Hathor
   HOME

TheInfoList



OR:

Hathor (, , , Meroitic: ') was a major
goddess A goddess is a female deity. In some faiths, a sacred female figure holds a central place in religious prayer and worship. For example, Shaktism (one of the three major Hinduism, Hindu sects), holds that the ultimate deity, the source of all re ...
in
ancient Egyptian religion Ancient Egyptian religion was a complex system of Polytheism, polytheistic beliefs and rituals that formed an integral part of ancient Egyptian culture. It centered on the Egyptians' interactions with Ancient Egyptian deities, many deities belie ...
who played a wide variety of roles. As a sky deity, she was the mother or consort of the sky god
Horus Horus (), also known as Heru, Har, Her, or Hor () in Egyptian language, Ancient Egyptian, is one of the most significant ancient Egyptian deities who served many functions, most notably as the god of kingship, healing, protection, the sun, and t ...
and the sun god Ra, both of whom were connected with kingship, and thus she was the symbolic mother of their earthly representatives, the
pharaoh Pharaoh (, ; Egyptian language, Egyptian: ''wikt:pr ꜥꜣ, pr ꜥꜣ''; Meroitic language, Meroitic: 𐦲𐦤𐦧, ; Biblical Hebrew: ''Parʿō'') was the title of the monarch of ancient Egypt from the First Dynasty of Egypt, First Dynasty ( ...
s. She was one of several goddesses who acted as the Eye of Ra, Ra's feminine counterpart, and in this form, she had a vengeful aspect that protected him from his enemies. Her beneficent side represented music, dance, joy, love, sexuality, and maternal care, and she acted as the consort of several male deities and the mother of their sons. These two aspects of the goddess exemplified the Egyptian conception of
femininity Femininity (also called womanliness) is a set of attributes, behaviors, and Gender roles, roles generally associated with women and girls. Femininity can be understood as Social construction of gender, socially constructed, and there is also s ...
. Hathor crossed boundaries between worlds, helping deceased souls in the transition to the
afterlife The afterlife or life after death is a purported existence in which the essential part of an individual's Stream of consciousness (psychology), stream of consciousness or Personal identity, identity continues to exist after the death of their ...
. Hathor was often depicted as a cow, symbolizing her maternal and celestial aspect, although her most common form was a woman wearing a headdress of cow horns and a sun disk. She could also be represented as a
lion The lion (''Panthera leo'') is a large Felidae, cat of the genus ''Panthera'', native to Sub-Saharan Africa and India. It has a muscular, broad-chested body (biology), body; a short, rounded head; round ears; and a dark, hairy tuft at the ...
ess, a
cobra COBRA or Cobra, often stylized as CoBrA, was a European avant-garde art group active from 1948 to 1951. The name was coined in 1948 by Christian Dotremont from the initials of the members' home countries' capital cities: Copenhagen (Co), Brussels ...
, or a sycomore tree. Cattle goddesses similar to Hathor were portrayed in Egyptian art in the fourth millennium BC, but she may not have appeared until the
Old Kingdom In ancient Egyptian history, the Old Kingdom is the period spanning –2200 BC. It is also known as the "Age of the Pyramids" or the "Age of the Pyramid Builders", as it encompasses the reigns of the great pyramid-builders of the Fourth Dynast ...
(). With the patronage of Old Kingdom rulers, she became one of Egypt's most important deities. More
temples A temple (from the Latin ) is a place of worship, a building used for spiritual rituals and activities such as prayer and sacrifice. By convention, the specially built places of worship of some religions are commonly called "temples" in Engli ...
were dedicated to her than to any other goddess; her most prominent temple was Dendera in
Upper Egypt Upper Egypt ( ', shortened to , , locally: ) is the southern portion of Egypt and is composed of the Nile River valley south of the delta and the 30th parallel North. It thus consists of the entire Nile River valley from Cairo south to Lake N ...
. She was also worshipped in the temples of her male consorts. The Egyptians connected her with foreign lands, such as
Nubia Nubia (, Nobiin language, Nobiin: , ) is a region along the Nile river encompassing the area between the confluence of the Blue Nile, Blue and White Nile, White Niles (in Khartoum in central Sudan), and the Cataracts of the Nile, first cataract ...
and
Canaan CanaanThe current scholarly edition of the Septuagint, Greek Old Testament spells the word without any accents, cf. Septuaginta : id est Vetus Testamentum graece iuxta LXX interprets. 2. ed. / recogn. et emendavit Robert Hanhart. Stuttgart : D ...
, and their valuable goods, such as
incense Incense is an aromatic biotic material that releases fragrant smoke when burnt. The term is used for either the material or the aroma. Incense is used for aesthetic reasons, religious worship, aromatherapy, meditation, and ceremonial reasons. It ...
and semiprecious stones, and some of the peoples in those lands adopted her worship. In
Egypt Egypt ( , ), officially the Arab Republic of Egypt, is a country spanning the Northeast Africa, northeast corner of Africa and Western Asia, southwest corner of Asia via the Sinai Peninsula. It is bordered by the Mediterranean Sea to northe ...
, she was one of the deities commonly invoked in private prayers and
votive offering A votive offering or votive deposit is one or more objects displayed or deposited, without the intention of recovery or use, in a sacred place for religious purposes. Such items are a feature of modern and ancient societies and are generally ...
s, particularly by women desiring children. During the New Kingdom (), goddesses such as Mut and
Isis Isis was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom () as one of the main characters of the Osiris myth, in which she resurrects her sla ...
encroached on Hathor's position in royal ideology, but she remained one of the most widely worshipped deities. After the end of the New Kingdom, Hathor was increasingly overshadowed by Isis, but she continued to be venerated until the extinction of ancient Egyptian religion in the early centuries AD.


Origins

Images of
cattle Cattle (''Bos taurus'') are large, domesticated, bovid ungulates widely kept as livestock. They are prominent modern members of the subfamily Bovinae and the most widespread species of the genus '' Bos''. Mature female cattle are calle ...
appear frequently in the
artwork A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature ...
of
Predynastic Egypt Prehistoric Egypt and Predynastic Egypt was the period of time starting at the first human settlement and ending at the First Dynasty of Egypt around 3100 BC. At the end of prehistory, "Predynastic Egypt" is traditionally defined as the period ...
(before ), as do images of women with upraised, curved arms, reminiscent of the shape of bovine horns. Both types of imagery may represent goddesses connected with
cattle Cattle (''Bos taurus'') are large, domesticated, bovid ungulates widely kept as livestock. They are prominent modern members of the subfamily Bovinae and the most widespread species of the genus '' Bos''. Mature female cattle are calle ...
. Cows are venerated in many cultures, including ancient Egypt, as symbols of motherhood and nourishment, because they care for their calves and provide humans with milk. The Gerzeh Palette, a stone palette from the Naqada II period of prehistory (), shows the silhouette of a cow's head with inward-curving horns surrounded by stars. The palette suggests that this cow was also linked with the sky, as were several goddesses from later times who were represented in this form: Hathor, Mehet-Weret, and Nut. Despite these earlier precedents, Hathor is not unambiguously mentioned or depicted until the Fourth Dynasty () of the
Old Kingdom In ancient Egyptian history, the Old Kingdom is the period spanning –2200 BC. It is also known as the "Age of the Pyramids" or the "Age of the Pyramid Builders", as it encompasses the reigns of the great pyramid-builders of the Fourth Dynast ...
, although several artifacts that refer to her may date to the Early Dynastic Period (). When Hathor does clearly appear, her horns curve outward, rather than inward like those in Predynastic art. A bovine deity with inward-curving horns appears on the Narmer Palette from near the start of Egyptian history, both atop the palette and on the belt or apron of the king,
Narmer Narmer (, may mean "painful catfish", "stinging catfish", "harsh catfish", or "fierce catfish"; ) was an ancient Egyptian king of the Early Dynastic Period, whose reign began at the end of the 4th millennium BC. He was the successor to the Prot ...
. The Egyptologist Henry George Fischer suggested this deity may be
Bat Bats are flying mammals of the order Chiroptera (). With their forelimbs adapted as wings, they are the only mammals capable of true and sustained flight. Bats are more agile in flight than most birds, flying with their very long spread-out ...
, a goddess who was later depicted with a woman's face and inward-curling horns, seemingly reflecting the curve of the cow horns. The Egyptologist Lana Troy, however, identifies a passage in the
Pyramid Texts The Pyramid Texts are the oldest ancient Egyptian funerary texts, dating to the late Old Kingdom. They are the earliest known corpus of ancient Egyptian religious texts. Written in Old Egyptian, the pyramid texts were carved onto the subterranea ...
from the late Old Kingdom that connects Hathor with the "apron" of the king, reminiscent of the goddess on Narmer's garments, and suggests the goddess on the Narmer Palette is Hathor rather than Bat. In the Fourth Dynasty, Hathor rose rapidly to prominence. She supplanted an early crocodile god who was worshipped at Dendera in
Upper Egypt Upper Egypt ( ', shortened to , , locally: ) is the southern portion of Egypt and is composed of the Nile River valley south of the delta and the 30th parallel North. It thus consists of the entire Nile River valley from Cairo south to Lake N ...
to become Dendera's patron deity, and she increasingly absorbed the cult of Bat in the neighboring region of Hu, so that in the Middle Kingdom () the two deities fused into one. The theology surrounding the
pharaoh Pharaoh (, ; Egyptian language, Egyptian: ''wikt:pr ꜥꜣ, pr ꜥꜣ''; Meroitic language, Meroitic: 𐦲𐦤𐦧, ; Biblical Hebrew: ''Parʿō'') was the title of the monarch of ancient Egypt from the First Dynasty of Egypt, First Dynasty ( ...
in the Old Kingdom, unlike that of earlier times, focused heavily on the sun god Ra as king of the gods and father and patron of the earthly king. Hathor ascended with Ra and became his mythological wife, and thus divine mother of the pharaoh.


