestral instruments: :

xylophone The xylophone (; ) is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel (which uses metal bars), the xylophone essentially consists of a set of tuned wooden keys arranged in ...

vibraphone The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist ...

glockenspiel The glockenspiel ( or , : bells and : set) or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a keyboard layout. This makes the glockenspiel a type of metallophone, similar to the vibraphone. The gloc ...

marimba The marimba () is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre ...

: : 4 music boxes : 6 Electric

doorbell A doorbell is a signaling device typically placed near a door to a building's entrance. When a visitor presses a button, the bell rings inside the building, alerting the occupant to the presence of the visitor. Although the first doorbells were ...

s : 2

tambourine The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called " zills". Classically the term tambourine denotes an instrument with a drumhead, tho ...

s : military

drum The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a ...

: 2

snare drum The snare (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used ...

s : 3

bongo drum Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The ...

s :

conga The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest) ...

: tenor drum : parade

: 4

tom-toms A tom drum is a cylindrical drum with no snares, named from the Anglo-Indian and Sinhala language. It was added to the drum kit in the early part of the 20th century. Most toms range in size between in diameter, though floor toms can go as la ...

: 2

bass drum The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. Th ...

s : 2 triangles : 3 crotales : 3 suspended cymbals : : : gong in E : 2 tam-tams : tubular bells : :

maraca A maraca (), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas (from Guaraní ), also known as tamaracas, were ...

s : 2

güiro The güiro () is a Puerto Rican percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines (see photo) along the notches to produce a ratchet (instrument), ratc ...

s : 2

whips A whip is a tool or weapon designed to strike humans or other animals to exert control through pain compliance or fear of pain. They can also be used without inflicting pain, for audiovisual cues, such as in equestrianism. They are generally ...

: : : ratchet : 3 wood blocks : log drum : 5 temple blocks : large

sledgehammer A sledgehammer is a tool with a large, flat, often metal head, attached to a long handle. The long handle combined with a heavy head allows the sledgehammer to gather momentum during a swing and apply a large force compared to hammers designed t ...

: wooden slats :

slide whistle A slide whistle (variously known as a swanee or swannee whistle, lotos flute piston flute, or jazz flute) is a wind instrument consisting of a fipple like a recorder's and a tube with a piston in it. Thus it has an air reed like some woodw ...

whistle A whistle is an instrument which produces sound from a stream of gas, most commonly air. It may be mouth-operated, or powered by air pressure, steam, or other means. Whistles vary in size from a small slide whistle or nose flute type to a lar ...

: cuckoo whistle : signal whistle : siren whistle : steamboat whistle : 2 sirens : 2 flexatones : duck-quacker : hum pots : large

alarm clock An alarm clock (or sometimes just an alarm) is a clock that is designed to alert an individual or group of individuals at a specified time. The primary function of these clocks is to awaken people from their night's sleep or short naps; they ar ...

: : : : wind machine : paper bag : tray full of crockery : sauce pan :

pistol A pistol is a handgun, more specifically one with the chamber integral to its gun barrel, though in common usage the two terms are often used interchangeably. The English word was introduced in , when early handguns were produced in Europe, a ...

: lion's roar

Synopsis

Act 1

''Scene 1'' This opens with a choir of 12 jarring car horns, played with pitches and rhythms specified in the score. These suggest, very abstractly, a barren modern landscape and a traffic jam of sorts. As the overture ends, Piet the Pot, "by trade wine taster," in the country of Breughelland (named after the artist that loosely inspired it), appears to deliver a drunken lament, complete with hiccups. He is accompanied by

bassoon The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuos ...

