Invaders from Mars (1953 film)
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''Invaders from Mars'' is a 1953 independently made American SuperCinecolor
science fiction film Science fiction (or sci-fi) is a film genre that uses speculative, fictional science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, spacecraft, robots, cyborgs, interstel ...
directed by
William Cameron Menzies William Cameron Menzies (July 29, 1896 – March 5, 1957) was an American film production designer (a job title he invented) and art director as well as a film director and producer during a career spanning five decades. He began his career ...
and starring Jimmy Hunt, Helena Carter,
Arthur Franz Arthur Sofield Franz (February 29, 1920 – June 17, 2006) was an American actor whose most notable feature film role was as Lieutenant, Junior Grade, H. Paynter Jr. in ''The Caine Mutiny'' (1954). Early life Franz was born in Perth Amboy, ...
,
Morris Ankrum Morris Ankrum (born Morris Nussbaum; August 28, 1897 – September 2, 1964) was an American radio, television, and film character actor. Early life Born in Danville in Vermilion County in eastern Illinois, Ankrum originally began a career in ...
, Leif Erickson, and
Hillary Brooke Hillary Brooke (born Beatrice Sofia Mathilda Peterson; September 8, 1914 – May 25, 1999) was an American film actress. Career A 5′6″ blonde from the Astoria neighborhood of New York City's borough of Queens, Brooke, who was of Swedish an ...
. It was produced by Edward L. Alperson Jr and was distributed by
Twentieth Century-Fox 20th Century Studios, Inc. (previously known as 20th Century Fox) is an American film production company headquartered at the Fox Studio Lot in the Century City area of Los Angeles. As of 2019, it serves as a film production arm of Walt Dis ...
. Awakened during a thunderstorm, youngster David MacLean witnesses a brightly lit
flying saucer A flying saucer (also referred to as "a flying disc") is a descriptive term for a type of flying craft having a disc or saucer-shaped body, commonly used generically to refer to an anomalous flying object. The term was coined in 1947 but has ...
disappear underground in the large sand pit behind his home. When his father investigates, he returns a changed man; soon David's mother, a young neighbor girl, and others, begin to act in the same way. Begging the police for help, David's panicked story is heard by Dr. Pat Blake, who takes him to
astronomer An astronomer is a scientist in the field of astronomy who focuses their studies on a specific question or field outside the scope of Earth. They observe astronomical objects such as stars, planets, moons, comets and galaxies – in either ...
Dr. Stuart Kelston. David soon convinces Kelston, who comes to believe that this is an invading vanguard from Mars. ''Invaders from Mars'' recounts its story from the point of view of an older child in an adult world heading into crisis.Meehan 1998, p. 50. It was developed from a scenario by Richard Blake and based on a story treatment by John Tucker Battle, who was inspired by a dream recounted to him by his wife. The film was rushed into production to show in theaters before
George Pal George Pal (born György Pál Marczincsak; ; February 1, 1908 – May 2, 1980) was a Hungarian-American animator, film director and producer, principally associated with the fantasy and science-fiction genres. He became an American citizen after ...
's '' War of the Worlds'' (also 1953), becoming the first feature film to show aliens and their spacecraft in color.


