Laurent Jiménez-Balaguer (14 January 1928 – 16 April 2015) Born in L’Hospitalet del Llobregat,

Barcelona Barcelona ( , , ) is a city on the coast of northeastern Spain. It is the capital and largest city of the autonomous community of Catalonia, as well as the second most populous municipality of Spain. With a population of 1.6 million within ci ...

(

Catalonia Catalonia (; ca, Catalunya ; Aranese Occitan: ''Catalonha'' ; es, Cataluña ) is an autonomous community of Spain, designated as a '' nationality'' by its Statute of Autonomy. Most of the territory (except the Val d'Aran) lies on the nort ...

), Spain. He lived and worked in

Paris Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), ma ...

. During the 1950s, he was one of the most distinguished painters of

Catalan art The Catalan art is the artistic production made in what is now Catalonia along the time. It has a parallel evolution to the rest of European art, following in a diverse way the multiple tendencies that have taken place in the context of the histor ...

, known for creating a private language. He belonged to the Abstract Expressionism and European

Informalism Informalism or Art Informel is a pictorial movement from the 1943–1950s, that includes all the abstract and gestural tendencies that developed in France and the rest of Europe during the World War II, similar to American abstract expression ...

. These postmodern vanguardists have been characterized by their

multiculturalism The term multiculturalism has a range of meanings within the contexts of sociology, political philosophy, and colloquial use. In sociology and in everyday usage, it is a synonym for " ethnic pluralism", with the two terms often used interchang ...

, manifested in their contrasting pictorial textures, and the need to invent a new mindset. Jiménez-Balaguer's purpose was to establish a framework of knowledge of the human psyche based on Ferdinand de Saussure's language model, in order to show how painting is a universal medium for the understanding of the Self. He regarded the construct of the Self as indispensable, and its visualization as vital; the human inner is neither an impalpable, untouchable soul nor an invisible, immaterial ego. His conception of creation and society involves him in a process of a permanent revolution, from which the subject must struggle for the construction of the Self. His work asserts that the Self is a performative act. Jose María Moreno Galván in 1960 considered him one of the twenty most talented painters of Contemporary Catalan Art.
Two fundamental archetypes structure his field: the Body-Memory and the Exterior-Interior.

Early years

Early on, Jiménez-Balaguer paints androgynous figures that exude a metaphysical sentiment. His portraits emphasize what is within, unmarked by

gender Gender is the range of characteristics pertaining to femininity and masculinity and differentiating between them. Depending on the context, this may include sex-based social structures (i.e. gender roles) and gender identity. Most cultures ...

or cultural identity. Like El Greco, one of his artistic references, he seeks the transcendental essence of being. In 1955, he abandons all description of the world in order to focus on the problem of transforming the invisible to visible. He considers that painting allows for true knowledge of oneself, with the projection of raw material. Following the parameters of

Western philosophy Western philosophy encompasses the philosophical thought and work of the Western world. Historically, the term refers to the philosophical thinking of Western culture, beginning with the ancient Greek philosophy of the pre-Socratics. The word ' ...

, he thinks that all expression is an expression of something; therefore, the sign refers to a reality that constructs the object at the same time as the meaning.
According to this tradition, everything is related and has its corresponding channels: everything is connected and meaning is constructed by analogy. His concept of ''Other Reality'' arises from here, as well as his work regarding boundaries and the concept of limit.

The real In continental philosophy, the Real refers to the remainder of reality that cannot be expressed, and which surpasses reasoning. In Lacanianism, it is an "impossible" category because of its opposition to expression and inconceivability. I ...

, understood symbolically, is found between the Interior and the Exterior, between Corporality and

Memory Memory is the faculty of the mind by which data or information is encoded, stored, and retrieved when needed. It is the retention of information over time for the purpose of influencing future action. If past events could not be remembered ...

. One of his most important contribution to Catalan Informalism and 21st century painting is referencing this 'Other Reality' as a linguistic-pictorial sign.
During these formative years, surrounded by political turmoil, he actively participates in the recognition of a Catalan identity. He learns to write in his language,

Catalan Catalan may refer to: Catalonia From, or related to Catalonia: * Catalan language, a Romance language * Catalans, an ethnic group formed by the people from, or with origins in, Northern or southern Catalonia Places * 13178 Catalan, asteroid #1 ...

