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Lawrence Monsanto Ferlinghetti (born March 24, 1919) is an American poet, painter, socialist activist, and the co-founder of City Lights Booksellers & Publishers. Author of poetry, translations, fiction, theatre, art criticism, and film narration, he is best known for A Coney Island of the Mind (1958), a collection of poems that has been translated into nine languages, with sales of more than one million copies.[2]

Contents

1 Early life 2 World War II 3 Columbia University
Columbia University
and The Sorbonne 4 San Francisco
San Francisco
– City Lights Books 5 Howl
Howl
trial 6 Beat writers 7 Poetry 8 Political engagement 9 Painting 10 Jack Kerouac
Jack Kerouac
Alley 11 Awards 12 In popular culture 13 Bibliography 14 Discography 15 References 16 Further reading 17 External links

Early life[edit] Lawrence Ferlinghetti
Lawrence Ferlinghetti
was born on March 24, 1919, in Yonkers, New York.[3] He attended the University of North Carolina in Chapel Hill, where he earned a B.A. in journalism in 1941. His entry to the world of journalism was writing sports for The Daily Tar Heel,[4] and he published his first short stories in Carolina Magazine, for which Thomas Wolfe
Thomas Wolfe
had written. World War II[edit] In the summer of 1941, he lived with two college mates on Little Whale Boat Island in Casco Bay, Maine, lobster fishing and raking moss from rocks to be sold in Portland for pharmaceutical use. This experience gave him a love of the sea, a theme that runs through much of his poetry. After the December 7, 1941, Japanese attack on Pearl Harbor, Ferlinghetti enrolled in midshipmen’s school in Chicago, and in 1942 shipped out as junior officer on J. P. Morgan III's yacht, which had been refitted to patrol for submarines off the East Coast. Next, Ferlinghetti was assigned to the Ambrose Lightship outside New York harbor, to identify all incoming ships. In 1943 and 1944, he served as an officer on three U.S. Navy subchasers used as convoy escorts. As commander of the submarine chaser USS SC1308, he was at the Normandy
Normandy
invasion as part of the anti-submarine screen around the beaches. After VE Day, the Navy transferred him to the Pacific Theater, where he served as navigator of the troop ship USS Selinur. Six weeks after the atomic bomb fell on Nagasaki, he visited the ruins of the city, an experience that turned him into a lifelong pacifist. Columbia University
Columbia University
and The Sorbonne[edit] After the war, he worked briefly in the mailroom at Time magazine in Manhattan. The G.I. Bill
G.I. Bill
then enabled him to enroll in the graduate school of Columbia University. Among his professors there were Babette Deutsch, Lionel Trilling, Jacques Barzun, and Mark Van Doren. In those years he was reading modern literature, and has said that at that time, he was influenced particularly by Shakespeare, Marlowe, the Romantic poets, Gerard Manley Hopkins, and James Joyce, as well as American poets Whitman, T. S. Eliot, Ezra Pound, Carl Sandburg, Vachel Lindsay, Marianne Moore, E. E. Cummings, and American novelists Thomas Wolfe, Ernest Hemingway, and John Dos Passos. He earned a master's degree in English literature in 1947 with a thesis on John Ruskin
John Ruskin
and the British painter J. M. W. Turner. From Columbia, he went to Paris to continue his studies and lived in the city between 1947 and 1951, earning a Doctorat de l’Université de Paris, with a "mention très honorable." His two theses were on the city as a symbol in modern poetry and on the nature of Gothic.[5] He met his future wife, Selden Kirby-Smith, granddaughter of Edmund Kirby-Smith, in 1946 aboard a ship en route to France. They both were heading to Paris
Paris
to study at the Sorbonne. Kirby-Smith went by the name Kirby.[5] San Francisco
San Francisco
– City Lights Books[edit] After marrying in 1951 in Duval County, Florida, they settled in San Francisco in 1953, where he taught French in an adult education program, painted, and wrote art criticism. His first translations, of poems by the French surrealist Jacques Prévert, were published by Peter D. Martin in his popular culture magazine City Lights. In 1953 Ferlinghetti and Martin founded City Lights Bookstore, the first all-paperbound bookshop in the country. Two years later, after the departure of Martin, Ferlinghetti launched the publishing wing of City Lights with his own first book of poems, Pictures of the Gone World, the first number in the Pocket Poets Series. This volume was followed by books by Kenneth Rexroth, Kenneth Patchen, Marie Ponsot, Allen Ginsberg, Bob Kaufman, Denise Levertov, Robert Duncan, William Carlos Williams, and Gregory Corso. Although City Lights Publishers is best known for its publication of Beat Generation
Beat Generation
writers, Ferlinghetti never intended to publish the Beats exclusively, and the press has always maintained a strong international list. City Lights Publishers expanded its list from poetry to include prose, including novels, biography, memoirs, essays, and cultural studies. In 1972, City Lights published a collection of short stories by Charles Bukowski, Erections, Ejaculations, Exhibitions, and General Tales of Ordinary Madness (since republished in two volumes, Tales of Ordinary Madness and The Most Beautiful Woman in Town). Subsequently, it took over publication of Bukowski's collection of "Notes of a Dirty Old Man" columns for Open City from the pornography publisher Essex House in the early 1970s. Since then, it has published a sequel to Notes and a book of ephemera by Bukowski. Other prose works include Neal Cassady's memoir The First Third, Edie Kerouac-Parker's memoir of her life with Jack Kerouac, and William S. Burroughs's The Yage Letters
The Yage Letters
to Allen Ginsberg, and other ephemera. It has also published political books by prominent authors, including Noam Chomsky, Tom Hayden, and Howard Zinn. Books published in translation include such authors as Georges Bataille, Bertolt Brecht, and Johann Wolfgang von Goethe. Howl
Howl
trial[edit]