Plot

Late one night, youngster David MacLean (Jimmy Hunt) is awakened by a loud thunderstorm. From his bedroom window, he sees a large
flying saucer A flying saucer (also referred to as "a flying disc") is a descriptive term for a type of flying craft having a disc or saucer-shaped body, commonly used generically to refer to an anomalous flying object. The term was coined in 1947 but has ...
descend and disappear into the sandpit area behind his home. After rushing to tell his parents, his scientist father (Leif Erickson) goes to investigate David's claim. When his father returns much later in the morning, David notices an unusual red puncture along the hairline on the back of his father's neck; his father is now behaving in a cold and hostile manner. David soon begins to realize that something is very wrong: he notices that certain townsfolk are acting in exactly the same way. Through his telescope, David sees child neighbor Kathy Wilson suddenly disappear underground while walking in the sandpit. David flees to the police station for help and is eventually placed under the protection of health-department physician Dr. Pat Blake (Helena Carter), who slowly begins to believe his crazy story. With the help of local
astronomer An astronomer is a scientist in the field of astronomy who focuses their studies on a specific question or field outside the scope of Earth. They observe astronomical objects such as stars, planets, moons, comets and galaxies – in either ...
Dr. Stuart Kelston (Arthur Franz) and Dr. Blake, David soon realizes that the flying saucer is likely the vanguard of an invasion from the planet
Mars Mars is the fourth planet from the Sun and the second-smallest planet in the Solar System, only being larger than Mercury. In the English language, Mars is named for the Roman god of war. Mars is a terrestrial planet with a thin at ...
, now in close orbital proximity to Earth. Dr. Kelston contacts the U.S. Army and convinces them to immediately investigate: An important government rocket research plant is located nearby. In short order,
the Pentagon The Pentagon is the headquarters building of the United States Department of Defense. It was constructed on an accelerated schedule during World War II. As a symbol of the U.S. military, the phrase ''The Pentagon'' is often used as a metony ...
assembles troops and tanks under the command of Colonel Fielding (Morris Ankrum). An alien sabotage plot at the plant is soon uncovered, leading back to the sandpit, and the army surrounds the saucer landing site. Standing well away from the army search, Dr. Blake and young David are suddenly sucked underground. They are captured by two tall, slit-eyed green
humanoid A humanoid (; from English ''human'' and '' -oid'' "resembling") is a non-human entity with human form or characteristics. The earliest recorded use of the term, in 1870, referred to indigenous peoples in areas colonized by Europeans. By the 20 ...
s and taken via tunnels to the flying saucer. Army troops locate and blow open an entrance to the tunnels, and Colonel Fielding and a small detachment make their way to the saucer entrance. Inside, they confront the Martian mastermind: It has a giant green head with a humanoid face atop a small, green partial torso with several green arm-tentacles, and is encased in a transparent sphere. The Martian is served by the tall, green, silent, synthetic
mutant In biology, and especially in genetics, a mutant is an organism or a new genetic character arising or resulting from an instance of mutation, which is generally an alteration of the DNA sequence of the genome or chromosome of an organism. It ...
s. Under their master's mental commands, the mute humanoids have implanted
mind-control Brainwashing (also known as mind control, menticide, coercive persuasion, thought control, thought reform, and forced re-education) is the concept that the human mind can be altered or controlled by certain psychological techniques. Brainwash ...
crystals at the base of the skull of their kidnapped victims, forcing them to attempt sabotage at an atomic rocket project being built at a military plant near the town; if they are caught, the mind control devices explode, causing a fatal cerebral hemorrhage. The troops and Colonel Fielding, with Dr. Blake and David in tow, open fire on the pursuing mutants as their group escapes the saucer. After a short running battle in the tunnels, they return to the surface. Orders are given for everyone to quickly leave the area: Fielding's troops have planted timed explosive charges aboard the saucer. David runs downhill away from the sandpit, and artillery opens fire on the sandpit, as the charges' ticking timer slowly approaches zero. Following the large explosion, David is suddenly back in his bed during a thunder and lightning storm. He runs into his parents' bedroom, confused and frightened; they reassure him that he was just having a bad dream, telling him to go back to sleep. Having returned to his bed, more wind and loud thunder is heard. David climbs out of bed again, goes to his window, and witnesses the very same flying saucer in his nightmare slowly descending into the sandpit, to which he responds, "Gee whiz!"