, which was prohibited in

Francoist Spain Francoist Spain ( es, España franquista), or the Francoist dictatorship (), was the period of Spanish history between 1939 and 1975, when Francisco Franco ruled Spain after the Spanish Civil War with the title . After his death in 1975, Spai ...

.
It is years of experimentation for the painter as he works on the hidden matter, that which one keeps inside one's psyche: the fragile and subjective.
Jiménez-Balaguer believes: "That which is sensed is a reflection of the intelligible", and he does not cease searching for the fundamental concept of

individuation The principle of individuation, or ', describes the manner in which a thing is identified as distinct from other things. The concept appears in numerous fields and is encountered in works of Leibniz, Carl Gustav Jung, Gunther Anders, Gilbert Sim ...

and

independence Independence is a condition of a person, nation, country, or state in which residents and population, or some portion thereof, exercise self-government, and usually sovereignty, over its territory. The opposite of independence is the statu ...

Catalan Lyrical Abstraction

At the age of twenty, he goes to the mountains of the monastery in Montserrat and begins to paint with his friend,

Josep Guinovart Josep Guinovart i Bertran (20 March 1927 in Barcelona – 12 December 2007 in Barcelona) was a Spaniards, Spanish painter most famous for his informalist or abstract expressionist work. In 1941, he began to work as a decorator. Three years la ...

, experimenting a new freedom and liberating himself of the contingency of convention. He meets Cesáreo Rodríguez-Aguilera and his wife Mercedes de Prat, and a close friendship ensues.
He publishes a manifesto, He Escuchado, whereby he defines his aspirations along the vein of

Stanley Cavell Stanley Louis Cavell (; September 1, 1926 – June 19, 2018) was an American philosopher. He was the Walter M. Cabot Professor of Aesthetics and the General Theory of Value at Harvard University. He worked in the fields of ethics, aesthetics, an ...

: 'Claim is what a voice does when it founds within itself in order to establish a universal assertion.' His sensibilities are along the lines of

Merleau-Ponty Maurice Jean Jacques Merleau-Ponty. (; 14 March 1908 – 3 May 1961) was a French phenomenological philosopher, strongly influenced by Edmund Husserl and Martin Heidegger. The constitution of meaning in human experience was his main interest an ...

regarding his defense of the body as the subject, and

Wittgenstein Ludwig Josef Johann Wittgenstein ( ; ; 26 April 1889 – 29 April 1951) was an Austrians, Austrian-British people, British philosopher who worked primarily in logic, the philosophy of mathematics, the philosophy of mind, and the philosophy o ...

: 'The human body is the best image of the human soul.'
He exhibits in Ciclo Experimental d’Art Nou directed by Josep Maria de Sucre i de Grau and Angel Marsá and his paintings enrich the contemporary Catalan art scene. At the Galería Clan in Madrid, he receives the invaluable support of

Manolo Millares Manolo Millares (Las Palmas de Gran Canaria, Canary Islands, 17 January 1926 – Madrid, 14 August 1972) was a Spanish painter. Biography Self-taught as an artist, Millares was introduced to Surrealism in 1948. In 1953, he moved to Madri ...

, El Paso (grupo) and César Manrique, the latter becoming a good friend and inviting him to continue their contact. The goal is to impede the obstruction of expression and obtain total freedom of the Self. In 1956, the art critic Juan-Eduardo Cirlot includes him in the Art Informal movement.
Catalan identity is in search of specificity, and is in opposition to the official art sanctioned by

. The painters of the 20th century, mainly Joan Miró, insist on the need for a new art.
In 1957, in the European May Salons, intellectuals such as Antoni Tàpies and Laurent Jiménez-Balaguer, present their latest works. All the Informalist painters evince a critical vision against a world of oppression and exclusion, dominated by diverse imperialisms.