Roles

Hathor took many forms and appeared in a wide variety of roles. The Egyptologist Robyn Gillam suggests that these diverse forms emerged when the royal goddess promoted by the Old Kingdom court subsumed many local goddesses worshipped by the general populace, who were then treated as manifestations of her. Egyptian texts often speak of the manifestations of the goddess as "Seven Hathors" or, less commonly, of many more Hathors—as many as 362. For these reasons, Gillam calls her "a type of deity rather than a single entity". Hathor's diversity reflects the range of traits that the Egyptians associated with goddesses. More than any other deity, she exemplifies the Egyptian perception of
femininity Femininity (also called womanliness) is a set of attributes, behaviors, and Gender roles, roles generally associated with women and girls. Femininity can be understood as Social construction of gender, socially constructed, and there is also s ...
.


Sky goddess

Hathor was given the
epithet An epithet (, ), also a byname, is a descriptive term (word or phrase) commonly accompanying or occurring in place of the name of a real or fictitious person, place, or thing. It is usually literally descriptive, as in Alfred the Great, Suleima ...
s "mistress of the sky" and "mistress of the stars", and was said to dwell in the sky with Ra and other sun deities. Egyptians thought of the sky as a body of water through which the sun god sailed, and they connected it with the waters from which, according to their
creation myths A creation myth or cosmogonic myth is a type of cosmogony, a symbolic narrative of how the world began and how people first came to inhabit it., "Creation myths are symbolic stories describing how the universe and its inhabitants came to be. Crea ...
, the sun emerged at the beginning of time. This cosmic mother goddess was often represented as a cow. Hathor and Mehet-Weret were both thought of as the cow who birthed the sun god and placed him between her horns. Like Nut, Hathor was said to give birth to the sun god each dawn. Hathor's
Egyptian ''Egyptian'' describes something of, from, or related to Egypt. Egyptian or Egyptians may refer to: Nations and ethnic groups * Egyptians, a national group in North Africa ** Egyptian culture, a complex and stable culture with thousands of year ...
name was ''ḥwt-ḥrw'' or ''ḥwt-ḥr''. It is typically translated "house of Horus" but can also be rendered as "my house is the sky". The falcon god
Horus Horus (), also known as Heru, Har, Her, or Hor () in Egyptian language, Ancient Egyptian, is one of the most significant ancient Egyptian deities who served many functions, most notably as the god of kingship, healing, protection, the sun, and t ...
represented, among other things, the sun and sky. The "house" referred to may be the sky in which Horus lives, or the goddess's womb from which he, as a sun god, is born each day.


Solar goddess

Hathor was a solar deity, a feminine counterpart to sun gods such as Horus and Ra, and was a member of the divine entourage that accompanied Ra as he sailed through the sky in his
barque A barque, barc, or bark is a type of sailing ship, sailing vessel with three or more mast (sailing), masts of which the fore mast, mainmast, and any additional masts are Square rig, rigged square, and only the aftmost mast (mizzen in three-maste ...
. She was commonly called the "Golden One", referring to the radiance of the sun, and texts from her temple at Dendera say "her rays illuminate the whole earth." She was sometimes fused with another goddess, Nebethetepet, whose name can mean "Lady of the Offering", "Lady of Contentment", or "Lady of the Vulva". At Ra's cult center of Heliopolis, Hathor-Nebethetepet was worshipped as his consort, and the Egyptologist Rudolf Anthes argued that Hathor's name referred to a mythical "house of Horus" at Heliopolis that was connected with the ideology of kingship. She was one of many goddesses to take the role of the Eye of Ra, a feminine personification of the disk of the sun and an extension of Ra's own power. Ra was sometimes portrayed inside the disk, which Troy interprets as meaning that the eye goddess was thought of as a
womb The uterus (from Latin ''uterus'', : uteri or uteruses) or womb () is the organ in the reproductive system of most female mammals, including humans, that accommodates the embryonic and fetal development of one or more fertilized eggs until bi ...
, from which the sun god was born. Hathor's seemingly contradictory roles as mother, wife, and daughter of Ra reflected the daily cycle of the sun. At sunset the god entered the body of the sky goddess, impregnating her and fathering the deities born from her womb at sunrise: himself and the eye goddess, who would later give birth to him. Ra gave rise to his daughter, the eye goddess, who in turn gave rise to him, her son, in a cycle of constant regeneration. The Eye of Ra protected the sun god from his enemies and was often represented as a uraeus, or rearing
cobra COBRA or Cobra, often stylized as CoBrA, was a European avant-garde art group active from 1948 to 1951. The name was coined in 1948 by Christian Dotremont from the initials of the members' home countries' capital cities: Copenhagen (Co), Brussels ...
, or as a lioness. A form of the Eye of Ra known as "Hathor of the Four Faces", represented by a set of four cobras, was said to face in each of the
cardinal directions The four cardinal directions or cardinal points are the four main compass directions: north (N), south (S), east (E), and west (W). The corresponding azimuths ( clockwise horizontal angle from north) are 0°, 90°, 180°, and 270°. The four ...
to watch for threats to the sun god. A group of myths, known from the New Kingdom (c. 1550–1070 BC) onward, describe what happens when the Eye goddess rampages uncontrolled. In the funerary text known as the '' Book of the Heavenly Cow'', Ra sends Hathor as the Eye of Ra to punish humans for plotting rebellion against his rule. She becomes the lioness goddess
Sekhmet In Egyptian mythology, Sekhmet ( or Sachmis , from ; ) is a warrior goddess as well as goddess of medicine. Sekhmet is also a solar deity, sometimes given the epithet "the Eye of Ra, eye of Ra". She is often associated with the goddesses Hatho ...
and massacres the rebellious humans, but Ra decides to prevent her from killing all humanity. He orders that beer be dyed red and poured out over the land. The Eye goddess drinks the beer, mistaking it for blood, and in her inebriated state reverts to being the benign and beautiful Hathor. Related to this story is the myth of the Distant Goddess, from the Late and Ptolemaic periods. The Eye goddess, sometimes in the form of Hathor, rebels against Ra's control and rampages freely in a foreign land:
Libya Libya, officially the State of Libya, is a country in the Maghreb region of North Africa. It borders the Mediterranean Sea to the north, Egypt to Egypt–Libya border, the east, Sudan to Libya–Sudan border, the southeast, Chad to Chad–L ...
west of Egypt or
Nubia Nubia (, Nobiin language, Nobiin: , ) is a region along the Nile river encompassing the area between the confluence of the Blue Nile, Blue and White Nile, White Niles (in Khartoum in central Sudan), and the Cataracts of the Nile, first cataract ...
to the south. Weakened by the loss of his Eye, Ra sends another god, such as
Thoth Thoth (from , borrowed from , , the reflex of " eis like the ibis") is an ancient Egyptian deity. In art, he was often depicted as a man with the head of an African sacred ibis, ibis or a baboon, animals sacred to him. His feminine count ...
, to bring her back to him. Once pacified, the goddess returns to become the consort of the sun god or of the god who brings her back. The two aspects of the Eye goddess—violent and dangerous versus beautiful and joyful—reflected the Egyptian belief that women, as the Egyptologist Carolyn Graves-Brown puts it, "encompassed both extreme passions of fury and love".