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Lawrence Ferlinghetti
Lawrence Ferlinghetti
at the Grolier Poetry Bookshop
Grolier Poetry Bookshop
in Harvard Square in 1965 with Gordon Cairnie, the owner of the store at the time, photograph by Elsa Dorfman

The fourth number in the Pocket Poets Series was Allen Ginsberg’s Howl. Ferlinghetti was in attendance at the now-famous Six Gallery reading where Ginsberg first performed Howl
Howl
publicly. The next day Ferlinghetti wired Ginsberg: "I greet you at the beginning of a great literary career," subsequently offering to publish his work. The book was seized in 1956 by the San Francisco
San Francisco
police. Ferlinghetti and Shig Murao, the bookstore manager who had sold the book to the police, were arrested on obscenity charges. After charges against Murao were dropped, Ferlinghetti, defended by Jake Ehrlich and the American Civil Liberties Union, stood trial in San Francisco
San Francisco
Municipal court. The publicity generated by the trial drew national attention to San Francisco
San Francisco
Renaissance and Beat movement writers. Ferlinghetti had the support of prestigious literary and academic figures, and, at the end of a long trial, Judge Clayton W. Horn found Howl
Howl
not obscene, and acquitted him in October 1957. The landmark First Amendment case established a key legal precedent for the publication of other controversial literary work with redeeming social importance. In 2010, Andrew Rogers portrayed Ferlinghetti in the film Howl.[6] Beat writers[edit] Although in style and theme Ferlinghetti’s own writing is very unlike that of the original New York Beat circle, he had important associations with the Beat writers, who made City Lights Bookstore their headquarters when they were in San Francisco. He often has claimed that he was not a Beat, but a bohemian of an earlier generation. A married war veteran and a bookstore proprietor, he did not share the high (or low) life of the Beats on the road. Jack Kerouac wrote Ferlinghetti into the character “Lorenzo Monsanto” in his autobiographical novel, Big Sur
Big Sur
(1962), the story of Kerouac’s stay (with the Cassadys, the McClures, Lenore Kandel, Lew Welch, and Philip Whalen) at Ferlinghetti’s cabin in the wild coastal region of Big Sur. Kerouac depicts the Ferlinghetti figure as a generous and good-humored host, in the midst of Dionysian revels and breakdowns. Over the years Ferlinghetti published work by many of the Beats, including Allen Ginsberg, Jack Kerouac, Gregory Corso, William S. Burroughs, Diane diPrima, Michael McClure, Philip Lamantia, Bob Kaufman, and Gary Snyder. He was Ginsberg’s publisher for more than thirty years. When the Indian poets of the Hungryalists
Hungryalists
literary movement were arrested in 1964 at Kolkata, Ferlinghetti introduced the Hungryalist poets to Western readers through the initial issues of City Lights Journal. Poetry[edit]

A sample of Ferlinghetti's work at San Francisco's Jack Kerouac
Jack Kerouac
Alley, which is adjacent to the City Lights Bookstore

“ If you would be a poet, create works capable of answering the challenge of apocalyptic times, even if this meaning sounds apocalyptic. You are Whitman, you are Poe, you are Mark Twain, you are Emily Dickinson and Edna St. Vincent Millay, you are Neruda and Mayakovsky and Pasolini, you are an American or a non-American, you can conquer the conquerors with words....

