Johnny Craig

John Thomas Alexis Craig (April 25, 1926 – September 13, 2001),John T. Craig
at the Social Security Death Index was an American comic book artist notable for his work with the EC Comics line of the 1950s. He sometimes used the pseudonyms Jay Taycee and F. C. Aljohn.

Biography

Early life and career

Born in Pleasantville, New York,Hill, Roger. EC Archives: ''The Vault of Horror'', Russ Cochran, Publisher/Gemstone, 2007, p. 42. Craig studied at the Art Students League of New York.Johnny Craig
at the Lambiek Comiclopedia While attending classes, he began working in 1940 as an assistant of Harry Lampert, co-creator of All-American Comics' Golden Age superhero the Flash. The following year, after Lampert was drafted to serve to World War II, All-American editor Sheldon Mayer kept Craig on as an art department assistant, giving him progressively more responsible art duties. Between 1943 and 1945, Craig served in the Merchant Marines and the U.S. Army.

EC Comics

Returning to comics after his discharge, he began drawing for EC Comics, beginning with the penciling and inking the cover of '' Moon Girl and the Prince'' #1 (cover-dated Fall 1947). He did additional work on the following issue of that science fiction / superhero series, now titled simply ''Moon Girl'', and went on to draw stories for the EC Western comics ''Saddle Justice'' and ''Gunfighter'' and the crime comic ''Crime Patrol''; he later expanded into romance comics with EC's ''Modern Love'' Craig additionally did a small amount of early work for Magazine Enterprises, American Comics Group and, tentatively identified through the pen name "Jay", possibly for Eastern Color's ''New Heroic Comics''.Johnny Craig
at the Grand Comics Database When he teamed with Al Feldstein, they used the pseudonym F. C. Aljohn.

Craig later brought a clean, crisp, naturalistic approach to EC's legendary horror series—'' The Crypt of Terror'', ''The Vault of Horror'' and '' The Haunt of Fear'' — plus '' Crime SuspenStories'' and '' Two-Fisted Tales''. Wally Wood once said Craig drew "the cleanest horror stories you ever saw". His first EC horror work came with the cover art for ''The Crypt of Terror'' #17 (May 1950) and both the art and script for that issue's seven-page story "Curse of the Full Moon".

In being a writer as well as an artist, Craig differed from the majority of EC artists. He was responsible for the stories hosted by the Vault-Keeper, and he also drew that horror host in the framing sequences of stories by other EC illustrators. He eventually concentrated on ''The Vault of Horror'' and '' Crime SuspenStories'', doing the lead story in each of these bimonthly titles.

Craig became the editor of ''The Vault of Horror'' early in 1954, giving up his work for ''Crime SuspenStories'' at that time. Later that year, he created the Vault Keeper's attractive assistant, Drusilla. After the EC horror books came to an end, Craig edited EC's ''Extra!'' in 1955, writing and drawing two stories in each bimonthly issue.

Craig's story "... And All Through the House" in ''Vault of Horror'' #35 (March 1954) was adapted for the Joan Collins segment of the 1972 omnibus film ''Tales from the Crypt''.

Craig's many covers included that of the infamous ''Crime SuspenStories'' #22, shown during the 1950s Senate hearings on juvenile delinquency. U.S. Senator Estes Kefauver asked EC publisher Bill Gaines whether he thought the cover, depicting an ax-wielding man holding a woman's severed head, was in good taste. Gaines responded, "Yes, sir, I do, for the cover of a horror comic"—a remark that became an oft-quoted example of comic books' alleged depravity. Ironically, Craig was one of the more wholesome EC artists, frequently choosing to show the reactions of characters rather than the horrific event itself.

One critic wrote of his work:

Later career

After EC's collapse in the wake of the United States Senate Subcommittee on Juvenile Delinquency hearings, Craig worked briefly for Atlas Comics, the 1950s predecessor of Marvel Comics, then spent several successful years at an advertising agency in Pennsylvania, though he lamented that his responsibilities there prevented him from drawing much.Geissman, p. 63 He returned to comics in the 1960s with art for ACG's ''Unknown Worlds'' and other titles.

His resurfacing prompted Warren Publishing editor Archie Goodwin to have Craig draw for Warren's magazines from 1966 to 1968, during which time Craig (who still worked in advertising) used the pseudonym Jay Taycee, a phonetic pronunciation of his four initials. Of his attempts to work for DC Comics and Marvel Comics, however, comics historian Mark Evanier wrote,

Evanier wrote that Goodwin, by now writing for Marvel, said that, "Every so often, we'd try having him pencil an ''Iron Man'' or something, but it never worked out. He couldn't draw superheroes the way they wanted, and he couldn't hit the deadlines of a monthly book". After penciling and inking ''Iron Man'' #2 and a supernatural story in ''Tower of Shadows'' #1, heavily retouched by John Romita Sr., Craig became primarily an inker. He did however complete Iron Man #2–4, 14, 24 and 25, the latter inked by Sam Grainger.

By the early 1980s, Craig stopped drawing for comics and was semi-retired until his death in 2001. He did do many paintings of the Vault-Keeper, Drusilla and other E.C. horror themes, for private commissions, E.C. fanzines and other publications, and these works showed excellent technique in oils. His last known residences were Camp Hill, Pennsylvania, and Shiremanstown, Pennsylvania.

Awards

Craig was posthumously inducted into the Will Eisner Hall of Fame on July 15, 2005, at Comic-Con International.

References

External links

''The Comic Treadmill'': "''The Brave and the Bold'' 70–71, 73 (1967)"

{{DEFAULTSORT:Craig, Johnny
1926 births
2001 deaths
American illustrators
American comics artists
American sailors
People from Pleasantville, New York
Silver Age comics creators
Will Eisner Award Hall of Fame inductees
Marvel Comics people
EC Comics