Horse Eats Hat
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''Horse Eats Hat'' is a 1936
farce Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity o ...
play co-written and directed by
Orson Welles George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, producer, and screenwriter, known for his innovative work in film, radio and theatre. He is considered to be among the greatest and most influential f ...
(at the time 21 years of age) and presented under the auspices of the
Federal Theatre Project The Federal Theatre Project (FTP; 1935–1939) was a theatre program established during the Great Depression as part of the New Deal to fund live artistic performances and entertainment programs in the United States. It was one of five Federal Pro ...
. It was Welles's second WPA production, after his highly successful ''
Voodoo Macbeth The Voodoo ''Macbeth'' is a common nickname for the Federal Theatre Project's 1936 New York production of William Shakespeare's ''Macbeth''. Orson Welles adapted and directed the production, moved the play's setting from Scotland to a fictional ...
''. The script, by Edwin Denby and Welles, was an adaptation of the classic French farce '' The Italian Straw Hat'' () by Eugène Marin Labiche and
Marc-Michel Marc-Antoine-Amédée Michel, known as Marc-Michel (22 July 1812 in Marseille – 12 March 1868 in Paris) was a French poet, playwright and journalist. He is perhaps best known today for the 1851 farce he co-wrote with Eugène Marin Labiche, '' Th ...
. Starring Joseph Cotten, a mainstay of what would become known as the
Mercury Theatre The Mercury Theatre was an independent repertory theatre company founded in New York City in 1937 by Orson Welles and producer John Houseman. The company produced theatrical presentations, radio programs and motion pictures. The Mercury als ...
, the play premiered at the Maxine Elliott Theatre, New York City, on September 26, 1936, running until December 5, 1936.


Assessment

Welles spoke to filmmaker
Peter Bogdanovich Peter Bogdanovich (July 30, 1939 – January 6, 2022) was an American director, writer, actor, producer, critic, and film historian. One of the " New Hollywood" directors, Bogdanovich started as a film journalist until he was hired to work on ...
about the production:
The farce ''Horse Eats Hat'' was the best of the Mercury shows – and, though successful, it divided the town. The press was mixed, yet it was always packed, and had an enormous following. Some people went to it every week as long as it ran.
Welles biographer Simon Callow addressed this production at the
British Film Institute The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, ...
's premiere of the restored Welles film '' Chimes at Midnight'' in 2015:
(After the success of ''Voodoo Macbeth'') ... they (
John Houseman John Houseman (born Jacques Haussmann; September 22, 1902 – October 31, 1988) was a Romanian-born British-American actor and producer of theatre, film, and television. He became known for his highly publicized collaboration with directo ...
and Welles) decided to scheme a project of their own, and they did indeed set up a theatre company of their own under the umbrella of the Federal Theatre Project. They immediately embarked on a fantastically eclectic and crazy program. They gathered around them actors that they had loved ... people that we all know now very well from ''
Citizen Kane ''Citizen Kane'' is a 1941 American drama film produced by, directed by, and starring Orson Welles. He also co-wrote the screenplay with Herman J. Mankiewicz. The picture was Welles' first feature film. ''Citizen Kane'' is frequently cited ...
''; all kinds of character actors, and Welles had a special passion for variety artists – that's the background he had with his father, and so on. So, he crammed them all into their first show, which was a really crazily ambitious thing to do, which was the famous play of ''The Italian Straw Hat''. Houseman particularly, and his friend Virgil Thomson who helped to do the translation, were ever aware of all the new currents in theatre. This time, instead of going towards
Expressionism Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it ra ...
they went towards French
Surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to ...
, and they devised a production, which one would so love to have seen, in which basically the production kept exploding. The set kept on falling down; it was 'the play that went wrong'. The
proscenium arch A proscenium ( grc-gre, προσκήνιον, ) is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor ...
suddenly cracked, and the audience thought that the proscenium arch had actually cracked, but it was all carefully planned. There were cars coming on the stage and going off the stage. It was a mad and insane kind of a romp. Very light-hearted and very fluffy. No political element to it at all. Detested by fifty percent of the press – adored by fifty percent of the press. Some people went again and again and again.
Joshua Logan Joshua Lockwood Logan III (October 5, 1908 – July 12, 1988) was an American director, writer, and actor. He shared a Pulitzer Prize for co-writing the musical ''South Pacific'' and was involved in writing other musicals. Early years Logan w ...
told Welles that it was the greatest piece of theatre that he had ever seen in his life. They had already created a sensation."Simon Callow on Orson Welles and the theatre"
by Simon Callow,
British Film Institute The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, ...
, August 3, 2015 (
Adobe Flash Adobe Flash (formerly Macromedia Flash and FutureSplash) is a multimedia software platform used for production of animations, rich web applications, desktop applications, mobile apps, mobile games, and embedded web browser video players. Flash ...
video)


Cast

File:Horse-Eats-Hat-Costume-1071.jpg, Costume for Mugglethorpe File:Horse-Eats-Hat-Costume-1077.jpg, Costume for the Countess File:Horse-Eats-Hat-38-Rehearsal.jpg, Arlene Francis, Joseph Cotten and Welles at a rehearsal File:Horse-Eats-Hat-42-Houseman-Welles.jpg, John Houseman and Welles at a rehearsal File:Horse-Eats-Hat-21-Welles.jpg, Welles's office at the Maxine Elliott Theatre File:Horse-Eats-Hat-24-Poster.jpg, The horse (Carol King, Edwin Denby) outside the Maxine Elliott Theatre File:Horse-Eats-Hat-19-Cotten-Nicolson.jpg, Joseph Cotten and Virginia Welles File:Horse-Eats-Hat-28-Smith-Laurence-Cotten.jpg, Sidney Smith, Paula Laurence and Joseph Cotten File:WPA Federal Theater Project in New York-"Horse Eats Hat" - NARA - 195721.tif, Sidney Smith and Paula Laurence File:Horse-Eats-Hat-06-Cotten-Smith-Laurence.jpg, Joseph Cotten, Sidney Smith and Paula Laurence File:Horse-Eats-Hat-Cotten-Francis.jpg, Joseph Cotten and Arlene Francis File:Horse-Eats-Hat-04.jpg, Henriette Kaye and Harry McKee File:Horse-Eats-Hat-Wedding-Party.jpg, The wedding party on its way to the Countess's reception


References


External links

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''Horse Eats Hat''
Library of Congress The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The libra ...
exhibition ''Coast to Coast: The Federal Theatre Project, 1935–1939'' (February 17 – July 16, 2011) {{Orson Welles, state=autocollapse Plays by Orson Welles 1936 plays Plays based on other plays Federal Theatre Project