s, which become the representative instrument for his character. The focus switches to two lovers, Amanda and Amando, who are played by two women even though they represent an opposite-sex couple. Nekrotzar, prince of Hell, hears the lovers from deep inside his tomb and subtly joins their duet. The lovers, confused, discover Piet and become enraged, believing he is spying on them. Piet protests that he "spoke no word, so who spoke? The almighty?" The lovers hide in the tomb to make out. Nekrotzar emerges, singing a motif, exclaiming "away, you swagpot! Lick the floor, you dog! Squeak out your dying wish, you pig!" Piet responds in kind, with confused drunken statements, until Nekrotzar at last tells him to "Shut up!". Piet must become Death's slave and retrieve all of his "instruments" from the tomb. As Nekrotzar's threats grow deadlier, Piet accepts them with only amused servility, until he is told his throat is to be "wracked with thirst." He objects, because his master had "spoke of death, not punishment!" As Nekrotzar explains his mission, accompanied by percussive tone clusters in the lowest

octave In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been refer ...

of the piano and the orchestra, a

choir A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which sp ...

joins in, admonishing "take warning now, at midnight thou shalt die." Nekrotzar claims he will destroy the earth with a

comet A comet is an icy, small Solar System body that, when passing close to the Sun, warms and begins to release gases, a process that is called outgassing. This produces a visible atmosphere or coma, and sometimes also a tail. These phenomena ...

God will send to him at midnight. A lone

metronome A metronome, from ancient Greek μέτρον (''métron'', "measure") and νομός (nomós, "custom", "melody") is a device that produces an audible click or other sound at a regular interval that can be set by the user, typically in beats pe ...

, whose regular tempo ignores that of the rest of the orchestra, joins in. Nekrotzar, making frenzied proclamations, dons his gruesome gear, accompanied by ever more chaotic orchestra, women's choir, and a

bass trombone The bass trombone (german: Bassposaune, it, trombone basso) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to ...

hidden on a balcony, his characteristic instrument. He insists that Piet must be his horse, and Piet's only protest is to give his final cry, "cock-a-doodle-doo!" As they ride off on their quest, the lovers emerge and sing another duet, vowing to ignore the end of time completely and enjoy each other's company. ''Scene 2'' This begins with a second car horn prelude, which announces a scene change to the household of the court

astronomer An astronomer is a scientist in the field of astronomy who focuses their studies on a specific question or field outside the scope of Earth. They observe astronomical objects such as stars, planets, moons, comets and galaxies – in either ...

, Astradamors, and his sadistic wife, Mescalina. "One! Two! Three! Five!" exclaims Mescalina, beating her husband with a whip to the rhythm of shifting, chromatic chords. Astramadors, dressed in drag, unenthusiastically begs for more. She forces him to lift his skirt, and strikes him with a spit. Convinced she has killed him, she begins to mourn, then wonders if he's really dead. She summons a spider, apparently her pet, accompanied by a duo for

and

organ Organ may refer to: Biology * Organ (biology), a part of an organism Musical instruments * Organ (music), a family of keyboard musical instruments characterized by sustained tone ** Electronic organ, an electronic keyboard instrument ** Hammond ...

– Regal stops. Astradamors rises, protesting that "spiders always give imnausea." As punishment for attempting to fake death, she forces him to take part in an apparent household ritual, a rhythmic dance termed "the Gallopade." This ends with the astronomer kissing her behind, singing "Sweetest Sunday" in

falsetto ''Falsetto'' (, ; Italian diminutive of , "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave. It is produced by the vibration of the ligamentou ...

. Mescalina orders her husband to his telescope. "Observe the stars, left, right. What do you see up there? By the way, can you see the planets? Are they all still there, in the right order?" She addresses

Venus Venus is the second planet from the Sun. It is sometimes called Earth's "sister" or "twin" planet as it is almost as large and has a similar composition. As an interior planet to Earth, Venus (like Mercury) appears in Earth's sky never f ...

with an impassioned plea for a better man, accompanied by an oboe d'amour. As she falls asleep, Astradamors quietly claims he would "plunge the whole universe into damnation, if only to be rid of her!" Right on cue, Nekrotzar arrives, announced by his trumpet, as Venus speaks to Mescalina. Venus informs Mescalina that she has sent "two men," and Nekrotzar steps forward, claiming to be the "well-hung" man Mescalina requested. They perform a stylized lovemaking, as Venus screeches her approval and Piet and Astradamors add their commentary. Nekrotzar suddenly bites Mescalina's neck, killing her, and insists that Piet and his new servant "move this thing er corpseout of the way." Driving triplets launch into the trio's humorous rant, "fire and death I bring, burning and shrivelling." Nekrotzar orders his "brigade" to "attention" and they prepare to set off for the royal palace of Prince Go-go. Before doing so, Astradamors destroys everything in his home, proclaiming "at last, I am master in my own house."