— Lawrence Ferlinghetti. From Poetry as Insurgent Art [I am signaling you through the flames].

Ferlinghetti takes a distinctly populist approach to poetry, emphasizing throughout his work "that art should be accessible to all people, not just a handful of highly educated intellectuals."[7] This perception of art as a broad sociocultural force, as opposed to an elitist academic enterprise, is explicitly evident in Poem 9 from Pictures of the Gone World, wherein the speaker states: “‘Truth is not the secret of a few’ / yet / you would maybe think so / the way some / librarians / and cultural ambassadors and / especially museum directors / act” (1–8). In addition to Ferlinghetti’s aesthetic egalitarianism, this passage highlights two additional formal features of the poet’s work, namely, his incorporation of a common American idiom as well as his experimental approach to line arrangement which, as Crale Hopkins notes, is inherited from the poetry of William Carlos Williams.[8] Reflecting his broad aesthetic concerns, Ferlinghetti’s poetry often engages with several non-literary artistic forms, most notably jazz music and painting. Considering the former, as William Lawlor asserts, much of Ferlinghetti’s free verse attempts to capture the spontaneity and imaginative creativity of modern jazz; the poet is also notable for frequently incorporating jazz accompaniments into public readings of his work.[9] The significance of painting to Ferlinghetti’s verse is evidenced by the fact that many his poems engage in ekphrasis, with a notable example of this being found in the poem, “In Goya’s Greatest Scenes We Seem to See…”. Here, Ferlinghetti offers a poetic engagement with the paintings of renowned Spanish artist Francisco Goya, relating the suffering of the painter’s figures who, “writhe upon the page / in a veritable rage / of adversity” (6–8), to the existential plight of modern Americans trapped in a monstrously materialistic society. Although imbued with the commonplace, Ferlinghetti’s poetry is grounded in lyric and narrative traditions. Among his themes are the beauty of natural world, the tragicomic life of the common human, the plight of the individual in mass society, and the dream and betrayal of democracy. He counts among his influences T. S. Eliot, Ezra Pound, e. e. cummings, H.D., Marcel Proust, Charles Baudelaire, Jacques Prévert, Guillaume Apollinaire, and Blaise Cendrars. One of his poems, 'Two Scavengers in a Truck, Two Beautiful People in a Mercedes', is now a poem studied at GCSE level in England and Wales, as part of the collection of poems in the AQA Anthology. His famous poem "Just As I Used to Say', was published in 1976, when Ferlinghetti was aged 57. Political engagement[edit] Soon after settling in San Francisco
San Francisco
in 1950, Ferlinghetti met the poet Kenneth Rexroth, whose concepts of philosophical anarchism influenced his political development. He self-identifies as a philosophical anarchist, regularly associated with other anarchists in North Beach, and he sold Italian anarchist newspapers at the City Lights Bookstore.[10] A critic of U.S. foreign policy, Ferlinghetti has taken a stand against totalitarianism and war. While Ferlinghetti has expressed that he is "an anarchist at heart," he concedes that the world would need to be populated by "saints" in order for pure anarchism to be lived practically. Hence he espouses what can be achieved by Scandinavian-style democratic socialism.