Henry Pleasants (music critic)

Henry Pleasants (May 12, 1910 – January 4, 2000) was an American music critic and intelligence officer.

Early career

Pleasants studied voice, piano and composition at the Curtis Institute of Music, from which he received an honorary doctorate in 1977. In 1930, at age 19, he became a music critic for the ''Philadelphia Evening Bulletin'' and was the paper's music editor from 1934 to 1942, when he enlisted in the U.S. Army.

In 1948–49, he re-entered the military as an army liaison officer with the Austrian government. He left the army to enter the Foreign Service in 1950, serving as an intelligence officer in Munich. From 1950 to 1956, he was the CIA station chief in Bern,James H. Critchfield: Partners at Creation: The Men Behind Postwar Germany's Defense and Intelligence Establishments. Annapolis: Naval Institute Press, 2003. x + 243 pp, . and subsequently from 1956 until his retirement from the CIA in 1964, CIA station chief in Bonn. He was involved in espionage during the Cold War, living with Reinhard Gehlen, a former Nazi general and a top intelligence official for West Germany, to evaluate his "suitability." The Gehlen Organization, which the former general led, became the forerunner of the postwar West German Federal Intelligence Service.

Writing

Following the end of the war, from 1945 to 1955, Pleasants contributed articles on European musical events to ''The New York Times''. He also wrote regularly for ''Opera Quarterly'', was London editor for the magazine ''Stereo Review'', and for 30 years, beginning in 1967, was the London music critic for the '' International Herald Tribune''. In 1964, he retired from the service and settled in London with his wife, Virginia Pleasants, a harpsichordist and fortepianist.

His most famous and controversial work was his 1955 publication ''The Agony of Modern Music'', a polemical attack on the direction taken by much of twentieth-century music and an argument in favor of jazz as the "true" master music of the time. The book stated, "Serious music is a dead art. The vein which for 300 years offered a seemingly inexhaustible yield of beautiful music has run out. What we know as modern music is the noise made by deluded speculators picking through its slag pile." He further developed this critique of contemporary music in ''Death of a Music?: The Decline of the European Tradition and the Rise of Jazz'' (1961) and ''Serious Music and All That Jazz'' (1969).

Henry Pleasants's first and major enthusiasm, however, was the human voice. His ''The Great Singers: From the Dawn of Opera to Our Own Time'' (1966) became a standard reference work. Other books on singers and singing were ''The Great American Popular Singers'', ''Opera in Crisis: Tradition, Present, Future'','' ''and ''The Great Tenor Tragedy: The Last Days of Adolphe Nourrit'', about the nineteenth-century French singer who committed suicide after his vocal style became outdated. His article "Elvis Presley," reprinted in Simon Firth, ed., ''Popular Music: Ciritical Concepts in Media and Cultural Studies'', volume 3 (2004), describes in detail Elvis Presley's "extraordinary compass and very wide range of vocal color."

Henry Pleasants Lecture Series

The American Institute of Musical Studies in Graz, Austria, holds an annual lecture series named in honor of Henry Pleasants,
who lectured and conducted seminars on singing there for 29 years.

https://www.nytimes.com/2000/01/13/news/obituary-henry-pleasants-89-music-critic-dies.html NY Times Jan 13, 2000 OBITUARY : Henry Pleasants, 89, Music Critic, Dies

Death

On January 4, 2000, Pleasants died aged 89 in a London hospital after suffering a ruptured aorta. He was survived by his wife, harpsichordist ''Virginia Pleasants'' (1911 - 2011), two sisters, Constantia Bowditch of Peterborough, New Hampshire, and Nancy Logue of Clarksville, Tennessee; and a brother, William, of Bethel, Delaware (1911 - 2005).

References

Further reading

*
*
*
*

External links

History of the Tenor - Sound Clips and Narration

{{DEFAULTSORT:Pleasant, Henry (music critic)
1910 births
2000 deaths
American music educators
American magazine editors
English columnists
American music critics
English music critics
English musicologists
Opera critics
People of the Central Intelligence Agency
English male non-fiction writers
20th-century American essayists
20th-century American male writers
American male non-fiction writers
20th-century British musicologists
20th-century English male writers