Cast

Starring: * Jimmy Hunt as David MacLean *
Arthur Franz Arthur Sofield Franz (February 29, 1920 – June 17, 2006) was an American actor whose most notable feature film role was as Lieutenant, Junior Grade, H. Paynter Jr. in ''The Caine Mutiny'' (1954). Early life Franz was born in Perth Amboy, ...
as Dr. Stuart Kelston * Helena Carter as Dr. Patricia Blake Featuring: * Leif Erickson as George MacLean *
Hillary Brooke Hillary Brooke (born Beatrice Sofia Mathilda Peterson; September 8, 1914 – May 25, 1999) was an American film actress. Career A 5′6″ blonde from the Astoria neighborhood of New York City's borough of Queens, Brooke, who was of Swedish an ...
as Mary MacLean *
Morris Ankrum Morris Ankrum (born Morris Nussbaum; August 28, 1897 – September 2, 1964) was an American radio, television, and film character actor. Early life Born in Danville in Vermilion County in eastern Illinois, Ankrum originally began a career in ...
as Col. Fielding * Walter Sande as Police Sgt. Mack Finlay *
Max Wagner Max Wagner (November 28, 1901 – November 16, 1975) was a Mexican-born American film actor who specialized in playing small parts such as thugs, gangsters, sailors, henchmen, bodyguards, cab drivers and moving men, appearing more than 400 ...
as Army Sgt. Rinaldi *
Milburn Stone Hugh Milburn Stone (July 5, 1904 – June 12, 1980) was an American actor, best known for his role as "Doc" (Dr. Galen Adams) on the CBS Western series '' Gunsmoke''. Early life Stone was born in Burrton, Kansas, to Herbert Stone and the for ...
as Army Capt. Roth * Douglas Kennedy as Police Officer Jackson * Charles Cane as Police Officer Blaine *
Bert Freed Bert Freed (November 3, 1919 – August 2, 1994) was an American character actor, voice-over actor, and the first actor to portray Detective Columbo. Life and career Born and raised in the Bronx, New York, Freed began acting while attending P ...
as Police Chief A.C. Barrows *
Fay Baker Fay Baker (born Fay Schwager; January 31, 1917 – December 8, 1987) was an American stage, film and television actress and writer. Using the pen name Beth Holmes, she wrote the novel, ''The Whipping Boy''. She also published, under her own nam ...
as Mrs. Wilson * Janine Perreau as Kathy Wilson *
John Eldredge John Eldredge (born June 6, 1960 in Los Angeles) is an American author, counselor, and lecturer on Christianity. He is known for his best-selling book '' Wild at Heart''. Life and work Eldregde received his undergraduate degree in theater from ...
as Mr. Turner * Charles Gibb as Lt. Blair * Gil Herman as Maj. Clary * Bill Phipps as Sgt. Baker * Luce Potter as the Martian in Glass Globe *
Lock Martin Joseph Lockard "Lock" Martin Jr. (October 12, 1916 – January 19, 1959) was an American performer afflicted with giantism. Martin and a twin brother were born in South Philadelphia, Pennsylvania; his brother died in childbirth. Martin would e ...
as Mutant Martian Guard *
Max Palmer Max Edmund Palmer (November 27, 1927May 7, 1984) was an American actor and professional wrestler. Known for his great height, in 2014 he was described as the second tallest professional wrestler in history. Career After high school Palmer left ...
as Mutant Martian Guard With: *
Barbara Billingsley Barbara Billingsley (born Barbara Lillian Combes; December 22, 1915 – October 16, 2010) was an American actress. She began her career with uncredited roles in ''Three Guys Named Mike'' (1951), '' The Bad and the Beautiful'' (1952), and '' Inv ...
as Kelston's Secretary *
Todd Karns Roscoe Todd Karns (January 15, 1921 – February 5, 2000) was an American actor. He is perhaps best remembered for playing George Bailey's younger brother, Harry Bailey, in the 1946 film ''It's a Wonderful Life''. Early life Karns was the so ...
as Jim, Gas Station Attendant *
Robert Shayne Robert Shayne (born Robert Shaen Dawe, October 4, 1900 – November 29, 1992) was an American actor whose career lasted for over 60 years. He was best known for portraying Inspector Bill Henderson in the American television series '' Adven ...
as Dr. William Wilson *
Frank Wilcox Frank Reppy Wilcox (March 13, 1907 – March 3, 1974) was an American actor. He appeared in numerous films and television series, as well as Broadway plays. Background Wilcox was the son of Mr. and Mrs. Roger V. Wilcox. He was born in De Soto ...
as Pentagon Chief of Staff * William Forrest as Gen. Mayberry * Richard Deacon as M.P. Confirming Gen. Mayberry's Identity


Production


Casting

This was the first time in Helena Carter's career that she played something other than the romantic interest for the male lead. She retired from acting after this film was completed.


Music

The production makes use of a unique ''outre'' music score that consists of an
ethereal Ethereal may refer to: *Ethereal (horse), a horse that won Australia's Caulfield Cup as well as Melbourne Cup in 2001 *Ethereal wave, or simply ethereal, a subgenre of dark wave music *Wireshark, formerly named Ethereal, a free and open-source pack ...
, rhythmically wavering tonal composition sung in unison by a choir. It is used as both a sound effect and as the scenic score associated with the Martians. As the film's "The End" title card and end credits are displayed, the ethereal music underscores an unspoken question that only each viewer can answer: is young David still asleep, trapped in a recurring nightmare, or was his bad dream a premonition of this now real event? The score is credited to
Raoul Kraushaar Raoul Kraushaar (August 20, 1908, Paris, France – October 13, 2001, Pompano Beach, Florida) was an American composer who worked on Hollywood feature films in the 1940s and 1950s. He continued working on low-budget films through the 1960s and ...
, but Thomas Hischak's ''Encyclopedia of Film Composers'' notes that most of the score is now believed to be the work of frequent Republic composer Mort Glickman.