[11] Ferlinghetti's work challenges the definition of art and the artist’s role in the world. He urged poets to be engaged in the political and cultural life of the country. As he writes in Populist Manifesto: "Poets, come out of your closets, Open your windows, open your doors, You have been holed up too long in your closed worlds... Poetry should transport the public/to higher places/than other wheels can carry it..." On January 14, 1967, he was a featured presenter at the Gathering of the tribes "Human Be-In," which drew tens of thousands of people and launched San Francisco's "Summer of Love." In 1968, he signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse tax payments in protest against the Vietnam War.[12] Ferlinghetti was instrumental in bringing poetry out of the academy and back into the public sphere with public poetry readings. With Ginsberg and other progressive writers, he took part in events that focused on such political issues as the Cuban revolution, the nuclear arms race, farm-worker organizing, the murder of Salvador Allende, the Vietnam War, May ’68 in Paris, the Sandinistas
Sandinistas
in Nicaragua, and the Zapatista Army of National Liberation
Zapatista Army of National Liberation
in Mexico. He read not only to audiences in the United States, but widely in Europe and Latin America. Many of his writings grew from travels in France, Italy, the Soviet Union, Cuba, Mexico, Chile, Nicaragua, and the Czech Republic.[citation needed] In 1998, in his inaugural address as Poet
Poet
Laureate of San Francisco, Ferlinghetti urged San Franciscans to vote to remove a portion of the earthquake-damaged Central Freeway
Central Freeway
and replace it with a boulevard. "What destroys the poetry of a city? Automobiles destroy it, and they destroy more than the poetry. All over America, all over Europe in fact, cities and towns are under assault by the automobile, are being literally destroyed by car culture. But cities are gradually learning that they don't have to let it happen to them. Witness our beautiful new Embarcadero! And in San Francisco
San Francisco
right now we have another chance to stop Autogeddon from happening here. Just a few blocks from here, the ugly Central Freeway
Central Freeway
can be brought down for good if you vote for Proposition E on the November ballot."[13] n G In March 2012 he added his support to the movement to save the Gold Dust Lounge, a historic Gold Rush-era bar in San Francisco, which lost its lease in Union Square. Painting[edit] Ferlinghetti began painting while in Paris
Paris
in 1948. In San Francisco, he occupied a studio at 9 Mission Street on the Embarcadero in the 1950s that he inherited from Hassel Smith, and subsequently passed on to the artist Howard Hack. He admired the New York abstract expressionists, and his first work exhibits their influence. A more figurative style is apparent in his later work. Ferlinghetti’s paintings have been shown at various museums around the world, from solo shows at the Butler Institute of American Art[14] to Il Palazzo delle Esposizioni in Rome. Other solo exhibitions include Sonoma Valley Museum of Art in 2012, and Marin Museum of Contemporary Art in 2014. He has been associated with the international Fluxus
Fluxus
movement through the Archivio Francesco Conz in Verona. Ferlinghetti's artwork is represented by Rena Bransten Gallery in San Francisco, and was previously shown for many years at George Krevsky Gallery.[citation needed] In 2009 Ferlinghetti became a member of the Honour Committee of the Italian artistic literary movement IMMAGINE&POESIA, founded under the patronage of Aeronwy Thomas. A retrospective of Ferlinghetti's artwork, 60 years of painting, was staged in Rome
Rome
and Reggio Calabria in 2010.[15] Jack Kerouac
Jack Kerouac
Alley[edit] In 1987 he was the initiator of the transformation of Jack Kerouac Alley, located at the side of his shop. He presented his idea to the San Francisco
San Francisco
Board of Supervisors calling for repavement and renewal.[16]

