Jennifer's Body

''Jennifer's Body'' is a 2009 American horror-comedy film written by Diablo Cody and directed by Karyn Kusama. The film stars Megan Fox, Amanda Seyfried, Johnny Simmons, and Adam Brody. Fox portrays a demonically possessed high school girl who kills her male classmates, with her best friend striving to stop her. The film premiered at the 2009 Toronto International Film Festival and was released in the United States and Canada on September 18, 2009.2009 Toronto Film Festival: Megan Fox's 'Jennifer's Body' Premiere
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Retrieved November 25, 2009. As a tie-in to the film, Boom! Studios produced a ''Jennifer's Body'' graphic novel, released in August 2009.

Working with Cody again following their collaborative efforts on the film '' Juno'', Jason Reitman stated he and his producers "want to make unusual films". Cody said she wanted the film to speak to female empowerment and explore the complex relationships between best friends.

The film had a lackluster performance at the North American box office, making $2.8 million its opening day and $6.8 million its opening weekend, and received mixed reviews from critics, with its dialogue, emotional resonance and performances being praised, while the narrative and uneven tone were targets for criticism.

Plot

Anita "Needy" Lesnicki, once an insecure and studious teenager living in the small town of Devil's Kettle, Minnesota, is now a violent mental inmate who narrates the story as a flashback while in solitary confinement.

Since childhood Needy has been best friends with Jennifer Check, a popular cheerleader, despite the two having little in common. One night, Jennifer takes Needy to a local dive bar to attend a concert by indie rock band Low Shoulder. A fire engulfs the bar, killing several people. Jennifer leaves with the band. Later that evening, she appears in Needy's kitchen, covered in blood, and attempts to eat a rotisserie chicken. She immediately vomits a trail of black fluid and almost bites Needy's neck, but retreats and leaves.

The next morning at school, Jennifer appears fine and dismisses Needy's concerns, appearing apathetic to the fire tragedy. She seduces the school's football captain and disembowels him. Meanwhile, Low Shoulder gains popularity due to their falsely rumored heroism during the fire, and offer to make a charity appearance at the school's spring formal.

A month later, Jennifer appears sick and listless. She accepts a date with school alternative/emo Colin, whom she brutally kills. While Needy and her boyfriend Chip have sex, Needy senses something dreadful has happened. She leaves in a panic and almost runs over Jennifer, who is drenched in blood. Jennifer visits Needy at home, and the two kiss. Jennifer explains that Low Shoulder had taken her into the woods after the bar fire and offered her as a virgin sacrifice to Satan in exchange for fame and fortune. Although the sacrifice was a success, Jennifer was not actually a virgin, so she became permanently possessed. She became hungry and Ahmet, a foreign exchange student, who was thought to have died in the fire, was her first victim. She had intended to eat Needy as well, but left because she could not bring herself to hurt her best friend. When she has eaten, she can withstand virtually any injury without pain, healing instantly.

Needy goes to the school library's occult section and determines that Jennifer is a succubus who must feed on flesh and can only be killed while she is hungry and weak. Needy tells Chip about Jennifer. He does not believe her, so she breaks up with him in order to protect him. Chip is intercepted by Jennifer on the way to the school dance. She takes him to an abandoned pool and begins feeding on him. Needy arrives and Chip impales Jennifer through the stomach with a pool skimmer. Jennifer escapes and Chip dies.

Angry and heartbroken, Needy breaks into Jennifer's bedroom. The two fight and Jennifer bites Needy's neck in the struggle. Needy rips Jennifer's half of their best friend necklace off her neck. Jennifer stops fighting back and Needy stabs her in the heart with a utility knife, killing her and destroying the demon. Jennifer's mother enters and finds Needy on top of her dead daughter's body. Needy is brought to an asylum. She now manifests some of Jennifer's supernatural powers due to the bite. She escapes the mental facility and hitchhikes a ride, telling the driver she is following a band.

In a credits scene, a home video and crime scene photos show that the members of Low Shoulder were murdered in their hotel by Needy.