Act 2

''Scene 3'' This opens with doorbells and alarm clocks, written into the score like the car horns earlier. These seem to represent the rousing of Breughelland as Death approaches. The curtain opens to the throne room, where two politicians dance a lopsided

waltz The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the wa ...

and exchange insults in alphabetical order. "Blackmailer; bloodsucker!" "Charlatan; clodhopper!" "Driveller; dodderer!" "Exorcist; egoist!" "Fraudulent flatterer!" The prince arrives and begs them to put "the interests of the nation" over selfishness. They do so, but force Go-go to mount a giant rocking horse for his "riding lesson." The snare drum leads variations of military march-like music as the politicians contradict one another's advice, finally telling the prince "cavalry charge!" "As in war!" Go-go, who alternately refers to himself in the royal first-person plural, says, "We surrender!" and falls off his horse, to which the black minister says, over-significantly, "thus do dynasties fall." The prince recalls that war is barred in their constitution, but the politicians proclaim the constitution to be mere paper. Their manic laughter is accompanied by burping noises from the low brass. They move on to "posture exercises: how to wear a crown, with dignity." The politicians give him more conflicting advice as Go-go hesitates, accompanied by his characteristic instrument, the harpsichord. When Go-go puts on the crown, the politicians order him to memorize a speech and sign a decree (which raises taxes 100%), arguing over every insignificant issue the whole time. Each time the prince objects, they harmoniously threaten "I shall resign," a possibility of which Go-go seems to be terrified. The prince grows hungry, so the politicians tempt him with a gluttonous feast (to which the fat but boyish monarch sings an impassioned ode). With food in mind, Go-go finally asserts himself and says "we will accept your resignations" after dinner. Gepopo, chief of espionage, sung by the same soprano who performed Venus, shows up with an army of spies and hangmen. Her high, wailing aria consists of "code language": tumbling, repetitive, hacked up words and phrases. Go-go comprehends the message: the people are planning an insurrection because they fear a great Macabre. The politicians go out on the balcony to try to calm the people with speeches, one after the other, but Go-go laughs at them as they are pelted by shoes, tomatoes, and other objects. He appears on the balcony and the people are enthusiastic, shouting "Our great leader! Our great leader! Go Go Go Go!" for over a minute. Their slow chant is gradually accelerated and its rhythm and intervals transformed, drowning out the Prince's remarks (only his gestures are visible). However, Gepopo receives a dispatch (a comic process in which every spy inspects and authenticates it by pantomime) and warns Go-go with more code language that a comet is drawing closer and a true Macabre is approaching. The politicians try to play it off as alarmism but promptly flee the stage when a solitary figure approaches from the direction of the city gate. Go-go proclaims that he is "master in isown house" and calls on "legendary might, hallmark of Go-gos" for the tough times ahead. Gepopo warns the prince to call a guard (in her usual "code" style), but it is only Astradamors, who rushes to greet the prince. The two dance and sing "Huzzah! For all is now in order!" (a false ending), ignoring the people's frantic pleas. A siren wails and a bass trumpet announces danger. Go-go is ordered to go "under the bed, quick!" Nekrotzar wordlessly rides in on the back of Piet as "all Hell follows behind." The processional takes the form of a passacaglia, with a repeating pattern in

and low strings (who play a parodic imitation of Movement 4 from Beethoven's ''

Eroica Symphony The Symphony No. 3 in E major, Op. 55, (also Italian ''Sinfonia Eroica'', ''Heroic Symphony''; german: Eroica, ) is a symphony in four movements by Ludwig van Beethoven. One of Beethoven's most celebrated works, the ''Eroica'' symphony is a la ...

