Killing Me Softly with His Song

"Killing Me Softly with His Song" is a song composed by Charles Fox with lyrics by Norman Gimbel. The lyrics were written in collaboration with Lori Lieberman after she was inspired by a Don McLean performance in late 1971. Denied writing credit by Fox and Gimbel, Lieberman released her version of the song in 1972, but it did not chart. The song has been covered by many other artists.

In 1973, it became a number-one hit in the United States, Australia and Canada for Roberta Flack, and also reached number six in the UK Singles Chart. In 1996, Fugees recorded the song with Lauryn Hill on lead vocals, their version became a number-one hit in twenty countries. The version by Flack won the 1974 Grammy for Record of the Year and Best Female Pop Vocal Performance. In 1988, it appeared on Al B. Sure’s debut album, In Effect Mode, which sat atop the Billboard R&B charts for 7 weeks. The version by Fugees won the 1997 Grammy for Best R&B Performance by a Duo or Group with Vocal. Propelled by the success of the Fugees track, the 1972 recording by Roberta Flack was remixed in 1996 by Jonathan Peters, with Flack adding some new vocal flourishes; this version topped the Hot Dance Club Play chart. Since then, Flack and Fugees have performed the song together. The versions by the Fugees and Roberta Flack were both placed on the 2021 revised list of ''Rolling Stone'''s 500 Greatest Songs of All Time.

After decades of confirming Lieberman's contribution, Fox and Gimbel changed their story about the song's origins to downplay her role. Gimbel threatened McLean with a lawsuit in 2008, demanding he remove from his website an assertion that McLean was the inspiration for "Killing Me Softly," but McLean responded by showing Gimbel his own words confirming the inspiration, published in 1973.

Lori Lieberman version

Aspiring musician Lori Lieberman was 19 years old in 1971 when she was introduced to veteran songwriter Norman Gimbel and composer Charles Fox; the two men signed her to a management contract in which they would write her songs and manage her career, and take 20% of her income. The three shared a common Jewish heritage and Scorpio astrological signs, and they began to pool songwriting ideas. Gimbel also began an affair with Lieberman, even though he was 24 years older and married. They kept the affair a secret for years.

In November 1971, Lieberman, then 20, went out with her friend Michele Willens to see Don McLean perform at the Troubadour nightclub in Los Angeles. McLean's hit song " American Pie" was rising in the charts, but Lieberman was strongly affected by McLean singing another song: "Empty Chairs". This song spurred her to write poetic notes on a paper napkin while he was performing the song. Willens confirms that Lieberman was "scribbling notes" on a napkin as soon as McLean began singing the song. After the concert, Lieberman phoned Gimbel to read him her napkin notes and share her experience of a singer reaching deep inside her world with his song. Lieberman's description reminded Gimbel of a song title that was already in his idea notebook, the title "killing us softly with some blues". Gimbel expanded on Lieberman's notes, fleshing them out into song lyrics. Gimbel said in 1973 that "Her conversation fed me, inspired me, gave me some language and a choice of words." Gimbel passed these lyrics to Fox, who set them to music.

Lieberman recorded the song in late 1971 and released it as a single in 1972, produced by Gimbel and Fox. This version did not chart. Lieberman promoted the album by touring, and she always introduced the song "Killing Me Softly" by describing its origin in the McLean performance. Gimbel and Fox even wrote out for her this introduction of the song so that she could deliver it consistently at each performance. In 1973 in her first appearance on national television, Lieberman described this same origin story on ''The Mike Douglas Show'' after performing the song. When Lieberman toured through Canada in 1974 to promote her second album, ''Billboard'' magazine carried a public relations piece from Capitol Records about the three-way "song-producing team" of Lieberman/Gimbel/Fox, including a description of the Don McLean performance inspiring the song "Killing Me Softly". Gimbel was quoted saying that he relied on Lieberman to inspire his songwriting creativity since he had passed the most creative days of his youth: "Now I need a reason to write, and Lori is one of the best reasons a lyricwriter could have."

Don McLean said in 1973 that he was surprised to find out that the song described his singing. "I'm absolutely amazed. I've heard both Lori's and Roberta's version and I must say I'm very humbled about the whole thing. You can't help but feel that way about a song written and performed as well as this one is."

Disputed origin

In the 1970s both Gimbel and Fox were in agreement with Lieberman about the song's origin at a McLean concert. Sean Derek, who worked for Gimbel and Fox as an assistant in the 1970s, confirmed that the two men would tell the McLean origin story "all the time". However, Gimbel and Fox changed their stories around 1997, to reduce or dismiss Lieberman's contribution.

In 1976, the Lieberman/Gimbel/Fox songwriting team turned sour. Gimbel had divorced his wife three years earlier, but Lieberman eventually stopped the sexual relationship she had with Gimbel because he "had become emotionally abusive, controlling and unfaithful." She asked to be freed of her contract. Gimbel and Fox directed their lawyers to demand $27,000 from Lieberman to pay expenses, and to demand another $250,000 of her future income. Lieberman's lawyer, Frederic Ansis, recalled later that Gimbel and Fox could have been "nice guys" like other managers in the industry who released their unsuccessful artists, but they chose the other route.

By 1997, Lieberman had long severed her ties to Gimbel, but she reconnected with Fox, who attended a concert of hers. Lieberman was interviewed by ''The New York Times'' about her recent songwriting work. In this interview she said that when she was young, Gimbel and Fox had been "very, very controlling. I felt like I was pushed on stage, and I was singing other people's material, although that material was based on my private diaries. I felt victimized for most of my early career." Fox never spoke to her again after this revelation.

