Hindustani classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sit ...
raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as ...
within the
Khamaj
Khamaj () is a Hindustani classical Music raga within the Khamaj thaat which is named after it.
Many ghazals and thumris are based on Khamaj. It utilises the shuddha (pure) form of Ni on the ascent, and the komala (flat) form of Ni on the desce ...
thaat
A Thaat () is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term ''Melakartha raga'' of Carnatic Music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because t ...
which is named after it.
Many
ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a ...
s and
thumris
Thumri () is a vocal genre or style of Indian music. The term "thumri" is derived from the Hindi verb ''thumuknaa'', which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, d ...
are based on Khamaj. It utilises the shuddha (pure) form of Ni on the ascent, and the komala (flat) form of Ni on the descent, creating a key asymmetry in compositional and improvisational performance. This raga has been explored more in the lighter forms of Hindustani Classical Music such as
Thumri
Thumri () is a vocal genre or style of Indian music. The term "thumri" is derived from the Hindi verb ''thumuknaa'', which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dr ...
,
Tappa Tappa is a form of Indian semi-classical vocal music. Its specialty is a rolling pace based on fast, subtle and knotty construction. Its tunes are melodious and sweet, and depict the emotional outbursts of a lover. Tappe (plural) were sung mostly by ...
etc. Yet a many compositions in
Dhrupad
Dhrupad is a genre in Hindustani classical music from the Indian subcontinent. It is the oldest known style of major vocal styles associated with Hindustani classical music, Haveli Sangeet of Pushtimarg Sampraday and also related to the South I ...
and
Khayal
Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the perfo ...
are found as well.
Harikambhoji
Harikambhoji (pronounced harikāmbhōji) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 28th ''Melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system.
One of the first scales employed b ...
is the equivalent rāgam in
Carnatic music
Carnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It ...
Arohana
Arohana, Arohanam or Aroha, in the context of Indian classical music, is the ascending scale of notes in a raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The pitch increases as we g ...
:
Avroha
An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitch ...
Dhrupad
Dhrupad is a genre in Hindustani classical music from the Indian subcontinent. It is the oldest known style of major vocal styles associated with Hindustani classical music, Haveli Sangeet of Pushtimarg Sampraday and also related to the South I ...
,
Sadra
The Iran Marine Industrial Company ( fa, شرکت صنعتی دریایی ایران), also known as SADRA, was founded in 1968 as a small ship repair yard in Bushehr. Since then, SADRA has established itself as the leading shipbuilding and shipr ...
,
Khayal
Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the perfo ...
,
Thumri
Thumri () is a vocal genre or style of Indian music. The term "thumri" is derived from the Hindi verb ''thumuknaa'', which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dr ...
&
Tappa Tappa is a form of Indian semi-classical vocal music. Its specialty is a rolling pace based on fast, subtle and knotty construction. Its tunes are melodious and sweet, and depict the emotional outbursts of a lover. Tappe (plural) were sung mostly by ...
styles :
*Sudhi Bisara Gayi...(
Sadra
The Iran Marine Industrial Company ( fa, شرکت صنعتی دریایی ایران), also known as SADRA, was founded in 1968 as a small ship repair yard in Bushehr. Since then, SADRA has established itself as the leading shipbuilding and shipr ...
form – in 10 beat cycle of
Jhaptal
Jhaptal is a tala of Hindustani music. It presents quite a different rhythmical structure from Teental, unlike which it is not symmetrical. It is used in madhyalay (medium-tempo) Khyal.
Arrangement
Jhaptal is a 10-beat pattern used in raga expos ...
. Sung by
Abdul Karim Khan
Ustad Abdul Karim Khan ( Devanagari: उस्ताद अब्दुल करीम ख़ान, Persian: ) (11 November 1872 – 27 October 1937)Kirana Gharana)
*"Ban Ban Dhunda liyo banvari......"(Set in
TeenTal
Teentaal (alternatively spelled tintal, teental, or tintaal, and also called trital; Hindi: तीन ताल) is the most common '' taal'' of Hindustani Classical Music, and is used for ''drut'' (fast tempo). It is symmetrical and presents a ...
TeenTal
Teentaal (alternatively spelled tintal, teental, or tintaal, and also called trital; Hindi: तीन ताल) is the most common '' taal'' of Hindustani Classical Music, and is used for ''drut'' (fast tempo). It is symmetrical and presents a ...