''), a

scordatura Scordatura (; literally, Italian for "discord", or "mistuning") is a tuning of a string instrument that is different from the normal, standard tuning. It typically attempts to allow special effects or unusual chords or timbre, or to make certain p ...

violin (playing a twisted imitation of

Scott Joplin Scott Joplin ( 1868 – April 1, 1917) was an American composer and pianist. Because of the fame achieved for his ragtime compositions, he was dubbed the "King of Ragtime." During his career, he wrote over 40 original ragtime pieces, one ra ...

's " The Entertainer"), bassoon, sopranino clarinet, and

piccolo The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the s ...

marching with the procession, and slowly building material in the orchestra. "Woe!" exclaims Nekrotzar from the balcony. "Woe! Woe!" respond the terrified people. He presents death prophecies such as "the bodies of men will be singed, and all will be turned into charr'd corpses, and shrink like shriveled heads!" His bass trumpet has been joined on the balcony by a little brass ensemble, which punctuates him with two new motifs. The people, several of whom have been disguised the whole time as audience members in opera clothes, beg for mercy. Piet and Astradamors, who have been looking for an excuse to drink, ask the prince of death to eat Go-go's feast with them, a "right royal-looking restaurant." Piet suggests "before we start to dine, I recommend a drop of wine." The pair, who, as his servants, are unafraid of Nekrotzar, dance around playfully insulting him and encouraging him to drink wine. He does so, intoning "may these, the pressed out juices of my victims, serve to strengthen and sustain me before my necessary deed." The three dissolve into a grotesque dialogue, the

and orchestra hammering inscrutable off-beats. Nekrotzar says only "Up!" over and over again as he guzzles wine. Finished drinking and utterly incapacitated, he rants and raves about his achievements. "Demolished great kings and queens in scores / no one could escape my claws / Socrates a poison chalice / Nero a knife in his palace." The string music that played while he killed Mescalina is reiterated. Midnight draws near, but Nekrotzar can't stand up. Go-go emerges from hiding, is introduced to "Tsar Nekro" as "Tsar Go-go," and the four perform stripped-down comedy sketches accompanied by stripped-down music. Nekrotzar tries to mount the rocking horse, commanding "in the name of the Almighty, I smite the world to pieces." He retains only a shred of his formerly terrifying nature, but the end of the world is represented by a rough threnody in strings followed by swelling crescendos and decrescendos in the

winds Wind is the natural movement of air or other gases relative to a planet's surface. Winds occur on a range of scales, from thunderstorm flows lasting tens of minutes, to local breezes generated by heating of land surfaces and lasting a few ...

. The comet glows brightly and Saturn falls out of its ring in the stage's brightly lit sky. ''Scene 4'' Calming chords and low string harmonics are accompanied by prominent

harmonica The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica in ...

, setting the scene for the post-cataclysmic landscape. Piet and Astradamors, believing they are ghosts, float away into the sky. Go-go emerges and believes he is the only person left alive, but "three soldiers, risen from the grave to plunder, loot, and pillage all the good God gave" emerge. They order the "civilian" to halt, and refuse to believe Go-go's claim that he is the prince and he will give them "high decorations, silver and gold, and relieve hemof official duties." Nekrotzar emerges, disgruntled, from an upturned cart, but his annoyance and confusion that some people seem to have survived is quickly replaced with terror as Mescalina emerges from the tomb. Rough tone clusters in woodwinds and percussion set off their slapstick chase scene, which is joined by Go-go, the soldiers, and the politicians, dragged in by one of the soldiers on a rope. They proclaim their innocence, but Mescalina accuses them of all kinds of atrocities, and they sling mud back at her. "But who invented the military coup?" "Yes, and who invented mass graves?" There is a massive fast-paced fight, and all collapse. Astradamors and Piet float by, and Go-go invites them for a drink of wine. "We have a thirst, so we are living!" they realize as they sink back to earth. Nekrotzar is defeated; they have all survived. In a very curious

mirror canon The mirror canon (also called a canon by contrary motion) is a type of canon which involves the leading voice being played alongside its own inversion (i.e. upside-down). The realisation from the 'closed' (unrealised) form can be effected by plac ...

for strings, he shrinks until he is infinitesimally small and disappears. The Finale features all tonal chords arranged in an unpredictable order. The lovers emerge from the tomb, boasting about what good they did. The entire cast encourages the audience: "Fear not to die, good people all. No-one knows when his hour will fall. Farewell in cheerfulness, farewell!"