In 2008, Gimbel demanded that McLean remove text from his website, the text saying that McLean was the inspiration for "Killing Me Softly". McLean did not remove the text; instead, McLean's lawyer sent Gimbel a copy of a 1973 ''New York Daily News'' article in which Gimbel is quoted and seems to agree with Lieberman's account. In the article, Lieberman is asked how the song came about and what its inspiration was.

Gimbel's contribution supports Lieberman's stance:

Lieberman then adds:

Fox published a memoir in 2010, ''Killing Me Softly, My Life in Music'', which contained nothing about the McLean performance inspiring the song, and downplayed Lieberman's role in the songwriting team. When Dan MacIntosh of Songfacts asked Fox in 2010 about the McLean origin story, Fox said, "I think it's called an urban legend. It really didn't happen that way." He described Gimbel and himself writing the song, then playing it for Lieberman later, who was reminded of McLean's singing. Fox said that "somehow the words got changed around so that we wrote it based on Don McLean..."

Gimbel described in 2010 how he had been introduced to the Argentinian-born composer Lalo Schifrin (then of '' Mission: Impossible'' fame) and began writing songs to a number of Schifrin's films. Both Gimbel and Schifrin made a suggestion to write a Broadway musical together, and Schifrin gave Gimbel an Argentinean novel—''Hopscotch'' by Julio Cortázar—to read as a possible idea. The book was never made into a musical, but in chapter two, the narrator describes himself as sitting in a bar listening to an American pianist friend "kill us softly with some blues". Gimbel put the phrase in his notebook of song ideas for use at a future time.

Lieberman released a song in 2011 called "Cup of Girl" with lyrics about being used by someone who would "rifle through her diary" to write songs about her, who was dishonest, promiscuous and took advantage of her. Lieberman says that Gimbel contacted her after the song was published, sending angry emails, but Lieberman deleted the emails instead of responding to them. Gimbel died in 2018.

In 2020, Lieberman said she was not seeking money or official songwriting credit, she just wanted the world to know the correct origin of the song.

Roberta Flack version

Lieberman was the first to record the song in late 1971, releasing it in early 1972. Helen Reddy has said she was sent the song, but "the demo... sat on my turntable for months without being played because I didn't like the title".

Roberta Flack first heard the song on an airplane, when the Lieberman original was featured on the in-flight audio program. After scanning the listing of available audio selections, Flack would recall: "The title, of course, smacked me in the face. I immediately pulled out some scratch paper, made musical staves henplay dthe song at least eight to ten times jotting down the melody that I heard. When I landed, I immediately called Quincy onesat his house and asked him how to meet Charles Fox. Two days later I had the music." Shortly afterwards Flack rehearsed the song with her band in the Tuff Gong Studios in Kingston, Jamaica, but did not then record it.

In September 1972, Flack was opening for Marvin Gaye at the Los Angeles Greek Theater; after performing her prepared encore song, Flack was advised by Gaye to sing an additional song. Flack later said, "I said well, I got this song I've been working on called 'Killing Me Softly...' and he said 'Do it, baby.' And I did it and the audience went crazy, and he walked over to me and put his arm around me and said, 'Baby, don't ever do that song again live until you record it.

Released in January 1973, Flack's version spent a total of five non-consecutive weeks at number one in February and March, more weeks than any other record in 1973. ''Billboard'' ranked it as the No. 3 song for 1973.

Charles Fox suggested that Flack's version was more successful than Lieberman's because Flack's "version was faster and she gave it a strong backbeat that wasn't in the original".''Daeida'' February 2012. p. 11 According to Flack: "My classical background made it possible for me to try a number of things with he song's arrangement I changed parts of the chord structure and chose to end on a major chord. he songwasn't written that way." The single appeared as the opening track of her ''Killing Me Softly'' album, issued in August 1973.

Flack won the 1973 Grammy Award for Record of the Year and Best Female Pop Vocal Performance, for the single, with Gimbel and Fox earning the Song of the Year Grammy.

In 1996, a house remix of Flack's version went to number one on the US dance chart.

In 1999, Flack's version was inducted into the Grammy Hall of Fame. It ranked number 360 on ''Rolling Stone''s list of The 500 Greatest Songs of All Time and number 82 on ''Billboard''s greatest songs of all time.

Personnel

Credits are adapted from AllMusic.

* Roberta Flack – vocals, pianos, rhythm track arrangement
* Eric Gale – guitars
* Ron Carter – bass
* Grady Tate – drums
* Ralph MacDonald – congas, percussion, tambourine

Charts

Weekly charts

All-time charts

Fugees version

American Hip-hop group Fugees released their version of the song (titled "Killing Me Softly") on their debut album, '' The Score'' (1996), with Lauryn Hill singing the lead vocals. Fugees' version became an international hit, reaching number one on the U.S. Top 40 chart and number two on the U.S. airplay chart. The song topped the charts in over twenty countries. In the United Kingdom it was the best-selling single of 1996, additionally it is the country's biggest hip hop song by a group, and remains one of the best-selling singles of all time in the United Kingdom. It was also the best-selling single of 1996 in Belgium, Germany, Iceland, and the Netherlands. It has since sold 1.36 million copies in United Kingdom, and has been certified 3× Platinum by the British Phonographic Industry. In the United States, the song has been certified 3× Platinum by the Recording Industry Association of America, for selling approximately three million units in the U.S.

This version sampled the 1990 song " Bonita Applebum" by A Tribe Called Quest