Music, dance, and joy

Egyptian religion celebrated the sensory pleasures of life, believed to be among the gods' gifts to humanity. Egyptians ate, drank, danced, and played music at their religious festivals. They perfumed the air with flowers and
incense Incense is an aromatic biotic material that releases fragrant smoke when burnt. The term is used for either the material or the aroma. Incense is used for aesthetic reasons, religious worship, aromatherapy, meditation, and ceremonial reasons. It ...
. Many of Hathor's epithets link her to celebration; she is called the mistress of music, dance, garlands,
myrrh Myrrh (; from an unidentified ancient Semitic language, see '' § Etymology'') is a gum-resin extracted from a few small, thorny tree species of the '' Commiphora'' genus, belonging to the Burseraceae family. Myrrh resin has been used ...
, and
drunkenness Alcohol intoxication, commonly described in higher doses as drunkenness or inebriation, and known in overdose as alcohol poisoning, is the behavior and physical effects caused by recent consumption of alcohol. The technical term ''intoxication ...
. In hymns and temple reliefs, musicians play
tambourine The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, thoug ...
s,
harp The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or ...
s,
lyre The lyre () (from Greek λύρα and Latin ''lyra)'' is a string instrument, stringed musical instrument that is classified by Hornbostel–Sachs as a member of the History of lute-family instruments, lute family of instruments. In organology, a ...
s, and sistra in Hathor's honor. The sistrum, a rattle-like instrument, was particularly important in Hathor's worship. Sistra had erotic connotations and, by extension, alluded to the creation of new life. These aspects of Hathor were linked with the myth of the Eye of Ra. The Eye was pacified by beer in the story of the Destruction of Mankind. In some versions of the Distant Goddess myth, the wandering Eye's wildness abated when she was appeased with products of civilization like music, dance, and wine. The water of the annual
flooding of the Nile The flooding of the Nile (commonly referred to as ''the Inundation'') and its silt Deposition (geology), deposition was a natural cycle first attested in Ancient Egypt. It was of singular importance in the history and culture of Egypt. Governments ...
, colored red by sediment, was likened to wine, and to the red-dyed beer in the Destruction of Mankind. Festivals during the inundation therefore incorporated drink, music, and dance as a way to appease the returning goddess. A text from the Temple of Edfu says of Hathor, "the gods play the sistrum for her, the goddesses dance for her to dispel her bad temper." A hymn to the goddess Raet-Tawy as a form of Hathor at the temple of Medamud describes the Festival of Drunkenness (Tekh Festival) as part of her mythic return to Egypt. Women carry bouquets of flowers, drunken revelers play drums, and people and animals from foreign lands dance for her as she enters the temple's festival booth. The noise of the celebration drives away hostile powers and ensures the goddess will remain in her joyful form as she awaits the male god of the temple, her mythological consort
Montu Montu was a falcon-god of war in the ancient Egyptian religion, an embodiment of the conquering vitality of the pharaoh.Hart, George, ''A Dictionary of Egyptian Gods and Goddesses'', Routledge, 1986, . p. 126. He was particularly worshipped in ...
, whose son she will bear.


Sexuality, beauty, and love

Hathor's joyful, ecstatic side indicates her feminine, procreative power. In some creation myths she helped produce the world itself.
Atum Atum (, Egyptian: ''jtm(w)'' or ''tm(w)'', ''reconstructed'' ; Coptic ''Atoum''), sometimes rendered as Atem, Temu, or Tem, is the primordial God in Egyptian mythology from whom all else arose. He created himself and is the father of Shu and ...
, a creator god who contained all things within himself, was said to have produced his children Shu and Tefnut, and thus begun the process of creation, by masturbating. The hand he used for this act, the Hand of Atum, represented the female aspect of himself and could be personified by Hathor, Nebethetepet, or another goddess,
Iusaaset Iusaaset, Iusaas, or, in Greek, Saosis, is a primordial goddess in Ancient Egyptian religion, a feminine counterpart to the male creator deity Atum.Hart, George. (2005). ''The Routledge Dictionary of Egyptian Gods and Goddesses, 2nd Edition''. Rou ...
. In a late
creation myth A creation myth or cosmogonic myth is a type of cosmogony, a symbolic narrative of how the world began and how people first came to inhabit it., "Creation myths are symbolic stories describing how the universe and its inhabitants came to be. Cre ...
from the Ptolemaic Period (332–30 BC), the god Khonsu is put in a central role, and Hathor is the goddess with whom Khonsu mates to enable creation. Hathor could be the consort of many male gods, of whom Ra was only the most prominent. Mut was the usual consort of
Amun Amun was a major ancient Egyptian deity who appears as a member of the Hermopolitan Ogdoad. Amun was attested from the Old Kingdom together with his wife Amunet. His oracle in Siwa Oasis, located in Western Egypt near the Libyan Desert, r ...
, the preeminent deity during the New Kingdom who was often linked with Ra. But Mut was rarely portrayed alongside Amun in contexts related to sex or fertility, and in those circumstances, Hathor or
Isis Isis was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom () as one of the main characters of the Osiris myth, in which she resurrects her sla ...
stood at his side instead. In the late periods of Egyptian history, the form of Hathor from Dendera and the form of Horus from Edfu were considered husband and wife and in different versions of the myth of the Distant Goddess, Hathor-Raettawy was the consort of Montu and Hathor-Tefnut the consort of Shu. Hathor's sexual side was seen in some
short stories A short story is a piece of prose fiction. It can typically be read in a single sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a single effect or mood. The short story is one of the old ...
. In a cryptic fragment of a Middle Kingdom story, known as "The Tale of the Herdsman", a herdsman encounters a hairy, animal-like goddess in a marsh and reacts with terror. On another day he encounters her as a nude, alluring woman. Most Egyptologists who study this story think this woman is Hathor or a goddess like her, one who can be wild and dangerous or benign and erotic. Thomas Schneider interprets the text as implying that between his two encounters with the goddess the herdsman has done something to pacify her. In " The Contendings of Horus and Set", a New Kingdom short story about the dispute between those two gods, Ra is upset after being insulted by another god, Babi, and lies on his back alone. After some time, Hathor exposes her genitals to Ra, making him laugh and get up again to perform his duties as ruler of the gods. Life and order were thought to be dependent on Ra's activity, and the story implies that Hathor averted the disastrous consequences of his idleness. Her act may have lifted Ra's spirits partly because it sexually aroused him, although why he laughed is not fully understood. Hathor was praised for her beautiful hair. Egyptian literature contains allusions to a myth not clearly described in any surviving texts, in which Hathor lost a lock of hair that represented her sexual allure. One text compares this loss with Horus's loss of his divine Eye and
Set Set, The Set, SET or SETS may refer to: Science, technology, and mathematics Mathematics *Set (mathematics), a collection of elements *Category of sets, the category whose objects and morphisms are sets and total functions, respectively Electro ...
's loss of his testicles during the struggle between the two gods, implying that the loss of Hathor's lock was as catastrophic for her as the maiming of Horus and Set was for them. Hathor was called "mistress of love", as an extension of her sexual aspect. In the series of love poems from Papyrus Chester BeattyI, from the Twentieth Dynasty (c. 1189–1077 BC), men and women ask Hathor to bring their lovers to them: "I prayed to her athorand she heard my prayer. She destined my mistress oved onefor me. And she came of her own free will to see me."


