Johann Christoph Pepusch
   HOME

TheInfoList



OR:

Johann Christoph Pepusch (1667 – 1752), also known as John Christopher Pepusch and Dr Pepusch, was a German-born composer who spent most of his working life in England. He was born in Berlin, son of a vicar, and was married to Margherita de l'Epine who also performed in some of his theatrical productions.


Early life

Pepusch studied music theory under Martin Klingenberg, cantor of the Marienkirche in Berlin. At the age of 14, he was appointed to the
Prussian court The Kingdom of Prussia (german: Königreich Preußen, ) was a German kingdom that constituted the state of Prussia between 1701 and 1918.Marriott, J. A. R., and Charles Grant Robertson. ''The Evolution of Prussia, the Making of an Empire''. R ...
where he gave music lessons to the future Frederick William I of Prussia. He resigned this position in 1698 after witnessing the execution of an officer without trial. He then first went to Amsterdam. In 1704, he settled in England but continued to publish in
Amsterdam Amsterdam ( , , , lit. ''The Dam on the River Amstel'') is the capital and most populous city of the Netherlands, with The Hague being the seat of government. It has a population of 907,976 within the city proper, 1,558,755 in the urban ar ...
until 1718.


Career

At first, Pepusch earned a living playing the viola, then as a theatre director, music theoretician, teacher and organist. In 1726, Pepusch founded The Academy of Vocal Music with others; in around 1730–1, it was renamed The Academy of Ancient Music. In Joseph Doane's ''Musical directory for the year 1794'', the founding of the Academy is discussed. On page 76, Doane states: He also founded the Madrigal Society. Both were devoted to researching the history of music but specifically music of the Elizabethan period. In 1713 he was awarded the degree of Doctor of Music by the
University of Oxford , mottoeng = The Lord is my light , established = , endowment = £6.1 billion (including colleges) (2019) , budget = £2.145 billion (2019–20) , chancellor ...
. Pepusch remained Director of the Academy until his death in 1752, and had established England as an important location for the study of music history. He was succeeded at the Academy by Benjamin Cooke, one of his pupils. His many pupils also included William Boyce and John Bennett. Pepusch died in London at the age of 85. For a period of twenty years, Pepusch also directed the musical establishment at
Cannons A cannon is a large- caliber gun classified as a type of artillery, which usually launches a projectile using explosive chemical propellant. Gunpowder ("black powder") was the primary propellant before the invention of smokeless powder dur ...
, a large stately home at Edgware, Middlesex, northwest of
London London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary dow ...
. He was employed there by James Brydges, 1st Duke of Chandos. For a few years, he worked alongside George Frideric Handel, who had a role described as
composer in residence Artist-in-residence, or artist residencies, encompass a wide spectrum of artistic programs which involve a collaboration between artists and hosting organisations, institutions, or communities. They are programs which provide artists with space a ...
. Both men were at Cannons in 1717/18. Amongst English musicologists, Pepusch is considered significant foremost for his teaching role, but is best known for his arrangement of the music for ''
The Beggar's Opera ''The Beggar's Opera'' is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satiri ...
'' (1728) — to the libretto of John Gay. He composed works of all forms, including stage and church music as well as
concertos A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The ty ...
and continuo
sonatas Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cant ...
. He often made use of popular dance forms, such as the
gigue The gigue (; ) or giga () is a lively baroque dance originating from the English jig. It was imported into France in the mid-17th centuryBellingham, Jane"gigue."''The Oxford Companion to Music''. Ed. Alison Latham. Oxford Music Online. 6 July 20 ...
and sarabande.


References


Sources

*Baker, C. H. Collins and Baker, Muriel I. (1949). ''The Life and Circumstances of James Brydges, First Duke of Chandos''. Oxford: Clarendon Press.


External links

*
Digitized images of Old English Songs
containing works by Pepusch, housed at the University of Kentucky Libraries Special Collections Research Center 1667 births 1752 deaths 18th-century classical composers German Baroque composers Burials at Brompton Cemetery Fellows of the Royal Society German male classical composers German music theorists German opera composers Male opera composers Members of the Academy of Ancient Music Members of the Royal Society of Musicians 18th-century German composers 18th-century German male musicians {{Germany-composer-stub