Visual design

An
Eastmancolor Eastmancolor is a trade name used by Eastman Kodak for a number of related film and processing technologies associated with color motion picture production and referring to George Eastman, founder of Kodak. Eastmancolor, introduced in 1950, was on ...
camera negative was used for principal photography, with vivid Super
Cinecolor Cinecolor was an early subtractive color-model two-color motion picture process that was based upon the Prizma system of the 1910s and 1920s and the Multicolor system of the late 1920s and the 1930s. It was developed by William T. Crispinel and ...
prints struck for the film's initial theatrical release to provide an oddly striking and vivid look to the film's images; standard Eastmancolor prints were used thereafter on later releases. While some film sources have claimed that ''Invaders'' was designed for the early 3D process (it was already in production before the breakthrough 3D film, ''
Bwana Devil ''Bwana Devil'' is a 1952 American adventure B movie written, directed, and produced by Arch Oboler, and starring Robert Stack, Barbara Britton, and Nigel Bruce. ''Bwana Devil'' is based on the true story of the Tsavo maneaters and filmed with ...
'', was released), it was not filmed or released in 3D. Despite being a quickly shot, low-budget 1950s feature, ''Invaders'' uses occasional camera angles set lower or higher than usual to enhance the dramatic and visual impact of key scenes. Some of Menzies' set designs (such as those in the police station, the observatory, and the interiors of the Martian flying saucer) consist of elongated structures with stark, unadorned walls, sometimes much taller than necessary, adding touches of dreamlike
surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to ...
.


Special effects

The Martian heat-ray effect showing the bubbling, melting walls of the tunnels was created by shooting a large tub of boiling oatmeal from above, colored red with food coloring and lit with red lights. The cooled, bubbled-up effect on some areas of the blasted tunnel walls was created by first using inflated balloons pinned to the tunnel walls. In film tests they looked like balloons stuck to the walls, so the effects crew tried smaller inflated latex
condoms A condom is a sheath-shaped barrier device used during sexual intercourse to reduce the probability of pregnancy or a sexually transmitted infection (STI). There are both male and female condoms. With proper use—and use at every act of inte ...
. Further testing showed these looked much more convincing, and the crew wound up inflating more than 3,000 and then sticking them to portions of the tunnel set's walls; in some shots, the condoms can be seen moving slightly as the Martian mutants rush down the tunnels. The film was shot at
Republic Pictures Republic Pictures Corporation (currently held under Melange Pictures, LLC) was an American motion picture production-distribution corporation in operation from 1935 to 1967, that was based in Los Angeles. It had studio facilities in Studio City a ...
in the conventional (pre-
CinemaScope CinemaScope is an anamorphic lens series used, from 1953 to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter. Its creation in 1953 by ...
) 1.37:1 screen aspect ratio, thereby facilitating recycling shots simply by flipping the film negative left to right (or right to left) in an optical printer, as "full aperture" is symmetric about the film's axis. These effects shots in ''Invaders'' are apparent. For example, during the car chase scenes, where cars are first seen turning left (or right) and, several cuts later, the very same cars are seen turning the opposite direction (with identical, but reversed background). "Full aperture" also facilitated shooting the sandpit scenes (sand "falling down" or sand "falling up") without resorting to an optical printer stepping backwards. This was done by the simple expedient of shooting the "falling down" scenes conventionally, but shooting the "falling up" scenes with the camera upside-down, rotated about the optical axis of the lens, and then reversing that shot end-for-end during "negative assembly", making the sand appear to be moving upwards. SuperCinecolor required an optical printer to extract the "separations". This was necessary for its three-color process: red/"cyan printer" and green/"magenta printer" printed on opposite sides of the film print, and blue/"yellow printer" printed over one of those sides, with one side having two colors, and the other side having one color. This was unlike "three-strip"
Technicolor Technicolor is a series of Color motion picture film, color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades. Definitive Technicolor movies using three black and white films ...
, where all three colors were printed on one side of the film stock. An interesting side effect of this process flow is that ''Invaders'' was composited as if it were a "three-strip" Technicolor feature.


