Kamalakanta Bhattacharya (West Bengal)
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Kamalakanta Bhattacharya ( bn, কমলাকান্ত ভট্টাচার্য; c. 1769–1821), also known as Sadhaka Kamalakanta, was a
Bengali Bengali or Bengalee, or Bengalese may refer to: *something of, from, or related to Bengal, a large region in South Asia * Bengalis, an ethnic and linguistic group of the region * Bengali language, the language they speak ** Bengali alphabet, the w ...
Shakta Shaktism ( sa, शाक्त, , ) is one of several major Hindu denominations, wherein the metaphysical reality is considered metaphorically a woman and Shakti ( Mahadevi) is regarded as the supreme godhead. It includes many goddesses, all ...
poet A poet is a person who studies and creates poetry. Poets may describe themselves as such or be described as such by others. A poet may simply be the creator ( thinker, songwriter, writer, or author) who creates (composes) poems (oral or w ...
and
yogi A yogi is a practitioner of Yoga, including a sannyasin or practitioner of meditation in Indian religions.A. K. Banerjea (2014), ''Philosophy of Gorakhnath with Goraksha-Vacana-Sangraha'', Motilal Banarsidass, , pp. xxiii, 297-299, 331 Th ...
of
India India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the List of countries and dependencies by area, seventh-largest country by area, the List of countries and dependencies by population, second-most populous ...
of the late 18th century. He is often considered to have followed the example of Ramprasad, both in his poetry and in his lifestyle.


Early life

Kamalakanta was born at Ambika Kalna in
Bardhaman Bardhaman (, ) is a city and a municipality in the state of West Bengal, India. It is the headquarters of Purba Bardhaman district, having become a district capital during the period of British rule. Burdwan, an alternative name for the city, ...
,
Bengal Presidency The Bengal Presidency, officially the Presidency of Fort William and later Bengal Province, was a subdivision of the British Empire in India. At the height of its territorial jurisdiction, it covered large parts of what is now South Asia an ...
. His father was Maheswar Bhattacharya, a
Brahmin Brahmin (; sa, ब्राह्मण, brāhmaṇa) is a varna as well as a caste within Hindu society. The Brahmins are designated as the priestly class as they serve as priests ( purohit, pandit, or pujari) and religious teachers ( ...
priest who died when Kamalakanta was still a boy. His mother, Mahamaya Devi, struggled financially to provide for the family with the meagre income from the small amount of land left to them, but she managed to send Kamalakanta to higher education. Kamalakanta was a bright student, studying
Sanskrit Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had Trans-cultural diffusion ...
and showing an early talent for poetry and music. It is said that "his heart opened to the love of God" when he received the sacred thread and was initiated into spiritual practice by Chandra Shekhar Goswami. From an early age he expressed an interest in spirituality and later in life Kamalakanta received initiation into Tantric
Yoga Yoga (; sa, योग, lit=yoke' or 'union ) is a group of physical, mental, and spiritual practices or disciplines which originated in ancient India and aim to control (yoke) and still the mind, recognizing a detached witness-consciou ...
from a Tantric
yogi A yogi is a practitioner of Yoga, including a sannyasin or practitioner of meditation in Indian religions.A. K. Banerjea (2014), ''Philosophy of Gorakhnath with Goraksha-Vacana-Sangraha'', Motilal Banarsidass, , pp. xxiii, 297-299, 331 Th ...
named Kenaram Bhattacharya.