Agra Gharana
The Agra gharana is a tradition of Hindustani classical vocal music descended from the Nauhar Bani. So far, Nauhar Bani has been traced back to around 1300 AD, during the reign of Emperor Allauddin Khilji of Delhi.
The first known musician of ...
)
*Koyaliyan Kuhuk/Kook Sunaave... (Khayal/Bandishi Thumri form – in 16 beat cycle of Teentala. Sung by Nisar Hussain Khan of Rampur Gharana,
Ajoy Chakrabarty
Pandit Ajoy Chakrabarty (born 25 December 1952) is an Hindustani classical vocalist, composer, lyricist and an exponent of the Patiala-Kasur gharana. He was given Padma Bhushan Award, the third highest civilian award in India in 2020.
Early li ...
Dhrupad
Dhrupad is a genre in Hindustani classical music from the Indian subcontinent. It is the oldest known style of major vocal styles associated with Hindustani classical music, Haveli Sangeet of Pushtimarg Sampraday and also related to the South I ...
form – in 14 beat cycle of Dhamar Tala. Sung by N. Zahiruddin Dagar & F. Wasfuddin Dagar)
*Ab Maan Jao Saiyaan...(Dadra) sung by Ustad Ghulam Abbas Khan of Rampur Sahaswan Gharana
*Sudh Naa Lini Jabse Gaye... ( Dadra form – Sung by Faiyaz Khan of
Agra Gharana
The Agra gharana is a tradition of Hindustani classical vocal music descended from the Nauhar Bani. So far, Nauhar Bani has been traced back to around 1300 AD, during the reign of Emperor Allauddin Khilji of Delhi.
The first known musician of ...
and also Mentioned in Vishnu Narayan Bhatkhande's Kramik Pustak Malika Vol. 2)
Hindi Film Songs based on Raga Khamaj:
* Bada natkhat hai...ka kare yashoda maiya, "Kuchh Toh Log Kahenge" and ''Raina Beet Jaye (with
Todi
Todi () is a town and ''comune'' (municipality) of the province of Perugia (region of Umbria) in central Italy. It is perched on a tall two-crested hill overlooking the east bank of the river Tiber, commanding distant views in every direction.
I ...
in mukhara)'' – '' Amar Prem''
* Ayo kahanse ghanashyam – Buddha Mil Gaya
* Vo na aenge palatkar – Devdaas
* A dilse dil mila le – ''
Navrang
Navrang is a 1959 Indian Hindi-language film co-written and directed by V. Shantaram. The film is noted for its dance sequences with lead actress Sandhya and music by C. Ramchandra, while playback singer Mahendra Kapoor made his singing debut wi ...
''
* Dhal chuki shame Gam – Kohinoor
* Khat likha de savariyake nam babu
* Mere to giridharagopala – Meera
* Tere bina sajna lage na jiya hamar – Aarti
* Tere mere milan ki ye raina – Abhimaan
* Khamaj – Fuzön sung by
Shafqat Amanat Ali
Shafqat Amanat Ali Khan ( ur, ; ; born 26 February 1965) is a Pakistani pop and classical singer, songwriter, and composer belonging to the Patiala Gharana tradition of music. He was the lead vocalist of the Pakistani pop rock band Fuzön ...
* Mitwa – Kabhi alvida na kehna
The Narsinh Bhajan "
Vaishnav jan to
"Vaishnava Jana To" ''(meaning:- Call those people Vaishnav or The devotee of Vishnu)'' is a Hindu bhajan, written in the 15th century by the poet Narsinh Mehta in the Gujarati language. The poem speaks about the life, ideals and mentality of a Va ...
" is also based on Khamaj.
The Sargam Geet is as follows: set to teentaal, that is sixteen beats:
This is the Prelude to the Sargam Geet, the underscore signifies the avagraha i.e. prolongation of the immediate previous note by one beat for one _ and three beats in case of _ _ _
Film Songs
Language:
Tamil
Tamil may refer to:
* Tamils, an ethnic group native to India and some other parts of Asia
** Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils
**Tamil Malaysians, Tamil people native to Malaysia
* Tamil language, na ...
Notes
Notable songs
#Kuch To Log Kahenge
#Tere Mere Milan Ki Ye Raina
#Mora Saiyyan Mose Bole
# Vaishnava Jana To(in Mishra Khamaj)