British release

In 1954 the film was released in the UK. The British film distributor complained the film was not long enough and the dream narrative was not satisfactory. The producer therefore shot additional new footage to lengthen the observatory sequence, and the dream narrative was changed. A new ending and additional scenes were quickly shot in answer to the distributor's objections. Other portions of ''Invaders'' were also re-edited, while the "was-it-all-just-a-nightmare?" U.S. ending was replaced with a more straightforward conclusion. All new scenes were filmed several months after the U.S. release, including the one showing the destruction of the Martian flying saucer in the sky when the army's explosive charges finally detonate. The British release print includes a greatly expanded
planetarium A planetarium ( planetariums or ''planetaria'') is a Theater (structure), theatre built primarily for presenting educational entertainment, educational and entertaining shows about astronomy and the night sky, or for training in celestial navi ...
office scene: framed pictures can be seen hanging on the set's walls that were not in the U.S. release; they appear to vanish and then reappear at times as the expanded and reedited scenes play out. While the adult actors had not changed significantly, child actor Jimmy Hunt is taller, looks older, and has shorter hair in these added scenes. Hunt also wears a
sweater vest A sweater (North American English) or pullover, also called a jumper (British English and Australian English), ...
in them (the vest materializes about three minutes into the scene, at which time Dr. Kelston's necktie also appears to be retied), while he and Dr. Kelston discuss various flying saucer accounts: the
Lubbock Lights The Lubbock Lights were an unusual formation of lights seen over the city of Lubbock, Texas in August and September 1951. The Lubbock Lights incident received national publicity in the United States as a UFO sighting, and was investigated by the ...
and the Mantell UFO incident; Dr. Kelston also identifies the various saucer models as "Type 1", "Type 2", etc.Warren 1982


British ending

The British ending removes the "dream-vs.-reality", "was-it-all-just-a-nightmare" story element: the Martian saucer exploding overhead is added shortly after David joins Kelston and Dr. Blake behind an Army tank. Dr. Blake assures him that his parents are safe now that the Martian saucer is destroyed. The scene dissolves to the MacLean house later that night, in David's bedroom, where he has been put to bed by Kelston and Dr. Blake. Standing at his door, they wish him a good night. This scene dissolves to the film's "The End" title card, as the film's ethereal music reaches its climax in coda with the final fade-out.


Critical reception

Oscar Godbout of ''
The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
'' reviewed the film strictly as entertainment for youngsters, calling it "a pictorial ' funnybook'" that would "probably frighten witless a lot of small children". A generally positive review in ''
Variety Variety may refer to: Arts and entertainment Entertainment formats * Variety (radio) * Variety show, in theater and television Films * ''Variety'' (1925 film), a German silent film directed by Ewald Andre Dupont * ''Variety'' (1935 film), ...
'' wrote: "Imaginative yarn makes full use of astronomical and lab equipment as well as Government atomic research installations as backgrounds to heighten the realism. Highlight, however, is a Martian ray gun which can cause the earth to part into subterranean passages. All this has been effectively filmed by John Seitz in Cinecolor". ''
Harrison's Reports ''Harrison's Reports'' was a New York City-based motion picture trade journal published weekly from 1919 to 1962. The typical issue was four letter-size pages sent to subscribers under a second-class mail permit. Its founder, editor and publisher ...
'' declared it "A pretty good science-fiction melodrama, photographed in Cinecolor. The story, as in most pictures of this type, is highly imaginative, but it is packed with suspense from start to finish and should thrill the action fans, especially the youngsters". The Southern California Motion Picture Council cautioned "The tale is weird and terrifying, but well-done with ... exceptional color. ... the audience is almost frozen with fear until the finale is reached. This is entirely too terrifying and realistic a picture for children". At the film
review aggregator A review aggregator is a system that collects reviews of products and services (such as films, books, video games, software, hardware, and cars). This system stores the reviews and uses them for purposes such as supporting a website where users ...
website
Rotten Tomatoes Rotten Tomatoes is an American review-aggregation website for film and television. The company was launched in August 1998 by three undergraduate students at the University of California, Berkeley: Senh Duong, Patrick Y. Lee, and Stephen Wan ...
, the film holds an approval rating of 85% based on , with a
weighted average The weighted arithmetic mean is similar to an ordinary arithmetic mean (the most common type of average), except that instead of each of the data points contributing equally to the final average, some data points contribute more than others. The ...
rating of 6.9/10. Film historian Paul Meehan considered ''Invaders from Mars'' as "one of the best of the 50s invasion cycle", and "in hindsight", one of the most influential of the period, setting the scene for other "abduction films". Critic Patrick Legare wrote of the film, "Originating during the science-fiction/Red-Scare boom of the '50s, ''Invaders From Mars'' is an entertaining little picture that holds up reasonably well".Legare, Patrick. . Retrieved: January 23, 2008. Author and film critic
Leonard Maltin Leonard Michael Maltin (born December 18, 1950) is an American film critic and film historian, as well as an author of several mainstream books on cinema, focusing on nostalgic, celebratory narratives. He is perhaps best known for his book of fi ...
awarded the film three out of a possible four stars. In his film review, Maltin called it "starkly stylish".