Musical numbers

Act 1

Scene 1 # Car Horn Prelude # Scene One: Dies Irae # Away, you swag-pot! # Shut up! # Oh…! – Amanda! Can do no more! # Ha-ha-ha-ha! Hey! Give me my requisites, slave # Melting snow is thy breast # Second Car Horn Prelude Scene 2 #

One! Two! Three! Five! # Shapely and attractive figure # Venus! Venus! # Stop! – Sh!… Quiet, for heaven's sake! # Who's there? A Man? – A Man! # Finale: Fire and death I bring

Act 2

Scene 3 # Door Bell Prelude # Arse licker, arse-kisser! # Posture exercises! # Tsk… – Pssst! Ha! Head of my Secret Service # Ahh!… Secret cypher! # Hurray, hurray! My wife is dead, hurray! # Nekrotzar's Entrance # Woe! Ooh! For the day of wrath #

There's no need to fear # Up! – Drink! – Up! # Galimatias: Hmm! It's delicious # Where am I? What time is it? ::Interlude #

Scene Four: Ghost Astradamors, are you dead? # Mirror Canon # Finale. Passacaglia: Ah, it was good

Recordings

* Ligeti, György. ''Szenen und Zwischenspiele aus der Oper Le grand macabre''. Recorded 1979. Inga Nielsen (soprano), Olive Fredricks (mezzo), Peter Haage (tenor), Dieter Weller (baritone), Chorus and Orchester of the Danish Radio, Copenhagen, conducted by

Elgar Howarth Elgar Howarth (born 4 November 1935), is an English conductor, composer and trumpeter. Biography Howarth was born at Cannock, Staffordshire. He was educated in the 1950s at Manchester University and the Royal Manchester College of Music (the ...

. LP recording. Wergo WER 60 085, Mainz: Wergo, 1980. *Ligeti, György. ''Scènes et interludes du grand macabre'' (1978 version, part 1). Inga Nielsen (soprano), Olive Fredricks (mezzosoprano), Peter Haage (tenor), Dieter Weller (baritone), Nouvel orchestre philharmonique de Radio France, conducted by Gilbert Amy. In ''Musique de notre temps: repères 1945–1975'', CD no. 4, track 3. Adès 14.122–2. .p. Adès, 1988. *Ligeti, György. ''Le grand macabre: Oper in zwei Akten (vier Bildern): (1974–1977)''. Recorded 16 October 1987, sung in German. Dieter Weller (baritone), Penelope Walmsley-Clark (soprano), Olive Fredricks (mezzosoprano), Peter Haage (tenor), the ORF-Choir, Arnold Schoenberg Choir (

Erwin Ortner Erwin Ortner (born 15 December 1947, in Vienna) is an Austrian conductor, especially of vocal music. He is the founder and artistic director of the Arnold Schoenberg Chor. References External links * * Erwin OrtnerArnold Schoenberg Chor ...

, choir-master), the Gumpoldskirchner Spatzen (Elisabeth Ziegler, choir-master), and the ORF Symphony Orchestra, conducted by Elgar Howarth. Wergo 2-CD set WER 286 170–2 (box); WER 6170-2 (CD 1); WER 6171-2 (CD 2). Mainz: Wergo, 1991. *Ligeti, György. ''Le grand macabre'' (1997 version, in four scenes). Recorded live at the Théâtre du Châtelet, Paris, France, 5–13 February 1998. Sibylle Ehlert and

Laura Claycomb Laura Claycomb (born August 23, 1968) is an American lyric coloratura soprano singer. Background Claycomb was born in Corpus Christi, Texas, but grew up in Dallas, where she excelled in church and school choir, winning numerous youth competiti ...