Cast

* Megan Fox as Jennifer Check:
: Fox was in negotiations to star as Jennifer Check since 2007, and was officially cast in October 2007. Fox said the reason she agreed to the role was her love for the script. "I think what I loved about the movie is it's so unapologetic and how completely inappropriate it is at all times," she said. "That was my favorite part about the script and about the character. It's fun to be able to say the shit that she got to say and get away with it and how people find it charming." Asked how acting in a film like this is different from acting in ''Transformers'', Fox said "there's odistractions, like there's no robots to distract you from whatever performance I do give. So, if it's terrible, you're gonna fucking know that it's really terrible". She said despite this aspect of the business being intimidating, she enjoyed portraying the character. "I wasn't really sure what I was doing," said Fox. "I was just trying to have fun with it and I felt like I was able to make fun of my own image as to how some people might perceive Megan Fox to be. I was just sort of flying freely and I hope some of it works." To prepare for her role as a living-dead teenager, Fox dropped to a near-frail 97 pounds and stayed out of the sun to keep her skin pale. In balancing out the film's horror with humor, she said she relied heavily on Diablo Cody's script and Karyn Kusama's direction to pull it off, stating, "I have a very specific sense of humor, things that I think are funny aren't going to fly with middle America. It's going to eliminate some of the audience, so you need someone there to tell you you can't do that."
* Amanda Seyfried as Anita "Needy" Lesnicki:
: In February 2008, Seyfried was cast as Anita "Needy" Lesnicki, the "plain Jane" best friend to Fox's character with whom she shares a somewhat homoerotic infatuation. Seyfried said it was a relief to play the nerdy role opposite Fox. "Being a lead (like Megan), you have that weird pressure of feeling like you have to look attractive," she said. "In this movie, I didn't worry about any of that shit. I don't want to play the one that everybody is supposed to want to have sex with."
* Adam Brody as Nikolai Wolf:
: The filmmakers had hoped to cast an actual rock musician to portray Nikolai Wolf, with Pete Wentz of Fall Out Boy and Joel Madden of Good Charlotte being their top choices. '' One Tree Hill'' star Chad Michael Murray was also considered for the role. In March 2008, Johnny Simmons was reportedly cast as Nikolai. However, Brody was officially cast in the role, while Simmons then accepted the role of Chip Dove. Brody did not perform his own vocals, saying, "My singing voice is still going through puberty. They gave me a singing lesson or two, and it's not the worst thing in the world, but it's not anything anyone would choose to hear." His vocals were provided by Ryan Levine, who also played another member of the band.
* Johnny Simmons as Chip Dove
* J. K. Simmons as Mr. Wroblewski
* Amy Sedaris as Toni Lesnicki
* Kyle Gallner as Colin Gray
* Cynthia Stevenson as Mrs. Dove
* Chris Pratt as Officer Roman Duda
* Carrie Genzel as Mrs. Check
* Juan Riedinger as Dirk
* Juno Ruddell as Officer Warzak
* Valerie Tian as Chastity
* Aman Johal as Ahmet
* Josh Emerson as Jonas Kozelle
* Bill Fagerbakke as Jonas' Dad
* Lance Henriksen as the driver near the end of film

Production

Development

''Jennifer's Body'' is the follow-up to writer and producer Diablo Cody and Jason Reitman's collaboration efforts on '' Juno.'' In October 2007, Fox Atomic pre-emptively purchased the rights to Cody's script with Megan Fox to star. Peter Rice, who at the time oversaw Fox Searchlight and Fox Atomic, brought in the project as Fox Searchlight had previously distributed Cody's film ''Juno''. Mason Novick and Reitman's producing partner Dan Dubiecki signed as producers in November 2007 with plans to produce the film under Hard C, which is housed at Fox Searchlight. Reitman commented, "We want to make unusual films, and anything that turns a genre on its ear interests Dan and I." Karyn Kusama took over as director in January 2008. Kusama said she signed on to the project because of the script. "I was blessed to read this script at a moment where the producers were meeting with directors and it just knocked me out. It was just so original, so imaginative", she stated. "That's what it is about this script and the world is that it feels like a fairy tale gone psycho and I think that's what most fairy tales actually started as." Additionally, Cody, Reitman and Kusama knew the film would be R rated because of the language.