Career Award Plaque conferred on 28 October 2017 at the Premio di Arti Letterarie Metropoli di Torino, Italy

Awards[edit] He has received numerous awards, including the Los Angeles Times’ Robert Kirsch Award, the BABRA Award for Lifetime Achievement, the National Book Critics Circle
National Book Critics Circle
Ivan Sandrof Award for Contribution to American Arts and Letters, and the ACLU Earl Warren
Earl Warren
Civil Liberties Award. He won the Premio Taormina in 1973, and since then has been awarded the Premio Camaiore, the Premio Flaiano, the Premio Cavour, among other honors in Italy. The Career Award was conferred on 28 October 2017 at the XIV edition of the Premio di Arti Letterarie Metropoli di Torino in Turin.[17] Ferlinghetti was named San Francisco’s Poet
Poet
Laureate in August 1998 and served for two years. In 2003 he was awarded the Robert Frost Memorial Medal, the Author’s Guild Lifetime Achievement Award, and he was elected to the American Academy of Arts and Letters
American Academy of Arts and Letters
in 2003. The National Book Foundation honored him with the inaugural Literarian Award (2005), given for outstanding service to the American literary community. In 2007 he was named Commandeur, French Order of Arts and Letters. In 2012, Ferlinghetti received the Douglas MacAgy Distinguished Achievement Award from the San Francisco
San Francisco
Art Institute.[citation needed] In 2012 Ferlinghetti was awarded the inaugural Janus Pannonius International Poetry Prize from the Hungarian PEN Club. After learning that the government of Hungary under Prime Minister Viktor Orbán
Viktor Orbán
is a partial sponsor of the €50,000 prize, he declined to accept the award. In declining, Ferlinghetti cited his opposition to the "right wing regime" of Prime Minister Orban, and his opinion that the ruling Hungarian government under Mr. Orban is curtailing civil liberties and freedom of speech for the people of Hungary.[18][19][20][21] In popular culture[edit] The Italian band Timoria dedicated the song "Ferlinghetti Blues" (from the album El Topo Grand Hotel) to the poet, where Ferlinghetti recites one of his poems. Recordings of Ferlinghetti reading want ads, as featured on radio station KPFA
KPFA
in 1957, were recorded by Henry Jacobs and are featured on the Meat Beat Manifesto
Meat Beat Manifesto
album 'At the Center'. Ferlinghetti gave Canadian punk band Propagandhi
Propagandhi
permission to use his painting The Unfinished Flag of the United States, which features a map of the world painted in the stars and stripes, as the cover of their 2001 release Today's Empires, Tomorrow's Ashes. Before this, the same painting was used for the cover of Michael Parenti's 1995 book, Against Empire, which was published by City Lights. Ferlinghetti recited the poem Loud Prayer at The Band's final performance. Entitled The Last Waltz, this concert was filmed by Martin Scorsese
Martin Scorsese
and released as a documentary which included Ferlinghetti's recitation. Julio Cortázar, in his Rayuela
Rayuela
(Hopscotch) (1963) references a poem by Ferlinghetti in Chapter 121. He appears as himself in the 2006 comedy film The Darwin Awards. Bob Dylan
Bob Dylan
used Ferlinghetti's "Baseball Canto" on the Baseball show of Theme Time Radio Hour. Roger McGuinn, the former leader of the Byrds, referred to Ferlinghetti and "A Coney Island of the Mind" in his song "Russian Hill", from his 1977 album Thunderbyrd. Cyndi Lauper
Cyndi Lauper
was inspired by A Coney Island of the Mind to write the song "Into the Nightlife" for her 2008 album Bring Ya to the Brink. Seamus McNally's 2007 filmed adaptation of Jacques Prévert's "To Paint the Portrait of a Bird" uses Ferlinghetti's English translation as its narrative text. The Residents mention Ferlinghetti in the lyrics of their song "Sinister Exaggerator" (from the EP "Duck Stab"). The Blue Devils Drum and Bugle Corps's 2008 marching show was entitled "Constantly Risking Absurdity", with movements entitled after various lines in Ferlinghetti's poem. The corps took second place at the Drum Corps International Finals. Aztec Two-Step is an American folk-rock band formed by Rex Fowler and Neal Shulman at a chance meeting on open stage at a Boston coffee house, the Stone Phoenix, in 1971. The band was named after a line from the poem "A Coney Island of the Mind" by Ferlinghetti. Bristol Sound
Bristol Sound
band Unforscene used Ferlinghetti's poem "Pictures of the Gone World 11" (or "The World is a Beautiful Place...") in the song "The World Is" on its 2002 album New World Disorder. In 2011 Ferlinghetti contributed two of his poems to the celebration of the 150th Anniversary of Italian unification: Song of the Third World War and Old Italians Dying inspired the artists of the exhibition Lawrence Ferlinghetti
Lawrence Ferlinghetti
and Italy
Italy
150 held in Turin, Italy (May–June 2011).[22] Christopher Felver made the 2013 documentary on Ferlinghetti, Lawrence Ferlinghetti: A Rebirth of Wonder.[23] Bibliography[edit]