Informalism and Information

In the 1970s, in dialogue with the poststructuralist period, he continues to explore the possibilities of a knowledge of the Self. From then on, his work heralds a new period based on the understanding of the problem of human expression and its inabilities, inhibitions, prohibitions, and negations; Jiménez-Balaguer's paintings are a projection of the visualization of the unknown Inner.
In spite of the abstraction of the images, he finds no reason they would be mysterious, magical nor mute; instead, they should be able to communicate meaning. The utility of a sign, is its power to give universal information that allows giving the subject more power. Although, Inform in Catalan language, is that which has no form, Jiménez-Balaguer chooses to investigate the second meaning of the word. As all words, 'inform' is not a univocal concept but a polysemous one. 'Inform' is also an exhaustive and organized exposition regarding a topic.
Therefore, according to Jiménez-Balaguer, Informal is telling information that still has no form, and Informalism is the science of the formation of the meaning. Informalism becomes, from this perspective, the artistic current that visualizes the space where significance is built. File:Jiménez-Balaguer_Toi_et_Moi_2010.jpg, Jiménez-Balaguer You and Me 2010 File:Jiménez-Balaguer_1988.jpg, Jiménez-Balaguer Untitled 1988 File:Jiménez-Balaguer_Dehors-Dedans_1995.jpg, Jiménez-Balaguer Outside-Inside 1995 File:Jiménez-Balaguer_Réalité_Autre_1987.jpg, Jiménez-Balaguer Other Reality 1987

In Defense of Subjectivity

His work demonstrates a deep respect for

vulnerability Vulnerability refers to "the quality or state of being exposed to the possibility of being attacked or harmed, either physically or emotionally." A window of vulnerability (WOV) is a time frame within which defensive measures are diminished, com ...

. It is constructed as a critique against contemporary society that produces the destruction of subjectivity. During these years, Jiménez-Balaguer concerns himself with the power of painting as force.
He thinks that the informalist image bears witness to a semiotic pre-symbolic memory.
It is during this time that he frees himself from the destruction of the 1950s and the scratchings of postwar Informalism, in order to step into the 21st century. As such, after the amputations, the fragmentation of the image, the details of the wound, the assimilation of negativity and violence exercised against the matter of the Self, there is the human psyche that is capable of reconstructing itself.
Jiménez-Balaguer focuses his art on the transformation of violence into Form.

Constitution of a universal language of the Self

During the 1960s, Jiménez-Balaguer and his wife María Teresa Andreu (Mery) relocate to Paris and establish themselves in the intellectual milieu. They have four children, Cristian, Virginie, Valérie and Eric. He meets the Parisian jeweler, Jean Vendome.
In 1961, he is introduced to Antoni Clavé and Stephen Spender from Gallery Saint-Germain. From then on and for the next twenty years, he develops a language of signs able to communicate

the universal language ''The Universal Language'' is a short comedic play written by David Ives. The play is part of the collection of plays called ''All in the Timing.'' The show features two characters, Don and Dawn. Don is a con artist trying to swindle customers int ...

of the Self.
As such, it is a deconstruction of the idea that a private language cannot be understood by another. For Jiménez-Balaguer, the Inner has as a destiny: universal communication. In 1986, he meets

Michel Tapié Michel Tapié (full name: Michel Tapié de Céleyran; 26 February 1909 – 30 July 1987) was a French art critic, curator, and collector. He was an early and influential theorist and practitioner of "tachisme", a French style of abstract painti ...

, the originator of the concept 'Art Autre' and he is introduced to Rodolphe Stadler.
From 1988 onward, he introduces a series of objects of the world in order to express the inward. His paintings become an enunciation with branches, ropes, cloth, grids, and nails. File:Jiménez-Balaguer_Intervalles_Bleus_1988.jpg, Jiménez-Balaguer Blue Intervals 1988 File:Jiménez-Balaguer_Imaginer_l%27Impossible_1993.jpg, Jiménez-Balaguer Imagining the Impossible 1993 File:Jiménez-Balaguer_Vertige_Cosmique_1979.jpg, Jiménez-Balaguer Cosmic Vertigo 1979