In February 2008, a cease and desist was given to a writer at CC2K.us after they posted an advance script review for the film. The Latino Review also posted an advance review. At the time CC2K.us received their cease and desist order, questions were raised why Latino Review's largely positive script review was allowed to stay posted while CC2K was being forced by Fox Searchlight to remove their mainly negative coverage. Although Latino Review was later asked to remove their review, numerous other websites and blogs published their own critiques of the script.

Cody stated that when writing the script, she was "simultaneously trying to pay tribute to some of the conventions that we've already seen in horror, yet, at the same time, kind of turn them on their ear". One of her influences from the 1980s horror genre was the film ''The Lost Boys''. She wanted to "honor that, and at the same time, hehad never really seen this particular subgenre done with girls and hetried to do a little of both". Despite this, she said she had noticed that "the last survivor standing in the typical horror film is a woman" and that because of this she feels "horror has always had kind of a feminist angle to it in a weird way and, at the same time, it's kind of delightfully exploitative". ''Jennifer's Body'' could play on both of these aspects.

Cody said she wanted the film to speak to female empowerment and explore the complex relationships between best friends. "(Director) Karyn Kusama and I are both outspoken feminists", she said. "We wanted to subvert the classic horror model of women being terrorized. I want to write roles that service women. I want to tell stories from a female perspective. I want to create good parts for actresses where they're not just accessories to men." Addressing "the male-dominated" horror genre, Cody said "a key reason for writing the film was to bring to the screen a new way of expressing the intensity of female bonds" and that the adolescent female friendships she experienced were unparalleled in their intensity. She wanted to show the "almost horrific" aspect of such devotion and its relation to parasitism.

The producers decided to have the film open with the statement "Hell is a teenage girl" to reflect the "horrors" of puberty and that "the hellish emotions felt during high school often reappear as teenage girls mature into young women". Cody stated:

There's the scene where Jennifer's sitting alone smearing makeup on her face. I always thought that was such a sad image. She's so vulnerable. I don't know any woman who hasn't had a moment sitting in front of the mirror and thinking, 'Help me, I want to be somebody else.' What makes it extra affecting is that egan Foxis stunning.

Cody crafted the story to follow a night that ends in a tragic fire, after which Jennifer is kidnapped and set up as a sacrifice which goes awry. Jennifer, now possessed by a demon and subsequently altered into a succubus, sets out on a bloody rampage in which she devours boys, and it is up to Needy to stop her. In sort of a reversal aspect of how puberty changes a girl's life, Jennifer must consume the blood of others once a month or she becomes weak and plain-looking. "It's a meek shall inherit the Earth sort of thing. I think it's always really satisfying and cathartic to see a character that was previously bullied become super human", said Cody. Cody said the script is not a reflection of any part of her own life, but that she is more like character Needy. "I would say I was more of a Needy than a Jennifer. I was never an Alpha female, and I've never gotten off with bullying other people", she said. "If I had to choose, I was definitely the one being shoved, not the one shoving."

The nickname "Needy" was given to Seyfried's character to underline the essentially condescending dynamic in Jennifer and Needy's high school relationship, as Needy often admires Jennifer and feels she needs her. Cody said "Jennifer is a product of a culture that pressures girls to be skinny, beautiful and just like movie stars" and that she "hopes the film inspires girls to take life into their own hands and do with it, what they want". "If I had gone to this movie as a teenage girl, I would've come out of it feeling totally inspired", she stated. "I would've wanted to write, I would've wanted to create and I would've felt like I watched something that was speaking to me."

Assigned to direct the film, Kusama said, "I think also a lot of horror is about femaleness – whether it's '' Carrie'' or '' Rosemary's Baby''." She said she feels "like there's a lot of fear of the female or kind of celebration of it in some weird way and something about this movie managed to take the fear and the sense that it's the female that ultimately survives and sort of marry that in a really interesting way".