Library resources about Lawrence Ferlinghetti

Resources in your library Resources in other libraries

By Lawrence Ferlinghetti

Resources in your library Resources in other libraries

Pictures of the Gone World (City Lights, 1955) Poetry (enlarged, 1995) ISBN 978-0-87286-303-3 A Coney Island of the Mind
A Coney Island of the Mind
([3] New Directions, 1958) Poetry Tentative Description of a Dinner Given to Promote the Impeachment of President Eisenhower (Golden Mountain Press, 1958) Broadside poem Her (New Directions, 1960) Prose One Thousand Fearful Words for Fidel Castro (City Lights, 1961) Broadside poem Starting from San Francisco
San Francisco
(New Directions, 1961) Poetry (HC edition includes LP of author reading selections) Journal for the Protection of All Beings (City Lights, 1961) Journal Unfair Arguments with Existence (New Directions, 1963) Short Plays Where is VietNam? (Golden Mountain Press, 1963) Broadside poem Routines (New Directions, 1964) 12 Short Plays Two Scavengers in a Truck, Two Beautiful People in a Mercedes (1968) On the Barracks: Journal for the Protection of All Beings 2 (City Lights, 1968) Journal Tyrannus Nix? (New Directions, 1969) Poetry The Secret Meaning of Things (New Directions, 1970) Poetry The Mexican Night (New Directions, 1970) Travel journal Back Roads to Far Towns After Basho (City Lights, 1970) Poetry Love Is No Stone on the Moon (ARIF, 1971) Poetry Open Eye, Open Heart (New Directions, 1973) Poetry Who Are We Now? (New Directions, 1976) Poetry Northwest Ecolog (City Lights, 1978) Poetry Landscapes of Living and Dying (1980) ISBN 0-8112-0743-9 Over All the Obscene Boundaries (1986) Love in the Days of Rage (E. P. Dutton, 1988; City Lights, 2001) Novel A Buddha in the Woodpile (Atelier Puccini, 1993) These Are My Rivers: New & Selected Poems, 1955–1993 (New Directions, 1993) ISBN 0-8112-1252-1 City Lights Pocket Poets Anthology (City Lights, 1995) ISBN 978-0-87286-311-8 A Far Rockaway Of The Heart (New Directions, 1998) ISBN 0-8112-1347-1 How to Paint Sunlight: Lyrics Poems & Others, 1997–2000 (New Directions, 2001) ISBN 0-8112-1463-X San Francisco
San Francisco
Poems (City Lights Foundation, 2001) Poetry ISBN 978-1-931404-01-3 Life Studies, Life Stories (City Lights, 2003) ISBN 978-0-87286-421-4 Americus: Part I (New Directions, 2004) A Coney Island of the Mind
A Coney Island of the Mind
(Arion Press, 2005), with portraiture by R.B. Kitaj Poetry as Insurgent Art (New Directions, 2007) Poetry A Coney Island of the Mind: Special
Special
50th Anniversary Edition with a CD of the author reading his work (New Directions, 2008) 50 Poems by Lawrence Ferlinghetti
Lawrence Ferlinghetti
50 Images by Armando Milani ([4] Rudiano, 2010) Poetry and Graphics ISBN 978-88-89044-65-0 Time of Useful Consciousness, (Americus, Book II) (New Directions, 2012) ISBN 978-0-8112-2031-6, 88p. City Lights Pocket Poets Anthology: 60th Anniversary Edition (City Lights, 2015) I Greet You At The Beginning Of A Great Career: The Selected Correspondence of Lawrence Ferlinghetti
Lawrence Ferlinghetti
and Allen Ginsberg 1955–1997. (City Lights, 2015) Pictures of the Gone World: 60th Anniversary Edition (City Lights, 2015)

Discography[edit]

Kerouac: Kicks Joy Darkness (Track #8 "Dream: On A Sunny Afternoon..." with Helium) (1997) Rykodisc Poetry Readings in the Cellar (with the Cellar Jazz Quintet): Kenneth Rexroth & Lawrence Ferlinghetti
Lawrence Ferlinghetti
(1957) Fantasy Records #7002 LP, (Spoken Word) Ferlinghetti: The Impeachment of Eisenhower (1958) Fantasy Records #7004 LP, (Spoken Word) Ferlinghetti: Tyrannus Nix? / Assassination Raga / Big Sur
Big Sur
Sun Sutra / Moscow in the Wilderness (1970) Fantasy Records #7014 LP, (Spoken Word) A Coney Island of the Mind
A Coney Island of the Mind
(1999) Rykodisc Pictures of the Gone World with David Amram (2005) Synergy

References[edit]