(sopranos), Charlotte Hellekant and Jard van Nes (mezzosopranos), Derek Lee Ragin (countertenor), Graham Clark and

Steven Cole Steven Cole (born 18 March 1982, in Liverpool) is a British actor best known for his portrayal of Leo Johnson (Brookside), Leo Johnson in the Channel 4 Soap opera ''Brookside (TV series), Brookside'' from 1996 to 2001. He joined HBO's ''Game of ...

(tenors), Richard Suart, Martin Winkler, Marc Campbell-Griffiths, and Michael Lessiter (baritones), Willard White and Frode Olsen (basses),

London Sinfonietta The London Sinfonietta is an English contemporary chamber orchestra founded in 1968 and based in London. The ensemble has headquarters at Kings Place and is Resident Orchestra at the Southbank Centre. Since its inaugural concert in 1968—giv ...

Voices, Philharmonia Orchestra, conducted by

Esa-Pekka Salonen Esa-Pekka Salonen (; born 30 June 1958) is a Finnish orchestral conductor and composer. He is principal conductor and artistic advisor of the Philharmonia Orchestra in London, conductor laureate of the Los Angeles Philharmonic, and music di ...

. 2-CD set. Sony S2K 62312. György-Ligeti-Edition 8. .p. Sony Music Entertainment, 1999. *

Deutscher Musikrat The Deutscher Musikrat (DMR, ''German Music Council''; ) is an umbrella organization for music associations and the 16 music councils of the German federal states.musikrat.deÜberblick über Organisationsstruktur des DMR(retrieved on 10 May 2019) ...

. ''Musik in Deutschland 1950–2000, Musiktheater 7: Experimentelles Musiktheater'', CD 2: ''Meta-Oper''. Experimentelles Musiktheater. 1 CD recording. RCA Red Seal BMG Classics 74321 73675 2. Munich: BMG-Ariola, 2004. ::György Ligeti: ''Le grand macabre'': Oper in vier Bildern (1974–77, 1996 version, excerpts, recorded 1998). Caroline Stein (soprano: Venus), Gertraud Wagner (mezzosoprano: Mescalina). Brian Galliford (tenor: Piet vom Faß), Monte Jaffe (baritone), Karl Fäth (bass), Niedersächsisches Staatsorchester Hannover, Chor der Niedersächsischen Staatsoper, conducted by Andreas Delfs. (The CD also includes excerpts from

Mauricio Kagel Mauricio Raúl Kagel (; 24 December 1931 – 18 September 2008) was an Argentine-German composer. Biography Kagel was born in Buenos Aires, Argentina, into an Ashkenazi Jewish family that had fled from Russia in the 1920s . He studied music, his ...

's ''Aus Deutschland'',

John Cage John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading f ...

's ''Europeras 1 & 2'', and Ligeti's ''Aventures'' für 3 Sänger und 7 Instrumentalisten. * Ligeti: ''Le Grande Macabre'' (Barcelona 2011)

Chris Merritt Chris Merritt (born September 27, 1952, in Oklahoma City) is an American tenor. Education Merritt began piano studies at 8 years of age with Viola Knight. During this time, he also studied art at the Oklahoma Museum of Art. At 9 years of age he ...

, Barbara Hannigan Gran Teatre Del Liceu/ La Fura Dels Baus/ Arthaus DVD 2012

References

Footnotes Sources * *

External links

Illusions and Allusions
(An interview with Ligeti about the opera)
Video of complete performance
with subtitles in Spanish
Mysteries of the Macabre 2015
A scene from the opera performed by Barbara Hannigan,

Simon Rattle Sir Simon Denis Rattle (born 19 January 1955) is a British-German conductor. He rose to international prominence during the 1980s and 1990s, while music director of the City of Birmingham Symphony Orchestra (1980–1998). Rattle was principa ...

and the LSO {{DEFAULTSORT:Grand Macabre, Le Science fiction operas Operas by György Ligeti 1978 operas Operas Operas based on plays Operas set in fictional, mythological and folkloric settings

Style

Roles

Orchestration

Synopsis

Act 1

Act 2

Musical numbers

Act 1

Act 2

Recordings

References

Further reading

External links