Henri Charles Manguin (; 23 March 187425 September 1949)
2008 was a French painter, associated with the Fauves. Manguin entered the

École des Beaux-Arts École des Beaux-Arts (; ) refers to a number of influential art schools in France. The term is associated with the Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth centur ...

to study under

Gustave Moreau Gustave Moreau (; 6 April 1826 – 18 April 1898) was a French artist and an important figure in the Symbolist movement. Jean Cassou called him "the Symbolist painter par excellence".Cassou, Jean. 1979. ''The Concise Encyclopedia of Symbolism.'' ...

, as did

Henri Matisse Henri Émile Benoît Matisse (; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known prim ...

and

Charles Camoin Charles Camoin (; 23 September 1879 – 20 May 1965) was a French expressionist landscape painter associated with the Fauves. ''Les Fauves: A Sourcebook'', by Russell T. Clement, p. 2, web: -->&lpg=PA2 Google Books Born in Marseille, Franc ...

with whom he became close friends. Like them, Manguin made copies of Renaissance art in the

Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the '' Venus de Milo''. A central ...

. Manguin was greatly influenced by

Impressionism Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passa ...

, as is seen in his use of bright

pastel A pastel () is an art medium in a variety of forms including a stick, a square a pebble or a pan of color; though other forms are possible; they consist of powdered pigment and a binder. The pigments used in pastels are similar to those use ...

hues. He married in 1899 and made numerous portraits of his wife, Jeanne, and their family. In 1902, Manguin had his first exhibition at the

Salon des Indépendants Salon may refer to: Common meanings * Beauty salon, a venue for cosmetic treatments * French term for a drawing room, an architectural space in a home * Salon (gathering), a meeting for learning or enjoyment Arts and entertainment * Salon (Pa ...

and

Salon d'Automne The Salon d'Automne (; en, Autumn Salon), or Société du Salon d'automne, is an art exhibition held annually in Paris, France. Since 2011, it is held on the Champs-Élysées, between the Grand Palais and the Petit Palais, in mid-October. The ...

. Many of his paintings were of Mediterranean landscapes; and would soon represent the height of his career as a Fauve artist.

1905 Indépendants

From 24 March to 30 April, the burgeoning of Fauvism was visible at the Indépendants, prior to the infamous Salon d'Automne exhibition of 1905 which historically marks the birth of the term Fauvism, after critic Louis Vauxcelles described their show of work with the phrase "

Donatello Donato di Niccolò di Betto Bardi ( – 13 December 1466), better known as Donatello ( ), was a Florentine sculptor of the Renaissance period. Born in Florence, he studied classical sculpture and used this to develop a complete Renaissance st ...

chez les fauves" ("Donatello among the wild beasts"),Louis Vauxcelles, ''Le Salon d'Automne'', Gil Blas, 17 October 1905. Screen 5 and 6. Gallica, Bibliothèque nationale de France
contrasting the paintings with a

Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ide ...

-style sculpture that shared the room with them.Chilver, Ian (Ed.)
"Fauvism"
The Oxford Dictionary of Art, Oxford University Press, 2004. Retrieved from enotes.com, 26 December 2007. At the 1905 Indépendants Manguin exhibited with

Albert Marquet Albert Marquet (27 March 1875 – 14 June 1947) was a French painter, associated with the Fauvist movement. He initially became one of the Fauve painters and a lifelong friend of Henri Matisse. Marquet subsequently painted in a more naturali ...

Jean Puy Jean Puy (8 November 1876 in Roanne, Loire – 6 March 1960 in Roanne) was a French Fauvist artist. Life and work He studied architecture at the École nationale des beaux-arts de Lyon and painting with Jean-Paul Laurens at l'Académie Julian ...

, Othon Friesz, Raoul Dufy,

Kees van Dongen Cornelis Theodorus Maria "Kees" van Dongen (26 January 1877 – 28 May 1968) was a Dutch-French painter who was one of the leading Fauves. Van Dongen's early work was influenced by the Hague School and symbolism and it evolved gradually into a r ...

André Derain André Derain (, ; 10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse. Biography Early years Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In ...

, Maurice de Vlaminck,

and

Jean Metzinger Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1 ...

.Société des Artistes Indépendants: catalogue de la 21ème exposition, 1905, Digital collection: Rare Books in the Thomas J. Watson Library, Metropolitan Museum of Art (New York, N.Y.)
/ref> This exhibition was reviewed by Vauxcelles in Gil Blas on 4, 18 and 23 March 1905.Russell T. Clement, ''Les Fauves: A Sourcebook'', Greenwood Publishing Group, 1994
Matisse was in charge of the hanging committee, assisted by Manguin, Metzinger, Bonnard, Camoin, Laprade Luce, Marquet, Puy and Vallotton.

From 1920

In 1920, Manguin exhibited at the ''Gallery Marcel Bernheim'' together with Ottmann, Tirman, Alexandre-Paul Canu and others.Le Petit Parisien, 1920/03/01 (Numéro 15708), p.2, ''Salons at Expositions''Gazette des beaux-arts (Paris), 1920/03/15 (N5), p.36
Gallica BnF He traveled extensively with

throughout Southern Europe. In 1949, Manguin left Paris to settle in Saint-Tropez, where he died soon after, on 25 September 1949.

Gallery of paintings

File:Henri Manguin autoportrait (2).jpg, ''Self-portrait'' (''Autoportrait''), 1905, oil on canvas, 55 x 46 cm, private collection File:Henri Manguin, 1906, Baigneuse (Woman Bather), oil on canvas, Pushkin Museum, Moscow.jpg, ''Baigneuse'' (''Woman Bather''), 1906, oil on canvas, Pushkin Museum File:Henri Manguin, 1906, Le Rocher (La Naïade, Cavalière), oil on canvas, 71 × 89 cm, private collection.jpg, ''Le Rocher'' (''La Naïade, Cavalière''), 1906, oil on canvas, 71 × 89 cm, private collection File:Henri Manguin - La Baigneuse.jpg, ''La Baigneuse'', 1906, oil on canvas, 116.5 x 89.5 cm, Museum of Grenoble File:Henri Maguin1.jpeg, ''Above the Oustalet'' (''View over Grimand''), 1920, oil on canvas, 65 x 81 cm, private collection

References

External links

Henri Manguin, Thyssen-Bornemisza Museum, MadridHenri Manguin, biography
Gallery Fleury

Web Gallery of Impressionists

{{DEFAULTSORT:Manguin, Henri 1874 births 1949 deaths Painters from Paris 19th-century French painters French male painters 20th-century French painters 20th-century French male artists Fauvism 19th-century French male artists