Addressing her decision to have Jennifer and Needy be romantically intimate at one point during the film, which takes place in the form of a long and passionate kissing scene, Cody said she did not write the scene to score publicity. Speaking of the scene's media hype, she said that "if the two protagonists of the film were a guy and a girl and in a particularly tense moment, they shared a kiss, no one would say it was gratuitous" but "the fact that they're women means it's some kind of stunt". The scene was "intended to be something profound and meaningful" to her and Kusama. She further stated:

Obviously we knew people were going to totally sensationalize it. They're beautiful girls, the scene is hot—I'm not afraid to say that. There is a sexual energy between the girls which is kind of authentic, because I know when I was a teen-aged girl, the friendships that I had with other girls were almost romantic, they were so intense. I wanted to sleep at my friend's house every night, I wanted to wear her clothes, we would talk on the phone until our ears ached. I wanted to capture that heightened feeling you get as an adolescent that you don't really feel as a grownup. (laughs) You like ourfriends when you're a grownup, but you don't need to sleep in the same bed with them and talk to them on the phone until 5 a.m. every night.

Though the film is part comedy, Cody initially intended for it to be a "very dark, very brooding" traditional slasher film. Close to "a third of the way into the process" she felt that she was incapable of doing so because "the humor just kept sneaking in". She stated, "I have a macabre sense of humor. A lot of the things in the movie that are horrifying are funny to me." Feeling that "comedy films and horror films are kind of similar" due to being films where you can significantly gauge intense audience reactions, Cody stated, "They're laughing, they're screaming, it's not a passive experience. So, I actually think comedy and horror are kind of similar in that way."

Design and effects

Handling the film's special effects were KNB EFX GROUP and Moving Picture Company (MPC). For Jennifer's demonic form, the creators used different techniques. "I actually wasn't in he makeup chairthat much because they created an entire head. They did a live cast of me from the shoulders up. They created me and then put the teeth in", stated Fox. "To save my face, they had a photo double that would come in and do most of the crazy monster makeup - they would do that on her. So it would go from me, then in post-production it would somehow go to her and the fake head. They would mix them all together."

For the "vomit scene" where Jennifer has just arrived at Needy's house after being murdered and inhabited by a demon, Fox said the liquid she was given to spit out "was actually ... chocolate syrup initially". "We did a few takes where I would just do this scream and sort of puke Hershey's chocolate syrup. Scratch the Hershey's because I don't want to endorse that or anything", she stated. "And then, special effects did a rig that clamps onto my ear and you revisit it in the pool scene ..." Fox said it "clips on. It goes around the back of my ear and then I bite down on it on the side of my face, like this, and it projectiles. It's a tube ..."

Director Kusama said it had a classic feel. Fox agreed, "Yeah, and it projects whatever that material was. I'm not sure. It was pretty intense. I think it was worse for eyfriedbecause she's the one that got puked on. I was the one doing the puking."

For more practical special effects on the set as opposed to CG, Kusama said it "was a choice that we all sort of made organically". She said they appreciate "those kind of effects in older movies and uestionssometimes how much more effective it is to use a ton of CG" and that they "always started with a practical effect and then moved forward from there to lay a groundwork of something that's actually physically, materially there". They found this to be more enjoyable.

Erik Nordby of KNB (known for his work on ''The Haunting in Connecticut'', which also features co-star Kyle Gallner) stated, "We immediately went into pitch mode in January and spent a solid two weeks trying to not only bid the script but also collect as much reference material and stuff for the first client get together." He said the director and producers wanted an "old-school, hands-off, lo-fi approach to the visual effects" so that the horror elements would not overpower the storyline. Based on the script, MPC similarly came to the same conclusion and "provided a clear direction" for Nordby and his team. "At that point when we met with them, they had already met with KNB, who had already done up a stylized still of what, at the time, they were calling 'Evil Jennifer,'" he said. "There was a lot of info yet to come, but based on the script, Jennifer goes from very beautiful Megan Fox to a very ghoulish, succubus creature whose jaw distends half-way down her face." Nordby said the look was eventually toned down at the wishes of MPC. From there, KNB "produced some tests, grabbing a bunch of stills from oxand id theirwork to indicate how that balance could exist between special effects and visual effects and still maintain a level of subtlety" and that " PCresponded really well".

The teams wanted to "maintain some sort of the Megan Fox allure" but said that it was "incredibly difficult because as soon as heywarped her face in any direction, the shine kind of came off it". To combat this, they ended up focusing on anything below her nose, where they had the freedom to make things "as horrific as heyneeded to" and then above her nose, "heycould manipulate it somewhat with warps and color correction in her eye sockets. So even at her worst, she had some of that sexiness throughout".