Influence

''Invaders from Mars'' impressed some kids who grew up and became filmmakers.
Don Coscarelli Don Coscarelli Jr. (born February 17, 1954) is an American film director, producer, and screenwriter. Born to Italian settlers in Libya, he is best known for his work in horror films. His directing credits include the first four films in the ' ...
's original 1979 '' Phantasm'' has some plot similarities, while
Brad Bird Phillip Bradley Bird (born September 24, 1957) is an American film director, animator, screenwriter, producer, and voice actor. He has had a career spanning forty years in both animation and live-action. Bird was born in Montana and grew up ...
's ''
The Iron Giant ''The Iron Giant'' is a 1999 American animated science fiction film produced by Warner Bros. Feature Animation and directed by Brad Bird in his directorial debut. It is based on the 1968 novel '' The Iron Man'' by Ted Hughes (which was pub ...
'' makes references to the film, as well as to other iconic science fiction features, particularly those from the 1950s.


Remake

A 1986 remake film was produced using the same title. The remake was directed by
Tobe Hooper Willard Tobe Hooper (; January 25, 1943 – August 26, 2017) was an American director, screenwriter, and producer best known for his work in the horror genre. The British Film Institute cited Hooper as one of the most influential horror fi ...
and stars Karen Black, Hunter Carson, and
Timothy Bottoms Timothy James Bottoms (born August 30, 1951) is an American actor and film producer. He is best known for playing the lead in ''Johnny Got His Gun'' (1971); Sonny Crawford in ''The Last Picture Show'' (1971), where he and his fellow co-stars, Cy ...
. The original film's child star Jimmy Hunt played the police chief.


Adaptations

A three-issue ''Invaders from Mars'' comic book adaptation, written by Steven Philip Jones and drawn by Sandy Carruthers, was published by
Eternity Comics Eternity Comics was a California-based comic book publisher active from 1986 to 1994, first as an independent publisher, then as an imprint of Malibu Comics. Eternity published creator-owned comics of an offbeat, independent flavor, as well as so ...
in 1990. Eternity published an original three-issue sequel by Jones and Carruthers in 1991.


See also

* List of films featuring extraterrestrials *
Mars in fiction Mars, the fourth planet from the Sun, has appeared as a setting in works of fiction since at least the mid-1600s. It became the most popular celestial object in fiction in the late 1800s as the Moon was evidently lifeless. At the time, the pr ...


References


Notes


Bibliography

* Clarke, Frederick S. "Invaders From Mars: A Retrospective of the Original Film". ''Cinefantastique'' magazine, Vol. 16, #3, July 1986 issue. * Meehan, Paul. ''Saucer Movies: A UFOlogical History of the Cinema''. Lanham, Maryland: The Scarecrow Press, 1998. . * Miller, Thomas Kent. ''Mars in the Movies: A History''. Jefferson, North Carolina: McFarland & Company, 2016. . * Parrish, James Robert and Michael R. Pitts. ''The Great Science Fiction Pictures''. Metuchen, New Jersey: The Scarecrow Press, 1977. . * Rux, Bruce. ''Hollywood vs. the Aliens''. London: Frog, Ltd. (North Atlantic Books), 1997. . * Strick, Philip. ''Science Fiction Movies''. London: Octopus Books Limited, 1976. . * Warren, Bill. ''Keep Watching the Skies, American Science Fiction Movies of the 50s'', Vol I: 1950–1957. Jefferson, North Carolina: McFarland & Company, 1982. .


External links

* * * * ''Invaders from Mars'' –
DVD Talk DVD Talk is a home video news and review website launched in 1999 by Geoffrey Kleinman. History Kleinman founded the site in January 1999 in Beaverton, Oregon. Besides news and reviews, it features information on hidden DVD features known as ...

Essay: part 1

Article on making of film
at Fanta Scene
Review of film
at Variety {{DEFAULTSORT:Invaders From Mars (1953 Film) 1953 films 1953 horror films 1950s science fiction horror films 20th Century Fox films Alien invasions in films American science fiction horror films Articles containing video clips Cinecolor films Films directed by William Cameron Menzies Mars in film 1950s science fiction films Films scored by Raoul Kraushaar 1950s English-language films 1950s American films