^ a b " Lawrence Ferlinghetti
Lawrence Ferlinghetti
Biography". Notablebiographies.com. Retrieved 2014-02-18.  ^ Mark Howell (2007-09-30). "About The Beats: The Key West Interview: Lawrence Ferlinghetti, 1994". Abouthebeats.blogspot.com. Retrieved 2014-02-18.  ^ "Academic.Brooklyn". Lawrence Ferlinghetti's italianita. Retrieved October 30, 2006.  ^ Zinser, Lynn (January 20, 2012). " Lawrence Ferlinghetti
Lawrence Ferlinghetti
Revives His Love of the 49ers at 92". The New York Times.  ^ a b Julian Guthrie (2012-09-24). "Lawrence Ferlinghetti's indelible image". SFGate. Retrieved 2014-02-18.  ^ Howl
Howl
2010 Film on IMDb ^ "Lawrence Ferlinghetti". Poetry Foundation. Poetry Foundation. Retrieved 4 November 2016.  ^ Hopkins, Crale (1974). "The Poetry of Lawrence Ferlinghetti: A Reconsideration". Italian Americana. 1 (1): 59–76. Retrieved 4 November 2016.  ^ Lawlor, William (2005). Beat Culture: Lifestyles, Icons, and Impact. Santa Barbara: ABC-CLIO. pp. 34–37. ISBN 9781851094059. Retrieved 4 November 2016.  ^ Kelly, Kevin (Winter 1988). " Lawrence Ferlinghetti
Lawrence Ferlinghetti
– interview". Whole Earth Review (61). Archived from the original on 2009-06-28.  "I'm in the anarchist tradition. By "anarchist" I don't mean someone with a homemade bomb in his pocket. I mean philosophical anarchism in the tradition of Herbert Reed in England." ^ Felver, Christopher. 1996 The Coney Island of Lawrence Ferlinghetti. San Francisco: Mystic Fire Video [documentary film] ^ “Writers and Editors War Tax Protest” January 30, 1968 New York Post ^ "Poetry and City Culture". Address at the San Francisco
San Francisco
Public Library, October 13th 1998. Accessed February 19, 2016. [1] ^ [2] ^ Lawrence Ferlinghetti: 60 years of painting, edited by Giada Diano and Elisa Polimeni, Silvana Editoriale, Cinisello Balsamo (MI), 2009 ^ Nolte, Carl (March 30, 2007). "Kerouac Alley has face-lift". San Francisco Chronicle. Retrieved November 18, 2007.  ^ "Arte Città Amica". Arte Città Amica. Retrieved November 10, 2017.  ^ Christopher Young (October 12, 2012). "Beat this: Lawrence Ferlinghetti refuses Hungarian cash award". New York Daily News. Retrieved October 15, 2012.  ^ Carolyn Kellogg (October 11, 2012). " Lawrence Ferlinghetti
Lawrence Ferlinghetti
declines Hungarian award over human rights". LA Times. Retrieved October 15, 2012.  ^ Ron Friedman and AP (October 13, 2012). "Following Elie Wiesel's Lead, US Poet
Poet
Rejects Hungarian Award". The Times of Israel. Archived from the original on July 5, 2015. Retrieved October 15, 2012.  ^ Harriet Staff (October 11, 2012). " Lawrence Ferlinghetti
Lawrence Ferlinghetti
Declines 50,000 Euro
Euro
Prize from Hungarian PEN Club". Poetry Foundation. Retrieved October 15, 2012.  ^ "Evento Ferlinghetti: La poesia incontra l'arte" (PDF). LA STAMPA. Arte Citta' Amica. 2001-06-03. Retrieved February 18, 2014.  ^ "A Beat-Generation Star Who Won't Answer to the Name". New York Times. Feb 7, 2013. Retrieved 26 May 2015. 