Motherhood and queenship

Hathor was considered the mother of various child deities. As suggested by her name, she was often thought of as both Horus's mother and consort. As both the king's wife and his heir's mother, Hathor was the divine counterpart of human queens. Isis and Osiris were considered Horus's parents in the
Osiris myth The Osiris myth is the most elaborate and influential story in ancient Egyptian mythology. It concerns the murder of the god Osiris, a primeval king of Egypt, and its consequences. Osiris's murderer, his brother Set, usurps his throne. Meanwhile, ...
as far back as the late Old Kingdom, but the relationship between Horus and Hathor may be older still. If so, Horus only came to be linked with Isis and Osiris as the Osiris myth emerged during the Old Kingdom. Even after Isis was firmly established as Horus's mother, Hathor continued to appear in this role, especially when nursing the pharaoh. Images of the Hathor-cow with a child in a papyrus thicket represented his mythological upbringing in a secluded marsh. Goddesses' milk was a sign of divinity and royal status. Thus, images in which Hathor nurses the pharaoh represent his right to rule. Hathor's relationship with Horus gave a healing aspect to her character, as she was said to have restored Horus's missing eye or eyes after Set attacked him. In the version of this episode in "The Contendings of Horus and Set", Hathor finds Horus with his eyes torn out and heals the wounds with gazelle's milk. Beginning in the Late Period (664–323 BC), temples focused on the worship of a divine family: an adult male deity, his wife, and their immature son. Satellite buildings, known as mammisis, were built in celebration of the birth of the local child deity. The child god represented the cyclical renewal of the cosmos and an archetypal heir to the kingship. Hathor was the mother in many of these local divine triads. At Dendera, the mature Horus of Edfu was the father and Hathor the mother, while their child was Ihy, a god whose name meant "sistrum-player" and who personified the jubilation associated with the instrument. At Kom Ombo, Hathor's local form, Tasenetnofret, was mother to Horus's son Panebtawy. Other children of Hathor included a minor deity from the town of Hu, named Neferhotep, and several child forms of Horus. The milky sap of the sycamore tree, which the Egyptians regarded as a symbol of life, became one of her symbols. The milk was equated with water of the Nile inundation and thus fertility. In the late Ptolemaic and Roman Periods, many temples contained a creation myth that adapted long-standing ideas about creation. The version from Hathor's temple at Dendera emphasizes that she, as a female solar deity, was the first being to emerge from the primordial waters that preceded creation, and her life-giving light and milk nourished all living things. Hathor's maternal aspects can be compared with those of Isis and Mut, yet there are many contrasts between them. Isis's devotion to her husband and care for their child represented a more socially acceptable form of love than Hathor's uninhibited sexuality, and Mut's character was more authoritative than sexual. The text of the 1st century CE Insinger Papyrus likens a faithful wife, the mistress of a household, to Mut, while comparing Hathor to a strange woman who tempts a married man.


Fate

Like
Meskhenet In ancient Egyptian mythology, Meskhenet, (also spelt Mesenet, Meskhent, and Meshkent) was the goddess of childbirth, and the creator of each child's Ka, a part of their soul, which she breathed into them at the moment of birth. She was worshipp ...
, another goddess who presided over birth, Hathor was connected with ''
shai Shai (also spelt Sai, occasionally Shay, and in Greek, Psais) was the deification of the concept of fate in Egyptian mythology. As a concept, with no particular reason for associating one gender over another, Shai was sometimes considered femal ...
'', the Egyptian concept of
fate Destiny, sometimes also called fate (), is a predetermined course of events. It may be conceived as a predeterminism, predetermined future, whether in general or of an individual. Fate Although often used interchangeably, the words wiktionary ...
, particularly when she took the form of the Seven Hathors. In two New Kingdom works of fiction, the " Tale of Two Brothers" and the " Tale of the Doomed Prince", the Hathors appear at the births of major characters and foretell the manner of their deaths. The Egyptians tended to think of fate as inexorable. Yet in "The Tale of the Doomed Prince", the prince who is its protagonist is able to escape one of the possible violent deaths that the Seven Hathors have foretold for him, and while the end of the story is missing, the surviving portions imply that the prince can escape his fate with the help of the gods.


Foreign lands and goods

Hathor was connected with trade and foreign lands, possibly because her role as a sky goddess linked her with stars and hence navigation, and because she was believed to protect ships on the Nile and in the seas beyond Egypt as she protected the barque of Ra in the sky. The mythological wandering of the Eye goddess in Nubia or Libya gave her a connection with those lands as well. Egypt maintained trade relations with the coastal cities of
Syria Syria, officially the Syrian Arab Republic, is a country in West Asia located in the Eastern Mediterranean and the Levant. It borders the Mediterranean Sea to the west, Turkey to Syria–Turkey border, the north, Iraq to Iraq–Syria border, t ...
and
Canaan CanaanThe current scholarly edition of the Septuagint, Greek Old Testament spells the word without any accents, cf. Septuaginta : id est Vetus Testamentum graece iuxta LXX interprets. 2. ed. / recogn. et emendavit Robert Hanhart. Stuttgart : D ...
, particularly
Byblos Byblos ( ; ), also known as Jebeil, Jbeil or Jubayl (, Lebanese Arabic, locally ), is an ancient city in the Keserwan-Jbeil Governorate of Lebanon. The area is believed to have been first settled between 8800 and 7000BC and continuously inhabited ...
, placing Egyptian religion in contact with the religions of that region. At some point, perhaps as early as the Old Kingdom, the Egyptians began to refer to the patron goddess of Byblos, Baalat Gebal, as a local form of Hathor. So strong was Hathor's link to Byblos that texts from Dendera say she resided there. The Egyptians sometimes equated
Anat Anat (, ), Anatu, classically Anath (; ''ʿnt''; ''ʿĂnāṯ''; ; ; Egyptian language, Egyptian: ''wikt:ꜥntjt, ꜥntjt'') was a goddess associated with warfare and hunting, best known from the Ugaritic texts. Most researchers assume tha ...
, an aggressive Canaanite goddess who came to be worshipped in Egypt during the New Kingdom, with Hathor. Some Canaanite artworks depict a nude goddess with a curling wig taken from Hathor's iconography. Which goddess these images represent is not known, but the Egyptians adopted her iconography and came to regard her as an independent deity,
Qetesh Qetesh (also Qodesh, Qadesh, Qedesh, Qetesh, Kadesh, Kedesh, Kadeš or Qades ) was a goddess who was incorporated into the ancient Egyptian religion in the late Bronze Age. Her name was likely developed by the Egyptians based on the Semitic r ...
, whom they associated with Hathor. Hathor was closely connected with the
Sinai Peninsula The Sinai Peninsula, or simply Sinai ( ; ; ; ), is a peninsula in Egypt, and the only part of the country located in Asia. It is between the Mediterranean Sea to the north and the Red Sea to the south, and is a land bridge between Asia and Afri ...
, which was not considered part of Egypt proper but was the site of Egyptian mines for copper,
turquoise Turquoise is an opaque, blue-to-green mineral that is a hydrous phosphate of copper and aluminium, with the chemical formula . It is rare and valuable in finer grades and has been prized as a gemstone for millennia due to its hue. The robi ...
, and
malachite Malachite () is a copper Carbonate mineral, carbonate hydroxide mineral, with the chemical formula, formula Basic copper carbonate, Cu2CO3(OH)2. This opaque, green-banded mineral crystallizes in the monoclinic crystal system, and most often for ...
during the Middle and New Kingdoms. One of Hathor's epithets, "Lady of ''Mefkat''", may have referred specifically to turquoise or to all blue-green minerals. She was also called "Lady of
Faience Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white Ceramic glaze, pottery glaze suitable for painted decoration, by the addition of an stannous oxide, oxide of tin to the Slip (c ...
", a blue-green ceramic that Egyptians likened to turquoise. Hathor was also worshipped at various quarries and mining sites in Egypt's Eastern Desert, such as the
amethyst Amethyst is a Violet (color), violet variety of quartz. The name comes from the Koine Greek from - , "not" and (Ancient Greek) / (Modern Greek), "intoxicate", a reference to the belief that the stone protected its owner from Alcohol into ...
mines of Wadi el-Hudi, where she was sometimes called "Lady of Amethyst". South of Egypt, Hathor's influence was thought to have extended over the
land of Punt The Land of Punt (Egyptian language, Egyptian: ''wikt:pwnt#Egyptian, pwnt''; alternate Egyptian language#Egyptological pronunciation, Egyptological readings ''Pwene''(''t'') ) was an ancient kingdom known from Ancient Egyptian trade records. ...
, which lay along the
Red Sea The Red Sea is a sea inlet of the Indian Ocean, lying between Africa and Asia. Its connection to the ocean is in the south, through the Bab-el-Mandeb Strait and the Gulf of Aden. To its north lie the Sinai Peninsula, the Gulf of Aqaba, and th ...
coast and was a major source for the incense with which Hathor was linked, as well as with Nubia, northwest of Punt. The autobiography of Harkhuf, an official in the Sixth Dynasty (c. 2345–2181 BC), describes his expedition to a land in or near Nubia, from which he brought back great quantities of
ebony Ebony is a dense black/brown hardwood, coming from several species in the genus '' Diospyros'', which also includes the persimmon tree. A few ''Diospyros'' species, such as macassar and mun ebony, are dense enough to sink in water. Ebony is fin ...
, panther skins, and incense for the king. The text describes these exotic goods as Hathor's gift to the pharaoh. Egyptian expeditions to mine gold in Nubia introduced her cult to the region during the Middle and New Kingdoms, and New Kingdom pharaohs built several temples to her in the portions of Nubia that they ruled.