Painting as interface

Jiménez-Balaguer's work gains the approbation and support of Pierre Restany and is introduced to Joan Hernández-Pijuan at the Galeria Calart Actual in Geneva. From 1990, Laurent Jiménez-Balaguer devises the first system of signs for a universal language of the Inner. Each painting becomes the space for the visualization of the universal language of the Self from which the construction of the subject is confirmed.
His work questions the classic attributes of

the subject A subject is a being who has a unique consciousness and/or unique personal experiences, or an entity that has a relationship with another entity that exists outside itself (called an "object"). A ''subject'' is an observer and an ''object'' is ...

time Time is the continued sequence of existence and events that occurs in an apparently irreversible succession from the past, through the present, into the future. It is a component quantity of various measurements used to sequence events, ...

, acquired memory, and suffering. His works enquire on such elements. In 2000, he begins his philosophical dialogues with Alexis Virginie Jimenez on Catalan Art and Informalism; together, they create the artistic movement known as New Informalism. The movement begins in the year 2000 in his studio in Chevry II, in Gif sur Yvettes.
The theoretical base is related to the New Cultural studies. Alexis Virginie Jimenez's art videos, ‘

Interventions ''Interventions'' is a book by Noam Chomsky, an American academic linguist and political activist. Published in May 2007, ''Interventions'' is a collection of 44 op-ed articles, post-9/11, from September 2002, through March 2007. The book's sub ...

’, are taped there. Jiménez-Balaguer's work shares certain core values intrinsic to the field of Cultural studies and the theoretical struggle of intellectuals such as Julia Kristeva, Jacques Derrida, Gilles Deleuze, Jacques Lacan, Michel Foucault, Alexis Virginie Jimenez, Judith Butler.
The artist questions what to do with the cardinal points of Western metaphysics and how to interpret a new vision of the human identity.

Artwork : Universal graphic lexicon

The ropes The Ropes are an indie rock duo from New York City, composed of vocalist and bassist Sharon Shy and multi-instrumentalist Toppy. Formation and early work Shy and Toppy founded The Ropes after meeting as interns at a record label. According t ...

: symbolize the ties that unite the invisible Inner of man to the universal Totality. 'The rope is an emblematic material of the road that brings the artist to the territory of Informalism's Art Autre.' Blue branches: symbol of the wanderings of the soul and its realization in a unitarian form. The knots: these are psycho-noetic strokes of subjective elaboration.