Further reading[edit]

Ann Charters (ed.), The Portable Beat Reader. Penguin Books. New York. 1992. Neeli Cherkovski, Ferlinghetti: A Biography. New York: Doubleday, 1979. Ronald Collins and David Skover, Mania: The Story of the Outraged & Outrageous Lives that Launched a Cultural Revolution. Top-Five Books, 2013. Bill Morgan (ed.), I Greet You at the Beginning of a Great Career: The Selected Correspondence of Lawrence Ferlinghetti
Lawrence Ferlinghetti
and Allen Ginsberg, 1955–1997. San Francisco: City Lights Publishers, 2015. Walter Pescara, Lawrence Ferlinghetti
Lawrence Ferlinghetti
– Italian Tour 2005. (Nicolodi, 2006 – special edition, not for sale) Barry Silesky, Ferlinghetti: The Artist in His Time. New York: Warner Books, 1990. Michael Skau, Constantly Risking Absurdity: The Writings of Lawrence Ferlinghetti. Whitson, 1989. Larry R. Smith, Lawrence Ferlinghetti: Poet-at-Large. Carbondale, IL: Southern Illinois University Press, 1983. Matt Theado, The Beats: A Literary Reference. New York: Carroll & Graf, 2003.

External links[edit]

Find more aboutLawrence Ferlinghettiat's sister projects

Media from Wikimedia Commons Quotations from Wikiquote

Guide to the Lawrence Ferlinghetti
Lawrence Ferlinghetti
Papers at The Bancroft Library Guide to the photographs from the Lawrence Ferlinghetti
Lawrence Ferlinghetti
papers, ca. 1935-ca. 1990 at The Bancroft Library Works by or about Lawrence Ferlinghetti
Lawrence Ferlinghetti
in libraries (WorldCat catalog) Lawrence Ferlinghetti
Lawrence Ferlinghetti
at The Soredove Press Limited Edition Poetry Chapbooks, Broadsides and Art Lawrence Ferlinghetti
Lawrence Ferlinghetti
at The Beat Page Biography and Selected Poems. Lawrence Ferlinghetti
Lawrence Ferlinghetti
at Literary Kicks Lawrence Ferlinghetti
Lawrence Ferlinghetti
at American Poetry Kerouac Alley – Lawrence Ferlinghetti
Lawrence Ferlinghetti
multimedia directory Amy Goodman Interview (Transcript and streaming media) Audio and video of reading at University of California Berkeley "Lunch Poems" series (December 1, 2005) Video interview with Lawrence Ferlinghetti
Lawrence Ferlinghetti
about his paintings on KQED's Spark Proposed International Poetry Museum by Ferlinghetti friend Herman Berlandt Project with Immagine & Poesia for Italy
Italy
150 Lawrence Ferlinghetti
Lawrence Ferlinghetti
on IMDb Lawrence Ferlinghetti
Lawrence Ferlinghetti
in the Honour Committee of Immagine & Poesia Interview Magazine, Lawrence Ferlinghetti, by Christopher Bollen, May 2013 1978 audio interview, Lawrence Ferlinghetti
Lawrence Ferlinghetti
with Stephen Banker Translated Penguin Book – at Penguin First Editions reference site of early first edition Penguin Books.

v t e

Poets in The New American Poetry 1945–1960

Helen Adam John Ashbery Paul Blackburn Robin Blaser Ray Bremser Brother Antoninus James Broughton Paul Carroll Gregory Corso Robert Creeley Edward Dorn Kirby Doyle Robert Duncan Larry Eigner Lawrence Ferlinghetti Edward Field Allen Ginsberg Madeline Gleason Barbara Guest LeRoi Jones Jack Kerouac Kenneth Koch Philip Lamantia Denise Levertov Ron Loewinsohn Michael McClure David Meltzer Frank O'Hara Charles Olson Joel Oppenheimer Peter Orlovsky James Schuyler Gary Snyder Gilbert Sorrentino Jack Spicer Lew Welch Philip Whalen John Wieners Jonathan Williams

v t e

Poets Laureate of San Francisco

Lawrence Ferlinghetti
Lawrence Ferlinghetti
(1998-2000) Janice Mirikitani
Janice Mirikitani
(2000-2002) Devorah Major (2002-2004) Jack Hirschman
Jack Hirschman
(2006-2008) Diane di Prima
Diane di Prima
(2009-2011) Alejandro Murguía (2012- )

Authority control

WorldCat
WorldCat
Identities VIAF: 110070499 LCCN: n80023557 ISNI: 0000 0001 1978 478X GND: 118683314 SELIBR: 186766 SUDOC: 026862026 BNF: cb11966493g (data) BIBSYS: 90095675 ULAN: 500338387 MusicBrainz: ddd8a980-629b-435b-b30f-bf8dee6818ab NKC: jn19990002229 ICCU: ITICCURAVV27262 SNAC: w6vq570m

Poetry portal United

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