Afterlife

Although the Pyramid Texts, the earliest Egyptian funerary texts, rarely mention her, Hathor was invoked in private tomb inscriptions from the same era, and in the Middle Kingdom Coffin Texts and later sources, she is frequently linked with the afterlife. Just as she crossed the boundary between Egypt and foreign lands, Hathor passed through the boundary between the living and the Duat, the realm of the dead. She helped the spirits of deceased humans enter the Duat and was closely linked with tomb sites, where that transition began. The necropolises, or clusters of tombs, on the west bank of the Nile were personified as Imentet, the goddess of the west, who was frequently regarded as a manifestation of Hathor. The
Theban necropolis The Theban Necropolis () is a necropolis on the west bank of the Nile, opposite Thebes, Egypt, Thebes (Luxor) in Upper Egypt. It was used for ritual burials for much of the Ancient Egypt, Pharaonic period, especially during the New Kingdom of Egyp ...
, for example, was often portrayed as a stylized mountain with the cow of Hathor emerging from it. Her role as a sky goddess was also linked to the afterlife. Because the sky goddess—either Nut or Hathor—assisted Ra in his daily rebirth, she had an important part in ancient Egyptian afterlife beliefs, according to which deceased humans were reborn like the sun god. Coffins, tombs, and the underworld itself were interpreted as the womb of this goddess, from which the deceased soul would be reborn. Nut, Hathor, and Imentet could each, in different texts, lead the deceased into a place where they would receive food and drink for eternal sustenance. Thus, Hathor, as Imentet, often appears on tombs, welcoming the deceased person as her child into a blissful afterlife. In New Kingdom funerary texts and artwork, the afterlife was often illustrated as a pleasant, fertile garden, over which Hathor sometimes presided. The welcoming afterlife goddess was often portrayed as a goddess in the form of a tree, giving water to the deceased. Nut most commonly filled this role, but the tree goddess was sometimes called Hathor instead. The afterlife also had a sexual aspect. In the Osiris myth, the murdered god
Osiris Osiris (, from Egyptian ''wikt:wsjr, wsjr'') was the ancient Egyptian deities, god of fertility, agriculture, the Ancient Egyptian religion#Afterlife, afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was ...
was resurrected when he copulated with Isis and conceived Horus. In solar ideology, Ra's union with the sky goddess allowed his own rebirth. Sex therefore enabled the rebirth of the deceased, and goddesses like Isis and Hathor served to rouse the deceased to new life. But they merely stimulated the male deities' regenerative powers, rather than playing the central role. Ancient Egyptians prefixed the names of the deceased with Osiris's name to connect them with his
resurrection Resurrection or anastasis is the concept of coming back to life after death. Reincarnation is a similar process hypothesized by other religions involving the same person or deity returning to another body. The disappearance of a body is anothe ...
. For example, a woman named Henutmehyt would be dubbed "Osiris-Henutmehyt". Over time they increasingly associated the deceased with both male and female divine powers. As early as the late Old Kingdom, women were sometimes said to join the worshippers of Hathor in the afterlife, just as men joined the following of Osiris. In the Third Intermediate Period (c. 1070–664 BC), Egyptians began to add Hathor's name to that of deceased women in place of that of Osiris. In some cases, women were called "Osiris-Hathor", indicating that they benefited from the revivifying power of both deities. In these late periods, Hathor was sometimes said to rule the afterlife as Osiris did.


Iconography

Hathor was often depicted as a cow bearing the sun disk between her horns, especially when shown nursing the king. She could also appear as a woman with the head of a cow. Her most common form, however, was a woman wearing a headdress of the horns and sun disk, often with a red or turquoise sheath dress, or a dress combining both colors. Sometimes the horns stood atop a low modius or the vulture headdress that Egyptian queens often wore in the New Kingdom. Because Isis adopted the same headdress during the New Kingdom, the two goddesses can be distinguished only if labeled in writing. When in the role of Imentet, Hathor wore the emblem of the west upon her head instead of the horned headdress. The Seven Hathors were sometimes portrayed as a set of seven cows, accompanied by a minor sky and afterlife deity called the Bull of the West. Some animals other than cattle could represent Hathor. The uraeus was a common motif in Egyptian art and could represent a variety of goddesses who were identified with the Eye of Ra. When Hathor was depicted as a uraeus, it represented the ferocious and protective aspects of her character. She also appeared as a lioness, and this form had a similar meaning. In contrast, the
domestic cat The cat (''Felis catus''), also referred to as the domestic cat or house cat, is a small Domestication, domesticated carnivorous mammal. It is the only domesticated species of the family Felidae. Advances in archaeology and genetics have sh ...
, which was sometimes connected with Hathor, often represented the Eye goddess's pacified form. When portrayed as a sycamore tree, Hathor was usually shown with the upper body of her human form emerging from the trunk. Like other goddesses, Hathor might carry a stalk of papyrus as a staff, though she could instead hold a '' was'' staff, a symbol of power that was usually restricted to male deities. The only goddesses who used the ''was'' were those, like Hathor, who were linked with the Eye of Ra. She also commonly carried a sistrum or a ''menat'' necklace. The sistrum came in two varieties: a simple loop shape or the more complex ''naos'' sistrum, which was shaped to resemble a '' naos'' shrine and flanked by
volute A volute is a spiral, scroll-like ornament that forms the basis of the Ionic order, found in the capital of the Ionic column. It was later incorporated into Corinthian order and Composite column capitals. Four are normally to be found on an ...
s resembling the antennae of the Bat emblem. Mirrors were another of her symbols, because in Egypt they were often made of gold or bronze and therefore symbolized the sun disk, and because they were connected with beauty and femininity. Some mirror handles were made in the shape of Hathor's face. The ''
menat In ancient Egyptian religion, a menat (, ) was a necklace closely associated with the goddess Hathor. Operation The menat was held in the hand by its counterpoise and used as a Rattle (percussion instrument), rattle by Hathor's priestesses. It ...
'' necklace, made up of many strands of beads, was shaken in ceremonies in Hathor's honor, similarly to the sistrum. Images of it were sometimes seen as personifications of Hathor herself. Hathor was sometimes represented as a human face with bovine ears, seen from the front rather than in the profile-based perspective that was typical of Egyptian art. When she appears in this form, the tresses on either side of her face often curl into loops. This mask-like face was placed on the capitals of columns beginning in the late Old Kingdom. Columns of this style were used in many temples to Hathor and other goddesses. These columns have two or four faces, which may represent the duality between different aspects of the goddess or the watchfulness of Hathor of the Four Faces. The designs of Hathoric columns have a complex relationship with those of sistra. Both styles of sistrum can bear the Hathor mask on the handle, and Hathoric columns often incorporate the ''naos'' sistrum shape above the goddess's head. Luxor Museum Statue Hathor 01.jpg, Statue of Hathor, fourteenth century BC Hathor Amulet MET DP136527.jpg, Amulet of Hathor as a uraeus wearing a '' naos'' headdress, early to mid-first millennium BC Faience Sistrum Inscribed with the Name of Ptolemy I MET DP245512.jpg, ''Naos'' sistrum with Hathor's face, 305–282 BC Mirror with Hathor Emblem Handle MET 26.8.98 EGDP020852 (cropped).jpg, Mirror with a face of Hathor on the handle, fifteenth century BC Head of Hathor from a clapper the inscription calling the musician who used it "beloved by the goddess Mut , Lady of Isheru (Karnak) MET DP311633 (cropped).jpg, Head of Hathor with cats on her headdress, from a clapper, late second to early first millennium BC Menat necklace from Malqata MET DT234778.jpg, The '' Malqata Menat'' necklace, fourteenth century BC S F-E-CAMERON EGYPT 2006 HATSHEPSUT00195.JPG, Hathoric capital from the Mortuary Temple of Hatshepsut, fifteenth century BC