Individual exhibitions

;2012 Cicle Invasions Subtils amb Laurent Jiménez-Balaguer, Fundació Espai Guinovart, Agramunt – CATALONIA – SPAIN ;2012 L’Emergència del Signe, Museo Can Framis, Fundació Vila Casas, Barcelona – CATALONIA – SPAIN ;2010 "El Cos d’una memòria", Galeria Art Vall, Andorra la Vella – ANDORRA ;2010 "Le Nœud", Galerie Saint Cyr, Rouen – FRANCE ;2007 "Cuerpo de una memoria", Galeria Calart Actual, Segovia – SPAIN ;2006 "L'au-delà du miroir", Galerie Guislain-États d'Art, Paris – FRANCE ;2003 "Œuvres de 1960 à 1962" et "Souvenirs enfouis", Rétrospective, Galerie Guislain-États d'Art, Paris – FRANCE ;2002 "Traces d'une mémoire", Centre d'Études Catalanes, Paris – FRANCE ;2000 "Exposition", Galerie Guislain-États d'Art, Paris – FRANCE ;1999 "2000 ans de quoi ?", Galerie Lina Davidov, Paris – FRANCE ;1999 "2000 ans de quoi ?", Grand Théâtre d’Angers, Angers – FRANCE ;1998 "Dedans/Dehors", La Corderie Royale, Rochefort – FRANCE ;1998 MPT Courdimanche, Les Ulis – FRANCE ;1997 "Images d'une mémoire", Les Cordeliers, Châteauroux – FRANCE ;1997 Galerie Lina Davidov, Paris – FRANCE ;1996 Galerie Finartis, Zug – SWITZERLAND ;1995 Galerie Calart, Genève – SWITZERLAND ;1994 Galerie Rami, Zurich – SWITZERLAND ;1994 Galerie Lina Davidov, Paris – FRANCE ;1993 Galerie Adriana Schmidt, Cologne – GERMANY ;1992 Galerie Lina Davidov, Paris – FRANCE ;1992 Galerie Adriana Schmidt, Stuttgart – GERMANY ;1991 Centre d'Art Contemporain, Corbeil-Essonnes – FRANCE ;1991 Galerie Claude Samuel, Paris – FRANCE ;1991 Galerie Rami, Zurich – SWITZERLAND ;1990 Galerie Calart, Genève – SWITZERLAND ;1989 Galerie Claude Samuel, Paris – FRANCE ;1987 "Réalité autre", Galerie Claude Samuel, Paris – FRANCE ;1985 Paris Art Center, Paris – FRANCE ;1984 Grand Orient de France, Paris – FRANCE ;1982 International Arts Gallery, Chicago – UNITED STATES ;1981 Galerie Vienner, Paris – FRANCE ;1980 Galerie Vienner, Paris – FRANCE ;1980 Musée Napoléonien, Antibes-Golfe-Juan – FRANCE ;1979 Galerie Vienner, Paris – FRANCE ;1977 Réalisation de huit grandes créations murales pour le Centre Hospitalier de Creil, Creil – FRANCE ;1969 Dayton's Gallery 12, Minneapolis – UNITED STATES ;1963 Joachim Gallery, Chicago – UNITED STATES ;1961 Galerie Saint-Germain, Paris – FRANCE ;1961 Savage Gallery, London – UNITED KINGDOM ;1961 Galerie Toulouse, Copenhagen – DENMARK ;1959 Galerie J.C. de Chaudun, Paris – FRANCE ;1959 Galerie Mistral, Brussels – BELGIUM ;1959 Centre Culturel et Artistique d'Uccle, Brussels – BELGIUM ;1957 Club Universitari de València, Valencia – SPAIN ;1957 Galeria d'Art Jaimes, Barcelona – CATALONIA – SPAIN ;1956 Galeria Clan, Madrid – SPAIN ;1956 Galeria d'Art Quint, Palma de Mallorca – Balearic Islands – SPAIN ;1955 "Ciclo Experimental d’Art Nou", Galeries Jardin, Barcelona – CATALONIA – SPAIN ;1955 Casino de Ripoll, Ripoll – SPAIN ;1955 Galeries Laietanes, Barcelona – CATALONIA – SPAIN ;1955 Galeria Sur, Santander – SPAIN

Retrospectives

* Fundació Vila Casas, Can Framis, Barcelona – Spain

Museums/Public collections

* Museu de l’Hospitalet, Barcelona – Spain
Museu de Montserrat
Barcelona – Spain
Fundació Vila Casas
Barcelona – Spain * MACBA, Museu d’Art Contemporani, Barcelona – Spain * Fons d'Art de la

Generalitat de Catalunya The Generalitat de Catalunya (; oc, label= Aranese, Generalitat de Catalonha; es, Generalidad de Cataluña), or the Government of Catalonia, is the institutional system by which Catalonia politically organizes its self-government. It is formed ...

, Barcelona – Spain * Museu de Ceràmicas, Manises – Spain * Artecovi, Fundación, Madrid – Spain * Musée de Chateauroux, France * Musée municipal de Bourg-en-Bresse, France * Musée d’Art et Histoire, Rochefort – France * Grand Théâtre (Angers), France * Centre d'art sacré contemporain de Lille, France

Bibliography

* Roberta Bosco, "Recuperación de un olvidado",

El Pais EL, El or el may refer to: Religion * El (deity), a Semitic word for "God" People * EL (rapper) (born 1983), stage name of Elorm Adablah, a Ghanaian rapper and sound engineer * El DeBarge, music artist * El Franco Lee (1949–2016), American p ...

Barcelona 2012 * Montse Frisach, "Rescatat de l’oblit", El Punt/Avui, Barcelona 2012 * Natalia Farré, "Jiménez-Balaguer 55 años después",

El Periodico EL, El or el may refer to: Religion * El (deity), a Semitic word for "God" People * EL (rapper) (born 1983), stage name of Elorm Adablah, a Ghanaian rapper and sound engineer * El DeBarge, music artist * El Franco Lee (1949–2016), American p ...

