Hippika gymnasia

The ''hippika gymnasia'' ( gr, , "horse exercises") were ritual tournaments performed by the cavalry of the Roman Empire to both practice their skills and display their expertise. They took place on a parade ground situated outside a fort and involved the cavalry practicing manoeuvring and the handling of weapons such as javelins and spears.Fields, Nic; Hook, Adam. ''Roman auxiliary cavalryman: AD 14-193'', p. 62. Osprey Publishing, 2006. The riders and their mounts wore highly elaborate armour and helmets specially made for display purposes, decorated with images from classical mythology. Maxfield, Valerie A. ''The military decorations of the Roman army'', p. 74. University of California Press, 1981. Such tournaments served several purposes, improving the riders' skills, helping to build unit morale and impressing dignitaries and conquered peoples.

The Romans maintained substantial cavalry forces to support their legions. The elite of the cavalry, the '' alae'', were expected to perform complex manoeuvres that required extensive training. The role of the cavalry was described in the 2nd century AD by the Roman writer Arrian in his ''Ars Tactica'', a (possibly theoretical) work in which he described how the legions and auxiliary troops could be organised to defeat an enemy. He recorded the ''hippika gymnasia'' in considerable detail, though – as he was writing in Greek – we do not know the Latin name of such events. The riders practised complex manoeuvres with dummy weapons, alternately attacking and defending, and displaying their horsemanship and courage to onlookers.

Clothing and armour

The participants in the ''hippika gymnasia'' would have been an impressive sight for those who saw them; as one writer has put it, "a cavalcade of richly armoured horses and men – who in their masked helmets with silvered faces looked like divine beings."Simkins, Michael. ''The Roman army from Hadrian to Constantine'', pp. 29-30. Osprey Publishing, 1979. The riders wore brightly coloured tunics – which seems to have evolved into decorated bronze armour by the 3rd century – and very ornate greaves and helmets with face masks. As Arrian described them,

Substantial archaeological evidence has been found of such "sports equipment", as it has been dubbed. A hoard of cavalry display armour dating to the 3rd century AD was discovered at Straubing in Bavaria in 1950. It included extraordinarily elaborate horse armour, greaves, helmets and other pieces of armour. Many more "sports helmets" have been recovered from other locations. They were made from a variety of metals and alloys, often from gold-coloured alloys or iron covered with tin. They were decorated with embossed reliefs and engravings depicting the war god Mars and other divine and semi-divine figures associated with the military. One of the Newstead Helmets from Scotland, for instance, is embossed with a naked winged figure of Cupid driving a chariot.Hargrave, James; Yu Treister, Michail. ''Hammering techniques in Greek and Roman jewellery and toreutics'', pp. 327-328. BRILL, 2001.

The helmets were of both "male" and "female" types, portraying the wearers as Greeks or Amazons. These were apparently commonly competing teams in the ''hippika gymnasia'', which may also have involved re-enactments of other scenes from classical tradition. The female helmets can be recognised by their sculpted hairstyles and other distinctively female elements such as diadems, ribbons and jewels. They were often equipped with the full-face masks mentioned by Arrian in his account. The faces depicted were not always those of Romans, as some were clearly intended to portray easterners.

The origin of these very elaborate helmets is uncertain but appears not to have been Rome. Various origins have been suggested, including a theory that they came from Rome's eastern provinces. They were produced from the early 1st century AD through to the mid-3rd century. Although they are relatively light, they appear to have been worn in battle as well as for display purposes. One such helmet was found at the site of the Battle of the Teutoburg Forest, where three Roman legions were wiped out by Germans in 9 AD. It was perhaps worn by an officer or standard-bearer who intended its imposing appearance to intimidate his enemies on the battlefield.

Arrian's account makes it clear that the horses were also armoured to protect them from javelins and other weapons used during the ''hippika gymnasia'': " he javelinsfall harmlessly on he horses'sides, particularly since the sides are for the most part protected by the horses' armour." Examples of Roman scale armour in Syria. It is possible that cloth or linen horse armour may also have been used, which would have been in keeping with the tunics worn by the riders. Arrian also describes the horses as wearing frontlets or head armour, of which examples were found at the Roman fort of Trimontium (Newstead) in Scotland.

Weapons and exercises

The riders in the ''hippika gymnasia'' were armed with dummy javelins and darts that they employed in mock battles. According to Arrian, the riders would divide into two teams, one of which would be the attacking side and one the defenders. They used their shields to cover their own and their horses' backs, forming a type of mobile '' testudo''. Two of the defenders would stand in front of their team, acting as targets for the throws of the other side. The attackers were tested on their accuracy in hitting the two defenders, who in turn would attempt to protect themselves with their shields. Some of the other defenders would ride out and try to hit the passing attackers. This was a challenging exercise, as Arrian noted:

In another exercise, the cavalry would attempt to throw as many darts as far as they could in a gallop across the parade area in front of the viewing platform where the commanders or other dignitaries were sitting. Fifteen was considered to be a good number but achieving a score of twenty was considered praiseworthy. They also undertook exercises in accurately striking targets with a lance: "Each man carries one lance, and before he gets near the platform, he must whirl his lance with all his might, and, as soon as it reverberates, throw it, taking aim at the target which has been set up . . . on the left of the platform."Arrian, ''Ars Tactica'' 41

The final stage of the display demonstrated skills that would evidently have been useful in combat, where the cavalry was given the task of chasing down the enemy and preventing him from regrouping. As Arrian puts it,

The emperor Hadrian witnessed one such display in North Africa in 118 and reviewed the performance of the riders. He complimented their prowess, telling them:

See also

* '' Lusus Troiae'', the equestrian "Troy Game"

References

External links

{{Ancient Rome topics

Combat sports
Historical European martial arts
Horse history and evolution
Military of ancient Rome
Warhorses