Worship


Relationship with royalty

During the Early Dynastic Period,
Neith Neith (, a borrowing of the Demotic (Egyptian), Demotic form , also spelled Nit, Net, or Neit) was an ancient Egyptian deity, possibly of Ancient Libya, Libyan origin. She was connected with warfare, as indicated by her emblem of two crossed b ...
was the preeminent goddess at the royal court, while in the Fourth Dynasty, Hathor became the goddess most closely linked with the king.
Sneferu Sneferu or Soris (c. 2600 BC) was an ancient Egyptian monarch and the first pharaoh of the Fourth Dynasty of Egypt, during the earlier half of the Old Kingdom period (26th century BC). He introduced major innovations in the design and constructio ...
, the founder of the Fourth Dynasty, may have built a temple to her, and Neferhetepes, a daughter of Djedefra, was the first recorded
priestess of Hathor Priestess of Hathor or Prophetess of Hathor was the title of the Ordination of women#Ancient Egypt, Priestess of the goddess Hathor in the Temple of Dendera in Ancient Egypt. Title The title is known to be given during the Old Kingdom of Egypt, an ...
. Old Kingdom rulers donated resources only to temples dedicated to particular kings or to deities closely connected with kingship. Hathor was one of the few deities to receive such donations. Late Old Kingdom rulers especially promoted the cult of Hathor in the provinces, as a way of binding those regions to the royal court. She may have absorbed the traits of contemporary provincial goddesses. Many female royals, though not reigning queens, held positions in the cult during the Old Kingdom. Mentuhotep II, who became the first pharaoh of the Middle Kingdom despite having no relation to the Old Kingdom rulers, sought to legitimize his rule by portraying himself as Hathor's son. The first images of the Hathor-cow suckling the king date to his reign, and several priestesses of Hathor were depicted as though they were his wives, although he may not have actually married them. In the course of the Middle Kingdom, queens were increasingly seen as directly embodying the goddess, just as the king embodied Ra. The emphasis on the queen as Hathor continued through the New Kingdom. Queens were portrayed with the headdress of Hathor beginning in the late Eighteenth Dynasty. An image of the
sed festival The Sed festival (''ḥb-sd'', Egyptian language#Egyptological pronunciation, conventional pronunciation ; also known as Heb Sed or Feast of the Tail) was an ancient Egyptian ceremony that celebrated the continued rule of a pharaoh. The name is ...
of Amenhotep III, meant to celebrate and renew his rule, shows the king together with Hathor and his queen Tiye, which could mean that the king symbolically married the goddess in the course of the festival.
Hatshepsut Hatshepsut ( ; BC) was the sixth pharaoh of the Eighteenth Dynasty of Ancient Egypt, Egypt, ruling first as regent, then as queen regnant from until (Low Chronology) and the Great Royal Wife of Pharaoh Thutmose II. She was Egypt's second c ...
, a woman who ruled as a pharaoh in the early New Kingdom, emphasized her relationship to Hathor in a different way. She used names and titles that linked her to a variety of goddesses, including Hathor, so as to legitimize her rule in what was normally a male position. She built several temples to Hathor and placed her own mortuary temple, which incorporated a chapel dedicated to the goddess, at Deir el-Bahari, which had been a cult site of Hathor since the Middle Kingdom. The preeminence of Amun during the New Kingdom gave greater visibility to his consort Mut, and in the course of the period, Isis began appearing in roles that traditionally belonged to Hathor alone, such as that of the goddess in the solar barque. Despite the growing prominence of these deities, Hathor remained important, particularly in relation to fertility, sexuality, and queenship, throughout the New Kingdom. After the New Kingdom, Isis increasingly overshadowed Hathor and other goddesses as she took on their characteristics. In the Ptolemaic period (305–30 BC), when
Greeks Greeks or Hellenes (; , ) are an ethnic group and nation native to Greece, Greek Cypriots, Cyprus, Greeks in Albania, southern Albania, Greeks in Turkey#History, Anatolia, parts of Greeks in Italy, Italy and Egyptian Greeks, Egypt, and to a l ...
governed Egypt and their religion developed a complex relationship with that of Egypt, the
Ptolemaic dynasty The Ptolemaic dynasty (; , ''Ptolemaioi''), also known as the Lagid dynasty (, ''Lagidai''; after Ptolemy I's father, Lagus), was a Macedonian Greek royal house which ruled the Ptolemaic Kingdom in Ancient Egypt during the Hellenistic period. ...
adopted and modified the Egyptian ideology of kingship. Beginning with Arsinoe II, wife of Ptolemy II, the Ptolemies closely linked their queens with Isis and with several Greek goddesses, particularly their own goddess of love and sexuality,
Aphrodite Aphrodite (, ) is an Greek mythology, ancient Greek goddess associated with love, lust, beauty, pleasure, passion, procreation, and as her syncretism, syncretised Roman counterpart , desire, Sexual intercourse, sex, fertility, prosperity, and ...
. Nevertheless, when the Greeks referred to Egyptian gods by the names of their own gods (a practice called ''
interpretatio graeca , or "interpretation by means of Greek odels, refers to the tendency of the ancient Greeks to identify foreign deities with their own gods. It is a discourse used to interpret or attempt to understand the mythology and religion of other cult ...
''), they sometimes called Hathor Aphrodite. Traits of Isis, Hathor, and Aphrodite were all combined to justify the treatment of Ptolemaic queens as goddesses. Thus, the poet
Callimachus Callimachus (; ; ) was an ancient Greek poet, scholar, and librarian who was active in Alexandria during the 3rd century BC. A representative of Ancient Greek literature of the Hellenistic period, he wrote over 800 literary works, most of which ...
alluded to the myth of Hathor's lost lock of hair in the '' Aetia'' when praising Berenice II for sacrificing her own hair to Aphrodite, and iconographic traits that Isis and Hathor shared, such as the bovine horns and vulture headdress, appeared on images portraying Ptolemaic queens as Aphrodite.


Temples in Egypt

More temples were dedicated to Hathor than to any other Egyptian goddess. During the Old Kingdom her most important center of worship was in the region of Memphis, where "Hathor of the Sycamore" was worshipped at many sites throughout the
Memphite Necropolis The Memphite Necropolis (or Pyramid Fields) is a series of Ancient Egypt, ancient Egyptian funerary complexes occupying a 30-kilometer (19 mi) stretch on the Western Desert (Egypt), Western Desert plateau near the ancient capital of Memphis, Egypt, ...
. During the New Kingdom era, the temple of Hathor of the Southern Sycamore was her main temple in Memphis. At that site she was described as the daughter of the city's main deity, Ptah. The cult of Ra and Atum at Heliopolis, northeast of Memphis, included a temple to Hathor-Nebethetepet that was probably built in the Middle Kingdom. A willow and a sycamore tree stood near the sanctuary and may have been worshipped as manifestations of the goddess. A few cities farther north in the
Nile Delta The Nile Delta (, or simply , ) is the River delta, delta formed in Lower Egypt where the Nile River spreads out and drains into the Mediterranean Sea. It is one of the world's larger deltas—from Alexandria in the west to Port Said in the eas ...
, such as Yamu and Terenuthis, also had temples to her. Dendera, Hathor's oldest temple in Upper Egypt, dates to at least to the Fourth Dynasty. After the end of the Old Kingdom it surpassed her Memphite temples in importance. Many kings made additions to the temple complex through Egyptian history. The last version of the temple was built in the Ptolemaic and Roman Periods and is today one of the best-preserved Egyptian temples from that time. As the rulers of the Old Kingdom made an effort to develop towns in Upper and
Middle Egypt Middle Egypt () is the section of land between Lower Egypt (the Nile Delta) and Upper Egypt, stretching upstream from Asyut in the south to Memphis, Egypt, Memphis in the north. At the time, Ancient Egypt was divided into Lower and Upper Egypt, ...
, several cult centers of Hathor were founded across the region, at sites such as
Cusae Cusae (; ) was a city in Upper Egypt. Its Ancient Egyptian name was ''qjs'' (variant ''qsy''), conventionally rendered Qis or Kis, with many further transliterations such as Qosia. Today, the town is known as El Quseyya, and is located on the w ...
,
Akhmim Akhmim (, ; Akhmimic , ; Sahidic/Bohairic ) is a city in the Sohag Governorate of Upper Egypt. Referred to by the ancient Greeks as Khemmis or Chemmis () and Panopolis (), it is located on the east bank of the Nile, to the northeast of Sohag. ...
, and Naga ed-Der. In the
First Intermediate Period The First Intermediate Period, described as a 'dark period' in ancient Egyptian history, spanned approximately 125 years, c. 2181–2055 BC, after the end of the Old Kingdom of Egypt, Old Kingdom. It comprises the seventh Dynasty, Seventh (altho ...
(c. 2181–2055 BC) her cult statue from Dendera was periodically carried to the Theban necropolis. During the beginning of the Middle Kingdom, MentuhotepII established a permanent cult center for her in the necropolis at Deir el-Bahari. The nearby village of
Deir el-Medina Deir el-Medina (), or Dayr al-Madīnah, is an ancient Egyptian workmen's village which was home to the artisans who worked on the tombs in the Valley of the Kings during the 18th to 20th Dynasties of the New Kingdom of Egypt (ca. 1550–1080 BC). ...
, home to the tomb workers of the necropolis during the New Kingdom, also contained temples of Hathor. One continued to function and was periodically rebuilt as late as the Ptolemaic Period, centuries after the village was abandoned. In the Old Kingdom, most priests of Hathor, including the highest ranks, were women. Many of these women were members of the royal family. In the course of the Middle Kingdom, women were increasingly excluded from the highest priestly positions, at the same time that queens were becoming more closely tied to Hathor's cult. Thus, non-royal women disappeared from the high ranks of Hathor's priesthood, although women continued to serve as musicians and singers in temple cults across Egypt. The most frequent temple rite for any deity was the daily offering ritual, in which the cult image, or statue, of a deity would be clothed and given food. The daily ritual was largely the same in every Egyptian temple, although the goods given as offerings could vary according to which deity received them. Wine and beer were common offerings in all temples, but especially in rituals in Hathor's honor, and she and the goddesses related to her often received sistra and ''menat'' necklaces. In Late and Ptolemaic times, they were also offered a pair of mirrors, representing the sun and the moon.