, Barcelona 2012 * Toni Mata i Riu, "Força sìgnica", Regio 7, Barcelona 2012 * Albert Mercadé, "L’emergència del signe", Escrits Arts, Barcelona, Catalunya, 2012Albert Mercadé/escrits/arts-Llorenç Jiménez Balaguer. L’emergència del signe
/ref> * José Corredor Matheos, "El retorn del nostre Jiménez-Balaguer", Fundació Vila Casas, Barcelona 2012 * Joan Gil, "El paisatge de la memoria", Andorra 2010 * Tomás Paredes, "El arte sirve para ir mas alla de la muerte", Agora-El Punto, perfil L.Jiménez-Balaguer, Madrid 2007 * Tomás Paredes, "Jiménez-Balaguer, Cuerpo de una memoria", El Punto de las Artes, Madrid 2007 * Tomás Paredes, "La unión de lo telúrico y lo celestial",

La Vanguardia ' (; , Spanish for "The Vanguard") is a Spanish daily newspaper, founded in 1881. It is printed in Spanish and, since 3 May 2011, also in Catalan (Spanish copy is automatically translated into Catalan). It has its headquarters in Barcelona and i ...

, Barcelona, Madrid 2007 * Antonio Madrigal, "Desgarramiento necesario, pinturas de Jiménez-Balaguer", El Adelantado, Segovia, Spain 2007 * Lydia Harambourg, "L'au-delà du miroir", Le Magazine – de Musées en Galeries, Paris, France 2006 * Tomás Paredes, "El mas alla del espejo", El Punto de las Artes, Madrid 2006 * Tomás Paredes, "Jiménez-Balaguer, recuerdos escondidos", "El Punto de las Artes", Madrid 2003 * Lydia Harambourg, "Les signes telluriques de Laurent Jiménez-Balaguer", La Gazette Drouot, Paris, France * Lydia Harambourg, "Jiménez-Balaguer", de Musées en Galeries, La Gazette Drouot, Paris 2002 * Tomás Paredes, "Jiménez-Balaguer, huellas de una memoria", El Punto de las Artes, Madrid, Spain * Elisée Trenc, "Jiménez-Balaguer, l'élan vital", Paris, France * Lydia Harambourg, "2000 ans de quoi ?", Grand Théâtre d'Angers, Claude Sabet Éditeur, Genève, 1999 * B. Guyomar, "Jiménez-Balaguer, cordes et âme", Courrier de l'Ouest, France * Lydia Harambourg, La Gazette Drouot, Paris, France * Michel Nuridsany, "Une ouverture", Les Cordeliers, Châteauroux, France 1997 * Kim Sang Ong-Van-Cung, "La figure de la création", Paris 1997 * Arthur et Yves Desclozeaux, "Au bout de la rue ... peintres et sculpteurs de Boulogne", Éditions Turbulences, 1992 * Chantal Cusin-Berche, "Le signe de l'absolu", France 1991 * Michel Giroud, "Le combat de la peinture, la peinture d'un combat", Centre d'Art Contemporain, Corbeil-Essonnes, France * Pierre Restany/Gérard Xuriguera, "Le corps d'une mémoire", Herford, R.F.A, Drudk + Lithographie GmbH Éditeur, 1990 * Gérard Xuriguera, "Jiménez-Balaguer, œuvres des années 60", Genève, Claude Sabet Éditeur *

Catherine Francblin Catherine Francblin is a French art critic, art historian, and independent curator. Career Francblin joined Art Press magazine in 1975 and was the editor-in-chief until 1992. She then joined the Paris Modern Art Museum where she headed the Ed ...