Career

In order to support his family, Kamalakanta started a small school in addition to his work as a Brahmin priest. But Kamalakanta struggled to make ends meet. His songs made him famous during his lifetime. Because of his fame as a singer poet, the Maharaja of Bardhaman, Tej Chandra, asked Kamalakanta to be his Guru and appointed him as a court advisor. Throughout his life Kamalakanta was a great devotee of
Kali Kali (; sa, काली, ), also referred to as Mahakali, Bhadrakali, and Kalika ( sa, कालिका), is a Hindu goddess who is considered to be the goddess of ultimate power, time, destruction and change in Shaktism. In this tra ...
and composed many impassioned and devotional love poems to the Mother. It is said that the Divine Mother in her aspect of
Mahakali Mahakali () is the Hindu goddess of time and death in the goddess-centric tradition of Shaktism. Similar to Kali, Mahakali is a fierce goddess associated with universal power, time, life, death, and both rebirth and liberation. She is the cons ...
wishes her sincere devotees to make the fastest progress. Kali is often depicted as the great destroyer of ignorance and hostile forces. The poetry of Kamalakanta displays this heroic attitude, imploring Kali to destroy limitations and bondage. The poetry of Kamalakanta also displays a profound faith in his all-powerful Kali. :''The earth quakes under Your leaps and bounds.'' :''You are frightful with that sword in Your hand.'' Whilst Kali is often depicted as a black and terrifying form, this is just one aspect of hers as a destroyer of ignorance. Kamalakanta also alludes to the other aspect of Kali as he states in his poem - "Is my Mother Really Black?" :''If She's black,'' :''how can She light up the world?'' :''Sometimes my Mother is white,'' :''sometimes yellow, blue, and red.'' :''I cannot fathom Her.'' :''My whole life has passed trying.'' rans. Rachel Fell McDermott The poems of Kamalakanta and Ramprasad were later sung by mystic
Sri Ramakrishna Ramakrishna Paramahansa ( bn, রামকৃষ্ণ পরমহংস, Ramôkṛṣṇo Pôromohôṅso; , 18 February 1836 – 16 August 1886),——— — also spelled Ramakrishna Paramahamsa, born Gadadhar Chattopadhyaya,, was an In ...
, who himself was a great devotee of the Divine Mother. These devotional songs would often send Sri Ramakrishna into an ecstatic state as he became absorbed in contemplation of the Divine Mother. Many of these songs are recorded in ''
The Gospel of Sri Ramakrishna ''The Gospel of Sri Ramakrishna'' is an English translation of the Bengali religious text ''Sri Sri Ramakrishna Kathamrita'' by Swami Nikhilananda. The text records conversations of Ramakrishna with his disciples, devotees and visitors, record ...
'', which at one point mentions, ''"... he (Ramakrishna) would spend hours singing the devotional songs of great devotees of the Mother, such as Kamalakanta and Ramprasad. Those rhapsodic songs describing direct vision of God ...''"''
The Gospel of Sri Ramakrishna ''The Gospel of Sri Ramakrishna'' is an English translation of the Bengali religious text ''Sri Sri Ramakrishna Kathamrita'' by Swami Nikhilananda. The text records conversations of Ramakrishna with his disciples, devotees and visitors, record ...
'', by
Swami Nikhilananda Swami Nikhilananda (1895–1973), born Dinesh Chandra Das Gupta was a direct disciple of Sri Sarada Devi. In 1933, he founded the Ramakrishna-Vivekananda Center of New York, a branch of Ramakrishna Mission, and remained its head until his dea ...
, Introduction, ''p. 13''.
Two legends are widely known of Kamalakanta. Once the Maharaja of Burdwan had asked him to show full moon in Amavasya (when there is no moon in the sky) but Kamalakanta was able to show a bright full moon to the Maharaja. He got mesmerized. Another legend goes that once the Maharaja had asked if he can show that the idol of Kali whom he worships as his mother is alive or not. Kamalakanta took a thorn of Bel (Wood apple) and gently pricked the feet of the idol of Mother Kali and then held a bel leaf under the wound. Slowly blood came out of the spot. The Maharaja dared not to question him like that. The two events filled his heart with deep gratitude for Kamalakanta. Such powerful matrisadhak was he. That idol is still worshipped now even in Burdwan. Grand festivals are arranged every year in the temple during Kali puja.


Citations


References


Sources

* McDermott, Rachel Fell (1993). ''Evidence for the Transformation of the Goddess Kālī: Kamalākānta Bhaṭṭācārya and the Bengali Śākta Padāvalī Tradition''. (Ph.D. diss., Harvard University, 1993) {{DEFAULTSORT:Bhattacharya, Kamalakanta Year of birth uncertain 1821 deaths People from Purba Bardhaman district Bengali male poets Ramakrishna Bengali-language lyricists Indian male songwriters 1769 births 19th-century Indian musicians 18th-century Indian musicians 18th-century Bengali poets 19th-century Bengali poets Poets from West Bengal 19th-century male musicians 19th-century musicians Bengali Hindus Bengali-language writers