Festivals

Many of Hathor's annual festivals were celebrated with drinking and dancing that served a ritual purpose. Revelers at these festivals may have aimed to reach a state of
religious ecstasy Religious ecstasy is a purported form of altered state of consciousness characterized by greatly reduced external awareness and reportedly expanded interior mental and spiritual awareness, frequently accompanied by visions and emotional (and so ...
, which was otherwise rare or nonexistent in ancient Egyptian religion. Graves-Brown suggests that celebrants in Hathor's festivals aimed to reach an
altered state of consciousness An altered state of consciousness (ASC), also called an altered state of mind, altered mental status (AMS) or mind alteration, is any condition which is significantly different from a normal waking state. It describes induced changes in one's me ...
to allow them interact with the divine realm. An example is the Festival of Drunkenness, commemorating the return of the Eye of Ra, which was celebrated on the twentieth day of the month of Thout at temples to Hathor and to other Eye goddesses. It was celebrated as early as the Middle Kingdom, but it is best known from Ptolemaic and Roman times. The dancing, eating and drinking that took place during the Festival of Drunkenness represented the opposite of the sorrow, hunger, and thirst that the Egyptians associated with death. Whereas the rampages of the Eye of Ra brought death to humans, the Festival of Drunkenness celebrated life, abundance, and joy. In a local Theban festival known as the Beautiful Festival of the Valley, which began to be celebrated in the Middle Kingdom, the
cult image In the practice of religion, a cult image is a Cultural artifact, human-made object that is venerated or worshipped for the deity, Spirit (supernatural entity), spirit or Daimon, daemon that it embodies or represents. In several traditions, incl ...
of Amun from the Temple of Karnak visited the temples in the Theban Necropolis while members of the community went to the tombs of their deceased relatives to drink, eat, and celebrate. Hathor was not involved in this festival until the early New Kingdom, after which Amun's overnight stay in the temples at Deir el-Bahari came to be seen as his sexual union with her. Several temples in Ptolemaic times, including that of Dendera, observed the Egyptian new year with a series of ceremonies in which images of the temple deity were supposed to be revitalized by contact with the sun god. On the days leading up to the new year, Dendera's statue of Hathor was taken to the '' wabet'', a specialized room in the temple, and placed under a ceiling decorated with images of the sky and sun. On the first day of the new year, the first day of the month of Thoth, the Hathor image was carried up to the roof to be bathed in genuine sunlight. The best-documented festival focused on Hathor is another Ptolemaic celebration, the Festival of the Beautiful Reunion. It took place over fourteen days in the month of Epiphi. Hathor's cult image from Dendera was carried by boat to several temple sites to visit the gods of those temples. The endpoint of the journey was the Temple of Horus at Edfu, where the Hathor statue from Dendera met that of Horus of Edfu and the two were placed together. On one day of the festival, these images were carried out to a shrine where primordial deities such as the sun god and the Ennead were said to be buried. The texts say the divine couple performed offering rites for these entombed gods. Many Egyptologists regard this festival as a ritual marriage between Horus and Hathor, although Martin Stadler challenges this view, arguing that it instead represented the rejuvenation of the buried creator gods. C. J. Bleeker thought the Beautiful Reunion was another celebration of the return of the Distant Goddess, citing allusions in the temple's festival texts to the myth of the solar eye. Barbara Richter argues that the festival represented all three things at once. She points out that the birth of Horus and Hathor's son Ihy was celebrated at Dendera nine months after the Festival of the Beautiful Reunion, implying that Hathor's visit to Horus represented Ihy's conception. The third month of the
Egyptian calendar The ancient Egyptian calendar – a civil calendar – was a solar calendar with a 365-day year. The year consisted of three seasons of 120 days each, plus an Egyptian intercalary month, intercalary month of five epagomenal days treated as outs ...
, Hathor or Athyr, was named for the goddess. Festivities in her honor took place throughout the month, although they are not recorded in the texts from Dendera.