, Paris, France 1989 * Enté, alias Alexis Virginie Jimenez, "Réalité Autre", Paris, France 1987 * Claude Bouyeure, "Jiménez-Balaguer : Ligne après ligne", Magazine d’Art Cimaise, n° 176, France 1985 * Gérard Xuriguera, "La substance première", Paris, France * Alain Macaire, Canal, n°1 * Ben Milard, París, Les Cahiers de la peinture, n° 181 * Claude Dorval, "Les peintures de Jiménez-Balaguer", Paris, Profils, 1984 * Yak Rivais, Paris, Les Cahiers de la peinture, n° 119 * Alain Macaire, "Une mémoire cosmique", Canal, n° 39 * Michel Arsene-Henry, Paris, Art Press, n° 48, 1981 * Claude Dorval, Paris, France * Donatella Micault, "Un peintre, une œuvre : Jiménez-Balaguer", La Presse Française, 1980 * Claude Dorval, Art Press, n° 38 * Paule Gauthier, "Jiménez-Balaguer – Vers Un méta-matérialisme", Magazine d’Art Cimaise, n° 143, France, 1979 * Adam Saulnier, Paris * G. Gassiot-Talabot, Magazine d’Art Cimaise, n° 53, 1961 * Stephen Spender, London * Jasia Reicharat, Apollo, Modern Art in London, London * M.F. Prieto, "Jiménez-Balaguer : l'art comme mystique" * Robert Vrinat, Paris 1960 * Jamil Hamoudi, "Jiménez-Balaguer", Paris, Collection Arts et Lettres, Éditions Ishtar * Maurice Gieure, Paris * Jean Sylvain, Paris 1959 *

Jean-Albert Cartier Jean-Albert Cartier (15 May 1930 – 27 December 2015) was a French art critic and director of cultural institutions. He was director of the Paris Opera from 1989 to 1991. Life Born in Marseille, passionate about the visual arts, Cartier studied ...

, Paris * Denys Chevalier, Paris, Aujourd'hui, n° 26 * Alberto del Castillo,

Diario de Barcelona The ''Diario de Barcelona'' (catalán: ''Diari de Barcelona'') (The Barcelona Journal) was a newspaper founded in 1792 in Barcelona, Catalonia, Spain. With a few interruptions it was published in paper form until 1994, and in digital form until ...

, mars 1957 * Jorge del Castillo, Barcelona, Revista Fotogramas, n° 430 * Joan Fuster, "Peintura de Jiménez-Balaguer", Valencia * José Maria de Martin, "La Jirafa", abril 1957 * Àngel Marsà, Correo catalán, febrero 1957 * Rafael Manzano, "La peinture pathétique de Jiménez-Balaguer" La Revista, n° 254, 1956 * Manuel Sánchez-Camargo, Palma de Mallorca, 1956 * Cesáreo Rodríguez-Aguilera, La Jirafa, Barcelona, Madrid 1956 * José de Castro Arines, "La pintura de Jiménez-Balaguer", Informaciones, Madrid 1956 * Juan Eduardo Cirlot, "Jiménez-Balaguer", monografía, Barcelona 1956 * Manuel Sánchez-Camargo, Revista, 1956, Manuel ARCE, "La peinture de Jiménez Balaguer", Alerta, Santander 1955 * Sebastià Gasch/Josep Maria de Sucre i de Grau, Barcelona * Cesáreo Rodríguez-Aguilera, " Message du peintre ", Revista, febrero-marzo 1955 * Cesáreo Rodríguez-Aguilera, " Création et Communication" Santander 1955 * Español Vinas, "Jiménez-Balaguer et sa peinture", Barcelona, Imagenez y el Arte * Sebastià Gasch, "Avec Jiménez-Balaguer", Destino, Barcelona 1954 * Àngel Marsà, "Quinze minutes devant les tableaux de Jiménez-Balaguer"

References

External links

*
Site Laurent Jiménez-balaguer
*

*
Web oficial de Bonart

Official Laurent Jiménez-Balaguer Website
{{DEFAULTSORT:Jimenez-Balaguer, Laurent 2015 deaths 1928 births Art Informel and Tachisme painters 21st-century French painters 21st-century French male artists 20th-century French painters 20th-century French male artists French male painters Painters from Paris Painters from Barcelona Painters from Catalonia Sculptors from Catalonia 20th-century French sculptors French male sculptors