Nordby said most of the attention was devoted to Jennifer's face and that "very quickly in combination" with special effects and makeup, MPC thought up a five-station system for what Jennifer goes through. Nordby stated:

Stage one is beautiful Jennifer and then two and three were strictly makeup where her eyes become more recessed and she would start to look plain like the rest of us. And stage four was some custom dentures that KNB made for her, and then visual effects in stage four was mainly facial warping and recessing her eyes some more and having a pinning effect to her irises and a variety of other musculature deforms, just bringing her cheek bones down more. And stage five was the full on, as crazy as it gets, which you don't really see until near the end.

During testing, Nordby and the special effects teams realized that getting Fox in and out of the appliance used to create Jennifer's murderous jaw would be too time-consuming. To remedy this, they hired a photo double. " ery day (for about 10 days) she would sit in a chair with this full appliance on her and we would shoot this jaw, and then all oxwould have to do is the dentures", stated Nordby. He said that "when it came time to shoot any of these jaw moments, oxwould act out in rehearsal how she was going to attack her victim and hey wouldfine tune that blocking so it was relatively locked". The camera accompanied them in the same way, as "it would roll and she would put her dentures in, and they would really distort her face" in a way that would produce a satisfying and nice side effect. Additionally, the team would have Fox wear contact lenses and go through exactly the same motions as normal Jennifer. "But then I would shoot all the key poses that existed in whatever moves the digital double was doing, so that we had as much of that appliance in that lighting condition that we could get", said Nordby. "KNB also created a hairless but high detailed head of the stage five Jennifer that had an articulating jaw."

Nordby spent a significant amount of time shooting "the articulating jaw" scene because they had "ultimate control over how the light was hitting the head". He said, "This so-called jaw shot became a pivotal point, because for four months of the post, the filmmakers thought the film was getting too scary so MPC pulled back on the jaw and then they thought it wasn't scary enough." Because of this, "they pushed back and this jaw went back and forth quite a bit to help navigate where they wanted the tone on any given day". These different poses helped the two teams perfect the jaw scenes. "From a marketing point of view, from all the test screenings they did", said Nordby, "there was a lot of work figuring out how to make this a scary film as well as a funny film." Since the team was on a small budget, they "relied more on skilled artists to think through shots rather than a brute force approach".

MPC additionally worked on the disappearing waterfall that serves as Jennifer's grave when she is killed at the beginning of the film. They transformed the mysterious waterfall into a whirlpool. "We came up with an approach that we thought would work because we had a lot of confidence in our water sims", stated Nordby. "The waterfall appears both as a day and night shot, so we had to integrate with the water. And the night shots play a pivotal role in the film, and we do a huge crane over." They could not lock it to a pan or to a tilt and filming the shots was difficult due to the actual base of the waterfall being out of reach. Nordby said, "I eventually lowered down a shot—a ton of reference of the area because I knew we'd have to do some digi-matte work to recreate the basin that the whirlpool ends up in." They soon realized that there was an insufficient amount of churning and foam to read as real as the location. The CG Supervisor, Pete Dionne, presented a different idea. "He grabbed chunks of that river and tialing it so that it had a nice stretch of birds' eye point of view of the water that existed on the location in the lighting situation we were trying to match", stated Nordby. "And then he projected that onto a whirlpool of animated sprites and had similar enough texture to the actual water that existed there, but pulled control into lighting it and could add depth mainly to the center of it." Dealing with "very shallow" water, the team had to take extra care when filming the scenes.

During the film's fire scene, Cody appears as a character in the barroom. "To me, I am afraid of fire and fire technics and all that stuff which is why I don't know why I asked to be in the bar scene because I've never exploded before", she said. She had asked to be set on fire. "That was me trying to conquer a fear. By the way, they would not allow me to do a full burn for insurance purposes, even though I argued that Burt Reynolds had done it once", stated Cody. "But apparently he got really hurt, so they would not let me. To me, there's nothing more horrifying than being stuck in a claustrophobic space as it is burning down so, to me, it was more like tapping into a personal fear. That's not tough."