Worship outside Egypt

Egyptian kings as early as the Old Kingdom donated goods to the temple of Baalat Gebal in Byblos, using the syncretism of Baalat with Hathor to cement their close trading relationship with Byblos. A temple to Hathor as Lady of Byblos was built during the reign of Thutmose III, although it may simply have been a shrine within the temple of Baalat. After the breakdown of the New Kingdom, Hathor's prominence in Byblos diminished along with Egypt's trade links to the city. A few artifacts from the early first millennium BC suggest that the Egyptians began equating Baalat with Isis at that time. A myth about Isis's presence in Byblos, related by the Greek author
Plutarch Plutarch (; , ''Ploútarchos'', ; – 120s) was a Greek Middle Platonist philosopher, historian, biographer, essayist, and priest at the Temple of Apollo (Delphi), Temple of Apollo in Delphi. He is known primarily for his ''Parallel Lives'', ...
in his work ''On Isis and Osiris'' in the 2nd century AD, suggests that by his time Isis had entirely supplanted Hathor in the city. A pendant found in a Mycenaean tomb at
Pylos Pylos (, ; ), historically also known as Navarino, is a town and a former Communities and Municipalities of Greece, municipality in Messenia, Peloponnese (region), Peloponnese, Greece. Since the 2011 local government reform, it has been part of ...
, from the 16th century BC, bears Hathor's face. Its presence in the tomb suggests the Mycenaeans may have known that the Egyptians connected Hathor with the
afterlife The afterlife or life after death is a purported existence in which the essential part of an individual's Stream of consciousness (psychology), stream of consciousness or Personal identity, identity continues to exist after the death of their ...
. Egyptians in the
Sinai Peninsula The Sinai Peninsula, or simply Sinai ( ; ; ; ), is a peninsula in Egypt, and the only part of the country located in Asia. It is between the Mediterranean Sea to the north and the Red Sea to the south, and is a land bridge between Asia and Afri ...
built a few temples in the region. The largest was a complex dedicated primarily to Hathor as patroness of mining at Serabit el-Khadim, on the west side of the peninsula. It was occupied from the middle of the Middle Kingdom to near the end of the New. The Timna Valley, on the fringes of the Egyptian empire on the east side of the peninsula, was the site of seasonal mining expeditions during the New Kingdom. It included a shrine to Hathor that was probably deserted during the off-season. The local Midianites, whom the Egyptians used as part of the mining workforce, may have given offerings to Hathor as their overseers did. After the Egyptians abandoned the site in the Twentieth Dynasty, however, the Midianites converted the shrine to a tent shrine devoted to their own deities. In contrast, the Nubians in the south fully incorporated Hathor into their religion. During the New Kingdom, when most of Nubia was under Egyptian control, pharaohs dedicated several temples in Nubia to Hathor, such as those at Faras and Mirgissa. AmenhotepIII and
Ramesses II Ramesses II (sometimes written Ramses or Rameses) (; , , ; ), commonly known as Ramesses the Great, was an Egyptian pharaoh. He was the third ruler of the Nineteenth Dynasty. Along with Thutmose III of the Eighteenth Dynasty, he is often reg ...
both built temples in Nubia that celebrated their respective queens as manifestations of female deities, including Hathor: Amenhotep's wife Tiye at Sedeinga and Ramesses's wife
Nefertari Nefertari, also known as Nefertari Meritmut, was an Egyptian queen and the first of the Great Royal Wife, Great Royal Wives (or principal wives) of Ramesses II, Ramesses the Great. She is one of the best known Egyptian queens, among such women ...
at the Small Temple of Abu Simbel. The independent
Kingdom of Kush The Kingdom of Kush (; Egyptian language, Egyptian: 𓎡𓄿𓈙𓈉 ''kꜣš'', Akkadian language, Assyrian: ''Kûsi'', in LXX Χους or Αἰθιοπία; ''Ecōš''; ''Kūš''), also known as the Kushite Empire, or simply Kush, was an an ...
, which emerged in Nubia after the collapse of the New Kingdom, based its beliefs about Kushite kings on the royal ideology of Egypt. Therefore, Hathor, Isis, Mut, and Nut were all seen as the mythological mother of each Kushite king and equated with his female relatives, such as the '' kandake'', the Kushite queen or
queen mother A queen mother is a former queen, often a queen dowager, who is the mother of the monarch, reigning monarch. The term has been used in English since the early 1560s. It arises in hereditary monarchy, hereditary monarchies in Europe and is also ...
, who had prominent roles in Kushite religion. At
Jebel Barkal Jebel Barkal or Gebel Barkal () is a mesa or large rock outcrop located 400 km north of Khartoum, next to Karima in Northern State in Sudan, on the Nile River, in the region that is sometimes called Nubia. The jebel is 104 m tall, has a f ...
, a site sacred to Amun, the Kushite king
Taharqa Taharqa, also spelled Taharka or Taharqo, Akkadian: ''Tar-qu-ú'', , Manetho's ''Tarakos'', Strabo's ''Tearco''), was a pharaoh of the Twenty-fifth Dynasty of Egypt and qore (king) of the Kingdom of Kush (present day Sudan) from 690 to 664 BC. ...
built a pair of temples, one dedicated to Hathor and one to Mut as consorts of Amun, replacing New Kingdom Egyptian temples that may have been dedicated to these same goddesses. But Isis was the most prominent of the Egyptian goddesses worshipped in Nubia, and her status there increased over time. Thus, in the Meroitic period of Nubian history (c. 300 BCAD 400), Hathor appeared in temples mainly as a companion to Isis.


Popular worship

In addition to formal and public rituals at temples, Egyptians privately worshipped deities for personal reasons, including at their homes. Birth was hazardous for both mother and child in ancient Egypt, yet children were much desired. Thus fertility and safe childbirth are among the most prominent concerns in popular religion, and fertility deities such as Hathor and Taweret were commonly worshipped in household shrines. Egyptian women squatted on bricks while giving birth, and the only known surviving birth brick from ancient Egypt is decorated with an image of a woman holding her child flanked by images of Hathor. In Roman times,
terracotta Terracotta, also known as terra cotta or terra-cotta (; ; ), is a clay-based non-vitreous ceramic OED, "Terracotta""Terracotta" MFA Boston, "Cameo" database fired at relatively low temperatures. It is therefore a term used for earthenware obj ...
figurines, sometimes found in a domestic context, depicted a woman with an elaborate headdress exposing her genitals, as Hathor did to cheer up Ra. The meaning of these figurines is not known, but they are often thought to represent Hathor or Isis combined with Aphrodite making a gesture that represented fertility or protection against evil. Hathor was one of a handful of deities, including Amun, Ptah, and Thoth, who were commonly prayed to for help with personal problems. Many Egyptians left offerings at temples or small shrines dedicated to the gods they prayed to. Most offerings to Hathor were used for their symbolism, not for their intrinsic value. Cloths painted with images of Hathor were common, as were plaques and figurines depicting her animal forms. Different types of offerings may have symbolized different goals on the part of the donor, but their meaning is usually unknown. Images of Hathor alluded to her mythical roles, like depictions of the maternal cow in the marsh. Offerings of sistra may have been meant to appease the goddess's dangerous aspects and bring out her positive ones, while phalli represented a prayer for fertility, as shown by an inscription found on one example. Some Egyptians also left written prayers to Hathor, inscribed on
stela A stele ( ) or stela ( )The plural in English is sometimes stelai ( ) based on direct transliteration of the Greek, sometimes stelae or stelæ ( ) based on the inflection of Greek nouns in Latin, and sometimes anglicized to steles ( ) or stela ...
e or written as graffiti. Prayers to some deities, such as Amun, show that they were thought to punish wrongdoers and heal people who repented for their misbehavior. In contrast, prayers to Hathor mention only the benefits she could grant, such as abundant food during life and a well-provisioned burial after death.


Funerary practices

As an afterlife deity, Hathor appeared frequently in funerary texts and art. In the early New Kingdom, for instance, she was one of the three deities most commonly found in royal tomb decoration, the others being Osiris and
Anubis Anubis (; ), also known as Inpu, Inpw, Jnpw, or Anpu in Ancient Egyptian (), is the god of funerary rites, protector of graves, and guide to the underworld in ancient Egyptian religion, usually depicted as a canine or a man with a canine hea ...
. In that period she often appeared as the goddess welcoming the dead into the afterlife. Other images referred to her more obliquely. Reliefs in Old Kingdom tombs show men and women performing a ritual called "shaking the papyrus". The significance of this rite is not known, but inscriptions sometimes say it was performed "for Hathor", and shaking papyrus stalks produces a rustling sound that may have been likened to the rattling of a sistrum. Other Hathoric imagery in tombs included the cow emerging from the mountain of the necropolis and the seated figure of the goddess presiding over a garden in the afterlife. Images of Nut were often painted or incised inside coffins, indicating the coffin was her womb, from which the occupant would be reborn in the afterlife. In the Third Intermediate Period, Hathor began to be placed on the floor of the coffin, with Nut on the interior of the lid. Tomb art from the Eighteenth Dynasty often shows people drinking, dancing, and playing music, as well as holding ''menat'' necklaces and sistra—all imagery that alluded to Hathor. These images may represent private feasts that were celebrated in front of tombs to commemorate the people buried there, or they may show gatherings at temple festivals such as the Beautiful Festival of the Valley. Festivals were thought to allow contact between the human and divine realms, and by extension, between the living and the dead. Thus, texts from tombs often expressed a wish that the deceased would be able to participate in festivals, primarily those dedicated to Osiris. Tombs' festival imagery, however, may refer to festivals involving Hathor, such as the Festival of Drunkenness, or to the private feasts, which were also closely connected with her. Drinking and dancing at these feasts may have been meant to intoxicate the celebrants, as at the Festival of Drunkenness, allowing them to commune with the spirits of the deceased. Hathor was said to supply offerings to deceased people as early as the Old Kingdom, and spells to enable both men and women to join her retinue in the afterlife appeared as early as the Coffin Texts. Some burial goods that portray deceased women as goddesses may depict these women as followers of Hathor, although whether the imagery refers to Hathor or Isis is not known. The link between Hathor and deceased women was maintained into the Roman Period, the last stage of ancient Egyptian religion before its
extinction Extinction is the termination of an organism by the death of its Endling, last member. A taxon may become Functional extinction, functionally extinct before the death of its last member if it loses the capacity to Reproduction, reproduce and ...
.


References


Citations


Works cited

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Text Version
* * *


Further reading

* * * * *


External links

*

: English translation at ''attalus.org'' {{Authority control Animal goddesses Arts goddesses Beauty goddesses Cattle deities Egyptian goddesses Horned goddesses Love and lust goddesses Mother goddesses Music and singing goddesses Nubian goddesses Sky and weather goddesses Solar goddesses Psychopomps Tree goddesses Sekhmet Lion goddesses Snake goddesses