Shunshō Katsukawa ( ja, 勝川春章; 1726 – 19 January 1793) was a Japanese painter and printmaker in the '' ukiyo-e'' style, and the leading artist of the Katsukawa school. Shunshō studied under

Miyagawa Shunsui was a Japanese painter and printmaker in the ''ukiyo-e'' style. He is sometimes known as Katsukawa Shunsui, having taught Katsukawa Shunshō and founded the Katsukawa school style. Shunsui was the son and student of artist Miyagawa Chōshun; he ...

, son and student of

Miyagawa Chōshun Miyagawa Chōshun ( ja, 宮川長春; 1683 – 18 December 1753) was a Japanese painter in the ukiyo-e style. Founder of the Miyagawa school, he and his pupils are among the few ukiyo-e artists to have never created Woodblock printing ...

, both equally famous and talented ukiyo-e artists. Shunshō is most well known for introducing a new form of ''

yakusha-e ''Yakusha-e'' (役者絵), often referred to as "actor prints" in English, are Japanese woodblock prints or, rarely, paintings, of kabuki actors, particularly those done in the '' ukiyo-e'' style popular through the Edo period (1603–1867) an ...

'', prints depicting

Kabuki is a classical form of Japanese dance- drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is though ...

actors. However, his ''

bijin-ga is a generic term for pictures of beautiful women () in Japanese art, especially in woodblock printing of the ukiyo-e genre. Definition defines as a picture that simply "emphasizes the beauty of women", and the ''Shincho Encyclopedia o ...

'' (images of beautiful women) paintings, while less famous, are said by some scholars to be "the best in the second half of the 8th/nowiki> century".Paine, Robert Treat and

Alexander Soper Alexander Coburn Soper III (February 18, 1904 – January 13, 1993) was an American art historian who specialized in Asian art. He was a longtime editor of the journal ''Artibus Asiae'' and professor at the Institute of Fine Arts of New York Uni ...

(1955). ''The Art and Architecture of Japan''. New Haven: Yale University Press. p. 263.

Biography

Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the

Torii school A is a traditional Japanese gate most commonly found at the entrance of or within a Shinto shrine, where it symbolically marks the transition from the mundane to the sacred. The presence of a ''torii'' at the entrance is usually the simplest ...

, he soon broke away and began his own style, which would later be dubbed the Katsukawa school. Among his students were the famous ukiyo-e artists Shunchō, Shun'ei, and Hokusai. Most of Shunshō's actor prints are in the ''hoso-e'' () format common at the time, but he created a great number of works in triptych or pentaptych sets. The depiction of large portrait-style heads and the insides of actors' dressing rooms is what truly set his work apart from that of earlier artists, however. He was also one of the first to pioneer realistic depictions of actors; in Shunshō's prints, unlike in the works of the Torii school, it was possible for the first time to distinguish not only the theatrical role, but also the actor portraying that role. Shunshō also made use often of the long and narrow ''hashira-e'' format. Though he painted many revered paintings of ''

bijin is a Japanese term which literally means "a beautiful person" and is synonymous with . Girls are usually called , while men are known as and boys are . The term originally derives from the Chinese word (), and the word is used widely in seve ...

'', he produced very few prints depicting them. ''Seirō Bijin Awase Sugata Kagami'' (青楼美人合姿鏡), "A Mirror Reflecting the Forms of Fair Women of the Green-Houses"), a printed book on which he collaborated with Kitao Shigemasa, is one of the only printed works containing ''bijin-ga'' by Shunshō. His paintings not only depicted elegantly painted women and fashions, but great attention is also paid to the landscape elements and architecture of the backgrounds. Though his prints belie a strong fascination with the theatre world, his paintings suggest the complete opposite.

Names

Originally Katsumiyagawa Yūsuke, "Katsukawa Shunshō" is one of many art-names (''gō'') taken on by the artist during his life. Others include Jūgasei, Ririn, Yūji, Kyokurōsei, and Rokurokuan.Frédéric, Louis (2002). "Japan Encyclopedia". Cambridge, Massachusetts: Harvard University Press. Prior to signing his works with one of these ''gō'', he used a stamp in the shape of a gourd surrounding the character ''mori'' (森), meaning "forest"。

References

External links

Grove Art DictionaryFAMSFShunshō in the collections of the Museum of Fine Arts, BostonBridge of dreams: the Mary Griggs Burke collection of Japanese art
a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on this artist (see index) {{DEFAULTSORT:Katsukawa, Shunsho 1726 births 1792 deaths 18th-century Japanese artists Katsukawa school Ukiyo-e artists