Khigga
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Khigga is a style of
Assyrian folk dance Assyrian folk dances are sets of dances that are performed throughout the world by Assyrians, mostly on occasions such as weddings, community parties and other jubilant events. Assyrian folk dances are mainly made up of circle dances like ball ...
in which multiple dancers hold each other's hands and form a semi-
circle A circle is a shape consisting of all points in a plane that are at a given distance from a given point, the centre. Equivalently, it is the curve traced out by a point that moves in a plane so that its distance from a given point is con ...
or a curved line. There are multiple foot patterns that dancers perform. Its thought to have been danced for thousands of years. It is one of the most common and simplest Assyrian folk dances, generally performed at
weddings A wedding is a ceremony where two people are united in marriage. Wedding traditions and customs vary greatly between cultures, ethnic groups, religions, countries, and social classes. Most wedding ceremonies involve an exchange of marria ...
and other joyous occasions. Set in
common time The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note val ...
, khigga is accompanied by a moderate dance
beat Beat, beats or beating may refer to: Common uses * Patrol, or beat, a group of personnel assigned to monitor a specific area ** Beat (police), the territory that a police officer patrols ** Gay beat, an area frequented by gay men * Battery (c ...
and is usually performed to Assyrian folk/pop music. To note, the term ''Khigga'' is occasionally used to denote all the Assyrian folk circle dances, i.e. "Khigga'd Belaty" ("Khigga of Belaty"), "Khigga'd Gubareh", etc.THIRTY ASSYRIAN FOLK DANCES
by Pete Pnuel Bet Basoo from AINA


Background

Khigga is traditionally danced with music played on the
zurna The zurna ( Armenian: զուռնա zuṙna; Old Armenian: սուռնայ suṙnay; Albanian: surle/surla; Persian: karna/Kornay/surnay; Macedonian: зурла/сурла zurla/surla; Bulgarian: ''зурна/зурла''; Serbian: зурла/zu ...
, supported by a
davul The davul, dhol, tapan, atabal or tabl is a large double-headed drum that is played with mallets. It has many names depending on the country and region. These drums are commonly used in the music of the Middle East and the Balkans. These drums ...
, but in recent years, both acoustic and electronic instruments have started to replace them. The khigga has spread from Anatolia to many other regions, such as
Armenia Armenia (), , group=pron officially the Republic of Armenia,, is a landlocked country in the Armenian Highlands of Western Asia.The UNbr>classification of world regions places Armenia in Western Asia; the CIA World Factbook , , and ' ...
and the
Balkans The Balkans ( ), also known as the Balkan Peninsula, is a geographical area in southeastern Europe with various geographical and historical definitions. The region takes its name from the Balkan Mountains that stretch throughout the who ...
. The khigga is a group of traditional hand-holding dances similar to those from the
Balkans The Balkans ( ), also known as the Balkan Peninsula, is a geographical area in southeastern Europe with various geographical and historical definitions. The region takes its name from the Balkan Mountains that stretch throughout the who ...
and
Eastern European Eastern Europe is a subregion of the European continent. As a largely ambiguous term, it has a wide range of geopolitical, geographical, ethnic, cultural, and socio-economic connotations. The vast majority of the region is covered by Russia, whi ...
countries, with a single or a couple of figure dancers often added to the geometrical centre of the dancing circle. In Assyrian weddings, as well as parties and other various social gatherings, people may dance khigga for hours. Every region has its own style and forms. Khigga is simple to dance and it is the first beat that is played in welcoming the
bride A bride is a woman who is about to be married or who is newlywed. When marrying, the bride's future spouse, (if male) is usually referred to as the '' bridegroom'' or just ''groom''. In Western culture, a bride may be attended by a maid, bri ...
and groom to the
reception Reception is a noun form of ''receiving'', or ''to receive'' something, such as art, experience, information, people, products, or vehicles. It may refer to: Astrology * Reception (astrology), when a planet is located in a sign ruled by another ...
hall.


Technique

As with most Assyrian folk dances, khigga assumes an open circular shape and is open-ended, where more and more participants can join throughout the dance session. In a restricted floor space (e.g. a lot of tables), the dance would tend to vine around the room and assume spiral, circular and curvy shapes. Arms are predominantly used which usually move independently of the legs. Arm motions include bouncing, swinging forward and back, moving side-to-side. The
torso The torso or trunk is an anatomical term for the central part, or the core, of the body of many animals (including humans), from which the head, neck, limbs, tail and other appendages extend. The tetrapod torso — including that of a huma ...
, along with the shoulders and arms, bounces up and down rhythmically, often independently of the legs.
Stomp Stomp may refer to: *Stomp (strike), a downwards kick using the heel Music and dance * ''Stomp'' (album), by Big D and the Kids Table, 2013 * Stomp (jazz), a type of rhythmic jazz tune popular in the 1920s *Stomp (theatrical show), a percussive p ...
s and stamps are also present. Khigga goes by the time signature of and
tempo In musical terminology, tempo ( Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (ofte ...
between 100 and 115. Connection can also be made by pinkies, such as in the variant danced by Assyrians from Syria ("''khigga'd suria''" or ''"beriye''"), which is accompanied by a faster beat, usually at around 115-120bpm, where the dancers wave their connected pinkies whilst taking a few steps forward and one step backwards in a brisk manner. This Syrian khigga form is generally danced from left to right and it also is the first beat danced in a Syrian-Assyrian wedding when the married couple are welcomed in the reception. Khigga has other varieties such as "Heavy Khigga" or "Normal/Standard Khigga". With Heavy Khigga (or "Khigga Yaqoora" in
Assyrian Assyrian may refer to: * Assyrian people, the indigenous ethnic group of Mesopotamia. * Assyria, a major Mesopotamian kingdom and empire. ** Early Assyrian Period ** Old Assyrian Period ** Middle Assyrian Empire ** Neo-Assyrian Empire * Assyrian ...
), the tempo is 'heavier', as its title suggests, where the participants would make more ardent and exaggerated moves, such as knee
bending In applied mechanics, bending (also known as flexure) characterizes the behavior of a slender structural element subjected to an external load applied perpendicularly to a longitudinal axis of the element. The structural element is assumed to ...
and rhythmical shoulder motions. It is not to be confused with ''Siskani'', as that dance beat is faster and has distinguishing techniques. The Siskany dance, which may be deemed a khigga variant, is a much faster paced form of khigga where the dancers bend their knees and briskly shake their shoulders in a zippy manner, or just move forwards and backwards. Sometimes the khigga beat is Modulation (music), geared up to this to indicate a climactic end. The head of the khigga line, referred to as "Resha d'khigga" (ܪܝܫܐ ܕܚܓܐ), usually dances with a ''Yalekhta'' (ܝܠܚܬܐ), or a handkerchief with beads and bells added to the sides so it jingles when shaken. A Yalekhta can have many different designs on the piece of cloth. A "copala" (ܟܘܦܠܐ), or decorated Walking stick, cane, is also used at many Assyrian weddings. Among Iraqi Assyrians, khigga goes from right to left, whereas Assyrians from Syria generally dance the khigga from left to right.


See also

*Kochari *Dabke *Tamzara


References

{{Music of Southeastern Europe (the Balkans) Middle Eastern music Assyrian dances Middle Eastern dances Circle dances Group dances