Filming

In late 2007, Fox Atomic had plans to film ''Jennifer's Body'' before a possible writer's strike. When the Writers Guild of America strike began, shooting was then moved to March 7, 2008, in Burnaby, British Columbia, specifically at Robert Burnaby Park near Cariboo Hill Secondary School. Some of the scenes, particularly those situated in a school setting, were filmed in local Vancouver-area schools such as Vancouver Technical Secondary School, Langley Secondary School and University Hill Secondary School. The waterfalls scene was filmed at Cascade Falls in Cascade Falls Regional Park in British Columbia.

Fox said that while filming her highly anticipated kissing scene with Seyfried that Seyfried was "extremely uncomfortable" but that she herself was not. "I feel much safer with girls, so I felt more comfortable kissing eyfriedthan kissing any of the other people that I had to kiss", she said. Seyfried's uneasiness in the scene caused "giggling fits" between takes. Seyfried said that neither of them wanted to do the kiss because they felt it was just for promotional purposes. She agreed with Fox that she was uneasy about acting out the scene. "It was my first time doing a real kissing scene with a woman", she stated. "It is just weird. It is a woman. With a woman's smell—soft and floraly—and maybe the pheromones are different. Something about it felt uncomfortable for me."

Music

Music was incorporated as an essential part of the film; there are "very specific bands" placed in band posters in some parts, such as in the selection of the band poster on the walls of the bar. Kusama said " e music was a huge component of the movie" and this is first evident with "the songs that we see and hear performed, but then, just the vibe of the movie actually". She said, "As the movie progresses, it becomes a pretty clearly music-oriented movie. It's sort of a youth movie. Some of those bands were totally made up and some of them are not."

Release

Critical response

Contemporary

The review aggregation website Rotten Tomatoes reports that 45% of critics gave the film positive reviews, based on 210 reviews, and an average rating of 5.30/10. The website's critical consensus states, "''Jennifer's Body'' features occasionally clever dialogue but the horror/comic premise fails to be either funny or scary enough to satisfy." At Metacritic, which assigns a weighted average rating to reviews from mainstream critics, the film holds a score of 47 out of 100 based on 29 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "C-" on an A+ to F scale.

Film critic Roger Ebert enjoyed the film, dubbing it a "''Twilight'' for boys" and saying "as a movie about a flesh-eating cheerleader, it's better than it has to be." Ebert said that within Cody there is "the soul of an artist, and her screenplay brings to this material a certain edge, a kind of gleeful relish, that's uncompromising. This isn't your assembly-line teen horror thriller". Additionally, he complimented Fox as " omingthrough" in her portrayal and "play ngthe role straight". He gave the film three out of four stars. Rick Groen of ''The Globe and Mail'' gave the film three out of four stars. Peter Travers of ''Rolling Stone'' stated it is "Hot! Hot! Hot!" and that "Director Karyn Kusama is torn between duty to female empowerment and slasher convention". He credited Fox's portrayal as showing "a comic flair" that ''Transformers'' "never investigated". Tom Charity of CNN said " helast time a horror flick tried for a distinctly female point of view the result was ''Twilight'', which was more of a wan gothic romance than a chiller" and "Fox makes a convincing vixen, callously picking up victims whenever her luster begins to fade. It's not hard to imagine she can have anyone who takes her fancy". Charity credited the dialogue as "bitingly smart, funny teen-speak ... along with sharp pop culture references".

Mary Pols of ''Time'' magazine called the film entertaining and reasoned " ere is a lot of intelligent camp here, and some sharply observed characterizations" and Cody and Kusama's "depiction of the ways in which women like Needy are willing to compromise themselves to indulge an ultimately less secure friend is spot-on". Dana Stevens of ''Slate'' praised the film for being "luscious and powerful, sexy and scary, maddening at times, but impossible to stop watching" and a "wicked black comedy with unexpected emotional resonance, one of the most purely pleasurable movies of the year so far". ''Elle''s Karen Durbin said the film not only puts "a fresh spin on female-centric pop genres but also own them outright" and is "rich with first-rate performances".

''The Miami Herald

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